Gladys Reed was a member of the Ormond Choral Society c 1950. and these clothing props were used in the plays and musicals when performed in the City of Moorabbin c1950 Drama, Musical and Choral Societies were founded by local residents in the City of Moorabbin c1950 to provide social, artistic and musical entertainment and development in their communities A theatrical prop for the Ormond Choral Society c1950 that simulates a 1920's flapper beaded evening wear cloche hat. White lace is over sewn with small pearl beads and 3 rows of shiny beading with large pearls and beading around edge of hat. Loops of small pearls hang from each side . Shown with beaded waistband MAV 00297 early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

Part of the Reverend Chaplain Major T.B. Williams No 556101 Collection.Black polycotton bow tie in its original priced packaging. Brand and cleaning instructions are printed on white backing card. Tie is fastened to the card with a pin. Tie and card are contained in a clear plastic bag.Price label on plastic bag: '660958478 FOR $4.60 EA'mess dress, uniform, clothing, major thomas b. williams

The Grass skirt is from New Guinea and was given to Edward Turner by a Fuzzy Wuzzy Angel. Edward Adrian Turner enlisted in the CMF No V24563 on 14.5.1942 age 19 years, transferred to the 2nd AIF as VX112851 on 3.10.1942. Active service is listed as Darwin 26.2.1944 - 19.3.1945, New Guinea area 12.6.1945 - 9.4.1946, discharged from the 2nd AIF 20.8.1946 with the rank of Signaller Linesman in 15th Line section.Grass skirt with plaited waist band, natural toning.grass skirt, new guinea, fuzzy wuzzy, clothing

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.Cream silk child's dress. Elbow-length gathered sleeves with smocking at wrists. 2-panels of hand crocheted lace forming a 3-panel yoke with central insert of cream embroidery. Full-length dress in silk with two rows of smocking on bodice. At base of dress are two panels of 6 rows of pin-tucking, separated panel of lace over silk backing. Lace at neck. Opening in centre back with 7 button holes and 5 mother-of-pearl buttons with striution carved design. Cream satin ribbon runs under smocking at back and sewn into side seams.clothing, costume, dress, 1900s

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.Lace edged white lawn apron with attached bib. Both bib and apron, pentagonal shape.clothing, womens history, needlework, domestic item

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham of 4 Blair Street, Portland.Full-length cotton nightgown with lace trimming on neck, wrists and buttoned opening. Buttons (mother-of-pearl) fasten front opening.graham collection, clothing, nightdress, needlework

Child's handmade cape/bolero. Made for child c 1970's.Child's cream synthetic fur bolero with hood and lining.clothing, handmade, c1970, child

Donation of McNamara Family- Cream nylon hail spot ladies' gloves. Short, with X 2 lace applied motifs at wrist. - Hail spot fabric on upper side only, lower side plain nylon.Label (unreadable)clothing, gloves, c 1950's, nylon

Part of McNamara collection- False peaked collar - Cream pique cotton - Shell buttons - Press studsclothing, false front, dickie front, blouse front

The dress and accessories worn by Mrs Margaret Scully for her wedding. Following their engagement in 1956, her husband built their home of 67 years in Box Hill South.- Made from Vilene A65 interfacing - Organza (stiffened) - Bell shaped with added ruffleNilwedding, clothing, handmade, scully

Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, and nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together and neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.A pair of handmade, adult brown leather work boots, with brown leather laces, decorative stitching, metal eyelets and are stitched with waxed thread. The soles are covered with hob nails in a decorative pattern. They have metal caps on the heels. bootlaces, boots, footwear, clothing

Hand knitted to resemble crochet. Simple crochet edging is placed around the garment. The jacket is closed with pearl colored buttons.c1990 hand knitted baby christening garment.Cream silk knitted matinee jacket for a babyNilbaby christening, clothing, handmade, knitted

Possibly belonged to Elizabeth Jane Hartnell (1855-1922) whose descendants donated the Turner Collection. Slip found with clothing 'Grandmother Hartnell's shawl". Turner Collection.Clothing belonging to early Kilmore families.Yellow silk shawl, self-fringed on all four sides, floral embroidered borders, some staining present, approx. 1.2m sq. Two stitched "tucks" horizontal 15cm from edge of opposite sides approx. midway. Appears to cover stain /ink. A few small holes otherwise ood condition. hartnell, turner collection

Clothing. A wire frame shape, with a black canvas lining, and covered on the outside with black velvet. The shape is ''head-hugging'' with scalloped extensions towards the ears. Beading in a floral design covers the shape - these are tiny round black glass beads and black bugle beads. These glass beads reflect the light against the black velvet.costume accessories, female, black velvet beaded cap

Clothing. Light silver grey with a 10 cm long plackett at the wrist, fastened with three domed cream coloured bakelite buttons- 6 mm diameter. Six rows of fine machine stitching, giving the effect of three pintucks, fan out across the back of the hand.The top edge of the gloves is slightly curved.61/4 WASHABLE GLOVE- GRENOBLE.Made in France 3062 (on upper side) 1629costume accessories, female, light grey kid leather gloves

