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Kew Historical Society Inc
Clothing, Ecstasy, Pink Silk Beaded Dress & Coat, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress is one of a number of items donated to the Fashion Collection by Dione McIntyre. It belonged to her mother Lilian Cohen.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Two-piece pink silk outfit comprised of a round necked, knee length dress and plain matching silk coat. The dress is scalloped at the waist and bordered with pink glass beads. The dress has the label “Ecstasy Creation : a fine fabric”.“Ecstasy Creation : a fine fabric”.women's clothing, mcintyre collection, australian fashion - 1960s, cocktail dresses -
Clunes Museum
Clothing - DRESS, c1940
Female dress circa 1940, dusty pink crepe, coffee coloured lace insert in top front of bodice and above hemline, bugle bead design on sleeves and bodice. A line skirt with gather at front. Material scroll design on waist.Nilladies fashion, ladies garment, dress -
Brighton Historical Society
Dress, Evening dress, c1960s
This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di was gifted this dress by a former manager of the Bayside Gallery, who herself had worn it to a fancy dress event after finding it in a local opportunity shop. Di subsequently wore it to a party with friends at the Windsor Hotel in Melbourne to celebrate and watch the televised royal wedding of Prince Harry and Meghan Markle in May 2018.Purple silk full length dress with cream neckline and arm hole band trim and white decorative beading over waist. The bodice joins front and back at the shoulder with a decorative purple ring. The lining is made of magenta coloured silk."Exclusively Yours Hartnell REGD Melbourne", "Exclusive Finest Imported Fabric"costume party, fancy dress, royal wedding, hartnell of melbourne, ralph samuel, melbourne designers, flinders lane, di reidie, 1960s -
Brighton Historical Society
Dress, circa 1980
This dress belonged to Bayside woman Wendy Young, who bought it around 1980 from Melbourne designer Prue Acton's Toorak shop for about $300. She recalled, "It was one of her off the peg creations, but I never saw it on anyone else... she made limited runs, especially as this is hand painted silk." The belt has been signed by Acton.Sleeveless bias-cut dress of watermelon pink silk featuring red and gold hand-painted abstract designs. The dress features a Mandarin collar with a button fastening at the throat. A matching silk belt with tapered ties wraps around the waist.The belt features two signatures in gold paint: "Prue" and "P Acton"prue acton, 1980s, melbourne designers, wendy young -
Bendigo Military Museum
Uniform - TROUSERS, ARMY, Australian Defence Industries, 1985
Trousers - khaki, wool serge fabric, plastic buttons, metal zipper fly. Fob pocket, two side pockets, one back pocket with button down flap. Lining - cotton and polyester. Manufacturers label on lining of back pocket with black print information. Mending patch attached to lining.Cotton label information - black ink print. "A.G.C.F./ VIC 1985/ ^/ 8405.66.025.6184/ McQUARIE 83/ BATCH T /SIZ/WAIST 89R/ DRY CLEAN ONLY/ CREASES SET/ BY SIRO SET/ MENDING PATCH/ ATTACHED/ ARMY. NO./ NAME".uniform, army, battle dress trousers -
Warrnambool and District Historical Society Inc.
Textile, Hilton Hosiery, Hilton 30 denier stockings, 1960s
These nylon stockings are a sample of the type of stockings worn by women between the late 1940s and the early 1960s. Before the Second World War women’s stockings were made mostly of silk, cotton and wool. Nylon stockings became popular with the introduction of nylon in the 1940s and continued to be used (in conjunction with suspender belts) until the 1960s when the pantihose, a thin nylon form of tights covering the legs up to the waist, was introduced and became the favored leg covering for women. Stockings can still be purchased and worn in some circumstances. These stockings are of interest as an example of the items of clothing worn by women in the mid 20th century. They will be useful for displayThis is a pair of beige-coloured nylon stockings. They are folded into a piece of white cardboard and partly enclosed in a clear cellophane wrapping with a decorative pattern on the edges. ‘Hilton Cotton Foot 30 Denier Twin Thread 10½ Average’women’s apparel, warrnambool -
Orbost & District Historical Society
dress, mid 20th century
Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who made many of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. This item is an example of a home-made item of clothing and reflects the needlework skills of women in the mid twentieth century.A long, coffee-coloured, organza dress with a plain weave, sheer fabric. It is sleeveless, collared and waisted with a scalloped hemline. It opens on the left side with 5 metal press studs and the inside shoulders have tabs with studs (probably to hold straps in place.)dress women's clothing burton-marjorie organza -
Bendigo Military Museum
Uniform - SKIRT WW2, C. 1943
