Showing 879 items matching " the flora"
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Wheen Bee FoundationPublication, Goodman, R. D, Honey flora of Victoria (Goodman, R. D.) Melbourne, 1973, 1973
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Wheen Bee FoundationPublication, Gardner, C. A, Flora of Western Australia: Vol.1 Part 1: Gramineae (Gardner, C. A.), Perth, 1952, 1952
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![Publication, International Symposium, Problems of melliferous flora and pollination (International Symposium [on] problems of melliferous flora and pollination, Turin, 1972), Bucharest, 1972, 1972](/media/collectors/52ae888f2162ef0b08d63076/items/530c02242162ef1bc08850eb/item-media/530c054e2162ef1bc08862c4/item-fit-380x285.jpg)
Wheen Bee FoundationPublication, International Symposium, Problems of melliferous flora and pollination (International Symposium [on] problems of melliferous flora and pollination, Turin, 1972), Bucharest, 1972, 1972
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Wheen Bee FoundationPublication, Clemson, A, Honey and pollen flora (Clemson, A.), Melbourne, 1985, 1985
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Wheen Bee FoundationPublication, Clemson, A, Honey and pollen flora (Clemson, A.), Melbourne, 1985, 1985
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Victorian Apiarists AssociationPublication, Honey Flora of Victoria, 1973
Soft covered book in a pale green with a picture of a flowering gum coming down from the top right 174 pages -
Inverloch Historical Society000229 - Photograph - Formal portrait of Clement Sisters - Margaret, Anna & Jeanie with cousin & Flora
tullaree, lady of the swamp -
Robin Boyd FoundationBook, Flora Pell, Our Cookery Book
Softcoverwalsh st library -
Victorian Aboriginal Corporation for LanguagesBook, John Rudder, An introduction to Aboriginal mathematics, 1999
Aboriginal mathematics tends to focus on the relationship of numbers rather than quantities. This book shows why numbers were irrelevant to Aborigines and outlines the kind of mathematics that was used.maps, b&w illustrations, b&w photographsnorth east arnhem land, turtle egg mathematics, aboriginal mathematics, aboriginal social life, measuring space, measuring time, flora, fauna -
Victorian Aboriginal Corporation for LanguagesBook, Marilyn Gray, Flora of Melbourne : a guide to the indigenous plants of the greater Melbourne area, 2001
Comprehensive book giving illustration of plants and very specific, detailed descriptions.Colour photographs, illustrations, mapsindigenous plants, werribee river, mount evelyn, sunbury, mount eliza, botany, plant associations, park regeneration, propagation, weeds -
Victorian Aboriginal Corporation for LanguagesBook, Friends of Sherbrooke Forest, Sherbrooke Forest : its flora and history, 2000
Notes on plants in the area, including swamp/water plants.Maps, b&w illustrations, b&w photographs, colour photographsdandenong ranges national park, indigenous vascular plants, weed management -
University of Melbourne, Burnley Campus ArchivesBook, Gaston Bonnier, British Flora, 1925
Olive Mellor (nee Holttum) graduated 1911 and was staff between 1914-1920, which she donated her collection of books to the Library.Book translated & adapted from the French by Ethel Mellor. olive mellor (nee holttum), staff, female students, ethel mellor -
University of Melbourne, Burnley Campus Archives
Document - Advertisement, G.R. Cochrane et al, Australian flora in colour: flowers and plants of Victoria
Advertisement for book by Cochrane, Fuhrer, Rotherham and Willisg.r. cochrane, b. a. fuhrer, e.r. rotherham, j.h. willis, flowers, plants, victoria, australia -
Creswick Campus Historical Collection - University of Melbourne
Artwork, other - Lithograph, Eucalyptus Leucoxylon Artist Rosa Fiveash (c1880), Eucalyptus Leucoxylon, 1882-1890
