Showing 731 items matching "school bank"

The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth Carriage Museum II, c1972-1976

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Charatome / Corning Buggy / Braise & Drag / believed to (illegible) built by Crawford and (illegible) / COBB & CO / WAGONETTE / B'WORTH MUSEUM Reverse: BEECHWORTH NOSTALGIA / BW-07(a) / B 8 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth Carriage Museum III, c1972-1976

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: ABBOT BAGGY / B'WORTH / CARRIAGE MUSEUM Reverse: B7 / Beechworth Nostalgia / BW - 07 B (crossed out) / 008ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth Carriage Museum I, c1972-1976

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: BEECHWORTH CARRIAGE MUSEUM / MARCUSE Reverse: BEECHWORTH NOSTALGIA / BW-08 / B 9 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth Carriage Museum IV, c1972-1976

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: B'worth / Marcuse Reverse: B6 / Beechworth Nostalgia / BW - 07 (crossed out)ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth III, c1972-1976

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: BEECHWORTH / VIC. / MARCUSE Reverse: BEECHWORTH NOSTALGIA / BW – 03 (on masking tape) 003 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth – Opposite Crown Hotel (Tanswell Hotel), c1972-1976

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Opposite Crown Hotel / Tanswell Hotel / BEECHWORTH / (on tape) Reverse: BEECHWORTH NOSTALGIA / BW – 05 (on masking tape) 004 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth – Old Court House, 1972

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Marcuse / Beechworth Old Courthouse / Reverse: B4 / BEECHWORTH OLD COURTHOUSE / BW - 09 (on masking tape) COURTHOUSE / BEECHWORTH / VICTORIA / NATIONAL TRUST / CLASS (A) ERNEST MARCUSE / 17 CADDOCK AVE / CAUFIELD / VIC / 53-7374 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Courthouse - Beechworth, 1974

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Marcuse 74 / Courthouse / Visitor Ned Kelly . B'worth Reverse: BEECHWORTH / COURTHOUSE / B5 / 06 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth I, c1972-1976

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MARCUSE / B.worth (in pen) Reverse: BEECHWORTH NOSTALGIA / BW – 01 (crossed out) / B2 / CORNER CAMP + FORD STREET / (on masking tape) 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Yackandandah I, 1983

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MILLS / DISPENSARY / MARCUSE 83 / YACKANDANDAH Reverse: Y 12 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program, yackandandah
Bendigo Historical Society Inc.
Memorabilia - GOLD NUGGET COLLECTION: THE GEM, 1906

The Gem The Poseidon Rush. Tarnagulla, Saturday. Article - The Albury Banner and Wodonga Express (NSW : 1871 - 1938)Friday 8 February 1907 - Page 43 The Poseidon Rush. Tarnagulla, Saturday. Several indicators and quartz leaders on the Woolshed Hill have received considerable attention during the last fortnight. In some claims the stone looks very promising, and nice tracings of gold have been obtained. Wragg Brothers struck it rich yesterday. At a depth of 12ft. on the bedrock they discovered a nugget specimen 206oz. in weight, which has been christened the 'Port Arthur. The party also had the good fortune to find two other specimens close, by, one weighing 23oz. 15dwt. and the other 24oz.These were named 'The Twins,' the Wragg Brothers bearing that distinction. In this claim about eight weeks ago the Gem (88oz.) was unearthed. THE POSEIDON RUSH. Article Illustrated - Leader (Melbourne, Vic. : 1862 - 1918, 1935)Saturday 29 December 1906 - Page 33 THE POSEIDON RUSH. It is only about five weeks since this rush was opened by John Porter, but since that time a marvellous change has taken place. The quietness of the bush has given place to a scene of wild excitement, and each week this is intensified by the discovery of large nuggets. When Smith, Rogers and Stephenson picked out their slug on election day, no one dreamed that larger ones were lying only a few feet away, but such was the fact. On Tuesday afternoon two immense slugs, one of which weighed 960 oz., and the other 373 oz., were found in adjoining claims within a few minutes of each other. The finding of these created a scene which it is difficult to describe. "I've got one, “was shouted from the claim of Bert Williamson and T. Stephenson, two men just entering into manhood. They were seen excitedly digging round a lump of gold, one of them with a double-ended pick, the point-of which he broke in his anxiety to unearth it. This slug is nine inches long by seven inches by 43 inches, and is very similar in appearance and size to the big nugget got previously in the adjoining claim. It has been cleaned and smelted, and has yielded 306 oz. of pure gold of the best sample. Before the excitement caused by the discovery of the last nugget had sub-sided, there was a shout from an adjoining claim. Sam Woodall, a Llanelly miner, felt his pick strike a hard yielding sub-stance, and, satisfied that he had struck a nugget, called the attention of his mates to the fact. He soon levered it out of the ground with his pick. Taking it up in his arms he staggered out of the claim with it, and in a minute or two was sur-rounded by hundreds of men who rushed from all over the field to view it, and to feel its weight. It was certainly a magnificent specimen, and the fortunate miners were congratulated on all sides. Its weight was guessed to be a hundredweight, and probably in its then dirty state it would nave turned the scales at that. In a few minutes the crowd was so dense that it was impossible to get a close inspection. The nugget was first taken to Newbridge under escort, then through Llanelly to Tarnagulla, where it was lodged in the Union Bank. It was found that the bank scales were not sufficiently large to weigh the mass. By tying a number of large weights together, and suspending them from a steel bar, a fairly accurate weight was obtained, and it just balanced 80 lb., or 960 oz. The nugget measures 16 in. x 10 in. x 5 in. The party was cheered as it drove up the main street here, and the sight of an armed escort was quite a novelty. The nugget was held aloft in a tin dish for inspection by the crowd. These nuggets were found in the shallow workings, and neither of them were a foot under the surface. The ground is a black loamy soil; there was no appearance of wash whatever, and no one knowing anything of alluvial mining would think of searching for gold in such a spot. All those who have claims on the hillside are breaking out all the dirt in a face from the surface to the reef, which is a mixture of lime and sunstone, and searching for nuggets. The ground is carefully pulverised so that nothing shall be missed. Some are puddling the whole of it, but it is hardly payable. Where the big nuggets are now being found, the ground has been pegged out and abandoned more than once since the rush started, and shares in the claims have been purchased for small amounts. Smith was given a third share in the claim where the first nugget was found for puddling the dirt big lump was discovered, by Woodall, Condron, Brooks and Eva, two of them sold a sixth share for £5 a few days ago to a man named Woods, who only worked a few days and sold out again for 50/. Some fancy prices are now being offered for shares in the claims in the vicinity. Woodall holds a third share, Condron and Brooks three-quarters of a share each, and Eva a sixth share. The largest nugget has been christened "The Poseidon." The names given to the other nuggets obtained previously are as follow: — Wragg Bros., 88 oz. nugget, "The Gem"; Smith and party's 378 oz. nugget, which was unearthed on election day, has been fittingly named "The Federal"; Jackson and Hughes 152 oz.specimen, "The Little. Beu"; Williamson and Stephenson's 373 oz. nugget is said to be called "The Christmas Box." A representative from the (Mines department has been at the bank during, the week taking models for the museums and schools of mines. )A replica of the "Gem" gold nugget that was discovered on 29.11.1906 on the Poseidon Lead at Tarnagulla at the depth of 9 feet. Found on the bedrock by the Wragge Bros. Weight 88 ozs. Value of $126,358 in 2016. (See additional Research.)mining, models, plaster model of victorian gold nugget
Glen Eira Historical Society
Book - Glen Huntly State School No.3703 Grange Road

