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Ballarat Tramway Museum
Photograph - Black and White photograph/s - mounted, 1906
Black and white photograph mounted onto black cardboard backing (blue back cardboard) Sturt St. Ballarat with an ESCo cross bench tram, possibly No. 20, westbound in Sturt St. Photograph of a postcard, has title "Sturt St. from Armstrong St. Ballarat" centrally on the postcard. Original photograph taken soon after opening of the tramway in Sturt St., no windows and no destination box on the roof of the tram. Has a number of horse drawn vehicles in the photograph. On the left hand side of the photograph is Snows building. See Reg Item 4557 for a larger image of this photograph.trams, tramways, esco, snows, sturt st, armstrong st, tram 20 -
Ballarat Tramway Museum
Photograph - Black and White photograph/s - mounted, 1906
Black and white photograph mounted onto black cardboard backing (blue back cardboard) Sturt and Drummond Streets, with an ESCo southbound in Sturt St with the Ballarat Base Hospital. Photograph of a postcard, has title "Drummond St. Ballarat" in the bottom right hand corner. Original photograph taken soon after opening of the tramway, no roof mounted destination boxes. Has a number of horse drawn vehicles cabs parked by a building - waiting shelter. See Reg. Item 614 for a postcard containing this photograph. High Res Images added 5/3/2011.trams, tramways, esco, hospital, drummond st, postcards -
Ballarat Tramway Museum
Sign - Auxiliary Board, State Electricity Commission of Victoria (SECV), "BRAY RACEWAY"
... of trams- used to advertise horse trotting racing meetings... of trams- used to advertise horse trotting racing meetings ...Sheet metal sign boards, with bracket to hang on front of trams- used to advertise horse trotting racing meetings at the Bray Raceway on the Sebastopol line. Lettered "TROTTING BRAY RACEWAY TONIGHT" and on the opposite side "TROTTING BRAY RACEWAY FRIDAY"trams, tramways, ballarat, signs, bray raceway, trotting -
Ballarat Tramway Museum
Administrative record, T. Anderson Robertson and County Court, "Nankervis vs The Ballaarat Tramway Company Limited.", 1901
... Summons Horse Trams Nankervis Accidents T. Anderson Robertson ...Copy of "Plaint Summons No. 39" lodged at the County Court, Ballarat May 1901, titled "Nankervis vs The Ballaarat Tramway Company Limited." Cost claimed was L100 (100 Pounds). Comprises: 1. Cover sheet, on pre printed form, filled out in light black ink and with pencil notations giving a sum of L28/9/6 and L30/0/0 (settlement figure?). Pinned with a brass clip to the cover sheet, which is in poor condition at edges is a handwritten sheet giving particulars of the demand and other details. 2. Copy of Interrogatories for the demands - three sheets of typed paper, pinned together to a typed cover sheet with a brass clip. Dated 15/4/1901 and signed by the W.E. Johnston, Deputy Judge. 3. Copy of handwritten statement by a person (a doctor?) who called on Mrs. Nankervis to assess her condition and circumstances - dated 28/3/1901. 4. Copy of handwritten letter from T. Anderson Robertson (Barrister and Solicitor) of Lydiard St. Ballarat, dated 27/2/1901 to the Chairman and Directors of the Ballarat Tramway Co. Ltd. advising them of the accident and seeking compensation. 5. Letter as for item 4, but dated 18/3/1901 detailing the accident and seeking L50. (50 pounds) settlement. - three separate sheets - handwritten letter. In the cataloguing sheet is an e-mail from Alan Bradley outlining how the documents were obtained. Care in handling paperwork required due to damage. trams, tramways, legal summons, horse trams, nankervis, accidents -
Ballarat Tramway Museum
Memorabilia - Exhibition Material, Warren Doubleday, "gold!, Gold!, GOLD! and Trams", 29/01/2003 12:00:00 AM
Two photos and thirty captions or label cards used in the Museum's exhibition entitled "gold!, Gold!, GOLD! and Trams". Printed on a colour laser jet, 200 gsm card, unless noted otherwise. Most cards have two Velcro dots on rear, except larger ones which may have three or four. .1 151 x 210 Opening Tram Leonora Tramways - supplied by the Perth Electric Tramway Society .2 210 x 292 Kalgoorlie Electric Tramways Limited trams No. 19 and 13 - ex PETS .3 210 x 297 Gold and Tramways of Ballarat - text card.. .4 210 x 297 text card - 2nd card. .5 130 x 210 Acknowledgements card. .6 - .8 97 x 297 - "GOLD!" on each card, with a heavier font each time. .9 172 x 297 "and trams" .10 136 x 297 "Painted to Celebrate" .11 383 x 80 "At first horses" .12 62 x 472 "Then came Electric" - Two pieces of card joined together, stored folded. .13 65 x 557 "and other Golden Cities" - Two pieces of card joined together, stored folded. .14 68 x 550 "For the City of Ballarat" - Two pieces of card joined together, stored folded. .15 47 x 385 "To Ballarat East as well" .16 45 x 90 "Main St" / "Photo Wal Jack 1963 btm362" .17 46 x 194 "Main and Victoria Sts" / "Photo Ron Fluck 1950 btm870" .18 69 x 126 "1964 Sebastopol" / "Photo Tramway Museum Society of Victoria" .19 66 x 99 "1951 Ballarat / Photo Keith Kings btm1378" .20 45 x 102 "Bendigo N.J. Simons Collection btm 1205.7" .21 68 x 106 "2001 Ballarat / Photo Warren Doubleday" .22 43 x 157 "To Sebastopol / From E.D. Jenkins book, Sebastopol Victoria 1864-1964 btm1090" .23 43 x 158 "From the City / Charles Rudd photograph, State Library of Victoria btm 1113i" .24 43 x 271 "Electric Power for Industry / BTM Collection btm 698i" .25 47 x 160 "To the Gardens / From Geo Rose stereo pair. Donated by Bacchus Marsh Blacksmith Cottage and Forge btm1257" .26 41 x 96 "Leonora / Courtesy Perth Electric Tramway Society" .27 45 x 117 "Bridge St / Postcard from Norm DePomeroy collection btm 841" .28 46 x 169 "Transport for all / Postcard from Norm DePomeroy collection btm837" .29 44 x 89 "Main St / Photo Ron Fluck 1962 btm867" .30 41 x 117 "Kalgoorlie / Courtesy Perth Electric Tramway Society" .31 46 x 150 "1905 Opening / BTM Collection btm482" .32 52 x 404 "Ballarat Trams are Ballarat History"trams, tramways, btm, exhibitions, gold!, gold!, gold! and trams, gold tram -
Ballarat Tramway Museum
Newspaper, "Electric trams for Ballarat", 8/12/1902 12:00:00 AM
... . Title - "Electric trams for Ballarat" Horse Trams ESCo Newspaper ...Digital image of a Clipping from the Adelaide Advertiser, 8 December 1902, pg. 5. ESCo buys the Ballarat Tramways. Title - "Electric trams for Ballarat"horse trams, esco, newspaper clippings -
Ballarat Tramway Museum
Poster, Herald Sun, Take The Herald on holiday, late 1960's
Demonstrates how advertising was done within W class tramcars - boxes of the driver's door and yields information about the Herald Newspaper.Poster advertising the Herald (Melbourne evening newspaper) newspaper. Thought to date from the late 1960's possibly when the trams were withdrawn. .1 - "Take The Herald on holiday. Keep in touch while you're out of touch." - featuring a lady reading the newspaper with the heading "Gas Rig Looks like its dying" while on the beach while a child plays nearby. Two copies held. .2 - "On The Herald has Jack Elliot" with a line sketch of Jack and horse races along the bottom. Were located in the end advertising panels over the doors of W3 661 and used a base for historical photographs of 661 in Melbourne (See Reg Item 4692 and 4693) until replaced during 2009, when collected.trams, tramways, advertisements, posters, w class trams -
Ballarat Tramway Museum
Document - Letter/s, "Mr Jerusalem Smith", Nov. 2008
... Horse Trams City Of Ballarat ...Letter concerning "Mr Jerusalem Smith" forwarding drawings of rail Sections that could be used in horse tramways. The cross-section of the rail in the drawings have been water coloured with a blue and yellow wash. .1 - Covering Letter from Ian Armstrong of the Armstrong Collection .2 - Image of the cover of the book at Post-it note that came with the item .3 - Drawing of Gjedsted Rail. .4 - Central Webbed Rail .5 - Davies Foot Rail with fishplates shown. .6 - Davies Foot Rail with a wheel shown in the drawing. See also Reg item 4248 for further correspondence on this matter.trams, tramways, trackwork, horse trams, city of ballarat -
