A List of residents of the Stawell and District in 1923Manila Folder with brown tape on three sides to form a sleeve. Black Print 1923 Municipal Directory Stawell and District Residents 1923 from Municipal directorystawell

Newspaper cutting from The Courier, 17/12/1962 titled "Ballarat to continue fight to keep trams". Reports that no closure considerations until next year. Quotes W E Roff of the Save the Trams Committee and City of Ballaarat Mayor Cr. A Mills.Yields information about the on-going closure proposals for Ballarat trams.Newspaper cutting from The Courier, Ballarat, taped to a quarto sheet with rounded corners.In ink "Courier 17/12/1962"secv, ballarat, trams, tramways, closure

Newspaper cutting from The Courier, 3-1-1963 titled "No review of SEC Tariffs while trams stay", about there will be no reduction in power tariffs in the region while the Ballarat trams continue to operate. Gives details on additional customers in the region, tariffs were reduced in Geelong after the closure of trams there. Quotes the Minister of Electrical Undertakings, Mr. Reid, following Murray Byrne, MLC.Yields information about the cost of power in the Ballarat area.Newspaper cutting from The Courier, Ballarat, taped to a quarto sheet with rounded corners.In ink "Courier 3/1/63"secv, ballarat, trams, tramways, closure, power supply, power costs

During World War II, Wanganella was converted to serve as an Australian Hospital Ship (AHS). Between 19 May 1941 and 1946, AHS Wanganella carried wounded and sick evacuees from the Middle East, New Guinea, Solomon Islands, Borneo and the South Pacific, travelling over 251,011 nautical miles (464,872 km) and transporting 13,385 wounded. A.H.S Wanganella 2/2nd Australian Hospital ship. Ref: "Hospital Ships" Rupert Goodman SLV LT 359.8364 0994 G62H Trip 8 Depart 12th Nov 1942 Melbourne Fremantle Aden 10th - 11th Dec 1942 Port Tewfik, Egypt 21st - 22nd Dec 1942 Colombo, Sri Lanka 01 Jan 1943 Fremantle Adelaide Melbourne Sydney Arrived 13th Jan 1943 Brisbane Wanganella left Colombo 22nd December 1942 for Fremantle, with patients who boarded at Port Tewfik in Egypt arriving on New Year's day 1943. The menu is printed on fawn cardboard. The menu has been torn along the spine and rearranged at some time to put on display. There is evidence of glue or tape damage at the back of each corner of the card. Some grease and finger marks are evident on the front and back of the card. The printing is very legible. The heading 'Christmas Greetings' is at the top of the front page and 'Christmas Day 1942' at the bottom of the page. Originally the menu was assembled as a leaflet with the menu on the inside of the second sheet. Since this time, the menu has been torn along the middle fold and the second page sheet taped to the first page. There is a red cross on the front page with a printed illustration of the Wanganella superimposed over the top. H.M.A.H.S. Wanganella and the dinner menu are printed in dark blue ink. The Christmas greetings and the names of the commander and officer in command of the troops are printed in light blue ink. h.m.a.h.s. wanganella, w.w.ii hospital ship

A 'Superb' wooden tennis racquet, with string whipping over cloth tape reinforced shoulders, and a fine-grooved handle with fish tail butt. Materials: Wood, Lacquer, Glue, Metal, Gut, Ink, Cloth tape, Stringtennis

A 'The Superb' wooden tennis racquet, with string whipping over cloth tape reinforced shoulders, and a fine-grooved handle with fish tail butt. Materials: Wood, Lacquer, Glue, Metal, Gut, Ink, Cloth tape, Stringtennis

A 'Superb' wooden tennis racquet, originally with string whipping over cloth tape reinforced shoulders, and a fine-grooved handle with fish tail butt. Materials: Wood, Lacquer, Glue, Metal, Gut, Ink, Cloth tapetennis

A composite tennis racquet marked 'Revolution' with open throat, plastic butt cap and handle wrapped with leather grip tape. Model/Manufacturer's name printed on crown Materials: Adhesive tape, Ink, Vinyl, Plastic, Leathertennis

A master tape of songs performed at Bundoora in 1990 and 1992. This performance is by the Diamond Valley Choral Society. 1 audio cassette in clear plastic caseHandwritten on cassette: "Tks 1, 2, 3, 4 B'dra. Aug 1992"; on case: "Bundoora 2, 5.6.90 mix".diamond valley choral society, bundoora