A 190 page book called The Story So Far 1914-2009 – The History of Glen Huntly Primary School No.3703, by Shirley A. Mriams. The book gives a very detailed history of the school’s early history. It includes head teachers/principals and the school’s progress through each decade to 2009. The remaining chapters give 2009 student roll call, citizenship awards, house competition awards, music awards, sporting awards, encouragement, swimming and musical productions, notable past students and teachers, bibliography and sponsors. There are many photos and school plans as well.glen huntly, glen huntly primary school, glenhuntly primary school, mirams shirley a., glenhuntly printing works, printing industry, from the earth fruit and veg., glenhuntly state school, greengrocers, king stephen, king design, alessi libby, principals, mcgowan keith, radio broadcasting, hunt sydney, forbes c., ramsay m., primary schools, glenhuntly state school, jenkin william, bryant a., orames mr, morrison r., christensen t., doggett j., rogers a., fink r., terrill f., mitchell j., cravine e., mcrae w., cooper l., chernside c., silva a.j., dolphin w., crampton colin, wilson wendy mrs, glenhuntly road, glen huntly, clerk's estate, subdivisions, glen huntly clerk's settlement, carnegie school no. 2897, world war 1914-1918, gardens, mothers clubs, world war 1939-1945, poliomylitis, rural training school, traffic signals, films, 'slow bike race', parents and friends association, after school program, fires, 'links' magazine, choirs, disadvantaged schools program, school plays, 'germs', 'garden folk', festivals and celebrations, japanese internship program, 'kids in space', 'dragon girl', 'fish 'n' ships', murals, wendy wilson music award, fetes, lord reserve, carnegie, australian natives association, congregational chuch sunday school hall, martell e miss, garden avenue, grange road, salvation army halls, halls, glenhuntly road, wanalta road, williamson alex, williamson jean, williamson gordon mccrae, school rolls, le brocq john, cockfield douglas r., grogan allen, mathiesson edward, johnston ronald frank, harris george, money neil robert, fraser eric, munro john, hyland hector thos., gibson wilfred john, eliason francis, scarles john robert, wallace andrew, henning george frederick, maryson sydney, petherbridge c., whitfield j., edward lee, queen alexander, carnegie state school, madden frank sir, parliamentary representatives, bank of new south wales, charles ernest, wallace andrew james, hunt chas. hogarth, williams stanley f., tester thomas george, henstridge john, henstridge reginald, johnston travis andrew, nixon alexander, lewis victor, dalton john, arthurs violet grace, browning leslie george, carroll eric harry, dobson keith george, evans george w.m., eyres annie may, hogg lillian, hunt alfred w.m., johnson henry, jones dorothy minnie, love helvic agnes, lyons gordon, lyons vera, parsons eric robert, dickens gordon percy, smith elva beatrice, harry david, westcott harold norton, westcott ormond chs., bremner marie, entertainers, williamson alex mccrae, ransay albert, caulfield town hall, green ethel, hawthorn alice, reynolds emma a., potter thelma, potter phyllis, anderson elsie m., girdwood stella, bastin may, murphy dorothy g., southern mary, mcleod gwen, ezard gladys m., hood emily vera, thorne eileen isobel, robinson noel, monckton marjorie, mrs hannigan's tuckshop, foley children, lord mr., bladin francis, tomlinson jean, jenkins vern, williamson jean, forty alan, rhinefield mr, bennett mary, brabham laurel, swain george, reynolds mille, gill harry, williamson g., cockfield winifred, baird beth, king elsie, challman miss, glen huntly 'drum and file' school band, larkin aircraft supply company, sugarworks swamp, lemans swamp, lyons streets, morgan streets, miller street, lizars linda, brown allan sir, hurie gladys, simpson peggy, royal ave., garden ave., tennis courts, lander h.j., castledine f.r., henning a.s., glen huntly progress association, harboard joan, mullins mr, pountney dorothy, daley beryl, marching clubs, findlay joyce, green lionel, charles ern, bennett mary, shelter sheds, blanchfield mr bakers, donoald mr grocers, walburn rhoda, harris shirley, treyvaud mr, hale maxwell, painter ken, allan mr ('fatty'), proven mr, ross mrs, nye margaret, nally ware beaker, monuments and memorials, graham bruce, 'bulldog drummond', learmonth mary, bullock margaret, o'shea annie, tattersall dawn, jenkins betty, lighton robert, bruce peter, love grace, love family, judd margery, gardiner elsie, gardiner sadie, glen eira dairy, vanston dorothy, barton cynthia, tipping mr, drummond mr, hambly chrissy, shrives kathleen, hutton beverly, miller kenneth deering, callender mr bakers, cook miss, nunn john athlete, andrews ailsa (nee mcgregor), fraser wally, vickers madeline, vickers john, scanlon mr, malcolm miss, brown barbara (nee holland), pepper miss, burns miss, mclaren miss, beadman jim athletics, robinson noel, crompton neal sportsperson, wilkinson graham, neilson ray, byers barry, bryant tony referee, murray bob, burton pam, pappas george, burke b. mrs, neville street, smith harvey, o'donnell mrs, kivlighon mr, grierson wendy, evans yvonne, squires doreen, squires kathy, jenvey stewart, baxter john, coenen eddie maintenance workers, byrne carol, williams pamela, zari austin (nee coenen), furney janet, dodds mrs, mitchell j., bell r., forsyth e. miss, mitchell neil, radio broadcasting, burke m., boatman r., garfield d., harris e. mrs, sherman m. mrs, carolan e., gunthorp b., barnes john, barnes joan, ellis christine, kossatz mr, black miss, lader mrs, franghis peter, parnell dennis, revens ester, young vivian, mclean bernice, tattersal lorna, geddes rae, hocking malcolm, cusworth peter, christie glenn, watt richard, conway gred, hand graham, mcgowan e., parnell j., mcguire n, hare john, prest margaret, forrester david, mitchell eric, cordingley mrs, waterworth mr, cohen mr, rankin fiona, christiansen mr, boatman mr, dougan mrs milkbars, dougan barry, suttie richard, parnell bruce, silverman judy, king jenny, saxon sally, king nicolette, maxwell heather, saxon jill, vincent russell, saxon rosemary, murray bob, saxon david, miller bill, hill sally-ann, hesline sandra, raspberger cynthia, nightingale mrs district remedial centre, smith mrs, district language consultant, robertson gabrielle, mclennan matthew, goloub kin lyn, jarrett mavis, schafer dianne, commerford pip, mcdougall carlene, anderson jack, hawthorne russell, callahan evelyn, zagami maria, bremner elizabeth, braun tiki, berman claudine, briggs margaret, brady sue, shaw melissa, henham ravena, cooper tania, de abrev connie, brodie joanne, macdonald leighan, mccallum margaret, beddoe john, mcdonald mr council employee, clift andrew, ash steven, lowndes nerida, wysocki b., drough h., grossbard j., locke j., cox l., morey l., clifton p., short b., herszberg n., clift debbie, fuk michael, theodosopoulos haria, shrives jean (nee tomlison), forty alan, geiger irit, roach sally, hillis rachael, roache donna, dixon wendy, bayliss curtis, pregnall joy mrs, slocum mrs, nelson glenda, rubinstein morrie, lurkey dianne, mcminn michael, arneil barbara, mick rose, mell and alice, brayton andrea, moorhead k. rev, brownhill e., lolas heather mrs, regan bernie cleaner, hopkins a. mrs, dewar leon, school crossings, darak diana, eddey diana, pregnall max, eppinger rosy, stacy paul, douvitsas chris, maycock kelly, bunyan liza, johansen eva, siaosi jackie, don kerrie, smyth ruth, bruce julie, mcgregor lorraine, mcallister peter, nelson g., knight sue, mackey s., mackinnon julie, mccallum margaret, johannsen j., herzberg n., hall k, jarrett m., johns w., beddoe john, wilson w., dayble l., thomas helen, ogura etsuko, coxon diane, guttman emmy, garg sangeeto, kennedy robyn, coleman heidi, thompson vic, currie sioux, arnold eve mrs, beddoe mr, mckay sara, skilney tamara, zent mandy, sassos eugenia, manvel bill, lewis pam, rothstadt kaye, clerehan jane, watson simon, daw josie, strong helen, craig caroline, devasagayam kenny, bell peter, palanarezuk fiona, suttie mitchell, mirians shirley, prest marg, condon gabrielle, pitkin sigrid, wilson heather, don paul, thursfield william, footballers, ormond junior football club, rothstadt david, bruce julie, fallu jackie, patterson denise, trantor debbie, nakamura nozomi, christensen tanya, james-clark spencer, eppinger rosy, matsumoto minako, osborne cheryle, john beddoe meritorious sporting student award, sunderland pippa, schleiger emma, paulusz chris, hollingworth kyle, griffiths david, cooper cameron, jewel andrew, nannegaril (nick) abhishek, marshall joel, hodden leigh, meyer tony, te hennepe michael, zimbachs trent, chavili praveen, listmangof mark, sampson tim, sayfer daniel, mest jack, crampton colin, crampton andrew, hemming beth, dean deirdre, wong melissa, arneil christopher, friedman adam, sonnberger leonie, mackey suzanne, clarke heather, fernando gyan, horvath eva, horvath melissa, horvath natalie, rowe rebecca, taylor yani, robinson tess, nolan rebecca, hollingworth mamie, trigellis-smith anna, zhou cindy, jenvey olivia, smith yasminka, hemming caitlin, gale elke, johnson christopher, dalton lyndsay, perish james, seddon anna, webster teagan, stratford sachi, zhuang yvette, taylor katherine, tettennepe simon, hu kevin, thursfield oliver, beycher sonny, gavland angelene, fotopoulos daisy, mcclelland letty, king sierra, sargeant kolly, hodden melissa, picking kate, brasic lisa, mcclelland cassie, cummins alexandra, jamieson laura, cashen lanaya, rowe angela, georgiou jonathon, pejovic maja, luv aileen, hoskin yumika, bishop amy, tweed jacqueline, corrales mariana, williams kendall, jewell bethany, friedman sara, golden phoebe, mellios lauren, sayfer charlene, bell daniel, glagovski anton, ring hannah, aldred jasmin, sisson laura, king janine, allen robbie, taylor xavier, trigellis-smith colin, italia paula, tamura naoko, eddy diane, paterson denise, clarke heather, hemming beth, wilson wendy, wallace gaye, moore denis, plumb rochellee, schmauder debra, taylor kathrine, gale elke, taylor yani, sisson laura, fotopoulos daisy, zuccala lyn, smith phyllis, katz lily, sonnberger leonie, quail janine, prest margaret, zhang karen, indukuri gita, prest duncan, prest julieann, dureau sally, hopkins anna, baligod imelda, fallon kerry, bjelanovic danijela, james-clark laura, magnani lisa, phillips kathy, bell hilary, bakshi jasmeet, james-clark spencer, james-clark mason, james-clark stella, fitzgerald kerrie, krawze kamila, czech jon, lee maria, boell jacqueline, schmauder debra, georgiou martha, randles yvonne, smyth ruth, florrimell sean, ryan patrick, rossjohn sian, eppinger rosy, melenhurst bradley, melenhurst ashley, melenhurst christopher, silva katie, richards michael, garner jenny, bucher peter, gleitzman morris author, zhou