Truganina Explosives Reserve Preservation Society Inc (TERPS)
Digitised Oral History – Truganina Explosives Reserve - Tape 5 Jim Melmoth, 2018
The interviews were recorded in 2000 by Bronwen Gray and Alan Young for the production of Unreserved, Stories from Truganina Explosives Reserve, animated stories from past residents, workers and interested people of the Reserve (subject to copyright 2004). Edgar James (Jim) Melmoth began work at the Truganina Explosives Reserve at age 19 (1952) as part of the maintenance crew – painting, tram line maintenance, storm damage clearance. He helped build the pier extension and the water tower. In this interview he describes some incidents and some amusing stories of the clysdale horses. A primary source of information on memories of the Truganina Explosives Reserve and Altona,VictoriaDigital copy of original cassette recorded in 2000 and digitised in 2018hobsons bay city council, explosives, air raid shelters, altona pier, brown coal, camouflaged fences, world war two, gelignite, horse drawn wagons, clysdale horses, lighters, williamstown, upton street altona, water tower, adze, john gates, public works department, explosives pier, cherry lake, altona, altona meadows, lennie finley -
Southern Sherbrooke Historical Society Inc.
Information folder - Elvery family
Folder contains information pertaining to the Elvery family of Belgrave Heights. Contents: -Trifold A3 pamphlet, glossy paper, black, white and orange "The Lodge Just the perfect place to stay" c1990s advertisement flyer. -Map, hand-drawn with photos attached, "9 Hole Golf Course. Belgrave Heights - 1930-1943". Photocopy of large poster made by Betty DeCoite (original in map drawer) -Photocopy of photo, annotated in ink "Photo taken in Dandenongs - possibly Monbulk/the Patch? Photo supplied by David Elvery 2/6/99" -Photocopy of photo, Belgrave South Football Club team, probably 1945, plus list of names of team - from David Elvery 2/6/99 -printout, State Library of Victoria Multimedia Catalogue, Rose Series postcard of "Sunnyside Lodge" Lockwood, Belgrave South -copy of printed letter from David Elvery to CEO Shire of Yarra (sic) dated 8/6/99 re. vegetation on Mt Morton. Handwritten additions plus p'copy of Valentine Series postcard #3832 "Panorama From Mount Morton, Belgrave Heights" -p'copy of typed speech with annotations, by Rev. A.C. Beckingham at the opening of Lockwood -p'copy of photo, Harrison and Dalny Elvery and children David and Wendy c1936. Annotated by David Elvery 30/5/99 -printout, SLV Multimedia Catalogue, Rose Series postcard "Lockwood House" Lockwood, Belgrave South -p'copy, subdivision map "Lockwood Estate" lodged plan 6548 -p'copy, subdivision map Lockwood area, plan #6970 -A3 sheet, p'copies 6 postcards of Belgrave Heights -p'copy photo Elvery house, later "Sunnyside" and "Devon Lodge" annotated by David Elvery 2/6/99 -3 p'copied photos, Belgrave Heights, possibly Varney's butchers shop, possibly Whitlam residence. Annotated by David Elvery -2 p'copied photos, "Lockwood House", Golf links (Bill Woodfull, Principal of Upwey High School in photo), annotated David Elvery 2/6/99 -2 photos from David Elvery - moving Melbourne tram into "house" location at Lockwood, and bus "W. Dyke" unknown date and location. -3 photos from David Elvery - David on Gypsy (pony) Mt Morton Rd c1937, Wendy and David at entrance 37 Lockwood Rd c1942, David on Mack (horse) on golf links c1947 -Photo Arthur and Harrison Elvery, Lockwood House in background c1916 -photo Mrs Elvery, p'copy of postcard 26/3/20 addressed to "Dear Maud", mentions Charlie's wife and Laura (incomplete) -photo George Rae (Narre Warren North) Harold Allen and three other boys c1939 -6 photos, unlabelled (duplicates?) -photo Orchard Rd, Belgrave Heights -photo unlabelled, woman with child in pram, house in background (Lockwood?) -photo David Elvery on Gypsy as above -Rose postcard P2032 "Lockwood" Belgrave, Victoria -photo David Elvery on Mack (as above) -photo Wendy and David Elvery (as above) -2 photos, tram being moved (as above), football team -p'copy of Certificate of Title Vol.4562 Fol. 912336 dated 31/1/1922 - see list of names in folder -p'copy Memorial of Instruments (Land Title) dated 14/1/1914 -p'copy Cert. of Title Vol. 4562 Fol. 912335 dated 31/1/1922 -handwritten note, David Elvery to Susan Heywood-Downard -p'copy Memorial of Instruments dated 14/1/1914 -p'copy subdivision map, area bounded by Glen, Orchard, Avonside and Bay Rds, Belgrave Heights -p'copy Cert. of Title, Vol. 4810 Fol. 961945, dated 2/1/1924 -p'copy Cert. of Title, Vol. 4562 Fol. 912337, dated 31/1/1922 -Typed list of photo caption, relating to some of above photos -List of names and dates appearing on land title documents enclosed -Printout, Australian Dictionary Of Biography - Davies family - handwritten addition, marriage details, Arthur Elvery & Hannah Ord. -Printout - Family Search, Maria Louisa Davies, and family group, Ebenezer Davies & Ruth Bartlett. -letter to editor, Northern Star, Lismore, NSW, 11 Aug. 1923, Hannah Elvery, re. sport on Sunday -typescript - Elvery Family History, part of the "Alstonville" Elvery story, supplied by David H. Elvery 30th May 1999. From Bob Quincey.elvery family, lockwood house, belgrave heights, devon lodge -
Ballarat Heritage Services
Photograph - Digital photographs, L.J. Gervasoni, Boroondara General Cemetery Gatehouse, c2005-2015
... (?); the construction and operation of a terminus for a horse tram ...The Boroondara General Cemetery is registerd by Heritage VictoriaBoroondara Cemetery in kew was established in 1858. It has an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery Boroondara Cemetery is an outstanding example of the Victorian Garden Cemetery movement in Victoria, retaining key elements of the style, despite overdevelopment which has obscured some of the paths and driveways. Elements of the style represented at Boroondara include an ornamental boundary fence, a system of curving paths which are kerbed and follow the site's natural contours, defined views, recreational facilities such as the rotunda, a landscaped park like setting, sectarian divisions for burials, impressive monuments, wrought and cast iron grave surrounds and exotic symbolic plantings. In the 1850s cemeteries were located on the periphery of populated areas because of concerns about diseases like cholera. They were designed to be attractive places for mourners and visitors to walk and contemplate. Typically cemeteries were arranged to keep religions separated and this tended to maintain links to places of origin, reflecting a migrant society. Other developments included cast iron entrance gates, built in 1889 to a design by Albert Purchas; a cemetery shelter or rotunda, built in 1890, which is a replica of one constructed in the Melbourne General Cemetery in the same year; an ornamental brick fence erected in 1896-99(?); the construction and operation of a terminus for a horse tram at the cemetery gates during 1887-1915; and the Springthorpe Memorial built between 1897 and 1907. A brick cremation wall and a memorial rose garden were constructed near the entrance in the mid- twentieth century(c.1955-57) and a mausoleum completed in 2001.The maintenance shed/depot close to High Street was constructed in 1987. The original entrance was altered in 2000 and the original cast iron gates moved to the eastern entrance of the Mausoleum. Some notable memorials include The Springthorpe Memorial (VHR 522), The Syme Memorial (1908), The Cussen Memorial (VHR 2036). Burials within the cemetery include the Henty family, artists Louis Buvelot and Charles Nuttall, businessmen John Halfey and publisher David Syme, artist and diarist Georgiana McCrae, actress Nellie Stewart and architect and designer