Note by T.H. Kneen 4 March 1992 , "Appears to be a class under instruction rather than a public pruning demonstration. Numbers are small and many are using secateurs. E.B. Littlejohn identifies the group as the Youth Employment Scheme which funded E.B.L.'s appointment to Burnley. "The Leader" ceased publication on 26 June 1957." Also see B91.168, B91.170. All the students are male. Black and white photograph. Groups of men pruning 2 fruit trees in the Orchard with the demonstrator standing on a ladder.pruning, secateurs, youth employment scheme, students outside class, male students, orchard, perc trevaskis

Black and white photograph. Also see B91.168 and B91.169. A group of men watching a demonstrator planting something in the Orchard. Some holding garden forks.students outside class, youth employment scheme, orchard, planting, garden forks

Black and white photograph. Students are examining daffodil flowers and another plant, some using microscopes in a Biology class. Same group as B91.172-B91.173 including Margot George, Peter Smith.margot george, peter smith, daffodil flowers, plants, microscopes, students in class, biology class

Used as an illustration in, "Green Grows Our Garden, A.P. Winzenried p21. The caption reads, "Students in the garden. Iron-tyred wheelbarrows made at Pentridge Prison, were used at Burnley until the 1940's." 50 foot circular bed on right. 2 copies of a black and white photograph, original in Burnley Campus Rare Books Collection. 4 students working in the Ornamental Garden near the Californian Redwood (Sequoia sempervirens). One holding a watering can and one holding a wooden wheelbarrow.On reverse of 1 copy, "Burnley Gardens c 1890's The trees are still in Burnley Gardens." On reverse of other copy, "from Prize Essays" B91.457 A.E. Bennett a group following p116." green grows our garden, a.p. winzenried, pentridge prison, iron-tyred wheelbarrows, 50 foot circular bed, students working outside, wheelbarrow, watering can, californiann redwood, sequoia sempervirans, ornamental garden

Photographs taken by A.P. Winzenried to be considered as a possible illustration in, "Green Grows Our Garden."2 copies black and white photographs. Copy of photographs in, "The Argus." Top 1., 15-4-36, "Orchard Workers - A merry group in one of the orchards at the Burnley Horticultural School, where the girl students share the hard work with the men." 4 female students and a male instructor in the Orchard, carrying tools and wheeling a wooden wheelbarrow. Bottom 2. -4-36, "Tall and Short - Brook Gipps (left) aged 19 years, height 6ft 1 ⅟₂in., and Graham Grant, aged 17 years, height 4ft., in the orchard at the Burnley Horticultural School." 2 male students holding spades in the Orchard.a.p. winzenried, green grows our garden, female students, brook gipps, graham grant, orchard, students working outside, tools, wheelbarrow, male students

Photograph was taken by A.P. Winzenried as a possible illustration for, "Green Grows Our Garden." 3 copies black and white photograph. Copy of a b/w photograph of a group of female students, some riding on a horse drawn cart with one leading the horse and some walking carrying tools.Handwritten caption underneath states, "Students at Burnley Horticultural College.-Victoria."female students, horse drawn cart, tools, a.p. winzenried, green grows our garden, students working outside, orchard, draughthorse

Photograph made by A.P. Winzenried for, "Green Grows Our Garden," p73.Colour photograph. Copy made by A.P. Winzenried. Photograph appeared in the "Sun News Pictorial," July 10, 1934. The caption reads, "Things are never down on the farm at Burnley Horticultural School while Don, the old dray horse, is on the job carting his load of happy students back to the lecture room after a session of practical work. Most of the 30 pupils now at the school are engaged in the study of pruning." See B94.-902. A large group of male and female students seated on a cart darwn by a draught horse.a.p. winzenried, green grows our garden, don, dray horse, students working outside, draught horse, students, orchard, newspaper cutting

Photograph made by A.P. Winzenried for, "Green Grows Our Garden," p73Colour photograph. Copy of a patchwork of 5 photographs of female students which appeared as newspaper illustrations c.1933, made by A.P. Winzenried. The caption reads, "Girl Harvesters at Work. Girl farming students at Burnley Horticultural Gardens are busy this week. They undergo two years practical and theoretical training in many... farming work. Pictures show: 1. Hay forking by the "weaker" sex. 2. Miss Joy...Miss Freda Poynter, typical students, enjoying billy tea. 3. A happy group on the...a crop of oats. 4. A reaping mower going round the crop. 5. Miss Thelma (Johnson?) drives old Don and the mower." See B99.1057.female students, a.p. winzenried, green grows our garden, burnley horticultural gardens, freda poynter, thelma johnson, don, donald, horse, srtudents working outside, west orchard, horse drawn mower, hay, recreation, oats, farming, reaping mower, newspaper cutting

Black and white photograph. Group of 6 men with gardening implements standing and seated on the lawn. Corner of Pavilion on the left and a timber fence behind. On reverse, "1911." students working outside, gardening tools, pavilion

