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Victorian Aboriginal Corporation for Languages
Book, Lenny and the big red kinan : an Awabakal Language Book, 2010
Awabakal is the language of the Aboriginal people from the Newcastle, Lake Macquarie and Lower Hunter region of New South Wales in Australia. As Lenny takes his walk and collects insects, we learn some words that relate to the bush, to the landscape and the little creatures that would be found there. This book has been printed with sound, which can be heard through an Audio Reader. If you have an Audio Reader, run it over the pages to hear the sound.word lists, colour illustrationsawabakal, newcastle, lake macquarie, hunter region, juvenile literature -
Victorian Aboriginal Corporation for Languages
Book, Kala, 2011
Language reader.Colour illustrations, word listsnoongar, western australia, bunbury, djiti djiti school -
Victorian Aboriginal Corporation for Languages
Book, Isobel White, The opal that turned into fire : and other stories from the Wangkumara, 1994
These stories are written versions of legends handed down through the oral tradition of Aboriginal storytellers from the Riverina of New South Wales and Victoria, coastal regions and other parts of Australia.Colour photographs, illustrations, mapswongaibon, kamilaroi, kirrea, dharawal, ualarai, gandangara, darkinjung, dhurga, ngemba, bandjalang, wiradjuri, muruwari, riverina, lake eyre, murray river -
Victorian Aboriginal Corporation for Languages
Book, Naatj nyordo ngany kadak?, 2011
Language reader.Colour illustrations, word listsnoongar, western australia, feelings -
Victorian Aboriginal Corporation for Languages
Periodical, Department of Planning and Community Development, Victorian Government Indigenous affairs report 2006-07, 2007
colour photographs, graphs, tablesgovernment policy, indigenous affairs, native title, literacy and numeracy, family violence, economic development, vcal -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2007
1. Musical and linguistic perspectives on Aboriginal song Allan Marett and Linda Barwick Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 2. Iwaidja Jurtbirrk songs: Bringing language and music together Linda Barwick (University of Sydney), Bruce Birch and Nicholas Evans (University of Melbourne) Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 3. Morrdjdjanjno ngan-marnbom story nakka, ?songs that turn me into a story teller?: The morrdjdjanjno of western Arnhem Land Murray Garde (University of Melbourne) Morrdjdjanjno is the name of a song genre from the Arnhem Land plateau in the Top End of the Northern Territory and this paper is a first description of this previously undocumented song tradition. Morrdjdjanjno are songs owned neither by individuals or clans, but are handed down as ?open domain? songs with some singers having knowledge of certain songs unknown to others. Many morrdjdjanjno were once performed as part of animal increase rituals and each song is associated with a particular animal species, especially macropods. Sung only by men, they can be accompanied by clap sticks alone or both clap sticks and didjeridu. First investigations reveal that the song texts are not in everyday speech but include, among other things, totemic referential terms for animals which are exclusive to morrdjdjanjno. Translations from song language into ordinary register speech can often be ?worked up? when the song texts are discussed in their cultural and performance context. The transmission of these songs is severely endangered at present as there are only two known singers remaining both of whom are elderly. 4. Sung and spoken: An analysis of two different versions of a Kun-barlang love song Isabel O?Keeffe (nee Bickerdike) (University of Melbourne) In examining a sung version and a spoken version of a Kun-barlang love song text recorded by Alice Moyle in 1962, I outline the context and overall structure of the song, then provide a detailed comparative analysis of the two versions. I draw some preliminary conclusions about the nature of Kun-barlang song language, particularly in relation to the rhythmic setting of words in song texts and the use of vocables as structural markers. 5. Simplifying musical practice in order to enhance local identity: Rhythmic modes in the Walakandha wangga (Wadeye, Northern Territory) Allan Marett (University of Sydney) Around 1982, senior performers of the Walakandha wangga, a repertory of song and dance from the northern Australian community of Wadeye (Port Keats), made a conscious decision to simplify their complex musical and dance practice in order to strengthen the articulation of a group identity in ceremonial performance. Recordings from the period 1972?82 attest to a rich diversity of rhythmic modes, each of which was associated with a different style of dance. By the mid-1980s, however, this complexity had been significantly reduced. I trace the origin of the original complexity, explore the reasons why this was subsequently reduced, and trace the resultant changes in musical practice. 