of the Boroondara and Melbourne General Cemeteries, Albert Purchas. The Boroondara Cemetery features many plants, mostly conifers and shrubs of funerary symbolism, which line the boundaries, road and pathways, and frame the cemetery monuments or are planted on graves. The major plantings include an impressive row of Bhutan Cypress (Cupressus torulosa), interplanted with Sweet Pittosporum (Pittosporum undulatum), and a few Pittosporum crassifolium, along the High Street and Parkhill Street, where the planting is dominated by Sweet Pittosporum. Planting within the cemetery includes rows and specimen trees of Bhutan Cypress and Italian Cypress (Cupressus sempervirens), including a row with alternate plantings of both species. The planting includes an unusual "squat" form of an Italian Cypress. More of these trees probably lined the cemetery roads and paths. Also dominating the cemetery landscape near the Rotunda is a stand of 3 Canary Island Pines (Pinus canariensis), a Bunya Bunya Pine (Araucaria bidwillii) and a Weeping Elm (Ulmus glabra 'Camperdownii'). Amongst the planting are the following notable conifers: a towering Bunya Bunya Pine (Araucaria bidwillii), a Coast Redwood (Sequoia sempervirens), a rare Golden Funeral Cypress (Chamaecyparis funebris 'Aurea'), two large Funeral Cypress (Chamaecyparis funebris), and the only known Queensland Kauri (Agathis robusta) in a cemetery in Victoria. The Cemetery records, including historical plans of the cemetery from 1859, are held by the administration and their retention enhances the historical significance of the Cemetery. Digital images of a red brick gatehouse at Boroondara General Cemetery in Kew.cemetery, boroondara, kew, gatehouse, clock, tower, clocktower, heritage, memorial -
Ballarat Heritage Services
Photograph - Digital photographs, L.J. Gervasoni, Boroondara General Cemetery Springthorpe Memorial, c2005-2015
... (?); the construction and operation of a terminus for a horse tram ...The Boroondara General Cemetery is registerd by Heritage VictoriaFrom Heritage Victoria Statement of Significance Last updated on - December 15, 2005 What is significant? Boroondara Cemetery, established in 1858, is within an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery Boroondara Cemetery is an outstanding example of the Victorian Garden Cemetery movement in Victoria, retaining key elements of the style, despite overdevelopment which has obscured some of the paths and driveways. Elements of the style represented at Boroondara include an ornamental boundary fence, a system of curving paths which are kerbed and follow the site's natural contours, defined views, recreational facilities such as the rotunda, a landscaped park like setting, sectarian divisions for burials, impressive monuments, wrought and cast iron grave surrounds and exotic symbolic plantings. In the 1850s cemeteries were located on the periphery of populated areas because of concerns about diseases like cholera. They were designed to be attractive places for mourners and visitors to walk and contemplate. Typically cemeteries were arranged to keep religions separated and this tended to maintain links to places of origin, reflecting a migrant society. Other developments included cast iron entrance gates, built in 1889 to a design by Albert Purchas; a cemetery shelter or rotunda, built in 1890, which is a replica of one constructed in the Melbourne General Cemetery in the same year; an ornamental brick fence erected in 1896-99(?); the construction and operation of a terminus for a horse tram at the cemetery gates during 1887-1915; and the Springthorpe Memorial built between 1897 and 1907. A brick cremation wall and a memorial rose garden were constructed near the entrance in the mid- twentieth century(c.1955-57) and a mausoleum completed in 2001.The maintenance shed/depot close to High Street was constructed in 1987. The original entrance was altered in 2000 and the original cast iron gates moved to the eastern entrance of the Mausoleum. The Springthorpe Memorial (VHR 522) set at the entrance to the burial ground commemorates Annie Springthorpe, and was erected between 1897 and 1907 by her husband Dr John Springthorpe. It was the work of the sculptor Bertram Mackennal, architect Harold Desbrowe Annear, landscape designer and Director of the Melbourne Bortanic Gardens, W.R. Guilfoyle, with considerable input from Dr Springthorpe The memorial is in the form of a small temple in a primitive Doric style. It was designed by Harold Desbrowe Annear and includes Bertram Mackennal sculptures in Carrara marble. Twelve columns of deep green granite from Scotland support a Harcourt granite superstructure. The roof by Brooks Robinson is a coloured glass dome, which sits within the rectangular form and behind the pediments. The sculptural group raised on a dais, consists of the deceased woman lying on a sarcophagus with an attending angel and mourner. The figure of Grief crouches at the foot of the bier and an angel places a wreath over Annie's head, symbolising the triumph of immortal life over death. The body of the deceased was placed in a vault below. The bronze work is by Marriots of Melbourne. Professor Tucker of the University of Melbourne composed appropriate inscriptions in English and archaic Greek lettering.. The floor is a geometric mosaic and the glass dome roof is of Tiffany style lead lighting in hues of reds and pinks in a radiating pattern. The memorial originally stood in a landscape triangular garden of about one acre near the entrance to the cemetery. However, after Dr Springthorpe's death in 1933 it was found that transactions for the land had not been fully completed so most of it was regained by the cemetery. A sundial and seat remain. The building is almost completely intact. The only alteration has been the removal of a glass canopy over the statuary and missing chains between posts. The Argus (26 March 1933) considered the memorial to be the most beautiful work of its kind in Australia. No comparable buildings are known. The Syme Memorial (1908) is a memorial to David Syme, political economist and publisher of the Melbourne Age newspaper. The Egyptian memorial designed by architect Arthur Peck is one of the most finely designed and executed pieces of monumental design in Melbourne. It has a temple like form with each column having a different capital detail. These support a cornice that curves both inwards and outwards. The tomb also has balustradings set between granite piers which create porch spaces leading to the entrance ways. Two variegated Port Jackson Figs are planted at either end. The Cussen Memorial (VHR 2036) was constructed in 1912-13 by Sir Leo Cussen in memory of his young son Hubert. Sir Leo Finn Bernard Cussen (1859-1933), judge and member of the Victorian Supreme Court in 1906. was buried here. The family memorial is one of the larger and more impressive memorials in the cemetery and is an interesting example of the 1930s Gothic Revival style architecture. It takes the form of a small chapel with carvings, diamond shaped roof tiles and decorated ridge embellishing the exterior. By the 1890s, the Boroondara Cemetery was a popular destination for visitors and locals admiring the beauty of the grounds and the splendid monuments. The edge of suburban settlement had reached the cemetery in the previous decade. Its Victorian garden design with sweeping curved drives, hill top views and high maintenance made it attractive. In its Victorian Garden Cemetery design, Boroondara was following an international trend. The picturesque Romanticism of the Pere la Chaise garden cemetery established in Paris in 1804 provided a prototype for great metropolitan cemeteries such as Kensal Green (1883) and Highgate (1839) in London and the Glasgow Necropolis (1831). Boroondara Cemetery was important in establishing this trend in Australia. The cemetery's beauty peaked with the progressive completion of the spectacular Springthorpe