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City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Book, Schumer, Leslie A. (Leslie Arthur), Henry Dendy and his emigrants, 1975
... Schumer, Leslie A. (Leslie Arthur) ...non-fictionhenry dendy, emigrants, brighton, pioneers -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Book, Syme, Marten A, Shipping arrivals and departures, Victorian ports : Volume 1, 1798-1845, 1984
... Syme, Marten A. ..."This book is dedicated to the seamen who supplied the physical link for trade and immigration in the development of the Colony".3 v. : ill., charts, map Maps on lining papers. Includes bibliography and index.non-fiction"This book is dedicated to the seamen who supplied the physical link for trade and immigration in the development of the Colony".ship register, seamen, immigration -
Flagstaff Hill Maritime Museum and Village
Audio - Gramophone Cylinder, National Phonograph Co, Poor old England, 1908
... Thomas A. Edison, Edison Laboratory ...Edison Records was one of the early record labels that pioneered sound recording and reproduction, and was an important player in the early recording industry. The first phonograph cylinders were manufactured in 1888, followed by Edison's foundation of the Edison Phonograph Company in the same year. The recorded wax cylinders, later replaced by Blue Amberol cylinders, and vertical-cut Diamond Discs, were manufactured by Edison's National Phonograph Company from 1896 on, reorganized as Thomas A. Edison, Inc. in 1911. Until 1910 the recordings did not carry the names of the artists. The company began to lag behind its rivals in the 1920s, both technically and in the popularity of its artists, and halted production of recordings in 1929. Thomas A. Edison invented the phonograph, the first device for recording and playing back sound, in 1877. After patenting the invention and benefiting from the publicity and acclaim it received, Edison and his laboratory turned their attention to the commercial development of electric lighting, playing no further role in the development of the phonograph for nearly a decade. Start of the Recording Industry: In 1887, Edison turned his attention back to improving the phonograph and the phonograph cylinder. The following year, the Edison company introduced the ”Perfected Phonograph”. Edison introduced wax cylinders approximately 4+1⁄4 inches (11 cm) long and 2+1⁄4 inches (5.7 cm) in external diameter, which became the industry standard. They had a maximum playing time of about 3 minutes at 120 RPM, but around the turn of the century the standard speed was increased to (first 144) and then 160 RPM to improve clarity and volume, reducing the maximum to about 2 minutes and 15 seconds. Several experimental wax cylinder recordings of music and speech made in 1888 still exist. The wax entertainment cylinder made its commercial debut in 1889 at first, the only customers were entrepreneurs who installed nickel-in-the-slot phonographs in amusement arcades, saloons and other public places. At that time, a phonograph cost the equivalent of several months' wages for the average worker and was driven by an electric motor powered by hazardous, high-maintenance wet cell batteries. After more affordable spring-motor-driven phonographs designed for home use were introduced in 1895, the industry of producing recorded entertainment cylinders for sale to the general public began in earnest. Blank records were an important part of the business early on. Most phonographs had or could be fitted with attachments for the users to make their own recordings. One important early use, in line with the original term for a phonograph as a "talking machine", was in business for recording dictation. Attachments were added to facilitate starting, stopping, and skipping back the recording for dictation and playback by stenographers. The business phonograph eventually evolved into a separate device from the home entertainment phonograph. Edison's brand of business phonograph was called the Ediphone. The collection of three phonograph cylinders are an example of early recorded music use for domestic entertainment. They are significant as they represent the beginnings of the modern recording industry.Cardboard tube-shaped gramophone cylinder box with lid. The printed label on the outside of the box advertises the maker and patent details. The Catalogue Number and Title are either printed or hand written on the cylinder’s lid. This cylinder contained Record no. 13619, the recording “Poor old England” published by Castling and Godfrey, sung by Billy Williams. Made by National Phonograph Company USA. C.1907On lid “Edison Record” and “This record should turn at 160 revolutions per minute, no faster” Written on lid in blue pen “Trumpet”, “EDISON AMBEROL RECORD / FOUR MINUTE”warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, gramophone record, gramophone cylinder, edison cylinder, edison record, home entertainment, music recording, edison laboratory orange nj, usa, national phonograph company of australia ltd sydney, thomas a. edison -
Flagstaff Hill Maritime Museum and Village
Audio - Gramophone Cylinder, B & H Jack, 1907
... Thomas A. Edison, Edison Laboratory ...Edison Records was one of the early record labels that pioneered sound recording and reproduction, and was an important player in the early recording industry. The first phonograph cylinders were manufactured in 1888, followed by Edison's foundation of the Edison Phonograph Company in the same year. The recorded wax cylinders, later replaced by Blue Amberol cylinders, and vertical-cut Diamond Discs, were manufactured by Edison's National Phonograph Company from 1896 on, reorganized as Thomas A. Edison, Inc. in 1911. Until 1910 the recordings did not carry the names of the artists. The company began to lag behind its rivals in the 1920s, both technically and in the popularity of its artists, and halted production of recordings in 1929. Thomas A. Edison invented the phonograph, the first device for recording and playing back sound, in 1877. After patenting the invention and benefiting from the publicity and acclaim it received, Edison and his laboratory turned their attention to the commercial