Also a black and white photograph of Maranui motor launch 04348.1 10 x 15 cmBlack and white copy of a postcard showing Broomes houseboat Baang Yarnda and launch Maranui moored at the jetty in Cunninghame Arm Lakes Entrance c1920. Also a black and white photograph of Maranui motor launch Broomes Houseboat Lakes Entrancepeople

Shirley Black is interviewed by Noel Withers. They discuss memories of growing up in Greensborough. This interview has not been transcribed.1 audio cassette in plastic caseSide 1: "At Shirley's place"oral history, shirley fraser (black), noel withers

John Black is dressed to attend a wedding, judging by the orange blossom button that he is wearing. The photograph was taken in 1957. A scanned non-digital portrait photograph of a man dressed in a suit and tie and wearing a small orange blossom buttonhole.john black, weddings

Exterior photographs of the house at 3 St Helena Road Greensborough (corner Diamond Creek Road). The house was built in 1920. These photographs are from the Ray White sales brochure 2017. The 4 bedroom property sold in December 2017 for $900,000; previous sales: April 2009, $600,000; June 1981, $36,500; June 1976, $32,500. Digital copy of 5 colour photographs, possibly taken from a drone.st helena road greensborough, diamond creek road greensborough

The Black Barn gallery at Christmas Hills was designed and built by Justus Jorgensen, founder of Montsalvat. The space has been a part of community and the arts for three generations. Bobby Bununngurr is a songman and multi art form creative from Ramingining (his outstation is Ngalayindi) in Central Arnhem Land. Fund raising event at Christmas Hills for the Black Barn gallery - being filmed for a video fay bridge collection, 2016-01, black barn gallery, bobby bununngurr, christmas hills, maurice hurry, rhiannon jorgensen, sebastian jorgensen

Group of 9 miners catching pyrite in creek run off from the Battery located at the south end of Black Hill.mining, battery, miners, pyrite, black hill

A black and white photograph the corner of Grimshaw Street and Main Street Greensborough 1977, looking down Main Street. Note Coles New World on left.Digital copy of black and white photograph.grimshaw street greensborough, main street greensborough, coles new world greensborough

Yields information and demonstrates aspects about Ballarat's destination rolls used in trams up to 1967 when the rolls were replaced with the opposite colour arrangementDestination roll white lettering on black background used in Ballarat until late 1967, replaced by black letters on white background. Layout of individual destinations follows that shown in K.S.Kings, "Ballarat Tramways" - see image file for copy. Main letters are 150 high. Has a short section of white on the top of the roll and larger section at bottom. On rear of roll, has abbreviated destinations painted in white paint on black gloss paint to enable drivers to locate easier the individual destinations. See also Reg Item 4121 for another example and K.S.Kings "Ballarat Tramways" Not to be used in a tramcar destination box - original to be kept in archives.tram, trams, ballarat, destination roll

Digital image of Australian postage stamps, 5 penny black, 1959, stamped at Bundoora. Part of a collection of miscellaneous historical images.Digital image of stamps, colour. Features portrait of Queen Elizabeth II.Over-stamped Montmorency 1959postage stamps

Stories and pictures written and taken by the Research Fire Brigade during the 2009 Black Saturday fires. Includes list of Brigade members.72 p. : col. ill., facsims., col. ports. ; 25 cm.ISBN 9780646523057research fire brigade, bush fire 2009, kinglake victoria

Photograph of Black Range School No 2442 of Timber single story building with steps and water tank. Opened 8th Dec 1881

Train Destination Disc Until the 1980s Melbourne suburban trains used a system of discs by day, and illuminated market lights by night, to indicate their destination. Placed on the front of trains to advise a Signalman in the Signal Box the destination of the train. This disk was used on NK1 the Whitfield Motor when it was used by Puffing Billy Railway Info from the diagrams from the 1953 Victorian Railways General Appendix. Black + is Lilydale, Belgrave other Destination Disks were Disks Williamstown Black II Newport Workshops Red = Changed in 76 to Black + Newport-Altona shuttle Red X Werribee Red X St Albans Black X Upfield Black = Broadmeadows Originally Red X changed in 1976 to Red = Epping Black II Hurstbridge Red X Lilydale, Belgrave Black + Alamein Black X Glen Waverley Black = Dandenong Black II Frankston Red = Sandringham Red X St Kilda Originally Black II changed in 1976 to Red X Port Melbourne Red X changed in 1976 to Black X Flinders St - Spencer St Local Red II Showgrounds Red = plus extra white disk on opposite front disk bracket; if only one event, Display Large White 1 and yellow side disk with set number. If two events, second event special trains flip this disk and show large Black Disk with white numeral 2 Race Special Red = plus extra white disk on opposite front disk bracket; if only one event, Display Large White 1 and yellow side disk with set number. If two events, second event special trains flip this disk and show large Black Disk with white numeral 2 For example, Flemington Race trains and Caulfield Race trains on the same day. Flemington carries Red = and White 1 and yellow set number on the side Caulfield carries Red = and Black 2 with yellow set number disc on the side. There was one disc which was never to be used in normal traffic, that was the "Red Cross"; it was reserved for Red Cross trains only.Historic - Victorian Railways - Destination Disk - Black cross - Lilydale, Belgrave Lines This disk was used on NK1 the Whitfield Motor when it was used by Puffing Billy Railway Train Destination Disc Round tin sign painted white with a black cross on white background and a mounting bracket on the rear. Placed on the front of trains prior to the mid 1970s to advise a Signalman in the Signal Box the destination of the train. Black Cross puffing billy, destination disc, victorian railways, lilydale, belgrave lines