jun, cook andrew, memorial services, funerals, wendy wilson hall, rossjohn jamie, earls tom, nicholls stephanie, vagner natasha, anderson pam, hall aileen, grose jenny, dalton sue, bejers maya, paterson denise, witte david, lath natalie, dalmau jessica, darras irene, miljus max, moritmitsu ran, zhou yida, barns sue, varbaro bianco, howell alan, lath miss, jacobs john, tinetti amy, maloney matthew, petrovic vida, bruce julie, bonner angie, porter ros, hill andrea, hocking hazel, jozsa zara, wishart jan, guyer noeline, powell bruce, hopkinson judy, mccrae glenys, mccrae beverly, james margot, barns tony, barns joan, ryan ann artist, jenek alex, jozsa olivia, woods caitlin, ledda daniel, cook andrew, rossjohn bevan, aunavarapu ashray, loveas paul, beiers mariel, allan gemma, squires rhoda, squires garry, squires terry, squires lesley, squires rhonda, squires doreen, squires peter, squires kathy, king sierra, king tynan, king mackenzie, king harrison, king shuyler, allen robbie, allen jessica, allen samantha, dale sheridan, dale caroline, dale elliot, dale taylor, dale clark, woodards carnegie auctioneers, roberts ruth, mckenzie's ward, glenhuntly fruit supply, ceudet and kubeyde, subway glenhuntly, alessi libby mrs, manuel bill mr, bruce julie ms, jacobs john mr, paterson denise mrs, thompson vic mr, sonnberger leonie mrs, sassos eugenia mrs, witte david mr, krauze maila ms, tinetti amy ms, bower jessica mrs, fitzgerald kerrie mrs, eppinger rosie mrs, vagner natasha mrs, zent mandy mrs, james-clark laura mrs, fallon kerry mrs, grose jenny mrs, bonner angie mrs, miriams shirley mrs, petrovic vida mrs, maloney matthew mr, bakshi jameet mr, smyth-kinyua ruth mrs, fitzpatrick tom mr, watson scott mr, theodore kate ms, porter ros ms, hill andrea ms, howell alan mr, schauder emma mrs, jozsa george mr, bitmead claire mrs, bader linda ms, jacobs john mr, bhuteja raza, rossjohn bevan, christensen lara, dale clark, chong aldwin, barns-dunne genevieve, guy cleo, georgiou demetrius, allen gemma, arunachalam elanthendral thiruavani, chau samantha, foldvari miro, gade saathvika, ghafari mohid, jones alvin, korres johnny, margaritis evan, pickering finley, schauder daniel, shah hisha, shermis-fox dalvin, thorat sahil, zhong emma, arunkumar mitali, baxi vaasu, bhadra rushil, chevalier stefanie, bitmead rose, cooper brittany, jozsa zara, croes sonny, gil harnoor, koika akito, gitein iris, matthews benjamin, moses lior, gupta anushka, nematy keanu, jaiswal sanjana, makwana yash max milius, o'donoghue romy, patel vishesh, nalamati anushka, paul aaron, obsioma jarred, pavlich nicola, rizk taran, schauder ben, shah vansh, stuart isobel, yadavalli sriprada, sharma shreya, tut nyajania, zhao max, abeyesekerea gail, attanayake nikeesha, behl shaurya, desai noopur ankoor, espinosa daphne, kansara kesha, kantheti sai rithvik, malakar ishan, manion freya, mohammed zoheb, morimitsu ran, moshe sarit, peri varsha, reutskiy yael, ryan harrison, shah jahanvi, wallis hannah, woods liam, bhuteja raza, belyuga lachlan, chen linda, bikovsky alexander, das sanchali, bitmead william, ghafari malaika, cherukuihota ritish, jenek alex, chintala aditi, lvovsky jeremy, dumnounkan nicky, mazzocchi ashleigh, el shorbagy hanna, mohammed zeeshan, foldvari phoebe, nekkadapu prava, gill armann, obsioma joseph, harper tyler, pickering jasper, kanapathippillai noah, pronina anja, kat jemma, pudikova veronika, king schuyler, reutskiy nicole, nikitin daniel, rossjohn bevan, o'connor finnian, schauder hannah, parsons zoe, shaked natalie, shang alexander, sharmila ajit aaditya arya, shulz david, siah sunny, singh gab, woods caitlin, wallis eliza, yang jee, zhong michelle, zhang alan, zhou stella, zhang betty, arjuna vicknan, arunachalam thirumagal, bahambhani yog, christensen lara, dale clark, hoenig tess, jozsa olivia, knelle louise, kwon minchol, lin angelina, milyus sophie, modi dhriti, morimitsu rin, moses nikol, noh yuhan, raghav devrath, rule darcy, tran cindy, trivedi namit, vayenas christina, vaz adonis, vortman david, allan liam, annavarapu ashrey, attanayake akeshi, capicchiano rose, chilakamarri nikhil, davis oliver, forti kate, guo maggie, guy cleo, james zoe, jenek ada, kalra pravav, king harrison, lin angelo, lin anita, melenhorst bradley, melenhorst christopher, metzler jessica, moses tomer, perelman michael, ryan patrick, wheatley nathaniel, allen gemma, bailey crystal-lee, gan tina, georgiou demetrius, ghafari kainat, grigorian nick, hackshaw chris, howell benjamin, kuznetsov ilya, luo eileen, luo elaine, margaritis mary-anne, melenhorst ashley, morimitsu rui, omer-cooper james, ozgur batuhan, salathiel matthew, vayenas paulina, wang qi wei, ward monica, arabena. brittany, bader-mcdowell alexander, barns-dunne genevieve, beiers mariel, chilcott rose, chong aldwin, cook andrew, dale taylor, dalton eamon, durant demeke, horn jade, iker korkhan, kat mariana, kwon so hyun, ledda daniel, loucas paul, panchal rajvi, ragozin vadim, reyer emma, song alex, varbara sovan, zhou james, robertson angela, henkul roland, hannagan cassie, rice elizabeth, ryan tammy, stacey paul, mason rebecca, ammendola marcella, moore m., copey n., priesner m., cotterell d., cohn adam, don paul, don kerrie, hanley alison, mckechnie brian, gowland rebecca, te hennepe daniel, schleiger emma, zimbachs trent, rowe rebecca, taylor katherine, beycher sonny, halliburton andrew, dureau thomas, dureau nicole, thursfield alexandra, allen courtney, willis isabelle, zhou jun, james-clark stella, melky michelle, willis ruby, earls tom, srinivasan lakshmi, zhou yida, te hennepe daniel, meyer tony, leiken nikita, thompson alex, te hennepe simon, johnson christopher, vassilopoulos michael, irwin christopher, asaturov gary, rossjohn sian, sangangum watsana, varbaro bianca, mitchell, hume, batman, brown robyn, maxwell jennifer, mclean jill, culpin howard, jones dennis, archer ?, lester phillip, taylor jennifer, anderson judith, ? bronwyn, hall robyn, powlett john, clark ross, taylor christine, booth peter, turner ian, porter larry, turner diane, anderson diane, scott megan, mclean david, christie donald, wishart philip, mottrim joan, christie coleen, travis bicki, watt elizabeth, richards michael, peet marily, sutherland fiona, ziegenbien kay, lester judith, kostamarkis con, yeoman keith, hastings ronald, ? mark, coenen zari, young vivian, young carolyn, weber elizabeth, child gary, cooper stephen, robertson james, ross dean, ? eve, cooper anne, saunders bruce, yeaman peter, wilkinson dawn, armstrong jeffrey, hill gregory, morris steven, suttie richard, silverman judy, king jenny, silverman sharon, broadmore janine, martin dean, smith robert, frommer ruth, saxon rosemary, justus heidi, o'keefe sue-ellen, robertson angela, young natalia, pigounis anthony, brodie anthony, henkul roland, duncan neil, cooper tania, brodie joanne, meerkin naomi, henham rowena, moulds adam, butterworth richard, kellis nick, tapai michael, goodwin sonia, clift debbie, hannagan shannon, marley kara, ceki tibor, ellis shaun, charleworth stewart, can bergeijk richard, schroor briony, leticq jeanette, davidson angela, kakos vicki, collins darren, mcfarlane matthew, adley hassan, agar james, rakonjac mileva, lowndes nereida, grimster jane, ? laurenne, mcdonell terry, clift andrew, perry timothy, rice martin, weir lisa, devasagayam briony, chatila nancy, melland alice, rakonjac nik, mcdonald brett, collins michael, rose darren, ryan tammy, rice elizabeth, hannagan cassie, mason rebecca, douvitasa chris, chivers scott, siaosi jack, stacey paul, moore matthew, coles lisa, diggins sebastian, barboussas costa, moulds johanna, brett travis, mcminn johanna, soloma tim, copey nicole, kakos peter, rontoyannis evan, mcdonald scott, pregnell ian, lowndes jared, kapetanos diane, ivkov srdjan, palamarczuk rosemary, cotterell diane, tonta amelia, craig caroline, yeun joseph, yusuf alham, quon kane, fiek peter, pitkin meryl, yarovsky julie, mckay sara, koger saskia, slocum tom, meyer sean, dunn nathan, vickers anthony, don paul, mason lulu, stanton bronwyn, hanley alison, don kerrie, kennedy chad, callaghan matthew, ghosh suvro, teteira jay, sargent kelly, hollingworth marnie, lack orry, wheeler ashley, trigellis-smith anna, hoskin tim, barda david, nolan rebecca, kulikov simon, kirkpatrick ryan, schleiger rudi, becker thomas, de lisle justin, taylor katherine, gale elke, te hennepe simon, ring hannah, stratford sachi, taylor yani, parish james, aldred jasmin, sisson laura, thursfield oliver, fotopoulos daisy, hoskin yumika, trigellis-smith colin, corrales mariana, soyfer charlene, moore vanessa, halliburton andrew, glagovski anton, johnson christopher, wheeler joel, taylor xavier, chapman jessica, ledda alexander, rowe angela, jewell bethany, goluguri pradeepthi, bell daniel, golightly callum, graham emily, mckechnie ellen, james-cark spencer, byrne david, parker natalie-lee, loucas david, pappas michael, gamble laurence, dureau thomas, loriot christina, drinozcky chloe, ring caitlin, robertson mitchell, pleysier yvonne, boghikian emie, sisson matthew, sanchez zanetta, rowe daniel, saunders john, cox josh, barda nick, dureau nicole, lenkiewicz justine, jamieson emily, mclaughlan kate, carpenter tess, vassilopoulos michael, jewell clare, gavnoudias james, matthews laura, georgiou costa, dale caroline, gamble kate, beiers hannah, james-clark mason, richardson zoe, thursfield alexandra, hosking kenta-neville, dounias theodore, annavaparu ramya, sinclair chloe, nolan megan, king tynan, tomlinson michael, allen courtnay, florrimell sean, ong kenny, foley patrick, gale emily, saunders alice, rowe michelle, willis isabelle, vassilopoulos alexandra, johnson bradley, borley genevieve, irwin christopher, earls thomas, matthews jessica, mudumbi venkatesh, lenkiewicz alice, king mackenzie, dounias christopher, beiers maya, dick alastair, levy matthew, srinivasan lakshmi, adams joshua, singh mia, borley natalie, varbaro bianca, christensen jade, willis ruby, sinclair emma, allen samantha, rossjohn sian, borley morgan, bader-mcdowell jeremy, chettimadda gopala kr yashas, anguswamy manoj, nekkadapu sankeerth, dalton kieran, allan tristan, gandham anoohya, arabena brittany, melenhorst ashley, vayenas paulina, dale taylor, bader-mcdowell alexander, omer-cooper james, reyer emma, kuznetsov ilya, metzler jessica, beiers mariel, forti kate, james zoe, annavarapu ashrey, ryan patrick, davis oliver, ilker korkhan, mcgowan keith, thursfield william, gribbin andrew, walsh-howling damien, scanlon alan, mitchell neil, brown allan, bruce peter, murray robert (bob), christensen tanya, de kretser jan, bremner marie, bayliss curtis, wheeler reece, symons red, de zilwa nick, byers gary, crompton neil, wilkinson graham, nilsson ray, bryant tony
Flagstaff Hill Maritime Museum and Village
Book - Reference Book, The Birds of Australia Vol 1-2, 1890-1891