School Group Stawell High School (Male Students)stawell education

Belmont College - Group Dancing Out-doorsstawell

Belmont College - Group Playing Tennisstawell sport

502 State School - Class Group c1930’sstawell education students

502 State School - Class Group 1908stawell education students

Grodon Pickering, Sylvia Launder, Joan Clark, Neville Howard, Shirley walker, Bill Cunningham, Lorraine Pickering, Layra Howard, Mervyn Launder, Margaret Howard, Arther Clark, Dorothy Launder, Mervyn PickeringGroup of Sudents lined up in front pf Wooden School Building

Karl Duldig carved this marble sculpture of a mask in the Vienna Kunstgewerbeschule (School of Applied Arts) in 1921. His teacher, Anton Hanak, the Professor of Sculpture at the School, encouraged him to carve directly into the stone. It was an accomplished work for the 19 year-old student and was selected by Hanak to represent the students of the School at the Deutschen Gewerbeschau (German Applied Art exhibition) in Munich in 1922, an early accolade for the young artist. The sculpture and another Kneeling Nude were reproduced in the journal Deustche Kunst and Dekoration in 1923-24 in an article on the Hanak-Klasse. In 2011 Mask was exhibited in the National Gallery of Victoria exhibition Vienna: Art and Design. The sculpture is one of ten substantial sculptures in marble and stone, and a larger group terracotta sculptures and masks, portrait busts and small stone sculptures created by Karl Duldig in Vienna that are held in the Museum collection. These art works are complemented by an archive of contemporary documents including letters, photographs, documents and ephemera. In 1938 Duldig’s Viennese sculptures were sent to Paris in 1938 for a proposed exhibition, and were hidden in Paris by Slawa Duldig’s sister Rella, throughout the Second World War, and arrived in Australia post-war over 5 decades. Karl Duldig was a student of the Kunstgewerbeschule from 1921 until 1925, and then attended the Akademie Der Bildenden Künste (Academy of Fine Arts) from 1929 until 1933. He was accepted into the Professor Josef Mullner’s “Meisterschule” at the Academy of Fine Arts from 1929 until 1933. His teacher at the Kunstgwerebeschule was Austria’s foremost contemporary sculptor Anton Hanak, and he was a formative influence on Duldig’s work. Hanak had been a member of Viennese Secession, and worked with Josef Hoffman on architectural commissions prior to the First World War. Hanak shared both his love of the expressive quality of materials and a humanist vision with his students. Various writers have written about Duldig’s interest in masks. His interest may have been stimulated by his classical education, the Greek and Roman antiquities in the Kunsthistoriches Museum in Vienna, or the ethnological collections in Vienna’s Museum of Ethnology (now known as the Weltmuseum). The mask was a motif explored by expressionist and cubist artists whose work was exhibited at the Vienna Secession. Duldig would have been familiar with the psychological investigations of the neurologist and founder of psychoanalysis Sigmund Freud, who established his practice in Vienna. In the Duldig Studio library, Duldig’s keen interest in the arts of a myriad of visual cultures is apparent. Of particular note are two well-thumbed copies Rudolf Utzinger’s, Masken, published by Ernst Wasmuth in Berlin in 1923, depicting masks from around the world. It is likely that a multitude of influences were at play. Slawa Duldig also worked with this motif, and also carved a smaller mask in Salzburg marble as well as a remarkable mask in clay, and these are held in the collection. Ann Carew 2016The Mask has national and international aesthetic significance. It is one of the earliest works by Karl Duldig in the Studio collection, and is a subject that he would continue to explore throughout his working life. The sculpture demonstrates a high degree of technical skill and mastery at an early age. It is evidence of Duldig’s engagement with the art of his peers during this period – the mask is a motif that inspired contemporary expressionist and cubist artists. It also demonstrates his interests in portraiture, human psychology, and the creation of identity and transformation of personalities. The Mask also provides an important link to the studio practice in the Vienna Kunstgwerbeschule, the teaching of Anton Hanak, and the program of international art exhibitions in Europe during the period. It is also of historical significance: the story of its survival and eventual recovery provides a counterpoint to the story of the Nazis’ confiscation of art during the Second World War. Ann Carew 2016Carving in Salzburg Marble. Holes for eyes and mouth cut through the block. Highly polished finish at front contrasting with rough finish at back and stylised curled hair. Marble base separate (75 x 275 x 198, wt 9000) and added later by artist. Karl Duldig 1921 incised on back

Lesley Sinclair studied art at the National Gallery School in Melbourne in the 1920s, and lithography at the Royal Melbourne Institute of Technology. She became a member of the Melbourne Society of Women Painters and Sculptors, but rarely exhibited her work. She was a student of Justus Jorgensen and a founding member of the Montsalvat group in Eltham. She lived at Montsalvat and taught painting until her death.