Memorial between 1899 and 1907. From about the turn of the century, the trustees encroached on the original design, having repeatedly failed in attempts to gain more land. The wide plantations around road boundaries, grassy verges around clusters of graves in each denomination, and most of the landscaped surround to the Springthorpe memorial are now gone. Some of the original road and path space were resumed for burial purposes. The post war period saw an increased use of the Cemetery by newer migrant groups. The mid- to late- twentieth century monuments were often placed on the grassed edges of the various sections and encroached on the roadways as the cemetery had reached the potential foreseen by its design. These were well tended in comparison with Victorian monuments which have generally been left to fall into a state of neglect. The Boroondara Cemetery features many plants, mostly conifers and shrubs of funerary symbolism, which line the boundaries, road and pathways, and frame the cemetery monuments or are planted on graves. The major plantings include an impressive row of Bhutan Cypress (Cupressus torulosa), interplanted with Sweet Pittosporum (Pittosporum undulatum), and a few Pittosporum crassifolium, along the High Street and Parkhill Street, where the planting is dominated by Sweet Pittosporum. Planting within the cemetery includes rows and specimen trees of Bhutan Cypress and Italian Cypress (Cupressus sempervirens), including a row with alternate plantings of both species. The planting includes an unusual "squat" form of an Italian Cypress. More of these trees probably lined the cemetery roads and paths. Also dominating the cemetery landscape near the Rotunda is a stand of 3 Canary Island Pines (Pinus canariensis), a Bunya Bunya Pine (Araucaria bidwillii) and a Weeping Elm (Ulmus glabra 'Camperdownii') Amongst the planting are the following notable conifers: a towering Bunya Bunya Pine (Araucaria bidwillii), a Coast Redwood (Sequoia sempervirens), a rare Golden Funeral Cypress (Chamaecyparis funebris 'Aurea'), two large Funeral Cypress (Chamaecyparis funebris), and the only known Queensland Kauri (Agathis robusta) in a cemetery in Victoria. The Cemetery records, including historical plans of the cemetery from 1859, are held by the administration and their retention enhances the historical significance of the Cemetery. How is it significant? Boroondara Cemetery is of aesthetic, architectural, scientific (botanical) and historical significance to the State of Victoria. Why is it significant? The Boroondara Cemetery is of historical and aesthetic significance as an outstanding example of a Victorian garden cemetery. The Boroondara Cemetery is of historical significance as a record of Victorian life from the 1850s, and the early settlement of Kew. It is also significant for its ability to demonstrate, through the design and location of the cemetery, attitudes towards burial, health concerns and the importance placed on religion, at the time of its establishment. The Boroondara Cemetery is of architectural significance for the design of the gatehouse or sexton's lodge and cemetery office (built in stages from 1860 to 1899), the ornamental brick perimeter fence and elegant cemetery shelter to the design of prominent Melbourne architects, Charles Vickers (for the original 1860 cottage) and Albert Purchas, cemetery architect and secretary from 1864 to his death in 1907. The Boroondara Cemetery has considerable aesthetic significance which is principally derived from its tranquil, picturesque setting; its impressive memorials and monuments; its landmark features such as the prominent clocktower of the sexton's lodge and office, the mature exotic plantings, the decorative brick fence and the entrance gates; its defined views; and its curving paths. The Springthorpe Memorial (VHR 522), the Syme Memorial and the Cussen Memorial (VHR 2036), all contained within the Boroondara Cemetery, are of aesthetic and architectural significance for their creative and artistic achievement. The Boroondara Cemetery is of scientific (botanical) significance for its collection of rare mature exotic plantings. The Golden Funeral Cypress, (Chamaecyparis funebris 'Aurea') is the only known example in Victoria. The Boroondara Cemetery is of historical significance for the graves, monuments and epitaphs of a number of individuals whose activities have played a major part in Australia's history. They include the Henty family, artists Louis Buvelot and Charles Nuttall, businessmen John Halfey and publisher David Syme, artist and diarist Georgiana McCrae, actress Nellie Stewart and architect and designer of the Boroondara and Melbourne General Cemeteries, Albert Purchas.Digital image of the Springthorpe Memorial in the Boroondara General Cemeterycemetery, boroondara, kew, gatehouse, clock, tower, clocktower, heritage, memorial, springthorpe memorial -
Ballarat Heritage Services
Digital photographs, L.J. Gervasoni, boroondara general cemetery Henty, c2005-2015
... (?); the construction and operation of a terminus for a horse tram ...The Boroondara General Cemetery is registered by Heritage VictoriaFrom Heritage Victoria Statement of Significance Last updated on - December 15, 2005 What is significant? Boroondara Cemetery, established in 1858, is within an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery Boroondara Cemetery is an outstanding example of the Victorian Garden Cemetery movement in Victoria, retaining key elements of the style, despite overdevelopment which has obscured some of the paths and driveways. Elements of the style represented at Boroondara include an ornamental boundary fence, a system of curving paths which are kerbed and follow the site's natural contours, defined views, recreational facilities such as the rotunda, a landscaped park like setting, sectarian divisions for burials, impressive monuments, wrought and cast iron grave surrounds and exotic symbolic plantings. In the 1850s cemeteries were located on the periphery of populated areas because of concerns about diseases like cholera. They were designed to be attractive places for mourners and visitors to walk and contemplate. Typically cemeteries were arranged to keep religions separated and this tended to maintain links to places of origin, reflecting a migrant society. Other developments included cast iron entrance gates, built in 1889 to a design by Albert Purchas; a cemetery shelter or rotunda, built in 1890, which is a replica of one constructed in the Melbourne General Cemetery in the same year; an ornamental brick fence erected in 1896-99(?); the construction and operation of a terminus for a horse tram at the cemetery gates during 1887-1915; and the Springthorpe Memorial built between 1897 and 1907. A brick cremation wall and a memorial rose garden were constructed near the entrance in the mid- twentieth century(c.1955-57) and a mausoleum completed in 2001.The maintenance shed/depot close to High Street was constructed in 1987. The original entrance was altered in 2000 and the original cast iron gates moved to the eastern entrance of the Mausoleum. The Springthorpe Memorial (VHR 522) set at the entrance to the burial ground commemorates Annie Springthorpe, and was erected between 1897 and 1907 by her husband Dr John Springthorpe. It was the work of the sculptor Bertram Mackennal, architect Harold Desbrowe Annear, landscape designer and Director of the Melbourne Bortanic Gardens, W.R. Guilfoyle, with considerable input from Dr Springthorpe The memorial is in the form of a small temple in a primitive Doric style. It was designed by Harold Desbrowe Annear and includes Bertram Mackennal sculptures in Carrara marble. Twelve columns of deep green granite from Scotland support a Harcourt granite superstructure. The roof by Brooks Robinson is a coloured glass dome, which sits within the rectangular form and behind the pediments. The sculptural group raised on a dais, consists of the deceased