The Work “The Birds of Australia; containing over 300 full-page illustrations, with a descriptive account of the life and characteristic habits of over 700 species” by Gracius J. [Joseph] Broinowski – Australian author, artist and ornithologist - was created in 40 parts for subscribers and sold for 10s [shillings]., These parts were later published in six volumes, which were later published and bound in pairs to make three volumes, each of which contain two of the six original volumes, numbered volumes, “I”, “III” and “V” on their fly page, but numbered “Vols. I-II”, “Vols. III-IV” and “Vols. V-VI” on their respective spines. The volumes were all published by Charles Stuart & Co. (Melbourne, Sydney, Adelaide, Brisbane, New Zealand, and Tasmania). All of the beautifully drawn and coloured illustrations in The Birds of Australia were illustrated by Broinowski. They were printed using a new 19th century method called chromolithography. This is the art of making multi-coloured prints. The skilled lithographer would work from an original coloured painting and create a copy for every one of the many layers of colour used to build the painting. These layers were then printed carefully over each other to re-build the picture. Gracius J. Broinowski’s Work “The Birds of Australia” was described by Jean.Anker as “a semi-popular but comprehensive treatment of the subject” in the book “Bird Books and Bird Art: an outline of the Literary History and Iconology of Descriptive Ornithology” 1979. It may be that these books were donated to, or ordered specifically for, the Warrnambool Public Museum, due to the embossing on the spine “WARRNAMBOOL PUBLIC LIBRARY”. The acquisition of these books would most likely to have made 1891-1910, between the date the books were published and the date that the Museum amalgamated with the Mechanics Institute, which then became part of The Museum and Art Gallery. These three books were part of the collection of books belonging to the Warrnambool Public Museum, established 1873 by Joseph Archibald. The Museum moved into the back of the Mechanics’ Institute in 1885, along with the Art Gallery and School of Dancing. In 1886 it was officially opened as The Warrnambool Museum and Art Gallery, with Joseph Archibald as its curator. In 1887 the Museum section was moved to the former court house in Timor Street, with Joseph Archibald as Curator until 1897. In 1910 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. In 1935 Ralph Pattison was appointed as City Librarian. He developed his own sorting and cataloguing system and organised the collection of books accordingly. In the 1960’s the Warrnambool City Council closed down the Museum and Art Gallery and the books and artefacts were redistributed to other organisations in Warrnambool. Each spine of this book set, The Birds of Australia by Gracius Broinowski, shows a space on which a previous cataloguing label may have been affixed. The volumes are amongst the many books at Flagstaff Hill Maritime Village that display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. Some other Australian Libraries also include these books in their collections; Australian National University, University of NSW, University of Western Australia, State Library of Western Australia, Deakin University, Queen Victoria Museum and Art Gallery, University of Adelaide, University of Queensland, University of Tasmania. The Library of Congress and the University of British Columbia also have sets of these volumes. These books are considered as Rare Book; a set of Broinowski’s 3 volumes was advertised in Melbourne’s Rare Book Fair 2012, “for ornithological collectors”. (See the more detailed information below in “Warrnambool Public Museum and Mechanics Institute” and the “Pattison Collection”.) GRACIUS JOSEP BROINOWSKI Gracius Joseph Broinowski (7/3/1837 – 11/4/1913), artist and ornithologist, was born in Walichnowy, Poland, son of a landowner and military officer of the same name. He was educated privately then later, at the Munich University, he was a student of languages, classics and art. To avoid conscription into the Russian army, he migrated to Germany. At the age of about 20 years he migrated to Portland (Victoria, Australia), working his passage as part of the crew of a windjammer. Broinowski worked in the country for a few years then found employment working for a Melbourne publisher and later sold his own paintings. In about 1863, while on one of his many travels in eastern Australia painting landscapes and scenes, he married Jane Smith in Richmond, Victoria (her father was captain of a whaler). In 1880 he settled in Sydney where his work involved teaching painting, lecturing on art and exhibiting his own work at showings of the Royal Art Society. Also in the 1880s he began to publish illustrated works on Australian natural history, including; - illustrations of the birds and mammals of Australia, commissioned by the Department of Public Instruction, New South Wales, and mounted, varnished and hung on walls in many classrooms - "The Birds and Mammals of Australia"; a bound collection of illustrations with appropriated text - 1888 "The Cockatoos and Nestors of Australia and New Zealand" - 1890-1891, "The Birds of Australia" Broinowski died in 1913 at Mosman, Sydney, survived by his wife, six sons and a daughter. His son, Leopold, became a significant political journalist in Tasmania. WARRNAMBOOL PUBLIC MUSEUM & MECHANICS INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853 a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in December 1854 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fund raising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year, 1873, Joseph Archibald established the Warrnambool Public Museum [Warrnambool Museum], however it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established and he served as Curator 1882-1897. In 1885 a new building was added to the back of the Mechanics’ Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. It was officially opened as the Warrnambool Museum and Art Gallery on 26th July 1886 with Mr Joseph Archibald as Curator. In 1887 the Museum section was moved to the former court house in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished). In 1910 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much loved Institution in Warrnambool until 1963 when the Museum and Art Gallery was closed and the contents removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. The Museum has never been re-opened. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historic books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historic Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library (which included books from the Warrnambool Public Museum), ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed art works and some photographs. THE PATTISON COLLECTION These books “The Birds of Australia” by Broinowsky, are also listed as part of the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library, as the Warrnambool Mechanics’ Institute was then called. When the Warrnambool Mechanics’ Institute building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the Warrnambool Mechanics’ Institute. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the Warrnambool Mechanics’ Institute were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. References: Archibald Street, Discover the History of Warrnambool Streets, https://www.warrnambool.vic.gov.au/sites/warrnambool.vic.gov.au/files/images/Property/roads/The%20story%20of%20Warrnambool's%20streets.pdf Broinowski, Bird Books and Bird Art etc, Jean Anker 1979, https://books.google.com.au/books?id=B5TpCAAAQBAJ&pg=PA66&lpg=PA66&dq=the+birds+of+australia,+broinowski,+bird+books+and+bird+art&source=bl&ots=nQroxqePdY&sig=a3lnn-_FqB-ZcFAwqRYVK6Y7ZeM&hl=en&sa=X&ved=0ahUKEwj5sL7-2JTSAhWIyLwKHaCHAJcQ6AEIUTAN#v=onepage&q=the%20birds%20of%20australia%2C%20broinowski%2C%20bird%20books%20and%20bird%20art&f=false Broinowski, Gracius Joseph, by A.H. Chisholm, Australian Dictionary of Biography http://adb.anu.edu.au/biography/broinowski-gracius-joseph-3061 Chromolithography, Wikipedia https://en.wikipedia.org/wiki/Chromolithography Document, Flagstaff Hill, ‘Mechanics’ Institute Collection’: Books on Dean, Melbourne Rare Book Fare 2015, BookFare Newsletter #5, www.anzaab.com/newsletters/BookFare_1207.pdf Flagstaff Hill archives; document “Re: Ralph Eric Pattison”] Gracius Broinowski, Wikipedia https://en.wikipedia.org/wiki/Gracius_Broinowski Gracius Joseph Broinowski, Design & Art Australia online, https://www.daao.org.au/bio/gracius-joseph-broinowski/biography/ Mechanics' Institutes of Victoria Pg ix, 283; Significance Assessment, Warrnambool Mechanics’ Institute Books, FHMV, 2010 The Birds of Australia by Gracius J. Broinowski, Libraries of Australia, Trove http://trove.nla.gov.au/work/12425131?q&sort=holdings+desc&_=1487246530281&versionId=210683608 The Birds of Australia, Broinowski; www.Librarything.com The History of Warrnambool, R. Osburne, 1887, p.72, p. 283 The Warrnambool Mechanics’ Institute – FHMV datasheet Warrnambool Art Gallery History, Warrnambool Art Gallery Foundation Information Booklet, http://www.wagf.com.au/cms/downloads/WAGF-Information-Booklet.pdf Warrnambool Museum and Art Gallery, The Argus, 29th July 1886 Web; The Birds of Australia (Broinowski), Wikipedia The Birds of Australia by Gracius J. Broinowski is a respected source of scientific information. It is also significant for its rarity and as an early Australian Work. The book is significant for its association with the Warrnambool Public Museum, which played an important educational and social role in the early settlement of Warrnambool and District. The book is also significant for its association with the Warrnambool Mechanics' Institute Library book collection, which is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The book is also significant for its inclusion in the Pattison Collection, a collection that as a whole shows a snapshot of the types of reading material offered to the local public at that point in time The Birds of Australia Vol 1-2 Author and Illustrator: Gracius J Broinowski Publisher: Charles Stuart & Co Date: 1890 - 1891Label on spine cover with typed text RA 598.2 BRO Embossing added to spine “WARRNAMBOOL PUBLIC MUSEUM" Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Librarythe birds of australia vol 1-2, flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, the birds of australia, gracius joseph broinowski, charles stuart & co, joseph archibald, warrnambool public museum, warrnambool museum, warrnambool library, warrnambool art gallery, warrnambool city librarian, pattison collection, ralph eric pattison, samuel hannaford, warrnambool mechanics’ institute and free library, mechanics’ institute library, victorian library board, warrnambool books and records, rare books, australian bird illustrations, australian bird text, australian natural history
Port Melbourne Historical & Preservation Society
Photograph - Ellen Watters outside Williamstown Road home