Item issued to Mavis Keillor, refer Cat No 3402 for her service records.Plain khaki skirt. Bottom hem resewn by hand. x 1 angled pocket at rear, x 1 angled pocket on front. Front held together with hook & eye fastener. Waist held by single strap & buckle of same material.Name inside tag: “KEILLOR”uniform, skirt, kahki -
Bendigo Military Museum
Book, Burma the Longest War 1941 - 1945, 1984
Hardcover book with dust jacket. Dust jacket - light green colour. Red and white writing. Painting of 5 British soldiers waist deep in water. Book - Drab Olive colour, Buckram. Pages - 686 Illustrated - photos, maps, chartsstamped S.E. IBOTSONbooks, military history -
Kiewa Valley Historical Society
Apron, Hand Made, late 19th century to early 20th century
This item is hand made possible by a mother for her daughters. It is hand and machine stitched. This style of aprons / pinafore is attached to the two brown dresses that are also in the collection. This item is very significant for the following reasons. Historic and social - it shows what little girls wore during the early 1900's of the Kiewa Valley. It also shows fashion of the times and how these styles of aprons were made. All which is valuable for research on these topics. There are only a few of these aprons in the collection of the KVSH, and therefore would be very rare. The condition is good enough to display, therefore it has good interpretive capacity.Girls apron or pinafore. White linen with crocheted lace around the edge which is continuous around the skirt, sleeve and neck. The shoulders flaps appears that they should be pinned to the dress beneath, and pinned together at the back of the waist. The apron is manual machine stitchedclothing, girls, children, pinafore, apron, kiewa-valley, alpine-shire -
Bendigo Historical Society Inc.
Clothing - LADIES KNICKERS, 1950's
Ladies cream coloured knickers. Short leg with decorative trim at hemline of three rows of coloured nylon fabric - light pink, dark pink and mauve. Elasticized waist. Made form four pieces. This item was transferred from Box 118.Label'' Kayser Bondor 25'' Nylon Tricot''costume, female underwear, knickers -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small, head and shoulder portrait of a lady. She is wearing a dark dress with a white bonnet and a large white tie at her neck which comes down nearly to her waist and across to her arms. Her hands are folded in front of her.Stanley, 31 & 32 Hertford Street Coventryphotograph, portrait, female, portrait of a lady -
Tatura Irrigation & Wartime Camps Museum
Functional object - Baby carrier, Helene Hoefer, 1940's
Made by Helene Hoefer, nee Sawatzky, for her daughter Trude (now Glenk) and her son Ulrich. Used whilst interned in Camp 3.White cotton, self embossed patterned baby carrier. Wide lace frill around the top and narrow lace on waist coat like front which has 3 button holes and two buttons. 3 button holes and no buttons at the bottom.helene hoefer nee sawatzky, trude glenk nee hoefer, ulrich glenk, baby carrier -
Uniting Church Archives - Synod of Victoria
Uniform - Methodist Girls' Comradeship Rays Section, Harmony Ray Sash
Sash was worn at all meetings except where the program made it in impractical.MGC008.1 and MGC008.2 - Harmony Ray royal blue cotton sashes with 1cm white border and one white bar worn in the centre and rosette of royal blue, white and gold. It was worn over the right shoulder and joined at the left side below the waist. methodist girls' comradship rays section -
Uniting Church Archives - Synod of Victoria
Uniform - Methdodist Girls' Comardeship Rays Section, Companion Ray Sash
Sash was worn at all meetings except where the program made it in impractical.MGC007.1 and MGC007.2 Companion Ray royal blue cotton sashes with 1cm white border and three white bars worn in the centre and rosette of royal blue, white and gold. It was worn over the right shoulder and joined at the left side below the waist. methodist girls' comradship rays section -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1912
A Cream Crepe De Chine frock. A bloused bodice. Lined. A short skirt. Lines of gathering at waist. Deep hem. Tucks and spoke Hitching. Round neck. Belonged to Irene Crowley who passed away c1914 aged 3 or 4.stawell clothing material -
Brighton Historical Society
Dress, circa 1965-66
This dress belonged to Meredith Lenné, a lifelong Brighton resident. She bought it around 1965-66 at Oggi, a fashion boutique at the "Paris End" of Collins Street, while she was working at the Royal Children's Hospital as an occupational therapist. It was her 'good' dress, worn to dinner parties, balls and lunches throughout the 1960s. The hem was taken up and adjusted several times as the fashion moved towards shorter skirts.Emerald green print midlength shift dress, sleeveless, with high neckline and high waist. Back zip. Hem has been let out, having been altered multiple times during the 1960s. Label reads "Oggi of Collins Street".oggi, melbourne designers, 1960s, meredith lenné -
Whitehorse Historical Society Inc.