Clothing. Brown leather ladies shoes with 3cm heels. Pointed toes. Fold over flap across the bridge of the foot with cut out pattern. Fastened on outside of shoe with three flaps with button holes and three .8cm round plastic buttons. Heads of tacks visible on heels of shoes. Old box 573On sole of shoe, E.Salter Handsown, Gold lettering inside shoe, ''The Countess Handsown shoe by Ernest Salter. Late of Bond street and Piccadilly London. Exclusive for Mutual Store Ltd''.costume, female, brown leather ladies shoes

Clothing. Pink cotton full slip petticoat with shoe string shoulder straps. Straight edge along top (unshaped) trimmed with 2.5 cm coffee coloured lace. At centre front are three V shaped lace inserts (13 cm deep). Item trimmed with 2.5 cm coffee coloured lace.costume, female underwear, pink cotton full slip petticoat

Clothing. ''Dusty pink'' nylon gloves- ''Bracelet'' length.Two rows of zig zag stitching, one at either side of glove, holds a 3 mm wide elastic, 10 cm long (one on a side seam, and one just above the thumb). one cm wide gussets of fabric in between each finger.DENTS, NYLON, MADE IN AUSTRALIA.costume accessories, female, ladies pink nylon gloves

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. The item was purchased and donated by Rosemary Vaughan-Smith.A tulle scarf using beaten silver tinsel yarn on a net base, with pattern of lozenges, from Baalbek (Lebanon)scarfs, metal-thread weaving, lebanese textiles, rosemary vaughan-smith

No specific information is available on these buttons. As they have an emblem of the Scotch thistle they may come from Scotland. They would be used on a jacket, mostly for males, with the larger buttons used on the front of the jacket and the smaller ones on the sleeves. These buttons have no known provenance and are suitable for display only. These are fifteen metal buttons. They are diamond-shaped with five larger ones and ten smaller ones. They all have an etching of a Scotch thistle on them and a ring at the back for attachment to clothing. Etching of Scotch thistleetching of scotch thistle, buttons with scotch thistle emblem, buttons, warrnambool

Badge issued to Peter James Dodd, refer cat No 2436.2P for his service details.Badge, Returned from Active Service, brass, consists of crown at top then depictions of wings, rising sun, anchor with boomerang under, two lugs on rear for clothing attachment.On front, “Returned from Active Service”. On rear, “403487 issued by the Commonwealth Govt”awards, badges, active service

This item would be classed as Trench Art, most likely WW2 era.Brooch, outer section white Perspex depiction of Rising Sun, centre small brass depiction of Rising Sun glued to the Perspex, on the rear a brass pin for clothing attachment. “AUSTRALIAN COMMONWEALTH MILITARY FORCES”brooch, rising sun,

black and white photograph: image shows group of children at Golden Days Historical Exhibition 1960. Children are dressed in winter clothing, teacher (?) standing LH side back.

black and white photograph of man and woman wearing Victorian era clothing / old and stained / rear shows Logo - Wm Murray Photographer , 74 Broomielaw St Glasgowphotograph, person, male / female, black and white photograph of man and woman wearing victorian era clothing / old and stained / rear shows logo - wm murray photographer , 74 broomielaw st glasgow

Document: exercise book, marbled cover with red spine. On front 'Order Book 1904' Handwritten in ink and pencil, entries by date and name for clothing measurements. Perhaps for Masons ?Geo. Meakin, tailor, High St. Bendigoorganization, retail, tailor, geo. meakin, tailor, masonic lodge, clothing measurements

Black and white photo of the Hanro Stockroom, a number of shelves holding various clothing items and 3 women, markings on rear of photo read 'Hanro-Stockroom', 'Win Perrin'organization, business, hanro, hanro

Black and White photo of the interior of the Hanro Factory, shown are 5 women folding clothing and packing them into boxes, markings on rear of photo read 'Hanro', 'Joan Lyon'organization, business, hanro, hanro

The first electrical hearing aids were carbon and were made possible by the invention of the carbon microphone and were made between 1900 and 1939. Carbon, which can be made to amplify electrical current, was used to provide some amplification prior to the invention of vacuum tubes. Later models often came with mechanical (carbon) amplifiers to try to boost the amount of amplification. The carbon microphone was originally invented for use in the telephone and had the properties of being able to modulate current. It is this property that made it useful in the early electrical hearing aids. An example of a carbon hearing aid. This has an imitation tortoise shell casing. Round dark red and black imitation tortoise shell carbon hearing aid with clip for attaching to clothing, and a slide for adjusting the sound (?) a cord split between a plug and a speaker (?)."SONOTONE/REG U.S.P.A./292392/MADE IN U.S.A./ELMSFORD, N.Y." on bottom of unit. "SONOTONE" on plug. "PAT RE 21030" on speaker? deaf children australia, hearing aid, sonotone