The Watters family moved from Albert Park to Garden City Port Melbourne circa 1934 buying a Bank House at 128 Williamstown Road (later renumbered to 400). The family consisted of Bob Watters senior and his wife Ellen (nee Oakley), children Patsy (b 1920), Bob Junior (b 1922) and Norma (b1924). The children attended Albert Park Primary, Middle Park Central School and then MacRobertson Girls High School and Melbourne Boys High School.Digital photograph of Ellen Watters (nee Oakley) outside her home at 124 Williamstown Road (later renumbered to 400) ellen patricia watters
Port Melbourne Historical & Preservation Society
Photograph - Norma (bumblebee), Bob junior (fireman), Patsy (maiden). Watters children c 1928, Photo taken by AH Williams South Melbourne c 1928

The Watters family moved from Albert Park to Garden City Port Melbourne circa 1934 buying a Bank House at 128 Williamstown Road (later renumbered to 400). The family consisted of Bob Watters senior and his wife Ellen (nee Oakley), children Patsy (b 1920), Bob Junior (b 1922) and Norma (b1924). The children attended Albert Park Primary, Middle Park Central School and then MacRobertson Girls High School and Melbourne Boys High School.Watters children. Norma (bumblebee), Bob junior (fireman), Patsy (maiden) c 1928norma madeline watters, ellen patricia watters, bob watters junior
Port Melbourne Historical & Preservation Society
Photograph - Norma Madeline Watters on right, Ellen Patricia on left. Back garden during WW2. Unidentified male in middle