Clothing - Womens Suit, 1987
Donor, Valda Arrowsmith wore the suit during her time as Mayor of Nunawading at official functions in 1987/8.1987 Two piece black woollen suit. Skirt is straight hand woven and is lined. Top is woven wool with panels in shades of blue lurex, wool, braid, chenille and black lurex. Sleeves are magyar style. Black ribbed band at waist.costume, female -
Whitehorse Historical Society Inc.
Domestic object - Mannequin, 1890-1900
Used by Whitehorse Historical Society. Origin unknownDark brown torso length mannequin with wooden base and neck and arm holes. Shaped with bust narrow waist and bustle to hip in length. Brown cotton fabric. Below front neck is material sign printed: JA Walker Manufacturer, Melbourne.J A Walker Manufacturer Melbournemodel making, mannequins/dummies -
Whitehorse Historical Society Inc.
Clothing - Bloomers, c1920
Made by Anna Helena Zerbe ( Girlie) for her trousseau for her marriage to Clarence PrattPart of a Trousseau Set - see NA2736 nightgown and boudoir jacket and NA2738 petticoat. Two pairs of cream silk bloomers. Cream silk motif embroidered on leg - different pattern on both pairs. There has been elastic at waist and bottom of leg.costume, female underwear -
Whitehorse Historical Society Inc.
Clothing - Christening Gown, pre 1880
Christening gown worn by Dorothy Tresseder's mother in 1880'sWhite Christening Gown from the 1880's metal embroidered buttons. Gown has embroidered panel down centre edged with 5cm embroidered edging and gathering at waist. Top has V section embroidered insert with embroidered sleeve extensionscostume accessories, children's -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1898
Black and white photograph of Doctor Charles Alsop taken in 1898 showing a head and shoulder shot of a young man with neat short haircut trimmed moustache, wearing jacket and waist coat over white shirt and patterned tie. Bairnsdale VictoriaDr Charles Alsop 1898 on frontcelebrations, recreation -
Brighton Historical Society
Dress, Child's dress, circa 1900
This dress was worn by Nancy Kirsner (nee Rosenhain, b. 1906) and her older sister Mona (b. 1903) as children in England. Nancy Bertha Rosenhain was born in Worchestershire to German-Australian metallurgist Walter Rosenhain and Australian Louisa Rosenhain (nee Monash). Louisa was the sister of Sir John Monash; the couple met through a synagogue in Melbourne before settling in England. Nancy travelled to Melbourne in 1929 and was married to Marcus Kirsner on 24 July 1932. Nancy and Marcus lived together at 3 Baroona Court in Brighton.White cotton piqué dress. Square neck. Skirt gathered at waist. Broderie anglais trim around neck and sleeves. Hand-embroidered cornelli work on sleeves, bodice, and skirt. Small frill on skirt. Three self-covered buttons at back.children's clothing, 1900s, nancy bertha rosenhain, mona henrietta rosenhain, jewish diaspora -
Bendigo Military Museum
Uniform - TROUSERS, ARMY, Conway Bros Pty Ltd, 1969
Part of the "Kevin John Herdman" No. 397661 Collection. See cat No. 5942P for details of his service.Khaki wool serge fabric battle dress trousers with five button fly. Plastic buttons. Two side pockets, one fob and one button down hip pocket on RHS. Cotton and polyester fabric lining. Manufacturers label with black print attached to lining of hip pocket. Mending patch attached to label.On Manufacturer's label in black print: "CONWAY BROS PTY LTD, ADELAIDE, ^ , 1969, class 8405-66-025-6183, SIZE WAIST 33R, MATCHING JACKET 37-38R, NAME, ARMY NO.. Stamped in purple on Manufacturer's label: AWM 11".trousers, battle dress, kevin john herdman, army -
Bendigo Historical Society Inc.
