Part of a suite of materials used by Air Raid Precautions (ARP) wardens in Kew in the Second World War. Air raid wardens managed groups of people in using air raid facilities that were constructed throughout the district. The ARP scheme was based on that developed in the United Kingdom. The collection of ARP items, originally belonging to Mr Samuel James Gare of Bowen Street, Kew, was donated five years after his death by his son.Primary resources showing the materials and advice developed to protect civilians on the home front. Examples of such support in the Kew Historical Society's collection includes advice for authorised community representatives, insignia and equipment.White rubberised canvas armband with tape ties. Printed in black on the band is 'ARP/WARDEN'. A similar example in the Australian War Memorial's collection notes that this: "Example of the type of Air Raid Precaution (ARP) armband used by the State Emergency Service (SES) of Victoria during the Second World War; this style worn by ARP wardens. The Victorian style of armband differed from those of other states, and is indicative of the variety of ARP organisations found across the states."Inscribed on reverse: "KH-2019"air raid precautions - uniforms, second world war 1939-1945, arp, air raid precautions, state emergency services victoria 1939-1945, second world war — air raid precautions, world war 2 — 1939-1945, home front — kew (vic.)

Mr Harvey of the North Blackburn Shoe Repair is wanting to sell his business but the North Blackburn Shopping Centre will not renew his lease beyond Sep 2019 due to plans to upgrade the Centre.Mr Harvey of the North Blackburn Shoe Repair is wanting to sell his business.north blackburn square shopping centre, australian unity, north blackburn shoe repair, harvey, stewart

General Sir Peter Cosgrove is one of Australia's most significant public figures. As a soldier he saw action in Vietnam, winning the Military Cross, and rose to the very top of his profession, becoming Chief of the Defence Force.cosgrove, peter, 1947-, governors general - australia - biography, soldiers - australia - biography

Mr. James Knox was a Justice of the Peace. He died in 08/07/1901, in his 69th year.Matte, black and white head and shoulders studio portrait of Mr. James Knox mounted on brown board which had an oval frame which has been removed. Mr Knox is facing away from the camera and he is looking straight ahead. He is wearing a suit and has a full beard.james knox wesleyan methodist

In July 2013 Smeaton resident Ron Cosgrave offered to attempt to find Laura Villa. He wrote on 12/07/2013 "I have attached three photographs of Laura Villa as it is today. I am 100 % that it is the house in question. The changes are the veranda and numerous alterations and attachments. The key identifiers are the original roof line, the chimney, the trees and the background of the photo is the other side of Birch’s Creek with similar trees and the hill is Green Hill. It is located at the end of Elizabeth Street on the south side of the creek and at the Recreation Reserve." Three colour photographs of a weatherboard house. It is the former Smeaton home of Frank Wright.frank wright, music, smeaton, laura villa

Cordial was bought at the local general store or at a grocery shop in a near-by city. Bottles belonged to the manufacturer and came in many shapes and sizes with a variety of lids.Historic: Size and shape of bottle The Kia-ora CompanySmall clear glass bottle with white screw-top tin lid. The bottle has straight sides half way up then tapers gradually to the opening. The lid has red writing on the top.On lid: Kia-ora Embossed around bottom of bottle: Kia-ora Not to be Refilled. On base:1/07 in centre. m on one side and 4 on the other, Under the centre: '1080'cordial bottle; kia-ora company

Card taped inside pages: In loving memory of Christina Craig 03-03-1918 - 11-07-2013Teal green hard cover with white print & loose jacket illustrated with black & white & colour photographs. White print/text black & white & colour photos throughout, 270 pages.books, military history

SX37291 J W Vienna enlisted into the Australian Army on 07 October 1944 and was posted to 67th Battalion (BCOF).The items are the originals belonging to SX 37291 J W Vienna.Medals, photographs, lapel badgesSX 37291 J W Vienna, Medals include Pacific Star, War Medal 1939-1945, Korea Medal, Korea UN Medal.sx37291 j w vienna,, photogtaphs, lapel badges

Christian Den Besten was Born 1972. Through art Christian interprets his community - the current affairs, infrastructure, and people that affect his everyday life. He is a prolific artist and often works with an accumulation of small components in creating his artworks. Christian is an artist living with an intellectual disability. He takes pleasure in drawing the beautiful buildings that dot Geelong’s cityscape. He exhibits and sells his work regularly.Denny’s Lascelles building Geelong by Christian Den Besten, 2019.