development of electric lighting, playing no further role in the development of the phonograph for nearly a decade. Start of the Recording Industry: In 1887, Edison turned his attention back to improving the phonograph and the phonograph cylinder. The following year, the Edison company introduced the ”Perfected Phonograph”. Edison introduced wax cylinders approximately 4+1⁄4 inches (11 cm) long and 2+1⁄4 inches (5.7 cm) in external diameter, which became the industry standard. They had a maximum playing time of about 3 minutes at 120 RPM, but around the turn of the century the standard speed was increased to (first 144) and then 160 RPM to improve clarity and volume, reducing the maximum to about 2 minutes and 15 seconds. Several experimental wax cylinder recordings of music and speech made in 1888 still exist. The wax entertainment cylinder made its commercial debut in 1889 at first, the only customers were entrepreneurs who installed nickel-in-the-slot phonographs in amusement arcades, saloons and other public places. At that time, a phonograph cost the equivalent of several months' wages for the average worker and was driven by an electric motor powered by hazardous, high-maintenance wet cell batteries. After more affordable spring-motor-driven phonographs designed for home use were introduced in 1895, the industry of producing recorded entertainment cylinders for sale to the general public began in earnest. Blank records were an important part of the business early on. Most phonographs had or could be fitted with attachments for the users to make their own recordings. One important early use, in line with the original term for a phonograph as a "talking machine", was in business for recording dictation. Attachments were added to facilitate starting, stopping, and skipping back the recording for dictation and playback by stenographers. The business phonograph eventually evolved into a separate device from the home entertainment phonograph. Edison's brand of business phonograph was called the Ediphone. The collection of three phonograph cylinders are an example of early recorded music use for domestic entertainment. They are significant as they represent the beginnings of the modern recording industry.Cardboard tube-shaped gramophone cylinder box with lid. The printed label on the outside of the box advertises the maker and patent details. The Catalogue Number and Title are either printed or hand written on the cylinder’s lid. This cylinder contained Record no. 49, “B & H Jack” and was made at the Edison Laboratory USA. C. 1905On lid “Edison Record No. 49”, written in pencil “B & H Jack” (it looks like this) On cylinder “EDISON GOLD MOULDED RECORDS ECHO ALL OVER THE WORLD” Patents listed for 1904 & 1905warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, gramophone record, gramophone cylinder, edison cylinder, edison record, home entertainment, music recording, edison laboratory orange nj, usa, national phonograph company of australia ltd sydney, thomas a. edison -
Flagstaff Hill Maritime Museum and Village
Machine - Voice Recorder, Thomas A. Edison, Edison Laboratory, 1916-1929
... Thomas A. Edison, Edison Laboratory ...This Edison Ediphone voice recording electronic business machine is manufactured to suit a small office and is light enough to carry between work and home for use outside normal business hours. It is a dictation machine, also called by the competitor’s brand name ‘Dictaphone’, and is used for recording spoken words that would later be transcribed and typewritten. A wax cylinder would be installed onto the machine’s drum and the Reproducer on the machine would be lowered onto the cylinder. The user would speak a message into a microphone and the reproducer would then convert the sounds to scribed marks on the cylinder. Later, the cylinder could be played and the Reproducer would enable the sound to be amplified through an attached speaker. This machine is currently without its power cord, microphone and speaker horn. Thomas A. Edison extended the technology of the telegraph to his phonograph machine, invented in the late 19th century. It could record and play back sounds of music and voice on a manually operated mechanical machine that used wax cylinders to store the sound. He envisaged the way this technology could be an asset in the office, and he was right! However, most of his phonograph machines were used for entertainment, some for playing lessons, and some for-teaching languages. In 1916 Edison introduced the Ediphone, which grew in popularity after the First World War and into the late 1920s until flat round records replaced the wax cylinders. This Edison Ediphone is significant for improving the way business administration was carried out in the early 20th century, freeing up precious time for professionals and administrative personnel. It was the forerunner of audio tapes and digital technology. The Ediphone enabled letters to be dictated when the time and place suited and reduced the time professionals needed to spend with their secretaries. Secretaries were able to type the letters as they played the recording and they could replay the message if necessary.Voice recorder; a dictation machine; desktop model Edison Ediphone. The electronic machine is in a medal case with remnants of the original grey colour. It has a rectangular base with an A4-sized footprint and a domed hood that retracts halfway into the back of the base. The corners of the base have metal reinforcing, and a short metal bar is on the front centre edge of the lid and the base. A long metal drum is mounted inside the machine. A round device called a ‘reproducer’ is mounted above the drum. There is a folding handle on the left front of the machine and an angled stand with paper guides in front of the drum. A rear cover has the maker’s name stamped on it. An electrical socket with eight pins is recessed beside the cover. Made by Edison.In white letters; “EDISON”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, edison, ediphone, dictating machine, office equipment, voice recorder, usa, dictation, communication, office machine, dictaphone, speaking phonograph, thomas edison, ediphone voicewriter, voice writer -
Bendigo Historical Society Inc.
