Six page, folded to A4, full colour programme for the 2010 Begonia Festival, titled ""Ballarat Begonia Weekend 2010 - Explore the Secret Garden". Notes the BTM's depot is open (rear page), tramway is a free activity and map shows the various events. Two copies held.trams, tramways, begonia festival, btm

Colour photograph of two soldiers of A Squadron 8/13 VMR during Exercise ' Northern Explorer ' Trooper Pratt and Lance Corporal Van De Velde demonstrate how the F2 Radio set could be carried. In addition the men would have webbing, pack and rifle to carry.

Scale: 8 chains to 1 inch (1:6336)Hand drawn plan on waxed white linen."This is a correct copy from my Registration Book. [Rob N. Horay?] Mining registrar 1/11/70hard hills, survey

Brown leather and marbled hardboard cover, loose back cover With embossed detailing on cover and spine 'Gentleman's Magazine Vol 3. 1869' 758 pages ; 22cm; Illus;Handwritten inscription on first page - '153, 050 R 70' Stamp on various pages 'Kilmore Mechanics Institute' british magazine, kilmore mechanics institute library.

Brown leather and marbled hardboard cover With embossed detailing on cover and spine 'Gentleman's Magazine Vol 6.' x; 748 pages ; 22cm; Illus;Handwritten inscription on first page - '153, 050 R 70' Stamp on various pages 'Kilmore Mechanics Institute'british magazine, kilmore mechanics institute library.

Brown leather and hardboard cover, With embossed detailing on cover and spine 'Gardening for pleasure; Orange, Judd & Co' 252 pages ; 20cm; Illus;Handwritten inscription on first page - '153, 050 R 70' Stamp on various pages 'Kilmore Mechanics Institute'gardening, kilmore mechanics institute library.

Horses were frequently used to assist in the manual labour of farming right up to the mid twentieth century. This image was taken while ploughing market garden fields in Moorabbin.Black and white image of two Clydesdale horses attached to harness and pulling a plough. Two men are behind the horses, one is holding the handles of the plough and the other is standing next to him with his hands on his hips.Handwritten in red ink on reverse: 70% Printed in black text on white round sticker adhered to reverse: 41horses, manual labour, farming, moorabbin

Geoffrey Murray, refer Cat No 638P for his service history.Wooden Plaque with the following Map of Vietnam Badge of a Kangaroo Badge of a Kiwi Shield of a Horse surrounded by 9 flags a small inscribed plate and ribbon colours of SVN “Presented to L/cpl G Murray ( Hon Member ) from HQ 1 ATF LAD 1969-70”personal effects, military history, plaques, 1 atf

This book presents a pictorial and written record of Warrnambool in 1891.It covers a wide range of topics. It provides statistical evidence relating to public buildings and organisations of that era, as well as basic information about district points of interest. The Mechanics Institute, the Common, Albert Park, the rivers, the Museum and the Sea Baths are all mentioned. The various drawings and advertisements provide a list of businesses which were prevalent at the time.As this book is one of only two complete copies documented to be still in existence, it is of considerable significance and importance to our collection. The drawings and text are artistically very much of the era and are aesthetically pleasing.Plain grey card cover with fabric binding. Handwriting on front cover and inside front cover. It contains a number of black and white and coloured plates depicting scenes of Warrnambool and the district. Approximately 70 pages.Old Warrnambool about 1891 hand written on label on front cover, underneath is also written “When I have finished with these please forward to Warrnambool Historical Society Warrnambool. D 77, 252 in bottom RHC of cover. picturesque warrnambool,, warrnambool 1891,