The Watters family moved from Albert Park to Garden City Port Melbourne circa 1934 buying a Bank House at 128 Williamstown Road (later renumbered to 400). The family consisted of Bob Watters senior and his wife Ellen (nee Oakley), children Patsy (b 1920), Bob Junior (b 1922) and Norma (b1924). The children attended Albert Park Primary, Middle Park Central School and then MacRobertson Girls High School and Melbourne Boys High School.Digital photograph of Norma Madeline Watters (right) and Ellen Patricia Watters (left) with unidentified male in middle. Back garden during WW2 norma madeline watters, ellen patricia watters
Port Melbourne Historical & Preservation Society
Photograph - Band at Royal Children's Hospital benefit c1928

The Watters family moved from Albert Park to Garden City Port Melbourne circa 1934 buying a Bank House at 128 Williamstown Road (later renumbered to 400). The family consisted of Bob Watters senior and his wife Ellen (nee Oakley), children Patsy (b 1920), Bob Junior (b 1922) and Norma (b1924). The children attended Albert Park Primary, Middle Park Central School and then MacRobertson Girls High School and Melbourne Boys High School.Band at Royal Children's Hospital benefit c 1928. Bob Watters junior with bugle second row. Patsy Watters nurse on left. In St Vincents Gardenswatters, bob junior, patsy, st vincents gardens
Port Melbourne Historical & Preservation Society
Photograph - Norma Watters outside Williamstown Road home. In school uniform c 1935

The Watters family moved from Albert Park to Garden City Port Melbourne circa 1934 buying a Bank House at 128 Williamstown Road (later renumbered to 400). The family consisted of Bob Watters senior and his wife Ellen (nee Oakley), children Patsy (b 1920), Bob Junior (b 1922) and Norma (b1924). The children attended Albert Park Primary, Middle Park Central School and then MacRobertson Girls High School and Melbourne Boys High School.Digital photograph of Norma Watters dressed in school uniform outside her home at 124 Williamstown Road (later renumbered to 400) 1935norma watters, education - secondary schools
Port Melbourne Historical & Preservation Society
Photograph - Norma Watters (left) at MacRobertson Girls High 1939

The Watters family moved from Albert Park to Garden City Port Melbourne circa 1934 buying a Bank House at 128 Williamstown Road (later renumbered to 400). The family consisted of Bob Watters senior and his wife Ellen (nee Oakley), children Patsy (b 1920), Bob Junior (b 1922) and Norma (b1924). The children attended Albert Park Primary, Middle Park Central School and then MacRobertson Girls High School and Melbourne Boys High School.Digital photograph of Norma Madeline Watters (left) and fellow student at MacRobertson Girls High c 1939norma watters
Port Melbourne Historical & Preservation Society
Photograph - Norma Madeline Watters c 1942

The Watters family moved from Albert Park to Garden City Port Melbourne circa 1934 buying a Bank House at 128 Williamstown Road (later renumbered to 400). The family consisted of Bob Watters senior and his wife Ellen (nee Oakley), children Patsy (b 1920), Bob Junior (b 1922) and Norma (b1924). The children attended Albert Park Primary, Middle Park Central School and then MacRobertson Girls High School and Melbourne Boys High School.Digital photograph of Norma Watters dressed in school uniform outside her home at 124 Williamstown Road (later renumbered to 400) 1935norma watters
Port Melbourne Historical & Preservation Society
Photograph - Robert Cornelius Watters in front of palm tree c 1928

The Watters family moved from Albert Park to Garden City Port Melbourne circa 1934 buying a Bank House at 128 Williamstown Road (later renumbered to 400). The family consisted of Bob Watters senior and his wife Ellen (nee Oakley), children Patsy (b 1920), Bob Junior (b 1922) and Norma (b1924). The children attended Albert Park Primary, Middle Park Central School and then MacRobertson Girls High School and Melbourne Boys High School.Robert (Bob) Cornelius Watters in front of palm tree c 1928 bob watters junior, robert cornelius watters
Port Melbourne Historical & Preservation Society
Photograph - Norma Watters outside Williamstown Road home