6. ?Too long, that wangga?: Analysing wangga texts over time Lysbeth Ford (University of Sydney) For the past forty or so years, Daly region song-men have joined with musicologists and linguists to document their wangga songs. This work has revealed a corpus of more than one hundred wangga songs composed in five language varieties Within this corpus are a few wangga texts recorded with their prose versions. I compare sung and spoken texts in an attempt to show not only what makes wangga texts consistently different from prose texts, but also how the most recent wangga texts differ from those composed some forty years ago. 7. Flesh with country: Juxtaposition and minimal contrast in the construction and melodic treatment of jadmi song texts Sally Treloyn (University of Sydney) For some time researchers of Centralian-style songs have found that compositional and performance practices that guide the construction and musical treatment of song texts have a broader social function. Most recently, Barwick has identified an ?aesthetics of parataxis or juxtaposition? in the design of Warumungu song texts and musical organisation (as well as visual arts and dances), that mirrors social values (such as the skin system) and forms 'inductive space' in which relationships between distinct classes of being, places, and groups of persons are established. Here I set out how juxtaposition and minimal contrast in the construction and melodic treatment of jadmi-type junba texts from the north and north-central Kimberley region similarly create 'inductive space' within which living performers, ancestral beings, and the country to which they are attached, are drawn into dynamic, contiguous relationships. 8. The poetics of central Australian Aboriginal song Myfany Turpin (University of Sydney) An often cited feature of traditional songs from Central Australia (CA songs) is the obfuscation of meaning. This arises partly from the difficulties of translation and partly from the difficulties in identifying words in song. The latter is the subject of this paper, where I argue it is a by-product of adhering to the requirements of a highly structured art form. Drawing upon a set of songs from the Arandic language group, I describe the CA song as having three independent obligatory components (text, rhythm and melody) and specify how text is set to rhythm within a rhythmic and a phonological constraint. I show how syllable counting, for the purposes of text setting, reflects a feature of the Arandic sound system. The resultant rhythmic text is then set to melody while adhering to a pattern of text alliteration. 9. Budutthun ratja wiyinymirri: Formal flexibility in the Yol?u manikay tradition and the challenge of recording a complete repertoire Aaron Corn (University of Sydney) with Neparr? a Gumbula (University of Sydney) Among the Yol?u (people) of north-eastern Arnhem Land, manikay (song) series serve as records of sacred relationships between humans, country and ancestors. Their formal structures constitute the overarching order of all ceremonial actions, and their lyrics comprise sacred esoteric lexicons held nowhere else in the Yol?u languages. A consummate knowledge of manikay and its interpenetrability with ancestors, country, and parallel canons of sacred y�ku (names), bu?gul (dances) and miny'tji (designs) is an essential prerequisite to traditional leadership in Yol?u society. Drawing on our recordings of the Baripuy manikay series from 2004 and 2005, we explore the aesthetics and functions of formal flexibility in the manikay tradition. We examine the individuation of lyrical realisations among singers, and the role of rhythmic modes in articulating between luku (root) and bu?gul'mirri (ceremonial) components of repertoire. Our findings will contribute significantly to intercultural understandings of manikay theory and aesthetics, and the centrality of manikay to Yol?u intellectual traditions. 10. Australian Aboriginal song language: So many questions, so little to work with Michael Walsh Review of the questions related to the analysis of Aboriginal song language; requirements for morpheme glossing, component package, interpretations, prose and song text comparison, separation of Indigenous and ethnographic explanations, candour about collection methods, limitations and interpretative origins.maps, colour photographs, tablesyolgnu, wadeye, music and culture -