Printed on the occasion of the 50th anniversary of the arrival in Australia. Interviews with 69 of the original Dunera men and their families done by 15 Hay students from Hay War Memorial School.Light blue covered folio side bound in black. Contains 70 pages of printed text and photos. Black and white picture on cover. Title in black ink above picture. Black taped spine.The Dunera Tapes Conversations on a Windy Day in Hayhay internment camp, 50th anniversary of dunera arrival, hay war memorial school, internment camp interviews, peter alsberg, paul altmann, max arnott, herbert barber, michael brent, gerald cunningham, peter danziger, reinhold eckfield, peter feistmann, adi felder, henry felder, john fletcher, werner frank, fred freitag, ernest green, john gresham, dennis goodman, frank heymann, horst jacobs, ernie katz, walter kaufmann, jimmy king, heinz kuehlenthal, george lederer, kurt leiser, kurt lewinski, hans loewe, franz menzel, rudi meth, albert meyer, martin moore, fred parkinson, fred reich, howard rickenberg, ernest rodeck, max rubinsohn, fren schonbach, ernest schonfeld, henry seaman, martin shelton, mike sondheim, ralph stern, george strauss, henry teltscher, roy thalheimer, herbert treidel, harry unger, fred warschauer, harold weinberg, mendel weisser, victor wieselmann, walter weyl, ernst wolf, christoph wolkenstein, oswald wolkenstein

The donor, Mrs Margaret Smith, was the daughter of Harold Allen who was a trumpet player and member of the Maroondah Symphony Orchestra and played the cornet in the Nunawading City Band for 15 years.Coloured photo of Nunawading City Band (date unknown -established 1969-70)showing the 26 members in their red and black jackets and red tie with their band instruments. Harold Allen (donor) was a member of the band..nunawading city band, maroondah symphony orchestra, allan harold, trumpet, cornet

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of Jury Osypenko and Tamara Osypenko of the Feb-Mar 70 South Australian Concert Party perform in close harmony for the wounded and sick Diggers at the1st Field Hospital, Vung Tau. photograph, 1st field hospital, vung tau, jury osypenko, tamara osypenko, gibbons collection catalogue, south australian concert party, entertainers, wounded serviceman, feb-mar 70 south australian concert party, diggers

This item is part of a collection donated by Pte John William Alexander (3796068) who was called up for National Service. Pte Alexander was with the Australian Army Catering Corps and was in Vietnam at Headquarters, 1st Australian Task Force from March 1970 to March 1971. A laminated document to Pte Alexander from HQ Coy 1 ATF Nui Dat advising him that R & R leave had been granted on the 4 Oct 70. there are six paragraphs of instructionsr&r leave, nui dat, hq coy, 1 atf, pte john william alexander, 3796068, australian national serviceman, australian army catering corps, headquarters, 1st australian task force

Exploring Ballarat's Garden Heritage was published by BHS Publishing and written by Michael Taffe. Green covered book looking at the history of gardens in Ballarat.gardens, ballarat, michael taffe