Eucalyptus Leucoxylon. Eucalyptus Leucoxylon var. pauperita (Mueller). The Scrubby Blue Gum C1880. Artist- Rosa Fiveash (1854 � 1938). Drawn on stone by H.B. (H. Barratt) Lithographed by E. Spillar. Lithograph printed in colour, from multiple stones on paper. Mounted in wooden frame with Acorn engraved motif.Early museum photographs. Documents from Parks Victoria.. In 1882 Rosa was invited to illustrate The Forest Flora of South Australia by John Ednie Brown. Nine parts of this work, which was never completed, were published in 1882-90. Each one contained five attractive lithographs of native plants and Rosa drew 32 of the 45 published; they were drawn as specimens came to hand, in no particular botanical order. http://adb.anu.edu.au/biography/fiveash-rosa-catherine-6184Lithograph -
Creswick Campus Historical Collection - University of Melbourne
Artwork, other - Lithograph, Acacia Longifolia (c1880) Artist, Rosa Fiveash, Acacia Longifolia, 1882-1890
Acacia Longifolia (Willdenow) (Labillardiere). The Maritime long-leaved Wattle C1880. Artist- Rosa Fiveash (1854 � 1938). Drawn on stone by H.B. (H. Barratt) Lithographed by E. Spillar. Lithograph printed in colour, from multiple stones on paper. Mounted in wooden frame with Acorn engraved motif.Early museum photographs. Documents from Parks Victoria.. In 1882 Rosa was invited to illustrate The Forest Flora of South Australia by John Ednie Brown. Nine parts of this work, which was never completed, were published in 1882-90. Each one contained five attractive lithographs of native plants and Rosa drew 32 of the 45 published; they were drawn as specimens came to hand, in no particular botanical order(second. http://adb.anu.edu.au/biography/fiveash-rosa-catherine-6184Lithograph -
Wangaratta Art GalleryTextile, Christine Upton, Gum Blossoms, 1989-1992
The inks used were fabric printing inks and two colours were applied at the one time on the same roller, the roller being inked with green on one side and red on the other. The roller was a sponge paint roller 100mm wide. The technique used was 'soft bed release'. This is where the fabric is placed over a soft bed (woolen blanket with cotton overlay) and the inked block is placed on top of the fabric, then body weight is applied to the back of the block by placing the hands on the block and transferring weight through the body and into the hands. The block is then lifted and the process starts allover again.Rural City of Wangaratta CollectionA repetitive pattern of gum blossoms that has been printed on a rectangular piece of pure silk twill in green and red ink by a lino block.wangaratta art galley, print, lino block, flora, gum, christine upton, textile, australian flora -
Wangaratta Art GalleryTextile, Christine Upton, Gumnuts Galore, 1984
Upton has used the traditional technique of Indonesian batik to create 'Gumnuts Galore'. Batik has a long history in the world and is believed to have originated on the island of Java in Indonesia. The designs traditionally used in batik are imbued with meaning and powerful symbolism to reflect the culture and beliefs of the place where it was made and for whom it was made for. Upton has instilled her piece such meaning and symbolism by depicting eucalyptus leaves and gumnuts which evokes a sense of belonging and pride.Rural City of Wangaratta Collection, purchased with funds from the Wangaratta Art CouncilA rectangular design of gumnuts on silk created through the batik technique using natural dyes in shades of red, brown, and greenwangaratta art gallery, christine upton, batik, gumnuts, flora, australian flora, textile -
Nillumbik Shire CouncilPublic Art: Helen BODYCOMB (b.1964, South Australia) and Enver CAMDAL (Lives and works Turkey), Enver Camdal et al, Nest (Location: Roundabout, Main and Luck Street, Eltham), 1997