Con Kroker CollectionBlack & white photograph of a narrow pathway winding down a grassy slope to the beach. There is a simple stool on the right, and a wooden table & stools on a flat area just above the bench. A woman is sitting on the wooden seat to the right of the table & stoolsBack: 843 stamp Attached to the back by tape, is a photographic competition entry form, for C. O. Kroker

This blazer was worn by Helen Veitch in 1948, while a student at the Ballarat Teachers' College in Dana Street. She lived in Ascot Street South and attended the Urquhart Street Primary School. The first class she taught was grades 1&2 at Wedderburn Primary School with 46 students. She also taught at Wendouree West, Wendouree, Urquhart Street and Pleasant Street Primary Schools. She married in 1955 and died in 1979.This royal blue woollen, unlined blazer is bound on all the edges with braid including the tops of the three pockets and 8.5cm from the sleeve edge. The embroidered patch breast pocket has the emblem of the Ballarat Teachers College. It has three buttons at the front. Most of the seams are bound, though some are turned back and stitched down. The back of the top of the pockets are reinforced with cotton fabric.Maker's embroidered patch - Paterson, Powell Pty Ltd, Ballarat White tape with handwritten marking - Veitchblazer, helen veitch, costume, textiles, logo, embroidery

Black & white reproduction photograph of Changi POW Camp in ornate wooden frame. Photograph shows variety of tents and structures in foreground and groups of figures in background. Vehicle with Red Cross emblem in background.On Photograph: 6-Bartack SQ,. Sept, 1942. Black tape on frame: Changi POW Camp 1942of, war, changi, prisoner, 1942, barrack

Complete record of the Footscray/Sunshine Branch meetings between the dates mentioned. Also handwritten roll call of Legatees 1965-1973 at back.Describes and itemises the activities and work of a typical Melbourne Legacy Branch in the 1960s and 1970s.Dark blue hardcovered foolscap book, tan spine and corners, initial minutes written in blue ink, typed minutes glued or stapled to the lined book pages. Includes a newspaper cutting from The Mail, Wed., Sept.12, 1979 recording the establishment of the Footscray Legacy Branch originally reported in The Mail 17/9/59.On spine in gold on red “Faint Paged Collins 4393” Front cover: red metal tape “Footscray.Sunshine.Legacy”minutes, activities, branch

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: BEECHWORTH / VIC. / MARCUSE Reverse: BEECHWORTH NOSTALGIA / BW – 03 (on masking tape) 003 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

This RAAF Flying Log Book belonged to Flt Lt Basil John Adam 400451. The first entry in the log book is 16 November 1940 at Elementary Training Course at Narrandera NSW.This is a RAFF Flying Log Book belonging to Flt Lt B J Adams.Not quite square book, blue cloth cover. White tape on the front upper left cover with the number 59259. On the spine the number 4259. On the spine on tape the number 184. Writen on the bottom pages thickness of the book ADAM.B. 400451.Royal Australian Air Force Flying Log Book Form A.18 (Revised April, 1937.) (RAF Form 414) Name ADAM Basiel John 400451.raaf, log book, adams b.j., 1940.

A Thornton 'The Monarch' Special tennis racquet, with solid convex throat, cloth tape reinforced shoulders with string whipping, and fine-grooved octagonal handle. Materials: Wood, Lacquer, Glue, Metal, Gut, Leather, Cloth tape, Inktennis

Mark 77 brand tennis racquet. West German. Reinforced stringing across centre of net. Aluminium frame. Fluorescent cloth tape along top of head with words 'Fischer Besaitungstechnik'. Materials: Metal, Nylon, Cloth tapetennis

Mark 77 brand tennis racquet. West German. Reinforced stringing across centre of net. Aluminium frame. Fluorescent cloth tape along top of head with words 'Fischer Besaitungstechnik'. Materials: Metal, Nylon, Cloth tapetennis

A Grenvilles 'The Varsity' wooden tennis racquet, with solid convex throat, cloth tape reinforced shoulders with string whipping, and a slightly fantailed handle butt. Materials: Wood, Lacquer, Glue, Metal, Gut, String, Cloth tape, Inktennis

An H.H. Co. Multnomah tennis racquet, with string whipping around shoulders, and cloth tape wrapped around the lower half of the fine-grooved handle. Materials: Wood, Lacquer, Glue, Metal, Leather, String, Ink, Cloth tapetennis

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White cotton voile puff sleeved chemisette with four engraved pearl buttons. Neck edged with an edging lace and narrow tape. Sleeves finished with two rows of pin tucking and edging lace. Insertion and tape lace at neckline.lace, women's clothing, underwear, undergarments