Yhonnie SCARCE (1973- ) Born Woomera, South Australia Language group: Kokatha, Southern desert region and Nukunu, Spencer region Yhonnie Scarce works predominantly in glass. She majored in glass withing a Bachelor of Visual Arts (Honours) course at the South Australian School of Art, Adelaide, and holds a Master of Fine Arts from Monash University. One of the first contemporary Australian artists to explore the political and aesthetic power of glass, Scarce describes her work as ‘politically motivated and emotionally driven’. Scarce’s work often references the on-going effects of colonisation on Aboriginal people, In particular her research focus has explored the impact of the removal and relocation of Aboriginal people from their homelands and the forcible removal of Aboriginal children from their families. (https://thisisnofantasy.com/artist/yhonnie-scarce/, accessed 10 September 2018)Artist's Statement 'The More Bones the Better', 2016 Yhonnie Scarce was born in Woomera, SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non traditional approach to glass blowing using glass as more than a mere material, acting as a lens and a mirror, Scarce reflects and exposes the tragedies of Australia’s colonisation. She applies the technical rigours of traditional glass blowing techniques in an innovative and unconventional manner. In particular Scarce uses glass to explore the lives and histories of Aboriginal Australians. Hand blown glass is shaped, engraved, painted and smashed to create indigenous fruits and vegetables such as bush bananas, bush plums and long yams symbolic of her peoples culture and traditions. With their elongated, torso-like shapes, they even evoke human bodies. Akin to a gatherer of bush food Scarce creates glass-gatherings of the persecuted. The repetition of brittle ambiguous bodies collected for experimentation and examination conjures the relentless impact of colonisation and the litany of abuses suffered by Aboriginal people. Within her research Scarce encountered a variety of ethnographic studies examining the use of scientific interventions amongst Indigenous cultures. These include Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices amongst indigenous prison inmates. This work metaphorically looks at these situations and poses questions of what might have gone on in such a laboratory. The judge of the 2017 Guirguis New Art Prize (GNAP), Simon Maidment, Senior Curator, Contemporary Art, National Gallery of Victoria said; “The winning work by Yhonnie Scarce captures the sensitivity to materials she displays throughout her artistic practice. The blown and shattered glass elements are a delicate contrast to the shocking and little discussed histories of Aboriginal exploitation and abuse in the name of science in Australia. Engaging this topic, this work is haunting, in the same way those lived and documented experiences continue to haunt the collective unconscious of this country. Yhonnie Scarce’s work, The More Bones the Better 2016, I believe makes an important contribution to the Collection of Federation University Australia and will engage and move diverse audiences with its technical accomplishment, beauty and message. Yhonnie Scarce was born in Woomera SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non-traditional approach to glass blowing using her medium as more than a mere material. Applying the technical rigours of traditional glass blowing in an innovative and unconventional manner, Scarce’s glass objects act as a lens and a mirror to reflect and expose the tragedies of Australia’s colonisation and, in particular, explore the lives and histories of Aboriginal Australians. Hand-blown glass is shaped, engraved, painted and smashed to represent indigenous fruits and vegetables such as bush bananas, bush plums and long yams, symbolic of Scarce’s people’s culture and traditions. While these elongated shapes on the one hand represent fruit and vegetables, gathered and grouped as in the gathering of bush food, Scarce’s torso-like bodies and forms are glass ‘gatherings’ representative of the gathering of people. Here, the many brittle bodies act as a metaphor for the collection, experimentation and examinations undertaken by government authorities on Aboriginal communities researched by Scarce. Exposing a variety of ethnographic studies, examining the use of scientific interventions on Indigenous cultures, Scarce also revealed Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices undertaken on indigenous prison inmates. Scarce’s gatherings also reflect the impact of colonisation and the relentless conjuring and litany of abuses suffered by Aboriginal people. The More Bones the Better metaphorically looks at these situations and poses questions of what was undertaken and investigated in these laboratories. guirguis new art prize, yhonnie scarce, glass, aboriginal

1) Large map of Australia with information on explorers, navigators etc involved in its discovery. Title "The Discovery of Australia by Western Man" 2) Poster which explains in full information formulated on .1 Also gives in great detail natural history information relevant to the formation of the Australian continent.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Six pages coloured booklet titled: Discover and explore the history of the magnificent Fortuna Villa. Your tour guide to the history of Fortuna Villa. On the front cover a sepia coloured photograph of Fortuna Villa and five small coloured photographs of the interior and exterior. On the back cover a Fortuna villa chronology.buildings, house, fortuna villa

Belonged to the donor's father and uncle and are over 70 years old.A wooden last with a metal sole, almond shaped toe with 7G stamped on one side of heel and 1706 GNB on the other side.GNB 1706 7Gtrades, bootmaking

Catalogue card reads, 'Library - unveiling stone outside library to commemorate Matthew Flinders explorers and early graves of settlers, 1970'. Written on back of photograph, '1970 - Rock and plaque, Cr. Stan Morris, Mayor'.

Book non-fictionTraces the social, educational, and psychological barriers for women artists from the Middle Ages to the early 19th century to gain recognition, most relying on relationships with artists in their families to gain success. or conversely denied success through partnerships with male painters. portraiture, flowerpainting, miniaturists, still life