woman lying on a sarcophagus with an attending angel and mourner. The figure of Grief crouches at the foot of the bier and an angel places a wreath over Annie's head, symbolising the triumph of immortal life over death. The body of the deceased was placed in a vault below. The bronze work is by Marriots of Melbourne. Professor Tucker of the University of Melbourne composed appropriate inscriptions in English and archaic Greek lettering.. The floor is a geometric mosaic and the glass dome roof is of Tiffany style lead lighting in hues of reds and pinks in a radiating pattern. The memorial originally stood in a landscape triangular garden of about one acre near the entrance to the cemetery. However, after Dr Springthorpe's death in 1933 it was found that transactions for the land had not been fully completed so most of it was regained by the cemetery. A sundial and seat remain. The building is almost completely intact. The only alteration has been the removal of a glass canopy over the statuary and missing chains between posts. The Argus (26 March 1933) considered the memorial to be the most beautiful work of its kind in Australia. No comparable buildings are known. The Syme Memorial (1908) is a memorial to David Syme, political economist and publisher of the Melbourne Age newspaper. The Egyptian memorial designed by architect Arthur Peck is one of the most finely designed and executed pieces of monumental design in Melbourne. It has a temple like form with each column having a different capital detail. These support a cornice that curves both inwards and outwards. The tomb also has balustradings set between granite piers which create porch spaces leading to the entrance ways. Two variegated Port Jackson Figs are planted at either end. The Cussen Memorial (VHR 2036) was constructed in 1912-13 by Sir Leo Cussen in memory of his young son Hubert. Sir Leo Finn Bernard Cussen (1859-1933), judge and member of the Victorian Supreme Court in 1906. was buried here. The family memorial is one of the larger and more impressive memorials in the cemetery and is an interesting example of the 1930s Gothic Revival style architecture. It takes the form of a small chapel with carvings, diamond shaped roof tiles and decorated ridge embellishing the exterior. By the 1890s, the Boroondara Cemetery was a popular destination for visitors and locals admiring the beauty of the grounds and the splendid monuments. The edge of suburban settlement had reached the cemetery in the previous decade. Its Victorian garden design with sweeping curved drives, hill top views and high maintenance made it attractive. In its Victorian Garden Cemetery design, Boroondara was following an international trend. The picturesque Romanticism of the Pere la Chaise garden cemetery established in Paris in 1804 provided a prototype for great metropolitan cemeteries such as Kensal Green (1883) and Highgate (1839) in London and the Glasgow Necropolis (1831). Boroondara Cemetery was important in establishing this trend in Australia. The cemetery's beauty peaked with the progressive completion of the spectacular Springthorpe Memorial between 1899 and 1907. From about the turn of the century, the trustees encroached on the original design, having repeatedly failed in attempts to gain more land. The wide plantations around road boundaries, grassy verges around clusters of graves in each denomination, and most of the landscaped surround to the Springthorpe memorial are now gone. Some of the original road and path space were resumed for burial purposes. The post war period saw an increased use of the Cemetery by newer migrant groups. The mid- to late- twentieth century monuments were often placed on the grassed edges of the various sections and encroached on the roadways as the cemetery had reached the potential foreseen by its design. These were well tended in comparison with Victorian monuments which have generally been left to fall into a state of neglect. The Boroondara Cemetery features many plants, mostly conifers and shrubs of funerary symbolism, which line the boundaries, road and pathways, and frame the cemetery monuments or are planted on graves. The major plantings include an impressive row of Bhutan Cypress (Cupressus torulosa), interplanted with Sweet Pittosporum (Pittosporum undulatum), and a few Pittosporum crassifolium, along the High Street and Parkhill Street, where the planting is dominated by Sweet Pittosporum. Planting within the cemetery includes rows and specimen trees of Bhutan Cypress and Italian Cypress (Cupressus sempervirens), including a row with alternate plantings of both species. The planting includes an unusual "squat" form of an Italian Cypress. More of these trees probably lined the cemetery roads and paths. Also dominating the cemetery landscape near the Rotunda is a stand of 3 Canary Island Pines (Pinus canariensis), a Bunya Bunya Pine (Araucaria bidwillii) and a Weeping Elm (Ulmus glabra 'Camperdownii') Amongst the planting are the following notable conifers: a towering Bunya Bunya Pine (Araucaria bidwillii), a Coast Redwood (Sequoia sempervirens), a rare Golden Funeral Cypress (Chamaecyparis funebris 'Aurea'), two large Funeral Cypress (Chamaecyparis funebris), and the only known Queensland Kauri (Agathis robusta) in a cemetery in Victoria. The Cemetery records, including historical plans of the cemetery from 1859, are held by the administration and their retention enhances the historical significance of the Cemetery. How is it significant? Boroondara Cemetery is of aesthetic, architectural, scientific (botanical) and historical significance to the State of Victoria. Why is it significant? The Boroondara Cemetery is of historical and aesthetic significance as an outstanding example of a Victorian garden cemetery. The Boroondara Cemetery is of historical significance as a record of Victorian life from the 1850s, and the early settlement of Kew. It is also significant for its ability to demonstrate, through the design and location of the cemetery, attitudes towards burial, health concerns and the importance placed on religion, at the time of its establishment. The Boroondara Cemetery is of architectural significance for the design of the gatehouse or sexton's lodge and cemetery office (built in stages from 1860 to 1899), the ornamental brick perimeter fence and elegant cemetery shelter to the design of prominent Melbourne architects, Charles Vickers (for the original 1860 cottage) and Albert Purchas, cemetery architect and secretary from 1864 to his death in 1907. The Boroondara Cemetery has considerable aesthetic significance which is principally derived from its tranquil, picturesque setting; its impressive memorials and monuments; its landmark features such as the prominent clocktower of the sexton's lodge and office, the mature exotic plantings, the decorative brick fence and the entrance gates; its defined views; and its curving paths. The Springthorpe Memorial (VHR 522), the Syme Memorial and the Cussen Memorial (VHR 2036), all contained within the Boroondara Cemetery, are of aesthetic and architectural significance for their creative and artistic achievement. The Boroondara Cemetery is of scientific (botanical) significance for its collection of rare mature exotic plantings. The Golden Funeral Cypress, (Chamaecyparis funebris 'Aurea') is the only known example in Victoria. The Boroondara Cemetery is of historical significance for the graves, monuments and epitaphs of a number of individuals whose activities have played a major part in Australia's history. They include the Henty family, artists Louis Buvelot and Charles Nuttall, businessmen John Halfey and publisher David Syme, artist and diarist Georgiana McCrae, actress Nellie Stewart and architect and designer of the Boroondara and Melbourne General Cemeteries, Albert Purchas.Digital imagescemetery, boroondara, kew, gatehouse, clock, tower, clocktower, heritage, memorial, henty -
Whitehorse Historical Society Inc.
