Showing 1192 items
matching trademark
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Tennis Australia
Racquet, Circa 1968
A Wilson "Butch" Buchholz Signature tennis racquet. Base of head features Wilson logo. Throat features model name, with a wreathed 'S'. Lower shaft and butt cap feature 'W' trademark. Leather handle grip features triangular perforations. Inscription along left side of shaft: MADE EXCLUSIVELY FOR [SEAR]S [ROEBUCK & CO]./BY WILSON SPORTING GOODS. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Adhesive tape, Ribbon, Plastictennis -
Tennis Australia
Racquet, Circa 1973
A Wilson Stan Smith Autograph tennis racquet. Base of head features Wilson logo, flanked by two pairs of brown diamond devices. Throat features model name, with a black and red silhouette of Smith in action. Lower shaft and butt cap feature 'W' trademark. Racquet features Wilson brand leather handle grip. Autograph by Smith across throat on reverse. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Adhesive tape, Ribbon, Plastic, Fibreglasstennis -
Tennis Australia
Racquet, Circa 1974
A Wilson Stan Smith Monterey tennis racquet. Base of head features Wilson logo. Throat and shaft feature model name and gold and white shield device with 'S' at centre. Lower shaft and butt cap feature 'W' trademark. Leather handle grip features quatrefoil perforations. Butt cap has metallic plate adhered to it, engraved with the name 'JOE'. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Adhesive tape, Ribbon, Plastictennis -
Tennis Australia
Racquet, Circa 1960
A Regent, Alex Olmedo Driver tennis racquet. Regent logo features across the base of the head and on the butt cover. Model name, with a decal head image of Olmedo, encircled by gold wreath, features on the throat. 'R' trademark features on the shaft. Endorsement and model details feature on the sides of the shaft. Leather handle grip features lozenge-patterned perforations. Materials: Wood, Nylon, String, Glue, Lacquer, Metal, Paint, Leather, Ribbon, Cloth, Ink, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1932
A wooden tennis racquet with hide supports, blue and gold string whipping, and a leather handle grip with patterned perforations. Inscription along throat and shaft on obverse: SUPER/WINNER/BANCROFT. Inscription across throat, on reverse (now removed): F.J. BANCROFT/.../PAWTUCKET/R.I. U.S.A./... Original decal trademark comprises of an eagle grasping a tennis racquet, in front of the Globe, with motto: USED/THE WORLD OVER. Materials: Wood, Gut, Leather, Glue, Lacquer, Metal, Ink, String, Cloth, Hidetennis -
Tennis Australia
Racquet, Circa 1950
A Bancroft Super Winner tennis racquet, with hide reinforcements, bamboo laminated shaft, ribbon whipping from shoulders to shaft, and leather handle with X-formation perforations. Bancroft logo features across base of head. Throat features model name. 'B' trademark features on lower shaft and butt cover. Inscription across lower shaft: REGISTRATION/NUMBER/18436. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Ink, Plastic, Ribbon, Adhesive tape, Paint, Hidetennis -
Cheese World Museum
Jar, stoneware
This jar was used by the Hunt family on their dairy farm at Cudgee.Stoneware jar with stopper and wire handle. The cream body has instructions for use. From where the bottle slopes to the stopper is glazed brown. The stopper is rubber and the handle coiled wire.Stopper: 'Sharpe Bros Australia and New Zealand'. Body: Keep the Stopper Tight. This Jar is the absolute property and must be returned to Sharpe Bros. Australia & New Zealand Original and Largest Hygenic Brewer CAUTION. Persons Damaging Wilfully Retaining, Trading with or Misappropriating the use of this jar WILL BE PROSECUTED Sharpe Bros Trademarkallansford, cudgee, mervyn hunt, sharpe bros, stoneware jars, dairy farming, bottles, china ware -
The Ed Muirhead Physics Museum
Slide Rule, cylindrical / “FullerCalculator”
“FULLER CALCULATOR” : a wooden cylindrical slide rule(92.1) with spiral logarithmic scale 500 inches long. and specially made rectangular box (92.2) and pamphlet (92.3).Engraved on metal of adding machine (92.1): “8462/45” Label on inside of box: “Stanley Trademark Everything for the Engineer Architect and Surveyor in field and drawing office. W.F.Stanley & Co. Ltd, 286 High Holborn London WC1” Stamped on pamphlet: “University of Melbourne Department of Statistics” Label on top box: “display” -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, circa 1878
This dessert spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This dessert spoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored dessert spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Approximately 40% of original plate remains, in a dull grey/green condition. Outlines of five makers marks are visible, with two that are legible - (1) WP&Co trademark, (4) Crab design. flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, william page and co, birmingham brass plating, dessert spoons -
Tennis Australia
Racquet, Circa 1929
A wooden racquet with cloth tape supports and whipping, and a grooved handle. Inscription across green and red throat on obverse: CALIFORNIA/MODEL/F. Trademark, in red and black, on throat on reverse features company monogram 'CBP/CO' with the inscription: CALIFORNIA/ATHLETIC GOODS. Decal inscription along right side of handle: M[ANU]F[ACT]URED BY/CALIFO[R]NIA BY-PRODUCTS CO./SA[N] FRANCISCO, U.S.A. Materials: Wood, Gut, String, Leather, Cloth tape, Metal, Ink, Glue, Lacquer, Painttennis -