The Watters family moved from Albert Park to Garden City Port Melbourne circa 1934 buying a Bank House at 128 Williamstown Road (later renumbered to 400). The family consisted of Bob Watters senior and his wife Ellen (nee Oakley), children Patsy (b 1920), Bob Junior (b 1922) and Norma (b1924). The children attended Albert Park Primary, Middle Park Central School and then MacRobertson Girls High School and Melbourne Boys High School.Digital photograph of Norma Watters outside her home at 124 Williamstown Road (later renumbered to 400) 1932norma watters
Port Melbourne Historical & Preservation Society
Photograph - Watters family photo in St Vincents Gardens c 1927, c 1930. Taken from metal plate for reproduction in newspaper

The Watters family moved from Albert Park to Garden City Port Melbourne circa 1934 buying a Bank House at 128 Williamstown Road (later renumbered to 400). The family consisted of Bob Watters senior and his wife Ellen (nee Oakley), children Patsy (b 1920), Bob Junior (b 1922) and Norma (b1924). The children attended Albert Park Primary, Middle Park Central School and then MacRobertson Girls High School and Melbourne Boys High School.Watters family in St Vincents Gardens c 1927. Norma and Bob standing mother Ellen and Patsy sittingbob watters junior, ellen watters, patsy watters, norma watters
Port Melbourne Historical & Preservation Society
Photograph - Robert Cornelius Watters (Bob junior) with cornet in band c 1930, c 1930. Taken from metal plate for reproduction in newspaper

The Watters family moved from Albert Park to Garden City Port Melbourne circa 1934 buying a Bank House at 128 Williamstown Road (later renumbered to 400). The family consisted of Bob Watters senior and his wife Ellen (nee Oakley), children Patsy (b 1920), Bob Junior (b 1922) and Norma (b1924). The children attended Albert Park Primary, Middle Park Central School and then MacRobertson Girls High School and Melbourne Boys High School.Robert (Bob Junior) Cornelius Watters with cornet in band c 1930bob watters junior, robert cornelius watters
Port Melbourne Historical & Preservation Society
Photograph - Robert Cornelius Watters in front of Williamstown Road home c 1935

The Watters family moved from Albert Park to Garden City Port Melbourne circa 1934 buying a Bank House at 128 Williamstown Road (later renumbered to 400). The family consisted of Bob Watters senior and his wife Ellen (nee Oakley), children Patsy (b 1920), Bob Junior (b 1922) and Norma (b1924). The children attended Albert Park Primary, Middle Park Central School and then MacRobertson Girls High School and Melbourne Boys High School.Robert (Bob) Cornelius Watters in front of Williamstown Road home in Melbourne High School uniform 1935bob watters junior, robert cornelius watters, education - secondary schools
Port Melbourne Historical & Preservation Society
Photograph - Robert Cornelius Watters at the controls of the prized radio in Garden City home c 1937

The Watters family moved from Albert Park to Garden City Port Melbourne circa 1934 buying a Bank House at 128 Williamstown Road (later renumbered to 400). The family consisted of Bob Watters senior and his wife Ellen (nee Oakley), children Patsy (b 1920), Bob Junior (b 1922) and Norma (b1924). The children attended Albert Park Primary, Middle Park Central School and then MacRobertson Girls High School and Melbourne Boys High School.Robert (Bob) Cornelius Watters at controls of radio at home c 1937bob watters junior, robert cornelius watters
Linton and District Historical Society Inc
Photograph, Miss Ida Lewers

Ida Lewers, the fifth child of Annie and Samuel Lewers, was born at Linton in 1865. During World War I, she moved to Berry, NSW, where she lived with her older brother, Dr Thomas Ross Lewers. In Berry she was Secretary of the local branch of the Red Cross, and was on the management committee of the Red Cross home for convalescent soldiers. When she left Berry she was presented by the "Diggers of Berry" with an 'illuminated address', in appreciation of her services. In 1926, Ida Lewers returned to live at Linton, at first with her brother William Ochiltree Lewers and his family at Mannibadar, and afterwards at the former Bank of New South Wales building where she had lived as a child. Ida Lewers taught Sunday School classes and was deeply involved with the Church of England throughout her life. She died in 1947, age 80.Mounted oval black and white photograph of a young woman.On back, written in ink: "Miss Lewers, one of 5 daughters of Samuel Lewers".ida lewers
Lakes Entrance Historical Society
Photograph - Swan Reach School, Lakes Post Newspaper, 1996

Photo appeared in Lakes Post Newspaper 8 May 1996, page 1.Black and white photograph of ten Swan Reach Primary School students planting trees on the banks of the Tambo River, in conjunction with Johnsonville Angling Club, SGAP and Tambo / Nicholson River management Board. Swan Reach Victoriaschools, students, community organisation
Bendigo Historical Society Inc.
Document - NORTH DEBORAH GOLD MINING CO N. L. - ASSAY RESULTS FOR NORTH DEBORAH GOLD MINING CO N. L

Two handwritten pages, and typed copies of same, addressed to Mr J. J. Stanistreet, Commonwealth Bank Chambers, Bendigo. Notes mention the gross weight, moisture content and net-dry weight of Pyrites Lot no 68, Slimes or Strakes Lot No 67 and Blanket Sand Lot no 66. Assay results are also mentioned. The share for Tributors is also tabled. Albert Richardson Collection. document, gold, north deborah gold mining co n. l., north deborah gold mining co n. l., assay results for north deborah gold mining co n. l., mr j j stanistreet, school of mines, victor leggo & co
Bendigo Historical Society Inc.
Document - LONG GULLY HISTORY GROUP COLLECTION: HISTORICAL GUIDE TO BENDIGO