Article, The Tram Beats Bravo in 1889, 1889
Instead of attending the Melbourne Cup on 5th Nov 1889 to watch the horse 'Bravo' win, 5,000 people went by train to Box Hill, then transferred to the Electric Tram to visit Doncaster.electric tram, doncaster -
Unions Ballarat
The golden city and its tramways : Ballarat's tramway era, Bradley, Alan, 2005
... . Front cover: red background; black and white picture of a tram ...The Ballarat tramways system commenced in 1887 as a horse-driven service and became electrified in 1907. The service ceased in 1971. The book tells the story of the Ballarat tramways and includes pictures, stories from employees and other social history.Relevant to the history of public transport and social life and customs in Ballarat.Paper; book. Front cover: red background; black and white picture of a tram in Ballarat; fawn lettering.Front cover: author's name and title.btlc, ballarat trades hall, ballarat trades and labour council, trams, tram workers, public transport, social customs, trams - horse drawn -
Geelong Football Club
1925 Membership Ticket Geelong Football Club, 1925
Donated to the Geelong Football Club by Dr Peter Richmond Grandson of ticket holder, Ernest Samuel Richmond. Supplied also with copy of photograph of Richmond in his gig associated with his trips from Winchelsea to High st Belmont where Mr Richmond would leave his horse and gig before catching a tram to Corio Oval East Geelong to watch the Geelong team in action.GFC Membership ticket. Folded ticket with deep blue textured front with gold lettering stating - GEELONG FOOTBALL CLUB GEELONG/FOOTBALL/CLUB/SEASON/1925. Inside folded section has white paper with heading on left of fold - GEELONG FOOTBALL CLUB - followed by list of office bearers, general committee. Signed in black ink, lower left side - E.S. Richmond Winchelsea - Right side of fold has numbers 1-23 printed around top, right and lower edge of card. The 3, 5 9, 13, and 15 have been perforated through. Dates and fixtures for the season are listed. Stamped in black is the number - 3912 - lower right side. Printed over both sides in light blue states - GEELONG/1925 -dr peter richmond, ernest samuel richmond, geelong cats, gfc -
Brown Hill Progress Association Inc.
Document, List of Bus and Char-a-Banc Plying for Hire, 1923
A charabanc or "char-à-banc" is a type of horse-drawn vehicle or early motor coach, usually open-topped, common in Britain during the early part of the 20th century. It has "benched seats arranged in rows, looking forward, commonly used for large parties, whether as public conveyances or for excursions." It was especially popular for sight-seeing or "works outings" to the country or the seaside, organised by businesses once a year. The name derives from the French char à bancs ("carriage with wooden benches"), the vehicle having originated in France in the early 19th century. In Australia a modern similar type of bus or motorcoach, with a lateral door for each row of seats, survived up to the 1970s and was referred to as side loader bus; but all or most of them were not open-topped. (Wikipedia)Two pages relating to buses, char-a-bancs and trams in Ballaratbus, tram, char-a-banc, john lucas, john j. mckenna, hugh williams, a.b. smith, thomas pascoe, h.g. whiteley, walter hearne, thomas james, george skinner, sydney stapleton, hugh george lake, oscar cruikshank, robert taylor, thomas powell, wilmot, j.p. bennett -
City of Ballarat Libraries
Photograph - Card Box Photographs, South East view over Sturt Street, Ballarat circa 1905. From Star 1855-1905 Jubilee publication
Photo taken from the Post Office tower. Both horse drawn carts and electric trams can be seen. Advertising for Suttons Pianos, Organs & Music dominates the scene.sturt street, ballarat post office, streetscape, suttons, garden, vehicle, trams, commerical, public -
Victorian Railway History Library
Booklet, Tramway Publications, Tramway by the river : a brief history of the Hawthorn Tramways Trust, 1993
... , Richmond. Horse drawn trams were withdrawn in 1916 prior ...The Hawthorn Tramways Trust was established in 1914, and merged with the Melbourne and Metropolitan Tramways Board in 1920. The Hawthorn line operated via Bridge Road, Richmond. Horse drawn trams were withdrawn in 1916 prior to the introduction of cable trams. The booklet provides technical details about this line, as well as photographs.Ill, maps, p.17.non-fictionThe Hawthorn Tramways Trust was established in 1914, and merged with the Melbourne and Metropolitan Tramways Board in 1920. The Hawthorn line operated via Bridge Road, Richmond. Horse drawn trams were withdrawn in 1916 prior to the introduction of cable trams. The booklet provides technical details about this line, as well as photographs.tramways - melbourne, trams - melbourne - history -
Ballarat Heritage Services
Photograph - Digital photographs, Cussen Memorial in the Boroondara General Cemetery, Kew, Victoria, c2005-2015
... (?); the construction and operation of a terminus for a horse tram ...The Boroondara General Cemetery is registerd by Heritage VictoriaFrom Heritage Victoria Statement of Significance Last updated on - December 15, 2005 What is significant? Boroondara Cemetery, established in 1858, is within an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery Boroondara Cemetery is an outstanding example of the Victorian Garden Cemetery movement in Victoria, retaining key elements of the style, despite overdevelopment which has obscured some of the paths and driveways. Elements of the style represented at Boroondara include an ornamental boundary fence, a system of curving paths which are kerbed and follow the site's natural contours, defined views, recreational facilities such as the rotunda, a landscaped park like setting, sectarian divisions for burials, impressive monuments, wrought and cast iron grave surrounds and exotic symbolic plantings. In the 1850s cemeteries were located on the periphery of populated areas because of concerns about diseases like cholera. They were designed to be attractive places for mourners and visitors to walk and contemplate. Typically cemeteries were arranged to keep religions separated and this tended to maintain links to places of origin, reflecting a migrant society. Other developments included cast iron entrance gates, built in 1889 to a design by Albert Purchas; a cemetery shelter or rotunda, built in 1890, which is a replica of one constructed in the Melbourne General Cemetery in the same year; an ornamental brick fence erected in 1896-99(?); the construction and operation of a terminus for a horse tram at the cemetery gates during 1887-1915; and the Springthorpe Memorial built between 1897 and 1907. A brick cremation wall and a memorial rose garden were constructed near the entrance in the mid- twentieth century(c.1955-57) and a mausoleum completed in 2001.The maintenance shed/depot close to High Street was constructed in 1987. The original entrance was altered in 2000 and the original cast iron gates moved to the eastern entrance of the Mausoleum. The Springthorpe Memorial (VHR 522) set at the entrance to the burial ground commemorates Annie Springthorpe, and was erected between 1897 and 1907 by her husband Dr John Springthorpe. It was the work of the sculptor Bertram Mackennal, architect Harold Desbrowe Annear, landscape designer and Director of the Melbourne Bortanic Gardens, W.R. Guilfoyle, with considerable input from Dr Springthorpe The memorial is in the form of a small temple in a primitive Doric style. It was designed by Harold Desbrowe Annear and includes Bertram Mackennal sculptures in Carrara marble. Twelve columns of deep green granite from Scotland support a Harcourt granite superstructure. The roof by Brooks Robinson is a coloured glass dome, which sits within the rectangular form and behind the pediments. The sculptural group raised on a dais, consists of the deceased woman lying on a sarcophagus with an attending angel and mourner. The