Camp 13 Garrison sergeants: Back row (l to r): Sergeants, Wright, Roxborough, Lyall, Thompson and ? Front row (l to r): Staff Sergeant Blackwood, Sergeant Ryan, Sergeant Major Gamble, Sergeants Gilbert, F "Chips" Sidebottom (veterans of 13th Light Horse WW1). Original photo lent by Mrs McCormack of Shepperton, daughter of Sgt. Sidebottom.Black and white photograph of Camp 13, garrison sergeants, POW camp, Tatura 1942 - 1945. Outside of the Army huts. (10 men).sergeant wright, sergeant roxborough, sergeant lyall, sergeant thompson, staff sergeant blackwood, sergeant ryan, sergeant major gamble, sergeant gilbert, sergeant f "chips" sidebottom, veteran of 13th light horse, light horse regiment

Laminated photocopy with original, same registration numbers. Group photo of Edgar Francis Electrical Goods Shop c1960.|Back row: Keith Russell, Lin Thompson, Mr McCormack, Bill Scanlon, J. Wain, H. Poulson, Jim Stark.|Seated: Jean Davies, Edgar and Val Francis.tatura, francis, shops, costume, female, male

The Flight from Pompeii was designed by Professor Carlo Benzoni and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.White marble statue of a male, female and baby (family) in flight.The Flight From Pompeii by Charles Summersflight, pompeii, benzoni, summers

Ruth was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. the artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Ruth is in a seated position with a loosely draped dress.Ruthruth

Rebekah was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. White marble statue of a woman standing with left arm raised to her head and draped in cloth to form a robe tied at the front.Rebekah

Modesty was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Modesty standing with right arm folded over chest, robed and with veil over face.Modestymodesty

Susannah designed and carved by Charles Francis Summers and accompanies four statues in the Statuary Pavilion in the Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.The artwork is of historic and aesthetic significance to the people of Ballarat White marble statue, female seated with cloth draped over lower body.Susannahsusannah, summers

These are the Merry Moreland Maidens, a WW 2 fund raising group who sang and performed sketches in costume around Melbourne for the Red Cross Comforts Fund. They were led by Mrs May Lecky. Back row. Left to right: Mrs Patterson, Noake, Noble, Cork, Huntley, Egginton, James, Smith, Wakelin, Johnson Front row. Left to right: Mrs George, Pye, Chapple, Millist, Luke, Gallant, Thompson, Luckherd (?), Denman, Numa, Bartlett. (Mrs Violet Johnson). Black and white photographmoreland, world war two, red cross

Pink card covered booklet with blue text. The cover has an image of the Methodist Girls' Comradeship badge. The booklet has 26 pages.non-fictionContents: The laws of Comradeship; The Junior Ray's Law; Comradeship Hymn followed by the words of 58 hymns and choruses.methodist girls' comradeship junior rays, methodist church of australasia, wesley shepparton, m.e. thompson, shepparton rays

As it the Branch is not specified it has been assumed that the Potato Race was awarded to Hampton's Senior Rays' group.Light blue card certificate with gold edging and blue badges and text. The badges are of the Methodist Girls' Comradeship, Methodist Order of Knights and the Methodist Girls' Comradeship Rays' Section badges at the top and is issued by the Province of Victoria and Tasmania. The certificate has the award winners completed. The winners names and positions are written on the back."HAMPTON" "POTATO RACE 13 years & under" "26.9.64" "Beverley J. Lowe STATE SUPERINTENDENT" On back: "Brenda Anderson (captain)" "Judy ? (last runner)" "Margaret Ackland (fourth runner)" " Marjorie Thompson (second runner)" "Joyce McAdams (first runner}"methodist girls' comradeship, methodist girls' comradeship rays' section, methodist order of knights, beverley j lowe state supt., brenda anderson, margaret ackland, marjorie thompson, joyce mcadam

Hardcover, No Dust Jacket"Boyd II T" inside front cover. Markings throughout and on front cover.walsh st library

Boyd spoke at a discussion panel titled "Wellsprings of Design" on Monday October 12th, 1959 - page 13. (Photo of Boyd included)hawaii, honolulu, a.i.a, elisabeth kendall thompson, walsh st library