Commissioned by Nillumbik Shire Council - 1997 The selection panel in the commissioning process to this 'extraordinary acquisition' was Rhonda Noble, Director of La Trobe University Museum of Art, Jeph Neale, Eltham Roundabout Advisory Group, Chris Marks, NSC Curator of Collections, Geoff Glynn, NSC Manager of Infrastructure Development.'Nest' highlights the indigenous flora and fauna of the Shire. The stiff, coarse grass used to create the nest is indigenous to the area and the eggs are like those of the spotted quail thrush, a ground-nesting bird of the Shire. The circular flow or placement of the eggs recalls the revolution of the seasons and nesting cycles. There is a tall light pole above the eggs, shining down at night. The effect is of a giant incubator. Enrichment and nurturing of the larger environment can be associated with this sculpture. This work resembles a large bird's nest, with three egg-like forms of fibreglass covered in a pebble render, set on sand. The nest is positioned within the paved boundary of the roundabout. The nest shape has been created out of stiff, coarse indigenous grass, periodically trimmed so the view is not obstructed. The eggs are a brown-speckled, creamy yellow colour. The three eggs are arranged in a ring, with the narrow end of each pointing to the large end of the next, in a circle that mimics the flow of traffic. N/Apublic art, nest, eggs, eltham, ekphrasis2017, mosaic, pebbles, roundabout, spotted quail thrush -
Nillumbik Shire CouncilFloor mosaic: Deborah Halpern (b.1957 Melb.), Deborah Halpern, The Spirit of Nillumbik (Mosaic), Location: Eltham Town Square - Main St, Eltham, 2001
In October 2000, Council invited three artists from the region (Deborah Halpern, Matcham Skipper, Tony Trembath) to submit designs for a sculpture / public art work for the Eltham Town Square. The commission was paid for by supermarket giant Safeway (Woolies) as part of its supermarket permit, which required them to contribute to beautification work in the Town Square. This is the second of three parts. The 'Spirit of Nillumbik' is a celebration of the artistic spirit of Eltham and surrounding communities. Each area is identified through the flora and fauna represented in the panels. The work honours the many creative artists and architects, past and present, who have built homes and shaped lives and livelihoods with their unique creative spirit. Halpern describes her work as a public expression of their individual and collective visions. Halpern acknowledges these contributions to our hand-made history and the influence they have on the character and identity of Eltham and Nillumbik. Square floor mosaic. Black and white chequered border. Multicoloured coiled snake intercepted with six multicoloured peaks. Made up of small mosaic tiles and hand painted. Hand painted artist signature bottom right hand side. 'Deborah D. Halpern '01'eltham, halpern, mosaic, snake, square, laurence, painted, tiles, spirit, nillumbik -
Nillumbik Shire CouncilSculpture (finial): Malcolm Laurence (b.1974 Melb), Malcolm Laurence, Chocolate Lilies: The Spirit of Nillumbik Location: Eltham Town Square - Main St, Eltham, 2001
In October 2000, Council invited three artists from the region (Deborah Halpern, Matcham Skipper, Tony Trembath) to submit designs for a sculpture / public art work for the Eltham Town Square. The commission was paid for by supermarket giant Safeway (Woolies) as part of its supermarket permit, which required them to contribute to beautification work in the Town Square.This is the third of three parts. The 'Spirit of Nillumbik' is a celebration of the artistic spirit of Eltham and surrounding communities. Each area is identified through the flora and fauna represented in the panels. The work honours the many creative artists and architects, past and present, who have built homes and shaped lives and livelihoods with their unique creative spirit. Halpern describes her work as a public expression of their individual and collective visions. Halpern acknowledges these contributions to our hand-made history and the influence they have on the character and identity of Eltham and Nillumbik.Realistic depiction of 'chocolate lilies' in wrought iron (three flowers in bloom, four large buds and six small buds). Chocolate lilies are indigenous to Nillumbik.N/A -
Nillumbik Shire Council
Prints (solar etchings): Christine JOHNSON (b. 1959 AUS), Voyages Botanical, 2014