figure of Grief crouches at the foot of the bier and an angel places a wreath over Annie's head, symbolising the triumph of immortal life over death. The body of the deceased was placed in a vault below. The bronze work is by Marriots of Melbourne. Professor Tucker of the University of Melbourne composed appropriate inscriptions in English and archaic Greek lettering.. The floor is a geometric mosaic and the glass dome roof is of Tiffany style lead lighting in hues of reds and pinks in a radiating pattern. The memorial originally stood in a landscape triangular garden of about one acre near the entrance to the cemetery. However, after Dr Springthorpe's death in 1933 it was found that transactions for the land had not been fully completed so most of it was regained by the cemetery. A sundial and seat remain. The building is almost completely intact. The only alteration has been the removal of a glass canopy over the statuary and missing chains between posts. The Argus (26 March 1933) considered the memorial to be the most beautiful work of its kind in Australia. No comparable buildings are known. The Syme Memorial (1908) is a memorial to David Syme, political economist and publisher of the Melbourne Age newspaper. The Egyptian memorial designed by architect Arthur Peck is one of the most finely designed and executed pieces of monumental design in Melbourne. It has a temple like form with each column having a different capital detail. These support a cornice that curves both inwards and outwards. The tomb also has balustradings set between granite piers which create porch spaces leading to the entrance ways. Two variegated Port Jackson Figs are planted at either end. The Cussen Memorial (VHR 2036) was constructed in 1912-13 by Sir Leo Cussen in memory of his young son Hubert. Sir Leo Finn Bernard Cussen (1859-1933), judge and member of the Victorian Supreme Court in 1906. was buried here. The family memorial is one of the larger and more impressive memorials in the cemetery and is an interesting example of the 1930s Gothic Revival style architecture. It takes the form of a small chapel with carvings, diamond shaped roof tiles and decorated ridge embellishing the exterior. By the 1890s, the Boroondara Cemetery was a popular destination for visitors and locals admiring the beauty of the grounds and the splendid monuments. The edge of suburban settlement had reached the cemetery in the previous decade. Its Victorian garden design with sweeping curved drives, hill top views and high maintenance made it attractive. In its Victorian Garden Cemetery design, Boroondara was following an international trend. The picturesque Romanticism of the Pere la Chaise garden cemetery established in Paris in 1804 provided a prototype for great metropolitan cemeteries such as Kensal Green (1883) and Highgate (1839) in London and the Glasgow Necropolis (1831). Boroondara Cemetery was important in establishing this trend in Australia. The cemetery's beauty peaked with the progressive completion of the spectacular Springthorpe Memorial between 1899 and 1907. From about the turn of the century, the trustees encroached on the original design, having repeatedly failed in attempts to gain more land. The wide plantations around road boundaries, grassy verges around clusters of graves in each denomination, and most of the landscaped surround to the Springthorpe memorial are now gone. Some of the original road and path space were resumed for burial purposes. The post war period saw an increased use of the Cemetery by newer migrant groups. The mid- to late- twentieth century monuments were often placed on the grassed edges of the various sections and encroached on the roadways as the cemetery had reached the potential foreseen by its design. These were well tended in comparison with Victorian monuments which have generally been left to fall into a state of neglect. The Boroondara Cemetery features many plants, mostly conifers and shrubs of funerary symbolism, which line the boundaries, road and pathways, and frame the cemetery monuments or are planted on graves. The major plantings include an impressive row of Bhutan Cypress (Cupressus torulosa), interplanted with Sweet Pittosporum (Pittosporum undulatum), and a few Pittosporum crassifolium, along the High Street and Parkhill Street, where the planting is dominated by Sweet Pittosporum. Planting within the cemetery includes rows and specimen trees of Bhutan Cypress and Italian Cypress (Cupressus sempervirens), including a row with alternate plantings of both species. The planting includes an unusual "squat" form of an Italian Cypress. More of these trees probably lined the cemetery roads and paths. Also dominating the cemetery landscape near the Rotunda is a stand of 3 Canary Island Pines (Pinus canariensis), a Bunya Bunya Pine (Araucaria bidwillii) and a Weeping Elm (Ulmus glabra 'Camperdownii') Amongst the planting are the following notable conifers: a towering Bunya Bunya Pine (Araucaria bidwillii), a Coast Redwood (Sequoia sempervirens), a rare Golden Funeral Cypress (Chamaecyparis funebris 'Aurea'), two large Funeral Cypress (Chamaecyparis funebris), and the only known Queensland Kauri (Agathis robusta) in a cemetery in Victoria. The Cemetery records, including historical plans of the cemetery from 1859, are held by the administration and their retention enhances the historical significance of the Cemetery. How is it significant? Boroondara Cemetery is of aesthetic, architectural, scientific (botanical) and historical significance to the State of Victoria. Why is it significant? The Boroondara Cemetery is of historical and aesthetic significance as an outstanding example of a Victorian garden cemetery. The Boroondara Cemetery is of historical significance as a record of Victorian life from the 1850s, and the early settlement of Kew. It is also significant for its ability to demonstrate, through the design and location of the cemetery, attitudes towards burial, health concerns and the importance placed on religion, at the time of its establishment. The Boroondara Cemetery is of architectural significance for the design of the gatehouse or sexton's lodge and cemetery office (built in stages from 1860 to 1899), the ornamental brick perimeter fence and elegant cemetery shelter to the design of prominent Melbourne architects, Charles Vickers (for the original 1860 cottage) and Albert Purchas, cemetery architect and secretary from 1864 to his death in 1907. The Boroondara Cemetery has considerable aesthetic significance which is principally derived from its tranquil, picturesque setting; its impressive memorials and monuments; its landmark features such as the prominent clocktower of the sexton's lodge and office, the mature exotic plantings, the decorative brick fence and the entrance gates; its defined views; and its curving paths. The Springthorpe Memorial (VHR 522), the Syme Memorial and the Cussen Memorial (VHR 2036), all contained within the Boroondara Cemetery, are of aesthetic and architectural significance for their creative and artistic achievement. The Boroondara Cemetery is of scientific (botanical) significance for its collection of rare mature exotic plantings. The Golden Funeral Cypress, (Chamaecyparis funebris 'Aurea') is the only known example in Victoria. The Boroondara Cemetery is of historical significance for the graves, monuments and epitaphs of a number of individuals whose activities have played a major part in Australia's history. They include the Henty family, artists Louis Buvelot and Charles Nuttall, businessmen John Halfey and publisher David Syme, artist and diarist Georgiana McCrae, actress Nellie Stewart and architect and designer of the Boroondara and Melbourne General Cemeteries, Albert Purchas.Digital imagescemetery, boroondara, kew, gatehouse, clock, tower, clocktower, heritage, memorial, cussen -
Victorian Railway History Library
Book, Jack Cranston, The Melbourne streets: Passenger transport 1850-1940, ????