Ralvana School 1935 BACK; Ivan johnson, Betty Croton, Dorothy Croton, Joan Sweeney, Peggy Tuddenham, Hild Johnson, Richie Smith, 2ND ROW: Ken Croton, Alan Johnson, Stuart Raggatt, Ray Sweeney, Keith Swan, Philip Raggatt, Bill Sweeney Scot Fraser. FRONT: Margaret Fraser, Ian Swan, Ray Croton, Marj Tuddenham, JoanCroton. Teacher: Miss HillGroup of Primary school Students and teacher in front of Weatherboard schoolstudents, education

B/W. Boy in school unifrom with badge 4 Male Teachers in suits.Stawell Technical School Reg No 3358 1968 L to R: Bruce Burton,John Baxendale, Max Freeland ( Student) Ralph Sinclair, Dick Petit.education

Colour Photograph of a group of 11 people (5 Seated, 6 Standing) in front of Deep Lead School. Past Students & Teachers of Deep Lead 720 Back Row L to R: Keith Boyd, Dorothy Hatley, Bruce Richard, Bill Cray, Rob Cray, May Chester Front Row L to R: Laurie Bennett, Laura Raeburn, Robert Freeland, Amy Cray(nee Rogers) Lesley Bennettdeep lead school, education

Students in front of School Building with Chalk Board Stawell Grade V 1955education

Ledcourt State School Students at Glenorchy Sports Day Back: Margaret Mason, Shirley Walker, Laura Howard, Mervyn & Sylvia Launder, Joan Clark, Gordon Pickering, Bill Cunningham, Neville Howard Front: Lorraine & Mervyn Pickering, Margaret Howard, Arthur Clark Group of Sudent with Sashes and Flag

School Class photo of Senior Fourth Class in Stawell State School 502. Taken in March. c1910.Sepia photograph of a large group of pupils in front of a brick building with 3 windows in view on the back wall.Hand written on back of post card " Senior Fourth Class in Stawell State School Taken in March 1910"stawell education

Branch School - Stawell East Primary School. Patrick Street State School number 1986. Photo of school group and teachers. Mabel Sargent 6th from left, second bottom row. Mabel died 21.1.1899 giving approximate date of photograph. c 1896. Stawell East is now the Secondary College in Stawell.Sepia photograph of school group at Patrick St. State School Number 1986. Branch School - Stawell East Primary School and Teachers c 1898. The photo has 4 rows of students with pine trees in the background.Patrick St. State School No. 1986 Mabel Sargent 6th from left, second bottom row Died 21-1-1899stawell education

In 1978 a new campus for Williamstown Grammar, named Westbourne, was established at Truganina to accommodate the new secondary school. The first year 12 class graduated in 1983 and to commemorate this historic event, the Year 12 art and signature book was begun. Since 1983, each Year 12 group has nominated a student to create an artwork, which in many cases represents a theme that was important to the Year 12 cohort at the time, to be signed by each student of Year 12. The practice quickly became to create the artwork on a separate sheet of paper and paste it across the fold of each consecutive double page spread. The book, opened at the entry of the graduating class, would then be displayed at the Year 12 Valedictory Dinner each year.This books commemorates each graduating year 12 class since the establishment of the secondary campus at Truganina. It is an example of beginning community building traditions for the new school.Red vinyl bound book with tan-coloured suede corners and spine. The front cover features gold embossed lettering of the school name above a school logo (self-adhesive applied after manufacture) with further embossed gold lettering 'Year 12' below. Artworks on paper have been adhered across bifold pages of the book, using unknown adhesive, each year between 1983 and 2018. Adhered pages contain mixed media. Pages at the back of the book contain lists with senior student office holder names and signatures for each year 1983-2018.year 12, graduation, valedictory, art, community, student work, prefects

Principal John Pascoe stands behind Senator John L. Carrick as he speaks at the official opening of stage 1 building of the new campus at Truganina, February 1979. Classes began in temporary classrooms a year earlier and students reflected on the hive of activity while buildings went up around them in the 1978 yearbook, Literata: 'We still had to put up with the noise of the builders finishing the building' D.W 'There was hardly anything to be taught in...I thought it was disorganised, lonely and hectic' K.H. 'I do not know how the workers completed the school in such a short time' A. DiM. In a longer piece, past student and school captain, Fiona Kellett, wrote: 'Where once there were just paddocks, we now have a fine school, of which we are very proud. In the years to come this school will become bigger and everyone will see their dreams and hard work fulfilled'. Black and white photograph of a group of people seated facing a stage. On the stage, four students stand to the left of a podium at which Senator John. L. Carrick is speaking.

Book compiled for Student Reunion 2004 Form 1 1964 - Form 6 1969 GroupClear Plastic cover over card with a b/w picture of Stawell High School.Stawell High School Form 1 1964 to Form 6 1969 Group. Stawell High School Reunion. Reunion held Saturday 28 and Sunday 29 August 2004stawell education