Painting - Fire, William A. Delecca, "Stramit Industries fire at Golden Square 1961"
... William A. Delecca ...Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Oil painting. The painting is done in dark grey and white with some splashes of orange. William Delecca Collection.In pencil on the back Stramit Industries fire at Golden Square 1961, painting by William A. Deleccagolden squrae, stramit industries, fire -
Bendigo Historical Society Inc.
Painting - Stone building, William A. Delecca
... William A. Delecca ...Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Untitled Oil painting depicting an old miner's cottage. The cottage has two wooden doors the one on the left is open and a window can be seen at the other end. The second door is closed. On the right hand side there is another building. A large tree and a tree stump on the foreground.The signature of the artist at the bottom right hand side landscape, miner's cottage -
Bendigo Historical Society Inc.
Painting - Portrait, William A. Delecca
... William A. Delecca ...Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Portrait of a young man. He has dark hair and dark eyes. The signature of the artist at bottom right. Untitled. William Delecca collection.On the back: Camden Art Centerpainting, male youth, portrait -
Bendigo Historical Society Inc.
Painting - Landscape, William A. Delecca
... William A. Delecca ...Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Oil pastel painting of a weatherboard house behind a wooden fence. A bare tree is next to the house and another outside the fence next to a boat. A green shrub at the right. The painting is signed by W.A. Delecca '52. Untitled. William Delecca collection.Signature of the artist at bottom rightaustralian bush, william delecca, landscape -
Bendigo Historical Society Inc.
Painting - Landscape, William A. Delecca
... William A. Delecca ...Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Watercolour of a dirt road, tall trees on both sides and a mountain in the background. Untitled. William Delecca collectionThe signature of the artist at bottom rightlandscape, william delecca -
Bendigo Historical Society Inc.
Drawing - Pencil sketch, William A. Delecca, 1961
... William A. Delecca ...BHS CollectionSmall pencil sketch of a young person asleep. Untitled. William Delecca collectionSigned by the artist in pencil at bottom right: W.A Delecca '61william delecca, pencil sketch -
Bendigo Historical Society Inc.
Artwork, other - Portrait Pencil sketch, William A. Delecca
... William A. Delecca ...BHS CollectionPencil sketch of the face of a young woman looking left. Untitled. William Delecca collection.Signed by the author: w A Deleccawilliam delecca, sketch, young woman -
Bendigo Historical Society Inc.