Tennis Australia
Racquet, Circa 1902
A wooden, oval racquet with a solid convex throat, cloth tape supports, and fish-tail handle. Inscription across crown on obverse: THE DEMON. Model trademark is stamped on throat on obverse, featuring a horned demon's head device, with the text: THE/DEMON. Manufacturer's mark stamped across throat on reverse, comprises of a hexagram with the text: BEST IS BEST/S&S/L/THRO' THE WORLD. Inscription along left side of handle: MADE IN ENGLAND. Materials: Wood, Gut, Metal, Glue, Lacquer, Cloth tapetennis -
Tennis Australia
Racquet, Circa 1972
A Chemold Rod Laver Tournament tennis racquet, with ribbon whipping around shoulders, and leather grip with triangular perforations. Chemold logo features across base of head, flanked by ornamental motifs. A head and neck photo decal of Laver features on throat, with model name, and continuing along shaft. Gold, black and white Chemold trademark features on lower shaft. Plain white plastic butt cap. Materials: Wood, Nylon, String, Ribbon, Paint, Ink, Plastic, Leather, Rubber, Glue, Lacquer, Metal, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1972
A Chemold Rod Laver Professional Model tennis racquet, with ribbon whipping around shoulders and shaft, and leather grip with floral perforations. Model name features across base of head and throat, accompanied by an 8-pointed star device. Chemold logo features along shaft. Gold, black and white Chemold trademark features on lower shaft. Plain white plastic butt cap. Materials: Wood, Nylon, String, Ribbon, Paint, Ink, Plastic, Leather, Rubber, Glue, Lacquer, Metal, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1972
A Chemold Margaret Court Tournament tennis racquet, with ribbon whipping around shoulders, and leather grip with X-formation perforations. Chemold logo features across base of head, flanked by ornamental motifs. A head and neck illustrated decal of Court features on throat, with model name, and continuing along shaft. Gold, black and white Chemold trademark features on lower shaft. Plain white plastic butt cap. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Leather, Rubber, Glue, Lacquer, Metal, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1972
A Chemold Margaret Court Tournament tennis racquet, with ribbon whipping around shoulders, and leather grip with X-formation perforations. Chemold logo features across base of head, flanked by ornamental motifs. A head and neck illustrated decal of Court features on throat, with model name, and continuing along shaft. Gold, black and white Chemold trademark features on lower shaft. Plain white plastic butt cap. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Leather, Rubber, Glue, Lacquer, Metal, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1975
A Chemold Owen Davidson Hawk tennis racquet, with ribbon whipping around shoulders and shaft, and a plain black leather handle grip. Chemold logo features across base of head. A pink and purple toned wave pattern features from shoulders to handle. Model name features along shaft. Chemold trademark with large 'C' features on lower shaft. Plain white plastic butt cap. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Leather, Glue, Lacquer, Metal, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1976
A Chemold Owen Davidson Hawk tennis racquet, with ribbon whipping around shoulders, and a vinyl handle grip with X-formation perforations. Chemold logo features across base of head. A blue and turquoise toned wave pattern features from shoulders to handle. Model name features along shaft. Chemold trademark with large 'C' features on lower shaft and black plastic butt cap. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Vinyl, Glue, Lacquer, Metal, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1976
A Chemold Owen Davidson Hawk tennis racquet, with ribbon whipping around shoulders, and a vinyl handle grip with X-formation perforations. Chemold logo features across base of head. A yellow and tan toned wave pattern features from shoulders to handle. Model name features along shaft. Chemold trademark with large 'C' features on lower shaft and black plastic butt cap. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Rubber, Glue, Lacquer, Metal, Adhesive tape, Vinyltennis -
Tennis Australia
Racquet, Circa 1972
A Rawlings, John Newcombe Flash Junior tennis racquet, with plastic whipping around shoulders, and leather handle grip with quatrefoil perforations. Rawlings logo features across base of head. Model name features across throat and along shaft. Rawlings red, black and white 'R' trademark features on lower shaft, and black 'R' on butt cover. Shaft also features autograph by Newcombe. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Paint, Leather, Rubbertennis -
Tennis Australia
Racquet, Circa 1975
A Seamco Ken Rosewall tennis racquet, with plastic ribbon whipping around shoulders, and, leather handle grip with patterned perforations. Model name features across base of head. Colour head and neck photo decal of Rosewall features on throat. Seamco logo features along the shaft. Seamco trademark symbol features on lower shaft and plastic butt cap. Rosewall autograph features along shaft, on obverse. Materials: Wood, Nylon, Leather, Plastic, Ink, Adhesive tape, Glue, Lacquer, Metaltennis -
Tennis Australia
