Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Burmese Pavilion, Osaka Expo '70, JapanMade in Australia / 29 / MAY 70M3 / Encircled 4 (Handwritten) / Encircled 17 (Handwritten)expo 70, osaka, robin boyd, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Sumitomo Pavilion, Osaka Expo '70, Japan. (Architect: Sachio Otani.)Made in Australia / 25 / MAY 70M3 / 13 (Handwritten)expo 70, osaka, robin boyd, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Takara Beautilion, Theme Pavilion, Expo '70, Osaka, Japan. (Architect: Kisho Kurokawa.)Made in Australia / 10 / DEC 69M8 / Encircled 18 (Handwritten) / K (Handwritten) / Boyd (Handwritten)expo 70, osaka, robin boyd, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Volcanic activity, Expo '70, Osaka, JapanExpo'70 / Volcanic Activity / 30 (Handwritten)expo 70, osaka, robin boyd, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Utopia under the sea, Expo '70, Osaka, JapanExpo'70 / Utopia under the Sea / 31 (Handwritten)expo 70, osaka, robin boyd, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Elevated moving walkway, Expo '70, Osaka, JapanMade in Australia / 22 / MAY 70M3 / 21 (Handwritten)expo 70, osaka, robin boyd, slide

Painted from Gardenia Road. The extensive farm complex on the right. (Western side of Gardenia Road). was demolished in 1972 for housing development. Buildings shown are cowshed, hay barn, engine shed and stables. Painted in the late afternoon, the lengthening shadows and lowering sky, could presage the ominous fate awaiting the farm with development. The Ziebell Farm was known as “The Pines” and sadly none of the many that proliferated there remain. Today they would be equivalent to those at the cemetery, having been planted at the same time. Provenance: John Borrack CollectionWatercolour depicting Ziebell Farmhouse from the north, Thomastown and Mernda. In gold frame with cream border.Artist signature: John Borrack; 70's Ziebells German Lane South Viewillustrations, watercolours, john borrack, ziebell, watercolour, painting

Cuming's Ski Hire was an early establishment in Falls Creek, owned and operated by Harold and Jean Cuming. Located in Main Falls Creek Road only 70 yards from the top station of the chairlift, it had a wide range of skis for hire and many other accessories for sale. It also operated simple accommodation, a cafe and apres ski shop. The business changed hands and the cafe had many names throughout its history. It was the centre of many activities - including skiers using the roof as a ski jump!This image is significant because it depicts the original Cumings Ski Hire building at Falls Creek, Victoria.A black and white photo of the Harold Cuming Ski Hirage Centre at Falls Creek.On sign on wall: Harold Cuming Ski Hirage Centrecuming's ski hire, harold cuming, jean cuming, ski hire falls creek

Cuming's Ski Hire was an early establishment in Falls Creek, owned and operated by Harold and Jean Cuming. Located in Main Falls Creek Road only 70 yards from the top station of the chairlift, it had a wide range of skis for hire and many other accessories for sale. It also operated simple accommodation, a cafe and apres ski shop. The business changed hands and the cafe had many names throughout its history. It was the centre of many activities - including skiers using the roof as a ski jump!This image is significant because it depicts Harold and Jean Cuming and staff from the Cuming's Ski Hirage Centre at Falls Creek, Victoria.A black and white photo of the Harold and Jean Cuming with staff and a large snowmancuming's ski hire, harold cuming, jean cuming, ski hire falls creek

Cuming's Ski Hire was an early establishment in Falls Creek, owned and operated by Harold and Jean Cuming. Located in Main Falls Creek Road only 70 yards from the top station of the chairlift, it had a wide range of skis for hire and many other accessories for sale. It also operated simple accommodation, a cafe and apres ski shop. The business changed hands and the cafe had many names throughout its history. It was the centre of many activities - including skiers using the roof as a ski jump!This brochure is significant because it represents a long established and popular business in Falls Creek. A foldout brochure printed in black ink on red paper. A symbol of a pair of skis and poles is on the front.On Cover: HAROLD CUMING / SKI HIRE & FALLS CTEEK THE COMPATIBLE PAIRcuming's ski hire, cuming inn falls creek, harold cuming

CEMA Art Collection Previously located in History HouseThe painting depicts a double storey bluestone building with a pair of red doors on both storeys. The top storey has a small balcony with black railing. To the right of the building is a single storey wooden building with two water tanks out the front. To the left of the building is a yellow wall and the edge of a tall Norfolk Pine. In the foreground is a grass area with clumps of tall grass. The background is a blue and grey sky. The work has a gold and black frame and exposed canvas.Front: DEB Back: (No inscriptions)

CEMA Art Collection Previously located in History HouseThe painting depicts a street scene with several buildings and people. The foreground represents a road and is depicted in shades of brown and yellow. Several men stand on the edge of the road and one sits in a horse and buggy. Behind the men are several buildings with wooden fences. The building in the centre of the work is yellow with a white roof and two white chimneys. The top half of the work is a predominately blue sky with lines of yellow, pink and white. The work has a gold and black frame and exposed canvas.Front: DEB Back: (No inscriptions)