Sepia photograph of the Sister Rock's with no graffiti therefore assume a very early photo. The view shows people standing on and around the rocks with three horse drawn Gigs in front of the rock's. c 1880'sSepia Photograph of the Sister Rock's. Very early photograph as no graffiti on the rocks. Black Photo Nhill "Front View" The Sister Rocks near Stawell - Langi Morgala Museum Ararat is stamped on the back stawell scenery

Interior photographs of the house at 3 St Helena Road Greensborough (corner Diamond Creek Road), showing lounge, dining, kitchen and hallway. The house was built in 1920. These photographs are from the Ray White sales brochure 2017. The 4 bedroom property sold in December 2017 for $900,000; previous sales: April 2009, $600,000; June 1981, $36,500; June 1976, $32,500. Digital copy of 8 colour photographs.st helena road greensborough, diamond creek road greensborough

Draft of a brief screenplay. Sequence of vignettes involving seven sets and several characters. Story about an artist who paints black square paintings, including mystery, fight, theft of painting and death of the artist. After artist James A dies, H puts on A's strange sunglasses to discover that through the sunglasses, the black square paintings appear like conventional images eg landscapes. Value of paintings increases.Handwritten (pencil), quarto, 2 pagesscreenplay, contemporary art, drama, kazimir malevich, robin boyd, manuscript

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

Life, family and career of John Samuel White (1837-1926), Greensborough resident, politician and long-time municipal councillor. Additional information from D. Slattery: "John Samuel White Family issue daughter Elizabeth Ann b 1863 Kyneton died 1896 South Yarra aged 30 BDM3867 Married 1891 Robert John Smith issue Victor Robert b 1892 d 1892 2mths, Elizabeth Ann b 1896 d 1898 2yrs "5 p., typescript, one sepia photographjohn samuel white, politicians

Illustrated book with dust jacket. Hardcover is bound in dark blue, with abbreviated title, authors name, and publisher (Sandringham and district memorial hospital)'s logo printed in silver on spine. Dust jacket back cover and spine is mid blue in colour , with abbreviated title, authors name, and publisher (Sandringham and district memorial hospital)'s logo printed in white on spine. Front cover has aerial photograph to the hospital c.1990 as background, with full title and authors name printed in blue on yellow rectangles with red borders non-fictionThis book covers the history of the Sandringham and District Memorial hospital from when it was first mooted in the early 1940's, through its opening in 1964, until 1990.sandringham and district memorial hospital, ahnl

Documents related to the sale of 33 Fifth Street Black Rock, including two colour photocopies with the external and internal views of a shed said to be a former tram shed associated with the Sandringham to Black Rock horse tram line. Includes the City of Bayside heritage report and Hocking Stuart sales sheets for an auction on Saturday 4 August 2007. It would appear from Google Earth that all buildings were demolished.Yields information about the sale of a property said to be associated with the Black Rock tramway.Four A4 sheets - two colour and one colour sheet providing auction details.trams, railways, vr trams, sandringham, black rock tramway, sale of land, 33 fifth st black rock

Visible Nelsons Criterion Hotel, Wimmera Crushing Mill, Odd Fellows Arms hotel, F.H. Oliver & Co Grain Merchant, Reefs Restaurant.Holtermann Black and White photograph of Stawell from Big Hill with mining in foreground. April 1874. Wimmera Crushing Mill and settling pond at centre of photograph. Stawell water supply centre left of photo. Black Range in Background.mining, panorama

These photographs are of a production of "White Horse Inn" - Stawell town Hall - Spetember 1971. By Stawell Choral Society. Mr Roy Hurst - To Whom these photos were Presented - Helped with the stagingFive (5) small coloured Photographs of a stage prodution. Scenes on stage. Enclose din cream folders.(Hand Written) To Roy / From Stawell Choral Society/ Sept. 1971stawell, choral society, roy hurst

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total