Artwork, other - Portrait Pencil sketch, William A. Delecca
... William A. Delecca ...BHS CollectionPencil sketch of a young lady sitting on what looks like grass. She is wearing a long sleeves dress. Untitled. William Delecca collection.Signed by the artist: W A Deleccawilliam delecca, sketch, young woman -
Port Melbourne Historical & Preservation Society
Photograph - Port Melbourne Football Club, 2nd XVIII, A H Williams, 1935
... A H Williams ...Sixteen of the 25 individuals are known but only four are specifically identified by position. W MATHEWS (1st left second row from rear); Nat ELDER (beside MATHEWS); H BARNES (Middle second front row); Choota BALMAN (on BARNE's left)B&W photo of Port Melbourne Football Club 2nd 18 team and officials from 1935. Presented to his Worship, CR. A. ROGERS, President, in appreciation of services rendered.sport - australian rules football, george alexander rogers, mayors, w mathews, nat elder, a bills, alex rogers, graham 'nuts' nugent, w payne, w cornwaithe, s tymms, h compton, h barnes, choota balman, h smith, marshall, d spence, s ware, m larwood, port melbourne railway united football club, port melbourne junior football club -
Port Melbourne Historical & Preservation Society
Document - History, J Kitchen & Sons, Reg A Smith, Apr 1978
... Reg A Smith ...Donated to PMHPS in February 2013 by Pentel/Symex Holdings, originally John Kitchen and Sons, after the sale of the Woodruff St Port Melbourne site. Arranged by Christine Wainwright, an employee of Symex of many years, who had been involved in the setting up their museum collection. Also Mary Kanellos, Symex.A4 typed pages titled "Candles, soap, apples, milk, cream, butter, butterine, marjarine and margarine from the House of Kitchen". History of J Kitchen and Sons in Melbourne.industry - manufacturing, business and traders - soaps/candles, unilever australia (holdings) ltd, j kitchen & sons pty ltd, reg a smith -
Port Melbourne Historical & Preservation Society
Book, W A D Brodie, "Melbourne the water's edge.", 1978
... W A D Brodie ..."Melbourne the water's edge." Dark Blue book with paler blue dust jacket with picture of Gellibrand Light 1976 by W Brodie.built environment, built environment - industrial, piers and wharves, w a d brodie, williamstown, yarra river, maribyrnong river, gellibrand light, duke's and orr's dry dock, rona (polly woodside), st kilda pier, williamstown customs house -
Port Melbourne Historical & Preservation Society
Flyer - Auction notice, 91 Cruikshank Street, Simon A Conquest Pty Ltd, RESI, 1985
... Simon A Conquest Pty Ltd, RESI ...Pale green A4 sheet with black printing. Notice for sale of 91 Cruikshank Street, Port Melbourne on 5th October 1985 after the death of Bill Hegarty (Barbara Gardiner's father). House details : entrance hall, 3 bedrtooms, lounge, dining room, sitting room, kitchen and 2 pantries.built environment - domestic, william (bill) hegarty, barbara hergarty gardner, graeme wilson, cruikshank street -
National Vietnam Veterans Museum (NVVM)
Functional Object, Optical Instruments
... A K & S ...Periscope Binocular - Green except for section that the eyes look into.MKI /3 MILS 1240-66-022-4932. 1952 AK&S PB 7584binocular - periscopic. -
National Vietnam Veterans Museum (NVVM)
Functional Object, Optical Instruments
... A K & S ...Periscopic Binocular Case - Green Has two latches to close lid,and chain.Binocular. Periscopic, A.F.V. Cased MK1/3 m L5 1240 - 66 - 052 - 4953 Case 053087A /AK & Sbinocular periscopic -
National Vietnam Veterans Museum (NVVM)
Functional Object, Cigarette Tin
... Craven "A". ...Red metal "Craven A cigarette tin holding Virginia cigarettes.Cork tipped "Craven A" Virginia cigarettes, made in London, England.cigarette tin -
Port Melbourne Historical & Preservation Society
Plan - Bus Shelter, Lorimer Street, Fishermans Bend, Engineering Department, City of Port Melbourne: A N B, 23 Mar 1942
... Engineering Department, City of Port Melbourne: A N B ...Working drawings for the construction of bus shelter in Lorimer Street, Fishermens Bend, 1942. Preliminary design only. Subtitled "Design B" "Design A"Signed: Approved " ":Drawn: A. N. B.transport - bus, built environment - civic, fishermans bend, local government - city of port melbourne -
Port Melbourne Historical & Preservation Society
Plan - Bus Shelter, Lorimer Street, Fishermans Bend, Engineering Department, City of Port Melbourne: A N B, 25 Mar 1914
... Engineering Department, City of Port Melbourne: A N B ...Working drawings for the construction of bus shelter in Lorimer Street, Fishermens Bend 1942. Preliminary design only. Subtitled "Design D" and "Design E".Signed: Approved " " Drawn: A. N. B.transport - bus, built environment - civic, fishermans bend, local government - city of port melbourne -