Hardcover w/ Dust Jacketaustralian biography , walsh st library

Rev. Peter Thompson (1847 - 1909) was Superintendent of the East End Wesleyan Mission. Entered the Wesleyan ministry in 1871. Died 1909. The second son of a Lancashire farmer, Peter grew up in a tee-total Methodist household with a rather austere father and a saintly mother. He trained at Didsbury Wesleyan College where he was, by all accounts, a brilliant student. He was stationed in Ulverston and then Huddersfield (by 1876). By 1881 Peter had married and was Minister at Wood Green. He and his wife, Mary, do not appear to have had any children. They spent some years in Redhill and then, following the decision of Conference in 1885 to establish the London Wesleyan Methodist Mission, Peter was sent to the East End of London to take charge of the almost defunct St George’s Wesleyan Chapel. His work as a slum missionary was so successful that soon larger premises were required. In addition the mission took over a ‘most undesirable’ public house (The White Swan on Ratcliffe Highway) and later, in 1891, the Mahogany Bar. In 1898 he was interviewed by Charles Booth as part of Booth’s survey of London. Peter died after a long illness in 1909 having served 24 years in East London, one of the best known and loved Wesleyan ministers of his time. Sepia toned head and shoulders studio portrait of the Rev. Peter Thompson.rev peter williams, methodist, wesleyan, minister, east end mission

Rev. John Thompson Field (1861 - 1938). Born at Geelong. Went to Papua as an unmarried Probationer. Ordained 1891. Served at: Dobu, Papua (1891), Tubetube (1893), Heywood (1901), Hamilton (1904), Camperdown (1907), Brighton (1909), Ubuia, Papua (1913), Dunolly & Tarnagulla (1914), Terang (1917), Williamstown (1920), Coburg & Moreland (1924), Devonport (1928), Supernumerary Hawthorn (1929). Married Frances Mary Harding (1857 - 1909) in Papua.Sepia toned head and shoulders studio portrait of the Rev. J. T. Field.rev john thompson field, methodist, minister, papua, frances mary harding

Decorated silver trowel with bone handle.Presented to John Thompson Esq on the occasion of laying a Memorial Stone of Boundary Street Congregational Mission Church Southport. 23rd May 1890.congregational mission church southport

This type of photograph was taken annually.A black and white photograph of the students at Our Lady's of Mt Carmel Catholic School, Sunbury Grades IV to VIII in 1953.st mary's catholic school, sunbury, schools, education, our lady of mt. carmel, anderson, yvonne, lupson, maria, kelly, marie, dillon, kathleen, o'brien, joan, millett, bernadette, dunn, anne, dickson, wade, smith, william, mclean, kevin, mccarthy, john, peters, simon, hall, vincent, thompson, vivian, gwenda, wendy, patricia, mckimmie, delaney, frances, pauline, muir, david, murphy, jimmy, dennis, staib, trevor, gordon, maurice, de vos, tom, leake, fay, stringer, vickie, lydia, mary, vicki, kay, george evans collection

A black and white photograph of the students at Our Lady of Mt Carmel Catholic School, Sunbury. 1952st mary's catholic school, sunbury, schools, education, our lady of mt. carmel, cardillo, velma, delaney, joan, anderson, yvonne, lupson, maria, keily, patricia, smith, mary, william, de vos, tom, mclean, kevin, mccarthy, john, dillon, lawrence, millett, peters, simon, george, thompson, vivian, morrison, dorothy, mckimmie, ann, marie, murphy, lillian, dunn, lorraine, palmer, marlene, kathleen, o'brien, benny, dickson, wade, mctigue, terry, staib, trevor, muir, david, george evans collection

Formal student photograph with staff and student signatures on front. Taken Nov 1933. Students: Bond,Gibson, Moulds, Ryan, Head, Fletcher, Thompson, Caplehorn, Beale, Jones, Newey, Davidson. Staff: Semmens, Lister.Photograph (Mounted)Photographers name on mount.

January 1951, PTS Back L-R: Rose Gillett, Sr Jean Harris, Sr Thompson, Patricia Winter Middle L-R: Roslie McDonald, Shirley Walker, Noreen McMichael, Patricia McIvor, Gwenda Norbury Front L-R: Elma Nimmons, Betty Wilson, Margaret Kelly, Marjorie WheelerPhotocopieselma, nimmons, kelly, 1953, 1954, graduation, polio, examination, midwifery, 1st, professional, courier, 1951, pts, harris, thompson

thompson, hip, prosthesis, zimaloy