Brochure with an invitation to visit Historical and Mining Museum in Mechanic's Institute, Eaglehawk. Drawing of poppet legs on the front with The Royal Historical Society of Victoria Bendigo Branch. Historical Guide to Bendigo including Self Tours of Bendigo's Famous Goldfields. Forward by John Hattam. Contributors are: H Biggs, Miss L J Parry, A Richardson, L C Bennetts and Edith Checcucci. Credits - The Bendigo Advertiser, Cambridge Press, Mines Department (Bendigo) and J R W Purves. Items include Bendigo Tramways Compiled by H Biggs, Early Bendigo Hotels Compiled by L C Bennetts, Eaglehawk Compiled by H Biggs, Noted Events Compiled by June Parry, The Bendigo Post Office Compiled by LC Bennetts, The Bendigo Goldfield. Introduction to Field and Guide to Some Famous Mines Compiled by A Richardson. Photos include: Pall Mall Bendigo, Ravenswood Homestead, An Early Battery at Kangaroo Flat, Historic High Street Golden Square, The Lonely Grave, Battery Tram c1888, Steam Tram c1892, Electric Tram c1903, The New Chum Railway Golden Square, United Hustlers and Redan Mine Sandhurst Road, Central Deborah Violet Street, Deborah Mine Quarry Hill, Deborah Mine 1000 ft level, First Motion Winding Engine at Central Deborah, Victoria Hill Area, and Looking south from New Chum Hill in 1890's. Also 11010.254, 255, 268, 288a, 288b, and 289.bendigo, history, long gully history group, the long gully history group - historical guide to bendigo, the royal historical society of victoria bendigo branch, historical and mining museum, mechanic's institute eaglehawk, librarian mechanic's institute, miss j parry, john hattam, h biggs, a richardson, l c bennetts, edith checcucci, bendigo advertiser, cambridge press, mines department (bendigo), j r w purves, mr a o'keefe, shire of marong, the sandhurst and eaglehawk tramway company, mr j taylor, mr j hanson, the bendigo tramway company, electric supply company, coliban water suply, juvenile industrial exhibition, geo lansell, cr a harkness, salvation army, vine and fruitgrowers association, decentralisation league, constable thomas ryan, miners association, art gallery, post office, miss broadfoot, bendigo hospital, opera company, bendigo development league, victorian women's franchise league, ana hall, the bendigonian, law courts, temperance hall, trades hall (old wardens court), roman catholic cathedral, shamrock hotel, bendigo philosophical society, old bendigonian society, bendigo fire brigade, bendigo volunteers to south african war, hawkins, porcupine inn, criterion hotel, royal hotel, bendigo hotel, black swan hotel, gillies bakery, hibernian hotel, sandhurst hotel, freemasons hotel, courthouse hotel, shamrock hotel, governor hotham, heffernan & crowley, new chum railway, victoria quartz, shenandoah, shamrock mine, hercules no 1 (originally pearl east), hercules new chum (late pearl), carlisle mine, mr arblaster, meurer, sandhurst bee, benevolent asylum, bendigo gas company, a lloyd, coliban water supply scheme, cr w v simons, eaglehawk council, j mouat, sir henry barkly, agricultural and horticultural exhibition, sandhurst and eaglehawk boroughs, cr john mcintyre, latham and watson's mine, galatea (model ship), st paul's church of england, rev g p despard, fine arts exhibition and exposition, bendigo rifle association, strathfieldsaye shire hall, corporate high school, bendigonian society, richard andrews, easter fair, g aspinall, j burnsides, sir h manners sutton, beehive stores, mining exchanges, bendigo water works, city family hotel, bendigo united friendly society medical institute and dispensary, benevolent asylum, jewish synagogue, masonic hall, school of mines, mr j h abbott, australian natives association, royal princess theatre, albion hall, central state school, high school, gravel hill state school, electricity commission, james mouat, warring natives, the rocks, joseph crook, gold discovery, marong district roads board, camp hotel, mr charles sherratt, city of bendigo, mt alexander north run, grice and heape, ravenswood, gibson and fenton, mrs john kennedy, mrs patrick farrel, mr j a paton, mr lachlan mclachlan, theatre royal, sir charles and lady hotham, harney's bridge, e j ennor, sandhurst fire brigade, the health of towns act, mr townsend, cornish & co, bendigo pottery, bendigo agricultural society, pike or pyke, baby health centre, sandhurst post office, government survey office, sandhurst trustees company, mr h b briston, savings bank, telegraph office, sir henry brougham lock, hon sir john nimmo, sandhurst public offices, the new prince of wales mine, new prince of wales no 2, the whip and jersey, lansell's big 180, new chum and victoria mine and battery, new chum railway, koch's pioneer, south new moon, catherine reef united, new moon, virginia mine, south belle vue, new chum railway, central nell gwynne, north nell gwynne, ironbark mine, new chum syncline, hercules, herculesl energetic, roberts & sons, harkness & co, horwoods, great southern, ulster, carlisle, cornish, new st mungo, duchess tribute, south devonshire, hopewell mine, saxby mine, mcnair & co, mr king, bourke and wills, sandhurst hotel, the dascombe nugget, victoria nugget, r r haverfield, ballerstedt, rae, wittscheibe, lazarus, cave and amos, bendigo amalgamated goldfields, bendigo mines limited, the deborah, north deborah, central deborah, the new red white and blue consolidated (big blue), union, lansell's new red white and blue 9later no 3 shaft), h harkness & co, thompson & co, central deborah, lansell's bendigo battery, north red white and blue, central red white and blue, roberts and sons, little 180 (originally lansell's 180 no 2 shaft), john brown knitwear factory, south ironbark originally victoria consols east shaft, ironbark (originally ironbark east shaft), manchester arms hotel, wattle gully mine chewton, hercules, old wheal-owl, central nell gwynne, gold mines hotel, bendigo city council, jack barker, the new chum syncline, the courier of the mines, telegraph office, bendigo cemetery, white hills cemetery, eaglehawk cemetery, kangaroo flat cemetery, new moon, suffolk united, north new moon, fortuna hustlers, buckell & jeffrey's, royal hustlers reserve no 2 (city and park shafts), jonathan harris, latham and watson, great hustlers, great extended hustlers, j hustler, latham, watson, tribute or pups shaft, bendigo's worst mining disaster, hustlers reef (old hustlers), hustlers reef no 1, lansell's comet, the old comet (cooper's claim), united hustlers and redan, comet hill state school, k k shaft, north or new hustlers (agnew hustler), johnson's no 3, south johnson's, lansell's sandhurst needle, cleopatra needle top, british american, collman and tacchi, south virginia, saddle reefs and spurs, pall mall bendigo, ravenswood homestead, an early battery at kangaroo flat, historic high street golden square, the lonely grave, battery tram c1888, steam tram c1892, electric tram c1903, teh new chum railway golden square, united hustlers and redan mine sandhurst road, central deborah violet street, deborah mine quarry hill, deborah mine 1000 ft level, first motion winding engine at central deborah, victoria hill area, looking south from new chum hill in 1890's

Search Victorian Collections

Showing 731 items matching "school bank"

Drawing, Ernest Marcuse, Beechworth Carriage Museum II, c1972-1976

Drawing, Ernest Marcuse, Beechworth Carriage Museum III, c1972-1976

Drawing, Ernest Marcuse, Beechworth Carriage Museum I, c1972-1976

Drawing, Ernest Marcuse, Beechworth Carriage Museum IV, c1972-1976

Drawing, Ernest Marcuse, Beechworth III, c1972-1976

Drawing, Ernest Marcuse, Beechworth – Opposite Crown Hotel (Tanswell Hotel), c1972-1976

Drawing, Ernest Marcuse, Beechworth – Old Court House, 1972

Drawing, Ernest Marcuse, Courthouse - Beechworth, 1974

Drawing, Ernest Marcuse, Beechworth I, c1972-1976

Drawing, Ernest Marcuse, Yackandandah I, 1983

Memorabilia - GOLD NUGGET COLLECTION: THE GEM, 1906

Book - Glen Huntly State School No.3703 Grange Road

Book - Reference Book, The Birds of Australia Vol 1-2, 1890-1891

Photograph - Ellen Watters outside Williamstown Road home

Photograph - Norma (bumblebee), Bob junior (fireman), Patsy (maiden). Watters children c 1928, Photo taken by AH Williams South Melbourne c 1928

Photograph - Norma Madeline Watters on right, Ellen Patricia on left. Back garden during WW2. Unidentified male in middle

Photograph - Band at Royal Children's Hospital benefit c1928

Photograph - Norma Watters outside Williamstown Road home. In school uniform c 1935

Photograph - Norma Watters (left) at MacRobertson Girls High 1939

Photograph - Norma Madeline Watters c 1942

Photograph - Robert Cornelius Watters in front of palm tree c 1928

Photograph - Norma Watters outside Williamstown Road home

Photograph - Watters family photo in St Vincents Gardens c 1927, c 1930. Taken from metal plate for reproduction in newspaper

Photograph - Robert Cornelius Watters (Bob junior) with cornet in band c 1930, c 1930. Taken from metal plate for reproduction in newspaper

Photograph - Robert Cornelius Watters in front of Williamstown Road home c 1935

Photograph - Robert Cornelius Watters at the controls of the prized radio in Garden City home c 1937

Photograph, Miss Ida Lewers

Photograph - Swan Reach School, Lakes Post Newspaper, 1996

Document - NORTH DEBORAH GOLD MINING CO N. L. - ASSAY RESULTS FOR NORTH DEBORAH GOLD MINING CO N. L

Document - LONG GULLY HISTORY GROUP COLLECTION: HISTORICAL GUIDE TO BENDIGO