Port Melbourne Historical & Preservation Society
Plan, A J Duncan, Draughtsman, Plans and Sections of Tramsway, May 1891
... A J Duncan, Draughtsman ...Plans and typeset descriptions of a proposal to run a cable tram under the Yarra from Williamstown to Melbourne (Falls Bridge) via Port Melbourne. Oriniginally submitted to Victorian Legislative Assembly 1889; this updated 1891 version has 10 pages, and includes an added section to take tramway to Sandridge Road as far as St. Kilda Road. A company has now formed to back the proposal being re-presented to the Legislative Assembly.Signed by Edward Clark 2-6-1891, with Borough stamp on cover; initialed, ditto, on page 2; signed by A.J. Duncan page 2.transport - tramways, town planning - proposals shelved, williamstown, edward clark, town clerks, mr jennings, austral - anglo tramway and general agency co ltd, a j duncan -
Port Melbourne Historical & Preservation Society
Plan, A J Duncan, Draughtsman, Plans and Sections of Tramsway, May 1891
... A J Duncan, Draughtsman ...Plans and typeset descriptions of a proposal to run a cable tram under the Yarra from Williamstown to Melbourne (Falls Bridge) via Port Melbourne. Oriniginally submitted to Victorian Legislative Assembly 1889; this updated 1891 version has 10 pages, and includes an added section to take tramway to Sandridge Road as far as St. Kilda Road. A company has now formed to back the proposal being re-presented to the Legislative Assembly. (Copy of 46.2)Signed by Edward Clark 2-6-1891, with Borough stamp on cover; initialed, ditto, on page 2; signed by A.J. Duncan page 2.transport - tramways, town planning - proposals shelved, williamstown, edward clark, town clerks, mr jennings, austral - anglo tramway and general agency co ltd, a j duncan -
Port Melbourne Historical & Preservation Society
Plan, C Allen and A Tuxen, Suveyors, Plans and Sections of Tramways MTOC 1882, 1882
... C Allen and A Tuxen, Suveyors ...Large, hard-bound set of plans for tramway development (Williamstown to Melbourne under the Yarra via Port Melbourne) presented to the 1882 Victorian Leg. Council. Blue-black with gold-stamped maroon title panel.Signed by the Engineer and the Parliamentary Agent.melbourne tramway and omnibus company, transport - tramways -
Port Melbourne Historical & Preservation Society
Photograph - Montague Football team, Premiers, A H Williams, 1909
... A H Williams ...Photo of Montague football team Premiers 1909sport - australian rules football, montague football club -
Port Melbourne Historical & Preservation Society
Document, A W Greig, "The Liardets of 'The Beach'", 1916
... A W Greig ...Article read before the Victorian Historical Society on 24th. November 1913. Published in The Victorian Historical Magazine, Volume 5, Number 1, March 1916"The Liardets of 'The Beach' " Greig's interview with Josephine Antoinette MacDONALD (nee LIARDET) forms the basis for this article on the history of the Liardet family.liardet family, josephine antoinette macdonald nee liardet, a w greig, lewis liardet, caroline salomie kucken -
Port Melbourne Historical & Preservation Society
Letter - Davdi Graham, Town Clerk to Lexie Bown, Maritime Workers Union confirming booking of Port Melbourne Town Hall for Tom Hills' 90th birthday party, A David Graham, Town Clerk, Tom Hills Archive, Dec 1993
... A David Graham, Town Clerk ...Letter December 1993 from Port Melbourne Town Clerk David Graham to Lexie Bown, Maritime Workers Union, confirming free booking of hall for Tom Hills' 90th birthday partycelebrations fetes and exhibitions, tom hills, lexie bown, david graham -
Women's Art Register
Book, Susie Bright et al, Madonnarama: essays on Sex and popular culture, 1993
... Carol A. Queen ...A collection of essays from various critics, activists and artists on the phenomenon that is pop-icon Madonna.non-fictionA collection of essays from various critics, activists and artists on the phenomenon that is pop-icon Madonna.susie bright, pat califia, cathay che, bell hooks, kirsten marthe lentz, carol a. queen, queer theory, popular culture -
Women's Art Register
Book, Fiona Foley et al, The Art of Politics, The Politics of Art: The Place of Indigenous Contemporary Art, 2006
... Michael A. Mel ...A collection of essays on Indigenous art in mainstream Australia by international Indigenous and non-Indigenous academics, arts administrators and practising artists.non-fictionA collection of essays on Indigenous art in mainstream Australia by international Indigenous and non-Indigenous academics, arts administrators and practising artists. fiona foley, fiona nicoll, regina ganter, ole maiava, louise martin-chew, anna haebich, franca tamisari, aboriginal art, indigenous architecture