Johnson undertook this project with a State Library of Victoria 'Creative Fellowship' in 2012, drawing on early botanical illustrations by Sydney Parkinson, Pierre-Joseph Redoute, Ferdinand Bauer and others from the Library's 'Rare Books' Collection. Johnson printed this series in 2013 while working as artist in residence at Baldessin Press, St. Andrews. 'Voyages Botanical' celebrates the untamed treasures of Australia’s (Nillumbik) vast native flower garden. The work speaks to Nillumbik's natural environment and colonial heritage in the context of our national story. Charcoal solander box with artwork title, artist name and flower motif in silver lettering bottom centre (edition 4/5). Catalogue: 52 colour pages. Solar plate engravings x 30; ink on paper. Series A: Ten multi-layered solar plate engravings (edition of 12); Series B: Ten flower images drawn from living specimens (edition of 12); Series C: Ten details from early botanical art engravings (open edition) Charcoal solander box with artwork title, artist name and flower motif in silver lettering bottom centre. Solar plate engravings x 30: Series A, B: all prints have edition number '4/12' to bottom left of image, artwork title () centre and artist signature 'Christine Johnson 2014' to bottom right of image. Series C: all prints have artist initials signed 'CJ' bottom right of images. All inscriptions in pencil. johnson, solar plate, engravings, creative fellowship, baldessin press, state library of victoria, botanical, flora, native, european explorers, cartography, wildflowers -
Koorie Heritage Trust
Document - Printed Sheets, Beaglehole, J. C, The Endeavour Journal of Joseph Banks 1768-1771 Volume II
Figs.; maps; footnotes; 21 cm.australia-east coast (nsw) fauna and flora., australia-exploration. -
Koorie Heritage Trust
Book, Beauglehole, A. C, The Distribtion and Conservation of Vascular Plants in the South Gippsland area, Victoria, 1984
i-iii; 90 P.; fold-out map on end-cover; tables; maps; ill.; appendices.21 cm.south gippsland, vic.-fauna and flora. -
Latrobe Regional GalleryPrint, ATKINS, Rosalind and DE MEDICI, eX, Our corporate who art in heaven
Etching and engravingTitled l.r. 'Our corporate who art in heaven'. Signed l.l. 'Rosalind Atkins eX De Medici"gas masks, flowers, flora, kauri pine, colaboration -
Whitehorse Historical Society Inc.Document, High School Estate, 1940
Advertisement for High School Estate, Box Hill auction on 24/9/1949Advertisement for High School Estate, Box Hill auction on 24/9/1949 of 25 villa sites, including plan of developmentAdvertisement for High School Estate, Box Hill auction on 24/9/1949 auctions, high school estate box hill, middleborough road, blackburn, flora avenue, minna street, thiele court, whitehorse road -
Whitehorse Historical Society Inc.Document, High School Estate, 1949
Advertisement for High School Estate,Advertisement for High School Estate, Box Hill auction on 24/9/1949 of residence and shop and 15 shop sites including plan of development.Advertisement for High School Estate, auctions, high school estate box hill, middleborough road, box hill, flora avenue, whitehorse road -
Whitehorse Historical Society Inc.Article, Excursion to Mitcham/ Wattle Park, 19--?
Notes of excursions to Mitcham and Wattle Park by members of the Field Naturalists Club.Notes of excursions to Mitcham and Wattle Park by members of the Field Naturalists Club.Notes of excursions to Mitcham and Wattle Park by members of the Field Naturalists Club.wattle park, flora, mitcham -
Whitehorse Historical Society Inc.
Document, City of Whitehorse 2011 calendar, 2011
The City of Whitehorse 2011 calendar features indigenous plants found in the area.The City of Whitehorse 2011 calendar features indigenous plants found in the area.The City of Whitehorse 2011 calendar features indigenous plants found in the area.city of whitehorse, calendars, flora -
Whitehorse Historical Society Inc.
Pamphlet, 18 plants of our suburbs and hills, 2009
Places in Melbourne suburbs named after plants.Places in Melbourne suburbs named after plants.Places in Melbourne suburbs named after plants.melbourne, flora -
Whitehorse Historical Society Inc.Photograph, Group of Nunawading Historical Society Members, 9/04/1994
Coloured photo of Group of Nunawading Historical Society Members.mattingley, doris, gray, beryl, barker, shirley, gorsuch, jean, forbes, flora, fry, judith, nunawading historical society