Clothing - FAVALORO COLLECTION: COFFEE COLOURED FULL SLIP PETTICOAT, 1950's
Clothing. Coffee coloured polyester cotton full slip petticoat. Shaped top at bust line. Nylon ribbon shoulder straps (1cm). Scalloped top edge and hemline with decorative dark brown stitching. Embroidered floral patterns below shoulder straps and centre front above hemline.Tag 1 inside seam ''SIZE 10 to fit Bust 32, waist 24, hips 34''. Tag 2 ''LYN MAID INTERNATIONAL STYLED IN AUSTRALIA''. Permanent Press Polyester 65%, Combed Cotton 35%.Made in Hong Kong.costume, female underwear, coffee coloured full slip petticoat -
Flagstaff Hill Maritime Museum and Village
Clothing - Jacket, before April 1874
THE JACKET This jacket has been tailored to flatter the wearer’s figure. It also has elements that keep it in good shape and condition, preserve it from soiling and give it a longer life: - the hooks and eyes that join the jacket to the skirt allow the outfit to be made in two pieces but fit close to the body without exposing undergarments - the seams for the metal stays have been cut and stitched to allow maximum movement of the wearer and still keep a trim figure - the discreet breast pocket allows the wearer to keep a handkerchief, coins or other small items close at hand - the lining includes removable padded shields to absorb underarm perspiration - the lining has two cotton loops attached for hanging up to air and freshen it - new cuffs have been attached over the original sleeves that have buttonholes but no buttons. The buttons may have been used to replace missing buttons on the front of the jacket or perhaps to repair worn cuffs The amber coloured satin jacket is fully lined, has turned-back cuffs, a band collar, and looped, coffee-coloured braid trim. A row of closely spaced, round bronze buttons with a floral motif form a decorative closure most of the way down the front of the jacket, below which are metal hooks and eyes that finish at the waist. Underneath the cuffs there is a closely fitted cuff with a row of three button holes but no buttons. The jacket lining has vertical metal stays spaced around the midriff, sides and back. There is an absorbent, removable pad hand-stitched to the underarm section of each sleeve opening. A small satin pocket is stitched discreetly onto the lining above the chest on the right-hand side. There are also two cotton loops sewn onto the lining. Several small metal rings are sewn at intervals around the inside of the waist A satin bow from the same fabric is attached at the centre back of the jacket at waist level. antique satin jacket, colonial evening jacket, ladies evening jacket, 19th century ladies satin jacket, evening outfit -
Bendigo Military Museum
Uniform - TROUSERS, ARMY, Australian Defence Industries, c 1952/53
Trousers - green colour cotton twill fabric plastic buttons, 2 slide buckles. Four button fly with two strap slide buckle closure, button down belt loops, two side pockets, two back pockets, left back pocket with button down flap. Waist and pocket lining, green cotton fabric. Army work dress trousers commonly called "GREENS". TWO GREEN COTTON MANUFACTURERS LABELS ON INSIDE WAIST BAND. BLACK INK PRINT - VERY FADED. Handwritten information - on one label. Lining of waistband - black ink stamp.Cotton label information - Right side handwritten in Black ink "C.COY". Left side, black ink - "NATIONAL CLOTHING/CO PTY LTD/ 195? 2? 3/ SIZE " Waistband lining - black ink print " 69 27".uniform, army, work dress trousers -
Bendigo Military Museum
Uniform - WRAAC UNIFORM - WINTER, 1983 - 1984
1. Jacket - green, wool/polyester. 4 Brass buttons on front, two hip pockets, gold Corporal stripes on arms. Buttons are for R.A.C.T. 2. Skirt - Green. It has 30mm belt loops around waist. Pleats at back. Waist held with a button and zip closer. 3. Blouse - Polyester. Two tone green stripes. Long sleeved, cuffs. It has six pearl coloured plastic buttons. 4. Hat peaked - two tone green. Pivoting frontal strap with RACT badge on front. 5. Cravat - matching two tone green stripes.1. Inside Jacket is written "Balaam". 2. Inside shirt is written "Balaam". 3. Inside blouse is written "H.J. Balaam". 4. Inside hat is "Balaam". wraac uniform, passchendaele barracks trust -
Bendigo Historical Society Inc.
Clothing - LARNA MALONE COLLECTION: SKIRT
Edwardian black lace long skirt. Four layers. Top layer of black lace in three panels. Top and bottom panels gathered centre panel flat seamed scalloped hem line. Second and third layers of black net with cut edges. Fourth layer of black satin. Skirt gathered onto 7cm waistband of black shantung. Thirty three cm split from waist at the back. Back fastening at waist overlapping with three hooks and eyes and two press studs. Purchased at an antiques store in Camberwell in 1970's. No provenance. Machine made.costume, female evening, black lace and satin skirt -
Bendigo Historical Society Inc.
Clothing - INFANT'S CREAM DRESS
Clothing. Infant's cream silk dress with bodice front and back. Casing at waist with .5 cm cotton ribbon insert. High round neckline with 1.5 cm lace trim and casing with cotton ribbon insert. Bodice at front has embroidered circle and leaf pattern. Centre back opening (28 cm) fastned ribbon ties at neck and waist and 1 X one cm button and button hole between. Straight long sleeves edged with 1.5 cm lace at wrist. Skirt is edged with 3 cm scalloped lace at hemline with two horizontal rows cutwork stitching.costume, children's, infant's cream silk dress