3 Digital photographs of shops with residences above them that are about to be demolished Photographer Claire Barton 30/07/2010hawthorn road, caulfield south, shops, houses, residential development

In 1899 Councilor J.M.Feery was elected to council ,he served until 1917.He was President in 1906-07 and 1915-16.Original Historic Photo.Sepia photo,oval in shape,of Councilor J.M.Feery,set in gery mount. It is situated at left of second row, and forms part of a composite collection of photos showing all councilors for 1906.Presented by The President to the Ballarat Shire Council. 1906.ballarat shire council, feery j m, 1899 1917

In 1899 Councilor J.M.Feery was elected to council and served until 1917.He was Shire President in 1906-07 and 1915-16.Original Historic Photo.Sepia photo set in pinkish/tan mount, of Councilor J.M.Feery J.P.It is situated second from left top row of collection of photos of all councilors for 1911-12 and is oval in shape.Councilor J.M. Feery J.P.ballarat shire council, feery j m, 1899 1917

R.M. Beattie qualified as a B24-Liberator pilot on9/05/1944 until he was KIA 2/07/1945.Plastic covered ring binder,A4 plastic sheet covered photocopied paper.Flight Log Book- Liberator Flights, Flt. Lt. Roy McBeattie 404228 DFM

I conceive my work as unfinished fragments of memory and childhood rituals, and through the art making process, I build and then peel back the layers of these memories and early influences, to reveal my personal dreamscape. Through the fusion of colour, texture, mark making and rubbing back, my intuitive rendering of the media creates layers that like memories, can be stacked up, hidden, peeled away, rubbed out, etched back in, and the process of layering and building up of a tactile textured surface, reflects memory itself; with its elusiveness and hard to grasp impressions that are more like ingrained watermarks. As I work, layering the surface then taking it back; rebuilding, adding marks and burnishing back, I feel into the textures, and through this tactile rendering I often discover something unintended and the end result is not quite how I perceived it in the planning. Perhaps something of a happy accident, which again reflects the arbitrariness of memory. I see my artworks less as paintings, but assemblages, with the layering technique creating a sculptural effect that reflects my great interest in the landscape and its beautiful and varied colours, shapes and textures. Part of my process is to take long drives into the country where I grew up, photographing along the way, to create a visual documentary that then informs my practice. The wide paddocks of the Victorian wheatbelt, beneath the endless blue of the horizon evokes very early memories so that a singular Bullock, a fencepost, a hay roll or corrugated iron wall, is so uniquely resonant to me, I am compelled to create this in my work. My connection to the land, to farming practices; the poplars, oaks and elm trees of my childhood holidays, is a mindscape that I return to again and again as I try to recreate that early sense of wonder, love and familiarity, grief and joy, that forms my unique vision. Veronica DRUM (1967 - ) Born Donald, Victoria A student at Federation University Arts Academy from 2015 until 2019, Veronica Drum is committed to establishing regular studio practice. Veronica Drum made this work in the final studio semester of the Bachelor of Visual Arts at the Federation University Arts .Academy.Framed Mixed media artwork depicting the Ovens Rivers, Victoria. Artists' Statement: Through the fusion of colours, textures, mark-making and a 'rubbing back' process, my intuitive rendering of the chosen media creates layers in my artwork that reflect and build upon cherished childhood memories. This work won the 2019 Federation University DVC 2D Art Acquisition Award.veronica drum, mixed media, alumni, oven river, dvc art acquisition award, trees, landscape, treescape

Coloured photograph"Written on back of photograph" Replica antimony mine poppet head -Ringwood Lake Park -1987 Similar photographs -Reg 944, Re 118a located in NWD 02-07-08.

