Note by T.H. Kneen 18 March 1992, "The Californian Redwood left of the Jacaranda was planted in 1857 according to correspondence received from Charles French (see archives). Various statements about the date of planting have been made, based on oral history." It is now known that the tree was actually planted a bit later, 1861.Colour photograph taken by P. Esdale for consideration for inclusion in, "Green Grows Our Garden," A.P. Winzenried. View of large old trees taken from the Administration Building looking towards the Shady Garden. Jacaranda in flower. Reverse of photograph showing sketch in pen.On reverse, "Some of the oldest trees at Burnley (Jacaranda) → sketch of 2 trees. Both believed to be planted in 1851."green grows our garden, a.p. winzenried, trees, jacaranda, californian redwood, charles french, garden view

A SILVER ANZAC MEDAL ATTACHED TO BLUE-WHITE AND RED RIBBON. FRONT : A SOLDIERS PROFILE "HONOUR TO AIF". BACK : ANZAC DAY 1918 GALLIPOLI - FRANCE - PALESTINElocal history, numismatic medals military, military - medals

POCKET KNIFE OF SILVER COLOURED METAL. ORIGINALLY WITH 6 BLADES - NOW MISSING ONESELF INSCRIBED : BELGIUM 1917 (front) (back) : 3972 J. Grani 2nd ATC France 1916 1918local history, war memoribilia, military

SMOKERS PIPE WITH BROWN BOWL AND BLACK CURVED STEMROBB JUNIOR MADE IN FRANCElocal history, personal effects, smoking accessories

BLACK & WHITE ORIGINAL PHOTOGRAPH OF CORPORAL R.R. MITCHELL. M MEDAL. TAKEN IN CIVILIAN CLOTHES. FEATURES ANOTHER TYPE OF CELULOID COLLAR. ROBERT WON THE MILITARY MEDAL FOR BRAVERY IN FRANCE. HE WAS IN 5TH. BATTALION C COMPANY A.I.F.STUDIO HORNBY CLUNES/POSTCARD TO ELIZA WITH LOVE 2415 BOB. CORPORAL R.R. MITCHELL MM 5 BATTALION C COMP .A.I.F KODAKlocal history, photography, photographs, military

ORIGINAL PHOTOGRAPH, SEPIA TONED OF PTE. T.H. BRAY IN CIVILIAN CLOTHES, FEATURED LAPEL POSY POCKET HANDKERCHIEF FOB WATCH CHAIN AND MEDALPTE. T.H. BRAY 16 ST BATTALION A.I.F. MISSING IN FRANCE RUTES 182 NO. 2662 RETURN TO SUN" T. H. BRAY 582 ASlocal history, photography, photographs, military

SEPIA TONED PHOTO OF PTE. J.S. CAMPBELL. TYPICAL AUSTRALIAN ARMY UNIFORM RISING SUN BADGES ON COLLAR LAPELS.PTE. J.S. CAMPBELL 2ND A.L.T.M.B. DIED BURIED ATBORRE MILITARY CEMETERY NTH HAZEL BROOK. NORTHERN FRANCE.local history, photography, photographs, military

This French harmonium was imported when St. Aquinas Church in Bailey Street, Clunes opened in 1873. a Clunes resident, Mary Lacono played the harmonium in St. Aquinas from 1968 to 2018 French harmonium 14 stopsNillocal history, mary lacono, st. aquinas

This sculpture is a bronze cast of Karl Duldig’s 1956 terracotta sculpture titled 'Moses'. The terracotta sculpture won the 1956 Victorian Sculptor of the Year award, an honor given by the Victorian Society of Sculptors. The National Gallery of Victoria purchased the original terracotta sculpture for the Gallery’s collection in 1956. In 1979 the NGV allowed Karl to cast the original terracotta sculpture in bronze (to a limited edition of 5). The National Gallery of Victoria holds one of these casts and one is in Duldig Studio collection. The original terracotta sculpture was exhibited in 1956 at the Olympic Arts Exhibition in Wilson Hall at the University of Melbourne. Two other works by Karl were also exhibited, a sandstone titled 'Adam and Eve' and a work titled 'Fountain'. The catalogue for the Olympic exhibition, which promoted modernism across a variety of disciplines, noted that Australia’s post war immigration program had given ‘further momentum to the modernist cause’. The identification of émigré artists, such as Karl Duldig, with the acceptance of modernism in Australia became a major theme in any discussion of art and design in the post war period. Ann Carew 2016The subject Moses and the tablets of law is an important theme in the history of art. For example the National Gallery of Victoria collection includes paintings on this topic by the Australian Aboriginal artist, Queenie McKenzie (1991), prints by the Russian-French modernist artist, Marc Chagall (1956), and a painting by 19th century British academic painter, John Rogers Herbert (1870s). Michelangelo’s sculpture of Moses is perhaps the most famous sculptural interpretation of the subject. In Karl’s hands we have a modern interpretation of the theme. His simplification and abstraction of form and attention to surface modeling is masterly. The figure has an emotional intensity and despite its relatively small scale, a ‘forceful monumentality’. The sculpture is aesthetically significant for its craftsmanship, expressive qualities and modernity. It is historically significant because of its associations with the 1956 Olympic Arts Festival. The Duldig Studio’s bronze cast of the sculpture was exhibited in the exhibition '1956: Melbourne, modernity and the XVI Olympiad, Museum of Modern Art at Heide.' Apart from the formal qualities of a work like Moses, its relevance as a motif in Judaism and Christian faiths ensures its place as a work of spiritual significance. Ann Carew 2016Bronze cast from terracotta sculpture. Depicts Moses as in Exodus 32 when he returns from Sinai with the tablets of the law to find his people worshipping the golden calf, in his fury he holds the tablets aloft above his head before crashing them down on the ground.