Racquet, Circa 1968
A Dunlop, Frank Froehling Autograph tennis racquet, with ribbon whipping around shoulders and shaft, and leather handle grip with X-formation perforations. Dunlop logo features across base of head. Head and neck photo decal image of Froehling features on throat. Model name, and dynamic 'D' in arrowhead device, feature along the shaft. Dynamic 'D' trademark in arrowhead device features on plastic butt cover. Materials: Wood, Nylon, Plastic, Ink, Leather, Glue, Lacquer, Metal, Enamel, Adhesive tape, Fibreglass, Ribbontennis -
Tennis Australia
Racquet, Circa 1963
A Dunlop, Rod Laver, Grand Slam Winner tennis racquet, with string whipping around shoulders, and leather handle grip with linked diamond perforations. Model name features across base of head and along shaft. Head and neck photo decal image of Laver features on throat. Dunlop logo in red arrowhead features across base of the shaft. Dynamic 'D' trademark features on plastic butt cover. Materials: Wood, Nylon, Plastic, Ink, Leather, Glue, Lacquer, Metal, Enamel, Adhesive tape, Stringtennis -
Tennis Australia
Racquet, Circa 1968
A Dunlop, Marty Riessen Autograph tennis racquet, with ribbon whipping around shoulders and shaft, and leather handle grip with linear formation perforations. Dunlop logo features across base of head. Head and neck photo decal image of Riessen features on throat. Model name, and 'D' in arrowhead device, feature along the shaft. 'D' trademark in arrowhead device also features on plastic butt cover. Materials: Wood, Nylon, Plastic, Ink, Leather, Glue, Lacquer, Metal, Enamel, Adhesive tape, Fibreglass, Ribbon, Painttennis -
Tennis Australia
Racquet, Circa 1973
A Dunlop, Marty Riessen tennis racquet, with string whipping around shoulders, white enamelling from shoulders to butt, and leather handle grip with X-formation perforations. Model name features across base of head. Head photo decal of Riessen features on throat. Dunlop logo, and 'D' in arrowhead device, feature along the shaft. 'D' trademark in arrowhead device also features on plastic butt cap. Materials: Wood, Nylon, Plastic, Ink, Leather, Glue, Lacquer, Metal, Enamel, Stringtennis -
Tennis Australia
Racquet, Circa 1973
A Dunlop, Evonne Goolagong tennis racquet, with string whipping around shoulders, white enamelling from shoulders to butt, and leather handle grip with cross-hatch pattern. Model name features across base of head. Head photo decal of Goolagong features on throat. Dunlop logo, and 'D' in arrowhead device, feature along the shaft. 'D' trademark in arrowhead device also features on plastic butt cap. Materials: Wood, Nylon, Plastic, Ink, Leather, Glue, Lacquer, Metal, Enamel, Stringtennis -
Tennis Australia
Racquet, Circa 1973
A Dunlop, Evonne Goolagong tennis racquet, with string whipping around shoulders, white enamelling from shoulders to butt, and leather handle grip with cross-hatch pattern. Model name features across base of head. Head photo decal of Goolagong features on throat. Dunlop logo, and 'D' in arrowhead device, feature along the shaft. 'D' trademark in arrowhead device also features on plastic butt cap. Materials: Wood, Nylon, Plastic, Ink, Leather, Glue, Lacquer, Metal, Enamel, String, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1973
A Dunlop, Evonne Goolagong tennis racquet, with string whipping around shoulders, white enamelling from shoulders to butt, and leather handle grip with cross-hatch pattern. Model name features across base of head. Head photo decal of Goolagong features on throat. Dunlop logo, and 'D' in arrowhead device, feature along the shaft. 'D' trademark in arrowhead device also features on plastic butt cap. Materials: Wood, Nylon, Plastic, Ink, Leather, Glue, Lacquer, Metal, Enamel, String, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1980
A Spalding, Tracy Austin Junior tennis racquet, with string whipping around shoulders; leather handle grip with X-formation perforations; and, a plastic butt cap. Model name features across base of racquet head and lower shaft; manufacturer's name features along shaft; and, Spalding 'diamond in circle' trademark features on the throat and butt cap. Autograph in black marker, by Austin, features across throat on obverse. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Leather, Plastic, String, Paint, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1913
A Wright & Ditson 'Challenge' model tennis racquet with transitional flat-top head and laminated convex throat. String whipping around shoulders. Model name printed across throat on obverse. Manufacturer's trademark/logo features across throat on reverse. Fine-grooved octagonal handle with leather end wrap. Manufacturer name imprinted on right side of shaft. Inscribed on left side of shaft: PATENTED. Letters 'EWE' carved onto throat on reverse. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Gut, Stringtennis -
Tennis Australia
Racquet, Circa 1933
A Wright & Ditson 'Surprise' model tennis racquet. Throat wedge has marble laminate. Striped plastic tape around shoulders and base of throat. Model name printed across throat on obverse and manufacturer's trademark features on throat on reverse. Manufacturer name and country of origin printed on right side of shaft. Fine-grooved octagonal handle with leather end wrap. Pale green paint splashed along one side of head. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Nylon, Paint, Plastic, Leathertennis