Copy of black and white photograph of tornado at Marong. Dark sky above with funnel to ground. Printed on cream card with printed border. Inscriptions: on front - below image 'Australian Tornado at Marong, loss of life and destruction of property. Photo taken by C Hosken, three miles distant. Sept. 27, 1911. On TR corner 'MP106'. On back - circular stamp 'Royal Historical Society of Victoria, Bendigo Branch', '2nd of 2 copies' hand written in ink.topic, natural disaster

Copy of black and white photograph of tornado at Marong. Dark sky above with funnel to ground. Printed on cream card with printed border. Inscriptions: on front - below image 'Australian Tornado at Marong, loss of life and destruction of property. Photo taken by C Hosken, three miles distant. Sept. 27, 1911. On TR corner 'MP106'. On back - circular stamp 'Royal Historical Society of Victoria, Bendigo Branch', '2nd of 2 copies' hand written in ink.topic, natural disaster

Copy of black and white photograph of tornado at Marong. Dark sky above with funnel to ground. Printed on cream card with printed border. Inscriptions: on front - below image 'Australian Tornado at Marong, loss of life and destruction of property. Photo taken by C Hosken, three miles distant. Sept. 27, 1911. On TR corner 'MP106'. On back - circular stamp 'Royal Historical Society of Victoria, Bendigo Branch', '2nd of 2 copies' hand written in ink.topic, natural disaster

Black and white photograph, copy, of the North Deborah Gold Mine poppet head, possibly taken in the 1940's. The trestle way and sky shaft used to convey ore to the landing brace are visible. Poppet head legs are metal and painted white. Corrugated iron sheds on right and in background. Air raid sirens on the top of the poppet head were used during World War 2 to warn the good citizens of Bendigo of any impending attack.bendigo, mining, north deborah gold mine

Jumper size 18 Grey/Pale Olive Green colour -Emblem on left breast -Square outlined in black, pale blue sky, 5 undulating stripes along bottom of square; purple yellow, green yellow orange : 6 gum leaves in upper right corner of square, yellow/ orange/Green/orange/yellow/yellow all with green central vein. Yellow stitched writing underneath emblem City of Nunawading parks ans Recreationcostume, male uniform, civilian

Shirt. Pale olive green long sleeved two pockets on breast with buttoned flaps Emblem on left breast . Square outlined in Black; pale blue sky, 5 undulating stripes along bottom of square Purple, Yellow, green ,yellow, orange, 6 gum leaves upper right corner of square Yellow, orange.green, orange ,yellow, yellow, all with green central vein. Yellow stitched writing underneath City of Nunawading Parks and RecreationMakers label Cushen Clothing Cocostume, male uniform, civilian

Items form part of the collection of "William Anthony THEODORE DSM". Refer catalogue No. 7926P for service details.Gold metal frame with hard cardboard inserts with hanging hooks attached. Folds over with two photos inside in each half. Both with glass protection. Both photos taken inside of a Church of two windows with lead light image. First - picture of two sailors looking up at a cross in the sky from deck of a ship and some writing at bottom. Second - Picture of Christ giving a sermon to some soldiers hiding in a trench with some writing below.Sticker on back identifying Bill Theodore, a resident of Victoria Heights Residential Care.tobruk, church, william anthony theodore dsm

Skippy and Toni St Elmo were responsible for early developments at the Falls Creek resort and for promoting a love of skiing. They left Melbourne in 1945 and settled at Falls Creek and moved into the first building constructed of corrugated iron and timber at Falls Creek in 1946. They were Falls Creek’s first workers with Toni employed by the State Electricity Commission to record weather-related data up to the construction of the Kiewa Hydro-Electric Scheme. In 1957, Toni was involved in building the first rope tow called Nissen on the same route as the Summit Quad. He also established the Nissen Ski School with ski instructor Milan Kovacic and was involved in the building of the resort’s first ski club Bogong in 1949. Toni taught Skippy to ski and she practised on the High Plains where she and her husband lived. Skippy St Elmo won many ski races during the 1950’s and represented Australia in New Zealand.Skippy and Toni St Elmo were pioneers of the Falls Creek area, promoting local ski sports and tourism. The played an important role in opening up the Falls Creek area and developing its sporting potential by establishing the first ski school, ski lifts and early lodge facilities. Skippy and Toni St Elmo were honoured at the Alpine Village at Falls Creek on November 17 2006, with the spreading of their ashes at the place which played such an important part in both their lives.Set of 8 black and white photographs of Skippy St Elmo and other skiers 1. Skippy and 3 others in New Zealand 1951 2. Skippy and 5 others Falls Creek 1955 3. Cake celebrating 20 years of sport at Nissen Lodge 4. Skippy and friend outside Nissen Lodge 5. Skippy on the ski slopes 6. Skippy on the ski slopes 7. Albury Ski Club team New Zwealand 1957 8. The Bogong Ski Club 1950 Written on back of photos 1. Bob Howe Albury, Skippy New Zealand 1951 – 942H 2. Falls Creek 1955. Skippy St Elmo: H Devonassore; Margaret ?; ?; Tony St Elmo; Olive? 3. Written on cake Nissen Alpine Club. 20 years of sport. FRED 4. Skippy St Elmo 5. Skippy 6. Skippy 7. Bob Howe (Albury) Skippy New Zealand 1957. Albury Ski Club Team raced in NZ 8. The Bogong Ski club, Coronet Park, 1950. M Denham (Capt); B Wiltshire; R Roberts; Skippy St Elmo; Gwen Morris; J Frazer; J Smith; L Piera; Manager & Coach Toni St Elmo. J D Knowles Photographer Box 188, Queenstown. 744B falls creek, skiing, bogong high plains