Cogan is a textile artist and her work is political in nature. 'War and Peace' is about the Vietnam War and a statement about patriotism in war, of lessons not learnt, of remembrance and never forgetting. This work is an expression of her feelings towards this time and of her husband's experience who fought in this war. The Republic of Vietnam 'Vietnam Campaign Medal' is from the former country of South Vietnam (Republic of Vietnam). Established in 1966, it was awarded to members of United States, Australian, and New Zealand military forces serving six months or more in support of Republic of Vietnam military operations. The medal is issued with a device known as the 1960 Bar. The bar displays the date of 1960 followed by a dash and a blank space. The unusual appearance was caused by the government of the Republic of Vietnam stating that the 1960 bar would show the dates of the Vietnam War from start to finish, with the ending date placed on the 1960 bar after the South Vietnamese had triumphed over North Vietnam (the Democratic Republic of Vietnam). Since South Vietnam fell, and the government ceased to exist, an ending date for the 1960 Bar was never established. The Vietnam Campaign Medal is considered a foreign award by the U.S., Australian, and New Zealand governments. The joint Australian and New Zealand campaign medal awarded for service in the Vietnam War is the 'Vietnam Medal'. The obverse of this medal shows the crowned head of Queen Elizabeth II, with titles, while the reverse has the inscription VIETNAM above a symbolic representation of the ideological war in Vietnam. The RSL poppy (the Flanders poppy) has long been a part of Remembrance Day, the ritual that marks the Armistice of 11 November 1918, and is also increasingly being used as part of Anzac Day observances. During the First World War, red poppies were among the first plants to spring up in the devastated battlefields of northern France and Belgium. In soldiers' folklore, the vivid red of the poppy came from the blood of their comrades soaking the ground. The poppy soon became widely accepted throughout the allied nations as the flower of remembrance to be worn on Armistice Day. Today the RSL continues to sell poppies for Remembrance Day to raise funds for its welfare work. "War and Peace' is significant as it explores and highlights a period in history (the Vietnam War), which was contentious both socially and politically. Cogan and her family lived locally, in the Shire of Eltham during this time, and her work is a reflection of the experiences and sentiments of a section of the Nillumbik community. Textile piece. 'War": Cast muslin, machine embroidery onto white calico. Tanin dye, poly thread, side bust view (hand, shoulder and arm). Black machine stiching on shirt and shirt pocket with two vietnam medals. A replica of the 'Vietnam Medal' in muslin is shown reverse and has the inscription VIETNAM above a symbolic representation of the ideological war in Vietnam, which is of a male figure standing between two spherical shapes. The ribbon has a vertical central section of bright yellow which has centrally superimposed on it three thin stripes of red, (representing the South Vietnamese flag) flanked by two stripes of red (representing the Army). On the left is a dark blue stripe representing the Navy and on the right, a light blue stripe representing the Air Force. A replica in muslin of the second medal is the Republic of Vietnam 'Vietnam Campaign Medal' of the former country of South Vietnam. The ribbon has green and white strips with a device bearing the inscription ‘1960 – ‘. The medal is traditionally a gold and white enamelled star with a green, red and gold centre motif. Right hand is touching the medals/heart, while left arm is left resting to the left side over a crutch which ends in a rolled up bandage. 'Peace': Cast muslin, machine embroidery onto calico. Black dye, poly thread and RSL poppy. Side bust view (hand, shoulder and arm). Yellow machine stiching on black shirt and shirt pocket with RSL red poppy on shirt pocket. Right hand is reaching to touch the poppy, while left arm is slightly bent resting on its' left side. Nonetextile, muslin, embroidery, vietnam war, medals, vietnam medal, vietnam campaign medal, rsl poppy, war, peace, armistice, remembrance day, anzac