Colour photograph of Ballarat No. 40 southbound in Lydiard St. North, between Mair and Sturt St. photographed from a northbound bogie tram. Tram 40 has destination of Sebastopol. Photo on Agfa Paper and taken on Friday 14 August 1971.Stamps with faded green ink: "Photo by Chris Jeffrey / Number" with number "104PC/07" in blue ink and date stamp "Friday 14 August 1971" also in faded green ink.lydiard st nth., tram 40

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Charatome / Corning Buggy / Braise & Drag / believed to (illegible) built by Crawford and (illegible) / COBB & CO / WAGONETTE / B'WORTH MUSEUM Reverse: BEECHWORTH NOSTALGIA / BW-07(a) / B 8 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Grave of Mary England (died 1951) in Plot# P1 Greensborough Cemetery. Photograph taken by Noel Withers 30/07/2009.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many of the early settlers in the district. The cemetery holds approximately 250 grave sites with 350 people buried thereDigital copy of colour photograph of grave/headstone.mary england, greensborough cemetery

Grave of Charlotte Turner (died 25/08/1944) and George Turner (05/07/1951) in Plot# R5 Greensborough Cemetery. Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.charlotte turner, george turner, greensborough cemetery

The 42 year old Greensborough swimming pool is to be demolished at the end of the 2006-07 season to make way for the new aquatic centrePhotocopy of newspaper articleswimming pools greensborough

George and Dick Faram left Tom in charge of the shop and drove their Model T Ford around Australia in 1932. Tom and Nellie's son Allen is sitting on the bumper bar.Series of A4 copy photos given to the collection by Judy Faram, Illustrating the evolution of the 1856 building (see also #1516, 1522). The prints have been marked with dates. .07 - Ford car in front of shop, ready for round Australia trip 1932. Allen Faram as a young child sitting on the bumperIn ink, various information dates etc on surface of prints.business and traders - hardware, built environment - commercial, allen faram, faram brothers hardware

invoice dated 01/07/1958 from Friedrcih & Bassemir, Hygenic Vienna Bakery, for bread and freight (from 3rd June to 27 June) purchased for £1.15.04 from Mrs D. W. Clark. Friedrich & Bassemir, Owen Duffy Prop., Hygenic Vienna Bakery, at 226 Mitchell Street, Bendigo

Button distributed to and worn by Australian Nursing Federation (ANF) members during the bargaining process for Victorian nurses' wages and conditions in 2007. Enterprise bargaining is the process of negotiation generally between the employer and employees (often represented by a trade union, professional association or other bargaining representative) with the goal of making an enterprise agreement stipulating the wages and conditions of work. The 2007 public sector campaign entitled 'Fund nursing properly for a better state of health' involved the ANF bargaining for members employed in the public acute and aged care sector, public psychiatric services, the Australian Red Cross Blood Service and the Royal District Nursing Service. The 2007 campaign focused on improved workloads and skill mix and a minimum 18 per cent wage increase to address the wage disparity between Victorian nurses and nurses working in other Australian states.Circular red, white and blue plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'FUND NURSING PROPERLY FOR A BETTER STATE OF HEALTH', 'EBA 07' [enterprise bargaining agreement 2007] and the ANF [Australian Nursing Federation] website address of the time (www.anfvic.asn.au).nursing, nurses, unionism, trade unions, enterprise bargaining, badges, buttons, pins, staffing, wages, workforce, labour history, australian nursing federation, victoria, campaigning

Newspaper clipping from The Victorian Probian 3 June 2019, reporting on the visit of the Probus Club of Donvale to the MTM depot 9/5/2019. Has four photos. Tour guide was Warren Doubleday.trams, tramways, melbourne tram museum, tours, hawthorn tram depot, probus