... trams - Melbourne Horse trams - Melbourne Illustrations, routes ...Illustrations, routes, descriptions and plans of Melbourne's cable trams 1850-1940.Facsimile, ill, maps, p.41.non-fictionIllustrations, routes, descriptions and plans of Melbourne's cable trams 1850-1940.urban transportation - melbourne, cable trams - melbourne, horse trams - melbourne -
Ballarat Tramway Museum
Photograph - Digital image, 1923
Shows the buildings, vehicles and trams c1923 at the east end of Sturt St - photo has been coloured.Digital image from the Wal Jack Ballarat Album of a coloured print of Sturt St looking west from Grenville St with an ESCo tramcar standing along side the old tram shelter - c1923. Note the advertisement on normally what is a Suttons advert and the Indian - along side the horse drawn cart. High resolution image scanned at 2400dpi.No details on back of photo - see image i2trams, tramways, esco, sturt st, grenville st -
Ballarat Tramway Museum
Photograph - Digital image, c1922
Yields information the buildings, buildings and scene in Bridge St looking east from Stones Corner.Digital image from the Wal Jack Ballarat Album of a postcard - titled "Bridge St Ballarat Victoria, with an ESCo tram in Bridge St. Tram has a Viceroy Tea advertisement on the front panel. The junction between Main and Victoria St lines at Stones Corner is in the foreground. Real Photo Series M 3111. Has a number of horse carts in the photograph. Note the single trolley wire on the Victoria St line and double on the Mt Pleasant line. Card produced by Valentines & Sons Publishing Co. Ltd. See rear of card for company location details. In the photo are advertisements or buildings for: Earl of Zetland, Lothier, Redhalls, Viceroy Tea. Wal has dated the photo about 1922 on the rear of the postcard.. For rear of postcard - see image i2.On the rear in pencil, "Old type in 1922"trams, tramways, esco, bridge st, stones corner -
Ballarat Tramway Museum
Photograph - Digital image, c1921
Yields information the buildings, buildings and scene at the intersection of Sturt and Lydiard St with a tram crossing the road.Digital image from the Wal Jack Ballarat Album of a postcard - titled ""Sturt Street, Looking West, Ballarat" with ESCo tram No. 16 crossing from Sturt St south side (from Grenville St) into Lydiard St North. Has conductor on rear footstep. Appears to be taken on a hot day. Real Photo Series M 3104. Has a number of horse carts in the photograph. Tram has an advertisement for Suttons Pianos on the roof. Card produced by Valentines & Sons Publishing Co. Ltd. See rear of card for company location details. In the photo are advertisements or buildings for: National Mutual Building, Town Hall, and Marks & Co. Wal has dated the photo about 1921 in his album notes. For rear of postcard - see image i2.trams, tramways, esco, sturt st, lydiard st, town hall, tram 16 -
Ballarat Tramway Museum
Photograph - Digital image, 28/08/1937 12:00:00 AM
Yields information about the opening of the tram line to Lydiard St North and the people who attended it.Digital image from the Wal Jack Ballarat Album of No. 32, the Official opening tram for the extension to Lydiard St North at Gregory St. Tram has been decorated for the event. Dated of photo 28-8-1937. Photographer not given, assumed the same as the other four on the album sheet. Note the boys with bicycles, school uniforms etc and the horse and buggy in the background. Wal's album notes say "No. 32 near Gregory St "Up" trip" See image i2 for rear of photograph. See image i3 for high res scan of original print and i4 for hi res scan of original negative.Has in ink on rear "(140)"trams, tramways, opening, lydiard st north, bicycles, gregory st, sec, tram 32 -
Ballarat Tramway Museum
Newspaper, Herald Sun, "Our Trams Keep Rolling Along", 9/08/1991 12:00:00 AM
... Class Horse Trams Elsternwick Herald Sun ...Newspaper clipping from the Herald Sun Friday 9 August 1991, centre pages, titled "Our Trams Keep Rolling Along", written by Michael Epis. Reports on the withdrawal of W class trams from service and the National Trust involvement. Gives a brief story of the history of Melbourne's trams. Has photos of cable trams, W7 1019, Fairfield Tramway, First tram Elsternwick, Hawthorn Cable Tram, W2 646, Bylands, V214, 436 and Elton John tram 520 being exportedmelbourne, fairfield, w2 class, cable trams, w class, horse trams, elsternwick -
Ballarat Tramway Museum
Postcard, Ballarat Litho & Printing Co, Lydiard St North, 1905
Yields information about the corner of Mair and Lydiard St soon after the Ballarat Electric Tramway opened.Digital Image of and ESCo tram north bound in Lydiard St North, at the intersection with Mair St. Shows the Ballarat Litho and Printing Co Propy Ltd building on the corner. Note the centre poles and the pole in the middle of the intersection. Has a number of horse drawn vehicles. Photo taken soon after opening as the destination sign is on the dash panel. From the Facebook group of old time photographs of yesterday. Titled "Lydiard St Ballarat Victoria"trams, tramways, mair st, lydiard st north, esco, postcards -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, c1907
Yields information about Lydiard St north after the opening of the electric tram system.Black and white historic photograph downloaded from a picture resource website within a decorative frame. Printed with an inkjet printer. Titled "Sturt & Lydiard Street intersection, Ballarat circa:." shows two ESCo trams travelling east along the north side of Sturt St, No. 5 or 8? and No. 14 with many people lining the streets, possibly prior to a parade. Photo taken after the tramway has opened as the destination boxes are located on the roof, but prior to the installation of windscreens. Original photo from a postcard - not currently (June 2010) in Museum's collection. Many horse drawn vehicles. In the background are the Commonwealth Bank, Ashmore's Hotel and other buildings along the south side of Sturt St. Original photo from a postcard - not currently (June 2010) in Museum's collection.trams, tramways, sturt st, lydiard st, commonwealth bank, esco, tram 14, tram 8? -
Ballarat Tramway Museum
Negative - Set of 5, Campbell Duncan, 10/08/1971 12:00:00 AM
Yields information about tram operations and the street views in Sturt St near Lyons St.Set of 5 photographs taken on 10/8/1971 by Campbell Duncan of trams in Sturt St near Lyons St. .1 - No. 27 inbound with a Twin Lakes and destination of Mt Pleasant, passing the Peter Lalor statue in the median strip. .2 - No. 34 outbound crossing Dawson St with the Golden City Hotel in the background. .3 - No. 21 outbound with St Patrick's Cathedral in the background and the Adam Lindsay Gordon statue (1969) memorial to the horses killed in the First World War. 4. ditto .5 - No. 13 inbound with a Twin Lakes sign and destination of Victoria St, crossing Lyons St, with St Andrews Kirk in the background. For notes on the statues see: http://www.ballarat.vic.gov.au/media/499947/sturt%20street%20gardens%20calm%20plan.pdf (accessed 11/12/16)trams, tramways, sturt st, dawson st, lyons st, statues, tram 27 tram 34 tram 21 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, The Bendigonian, Sep. 2005
... "The Bendigonian 19/9/1905." Trams tramways Bendigo Charing Cross Horse ...Black and White copy print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of looking east along Mitchell St towards the Railway Station with tram No. 13 and a double deck trailer - has the centre poles along Mitchell St. in the photograph. In the background is a J. Koch and the Bendigo Supply Stores. Has fountain in photograph. Copied by Keith Kings from The Bendigonian 19/9/1905. On rear in ink " SA782, Bendigo, No. 13 - 3 window saloon Charing Cross. Note:- Crossover in Mitchell St.". Copied ex "The Bendigonian 19/9/1905."trams, tramways, bendigo, charing cross, horse trams, mitchell st