Victorian Aboriginal Corporation for Languages
Book, Narungga Aboriginal Progress Association, Guungagu nharangga warra : children's Narungga dictionary, 2006
Illustrated children's dictionary in the Narungga language.Colour illustrations, word listsnarungga, south australia -
Victorian Aboriginal Corporation for Languages
Book, A New Wiradjuri Dictionary, 2010
An English to Wiradjuri and Wiradjuri to English dictionary.Colour photographs, word listswiradjuri -
Victorian Aboriginal Corporation for Languages
Book, Stan Grant et al, Learning Wiradjuri : book 3 : extending language structures &? vocabulary, 2006
Text in Wiradjuri and English.Colour photographs, word listswiradjuri -
Victorian Aboriginal Corporation for Languages
Book, Joyce Bonner, Ngalamu dhaanban =? our people, 2005
Short story for children in Butchulla language.word lists, colour illustrationsbutchulla, korrawinga aboriginal corporation, juvenile literature, language readers -
Victorian Aboriginal Corporation for Languages
Book, Aboriginal words and their meanings, 19501965
A short book of definitions of Aboriginal words; Aboriginal-English only and no source languages identified.word lists, colour illustrationsglossaries, vocabularies -
Victorian Aboriginal Corporation for Languages
Book, Margaret G. Corrick et al, Wildflowers of Victoria and adjoining areas, 2000
Alphabetically listed, with detailed entries.Maps, colour photographs, glossarywildflowers, plants, victoria, mallee, grampians -
Victorian Aboriginal Corporation for Languages
Book, Leon Costermans, Native trees and shrubs of South-eastern Australia, 1998
Coloured photos and detailed line drawings are used to give a very clear description of the specific plants and details of their locations and environments.Colour photographs, illustrations, mapsplants, botany, nsw, victoria, south australia -
Victorian Aboriginal Corporation for Languages
Book, Leon Costermans, Trees of Victoria and adjoining areas, 1994
Format features leaf identification, map of location, seeds and bark etc., in black and white drawings.Colour photographs, illustrations, mapstrees, east gippsland, south coast nsw, mallee -
Victorian Aboriginal Corporation for Languages
Book, Wondunna Aboriginal Corporation, Badtjala - English : English - Badtjala : word list, 1996
Informal publication, spiral bound, with word lists in alphabetical order in a series of categories.Colour photographs, word listsbadtjala, wondunna aboriginal corporation -
Victorian Aboriginal Corporation for Languages
Book, Koormundum Ida Bishop, Ngun? Koongurrukun? =? Speak Koongurrukun?, 2000
Gives Phonology, grammatical interpretations and lexicon. Provides complex detail of the above.Colour photographs, word listskoongurrukun?, fitzmaurice, daly river, muluk muluk -
Victorian Aboriginal Corporation for Languages
Book, David Ellyard et al, The southern sky guide, 2001
Gives detailed charts of the sky in two weekly segments.maps, charts, colour illustrationsastronomy, constellations, stars -
Victorian Aboriginal Corporation for Languages
Book, AJ Reid, Birds 5 : of South-eastern Australia : dry country, 1986
Colour photographs, illustrations, mapsbirds, south eastern australia, mallee -
Victorian Aboriginal Corporation for Languages
Book, Marilyn Gray, Flora of Melbourne : a guide to the indigenous plants of the greater Melbourne area, 2001
Comprehensive book giving illustration of plants and very specific, detailed descriptions.Colour photographs, illustrations, mapsindigenous plants, werribee river, mount evelyn, sunbury, mount eliza, botany, plant associations, park regeneration, propagation, weeds -
Victorian Aboriginal Corporation for Languages
Book, Jeanie Bell, Dictionary of the Butchulla Language, 2004
This spiral bound book is the revised dictionary of the Butchulla Language compiled by Jeanie Bell which involved an analysis of Butchulla language material collected by a linguist Professor Stephen Wurm. It includes a Butchulla- English wordlist, abbreviations, illustrative sentances and Butchulla place names.Colour illustrations, word listsbutchulla, korrawinga aboriginal corporation -
Stawell Historical Society Inc
Photograph, Central Park Redevelopment of the Oval October 2002 -- 4 Photos -- Coloured
Central Park Four colour photos of redevelopment of Oval October 2002Four colour photographs showing earthworks on ovalstawell -
Marysville & District Historical Society
Postcard (item) - Colour postcard, Graphic in Print, Steavenson Falls-Marysville, Vic, 2004