Red Ensign Flag was updated in 1908, the current Commonwealth star of seven points replaced the earlier six-pointed starPart of a collection of Wold War I Flags obtained by Harry Groves. Rare historical example of an Australian Flag.1901–1903 version Australian/Commonwealth red ensign (1901–1903) Version After being submitted to King Edward VII for approval the competition winning design which featured a southern cross with nine, eight, seven, six and five points respectively was standardised by the British Admiralty with the number of points on the four biggest stars of the southern cross set to seven, ostensibly to improve ease of manufacture. The original variety of points was an indication of the relative brightness of each star as it appeared in the night sky.On top left hand side of the flag is inscribed "GROVES" and a cardboard note stating "This Australian Flag and other flags in the Gallery were brought home from the First World War by Harry Groves."red ensign, world war 1

.1 Darwin's Battle for Australia Volume 1. Softcover with colour photo across both covers showing horizon between ocean and sky. Inset on front cover is a smaller composite photo of Japanese bombers flying over an explosion and a shipwreck. Title in black is vertical against right edge. .2 Darwin's battle for Australia Volume 2. Softcover with picture across both covers showing a view of a beach behind plants and palm trees. title in yellow at bottom..2 Inside front cover "Donated by Bill Hosking".books, military history

CEMA Art Collection Previously located in History HouseThe painting depicts four buildings within a bush setting. Within the foreground is a body of water with various plants lining it's banks. The midsection of the painting is defined by a wooden fence which extends across the centre of the work. In the background are two sets of two houses. The houses are surrounded by various trees and both sets of houses have roads which extend down to the fenceline. The top half of the work is a yellow and blue sky. The work has a black and gold frame and exposed canvas.Front: DEB Back: (No inscriptions)

Exhibition, CEMA 1991.View of beach with crumpets in foreground and hills and cliffs in background. Scene sweeps up to the right of image. Sea is breaking over several boulders along shoreline. Far out to sea the water's colour is dark green and indigo, arond a rocky island. Sky is pale blue with violet clouds near horizon line and white wispy clouds above. Mounted in a double matt (white on violet) and framed under glass in decorative wooden frame with gold decoration and paint.Front: (no inscriptions) Back: Alan Wilson. "Crumpets". Hollands framing sticker (lower centre). Oils-on canvas on ply. 1991. (lower right) (pen) 1991 (lower centre) (pencil).

The Ryder family have lived and farmed in the Kiewa Valley since the 1840sMemorabilia of the Ryder family in the Kiewa Valley is an example of changing activities and interests etc in the Kiewa Valley since the 1840s through to the current day.1. Merit Certificate for Dorothy Ryder 1938 2. Three newspaper cuttings a) Hospital Town Highlight b) Time Moves On c) Joan Lang - the woman who could...and did! 3. Three slides a) Dairy Farm on banks of Kiewa River b) Mt Beauty c) Rocky Valley Dam 4. Four photos a) Beatrice Ryder on Empire Day b) Ada with son Walter Ryder c) Beatrice & Vera Ryder d)Skiers on High Plainsb) and c) photos labelled on the backryder family, kiewa valley farming

This plaque displays the Bank of Australia's Coat of Arms and is significant because is ts the symbol printed on the Bank Notes of the Bank of Australasia. The bank of Australasia was incorporated by Royal Charter of England in March 1834. It had its Australian beginning on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank next bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000; the firm built the Warrnambool Post Office in 1856 and purchased land in Timor Street in 1858. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; Hawkins, Manager in 1856, W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The plaque with the insignia has significance through its association with the Bank of Australasia. The early Australian bank was established in 1834 by Royal Charter and opened in Sydney, Australia, in Sydney in 1835. The bank had many Australian offices in November 1877, particularly on the east and south coasts. Victoria had 45 per cent of all Offices. The plaque is locally significant for its association with the Warrnambool Bank of Australasia, which was established in 1854. It was Warrnambool Council’s first bank. The bank continued to operate until the organisation's merger in 1951 when it became the ANZ Bank Group today. The Bank was an integral part of the growth of local commerce and the community.Insignia of the Bank of Australasia. Cast metal coat of arms within a gold, shield-shaped border, painted gold and red, with blue, black and white details. Decals in each corner; upper left and lower right have a white sheep suspended by a blue ribbon, upper right and lower left have a 3-masted, square-rigged sailing ship with a black hull and red flags flying on each mast, sailing on waves with storm clouds in the sky. Between the emblems are gold stars.Decals; ships, sheep, starsflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bank of australasia, boa, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, currency, banknote, commerce, banking, heraldic shield, insignia, samuel hannaford