A colour photograph of Steavenson Falls in Marysville in Victoria.A colour photograph of Steavenson Falls in Marysville in Victoria during winter. The information on the reverse of the postcard that states that the Steavenson River was named after John Steavenson who surveyed Marysville in 1863 is incorrect. The Steavenson Falls and River are named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860s. This postcard was produced by Graphic in Print as a souvenir of Marysville.Steavenson Falls after a low snowfall. The spectacular Steavenson Falls is just 5 minutes drive/ from Marysville, Victoria. They are claimed to be the/ tallest falls in the state, dropping 82 metres in three/ stages. The falls are fed by the Steavenson River, named/ after John Steavenson who surveyed Marysville in 1863. Graphic in Print/ Postcards Place/ Stamp/ Here Graphic in Print/ Waterfall Collection/ Classic 1/ c2004steavenson falls, marysville, victoria, waterfalls, winter, snow, graphic in print, postcard, souvenir, john steavenson -
Stawell Historical Society Inc
Photograph, Masonic Temple in Skene Street -- Coloured
Colour Photo Masonic Temple - Skene StreetColour photograph of brick lodge building in Skene Street Stawellstawell -
Ballarat Tramway Museum
Photograph - Colour Photograph/s, late 1950's
Colour photograph of SEC Ballarat Bogie trams 43 and 34 crossing at the Russell or Murray St. Loops in Sturt St. West. Tram 43 inbound, showing destination "CITY". Tram 34, outbound, has an auxiliary board. Both trams fitted with large reflective triangles. Taken prior to fitting dash canopy lights. Photo taken mid to late 1950's (43 ex Geelong in 1956 and dash canopy lights fitted early 1960's. Print has a serrated edge. High gloss surface both sides of print. Image is going brownish - greens appear to be darkening out.Stamped on rear - fading - "Ansco ?? / P.M. Colour Finishing Service"sturt st. west, russell st, murray st., tram 43, tram 34 -
Ballarat Tramway Museum
Photograph - ESCo tram 12 - underframe reconstruction, Ballarat Tramway Museum (BTM), June 1994
Set of 16 colour prints showing the reconstruction of the underframe and other parts of ESCo tram 12 during 1994. Yields information about the reconstruction of the underframe of tram 12 and other components.Set of 16 colour photographstramcars, esco, tram 12, reconstruction, underframes -
Marysville & District Historical Society
Postcard (item) - Colour postcard, Scancolor (Australia) Pty Ltd, Marysville, Pre 2009
A colour photograph of the view of Marysville from Cumberland lookout.A colour photograph of the view of Marysville from Cumberland lookout. This postcard was produced by Scancolor Australia as a souvenir of Marysville.MARYSVILLE Victoria - Australia View to Marysville township from Cumberland/ lookout. scancolor Australia (03) 555 1944 CS 4064marysville, cumberland lookout, victoria, scancolor australia, postcard, souvenir -
Marysville & District Historical Society
Postcard (item) - Colour postcard, Scancolor (Australia) Pty Ltd, Marysville, Pre 2009
A colour photograph of the view of Marysville from Cumberland lookout.A colour photograph of the view of Marysville from Cumberland lookout. This postcard was produced by Scancolor Australia as a souvenir of Marysville.MARYSVILLE Victoria - Australia View to Marysville township from Cumberland/ lookout. scancolor Australia (03) 555 1944 CS 4064marysville, cumberland lookout, victoria, scancolor australia, postcard, souvenir -
Ballarat Tramway Museum
Slide - 35mm slide/s, Keith Kings, 21/08/1955 12:00:00 AM
Geelong No. 28 outside depot, painted in old colour scheme of green and cream, with side destination boxes and route number boxes. Shows Geelong conversion method of tram, compared to Ballarat. Taken on 21/8/1955. Photo by Keith Kings.K.S.Kings No. K(a)(55) stamped and written on, 'Geelong No. 28 Depot, Note old colour scheme and boxes for colour light and route indication and side destination boxes. 1/25, f5,6 21/8/58' in blue inktramways, trams, geelong, m class, depot, tram 28 -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, 2000
A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of the roundabout at the corner of Murchison and Lyell Streets in Marysville in Victoria.TOP SHOP & ROUND ABOUT/ MURCHISON STREET, 2000 BABARA HOLMESmurchison street, lyell street, marysville, victoria, photograph -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, 05-1985
A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of the roundabout at the corner of Murchison and Lyell Streets in Marysville in Victoria.MARYSVILLE SIGNPOST - MAY 1985murchison street, lyell street, marysville, victoria, photograph