Reverend Edwin Iredale Watkin, D.D. (1839-1916) was born in Sydney and spent his early life in New Zealand before coming to Australia . He began his Wesleyan ministry in 1859. He was a leading member of the Royal Geographical Society of Victoria. He had a winning personality and was held in high regard and affection by the communities in worked in. The plaque appears to be from the double-seated buggy the Rev E.I.Watkin was presented with together with an inscribed silver teapot, a set of gold studs and a gold pencil case on his leaving the Geelong East Methodist Circuit.Small silver plaque with an inscription and six holes around the edge."Presented TO THE REV. E.I. Watkin. AS A TOKEN OF ESTEEM AND AFFECTION BY HIS FRIENDS ON THE OCCASION OF HIS LEAVING THE Geelong East Circuit April 6th 1875"geelong east methodist circuit, yarra street wesleyan church, rev edwin iredale watkin (1839-1916)

Personalised stationery for 290 Walsh St South Yarra 3141Bay Series Vellum Watermarked Notepaper and Envelopes. deckle edgeswalsh st miscellaneous, robin boyd

Personalised stationery for 290 Walsh St South Yarra 3141Bay Series Vellum Watermarked Notepaper and Envelopes. deckle edgeswalsh st miscellaneous, robin boyd

Domestic Cream China Bowl with silver edge and floral designstawell

Curved Cutting Edge, Size 13, 1/2 Doz.de vahl suture needles

Note from collector: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." King-sized, pink and mint diamond blanket, ribbon edgedName tag 'O'Malley' sewn above label/"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong

White cup and saucer with gold edges and a scene of Blackburn Lake.Victoria Czechoslovakia 28 - Blackburn Lakedomestic items, crockery

White linen handkerchief embroidered on each corner and around the edgecostume accessories, female

Cream silk baby bonnet lace edged and embroidered in creamcostume, infants'

Till collectionTHE TILL COLLECTION SIGNIFICANCE STATEMENT|The significance of the Alwyn Till Collection is that Alwyn was born in Mitcham in 1921. He attended Mitcham Primary School and Box Hill Boys High School. He served his Community mainly through his activities within the Christ Church Anglican Church Mitcham. He joined the Royal Australian Airforce in World War II in September 1939. He trained as a Pilot in Australia and Canada, was posted to England and saw action in Europe. He was shot down over France and rescued by and then joined the French Resistance and while fighting with them was fatally shot. A Baron fighting with him wrote to his mother to inform her of his death.|Alwyn's parents were Evaleen Victoria Till (nee Maggs) and Sydney Norman Till who first lived in Creek Road Mitcham, before moving to 573 Whitehorse Road Mitcham. His father served in World War I where his eyesight was damaged and he was taught by the then Blind Institute in suitcase making of which we have two examples in this collection. He died in 1931. Alwyn took over responsibility for his mother and sister Alison. We can understand how devastated his mother and sister would have been at the news of Alwyn's feeling that he must serve his country in World War 11.|His letters home were so precious to them that they carefully kept all his correspondence, notices of death and condolences from friends. After Alison's death in 2007 her relation Joan Walker transcribed each of Alwyn's letters home into two bound volumes. The executors, Joan Walker and Anne Drew deposited the original letters with the Whitehorse Historical Society. Due to their significance as historical documents of one serviceman's complete correspondence with his family the Whitehorse Historical Society Committee after consultation with the donors deposited the original letters with the State Library of Victoria. The Whitehorse Historical Society retains the copies.|Alison and her mother kept many family memorabilia and personal items which make up this significant collection as they show how people lived, worked and served in the local community and municipality.|This collection represents the love and devotion of the women to their families during the course of two world wars. The father was disabled as a result of World War 1 and died an early death and a son who thereafter took on the responsibility as head of the family at an early age. This young handsome charismatic son served his community in peace time and gave his life in World War 11. This mother and sister were devoted to his memory.Cream woven place mat with small pattern around edges.domestic items, table setting, handcrafts, weaving

Worn by Donor's grandmother at Bethley Ridge near Maryborough. Unique style of embroideryApron - Brown Hostess - Lace Edged. Embroidered in fine woolcostume, female working

Metal pick with sharp edge and large hole formed for handle.mining, equipment

Jet Cameo. c1890. Jet jewellery originated from the English town of Whitby where it was mined. There were many Jet workrooms and thousands of jet pieces were worn by ladies copying Queen Victoria who made the Jet fashionable bt wearing it during her long years of mourning for her husband Albert.Square medallion with rope like edge and a female head embossed on it.costume accessories, female

Tray presented to BMFS(Cine Group) for film "Did August Schwerkolt Dig the Blackburn Lake one Sunday Afternoon"Round tray with appliqued grape decoration on edge with etched baseM.E.M.C 1971 Ten best on eight The Roisier Trophy awarded to BMFS(CINE Group) for "Did August Schwerkolt...."schwerkolt, film, sff rosier, trophy, tray

Believed to be the Advance Australia Hotel, Great Northern township.Black and white photograph of a timber building, close to the edge of a road. Written on back of photo: "The Advance Aust. Hotel on Murray Valley H/way near Rutherglen. 1949"hotels, advance australia hotel, great northern

Square glass container with curved edges, containing 30 marbles toys, marbles, children, presents, games

Yellow WHS cookery apron with Kathy embodied onto the edge Kathy

Photo shows the Grenville St shelter decorated for the Centenary of European settlement in the Ballarat district. The tram shelter has the numbers "100". "1838" and "1938" with a number of well dressed ladies outside the shelter. See items 2917 and 6418 for associated images.Yields information about the Grenville St shelter decorated for the Centenary of European Settlement.Block mounted photograph onto grey card with printed edges,ballarat, shelters, ballarat centenary celebrations, celebrations, grenville st, sturt st

White cotton runner. Inserted lace and edged with applied lace.household textiles, table runners, lace

Harry van Assche was the organiser of the RVIB's auxiliaries during the 1930's and until his death in 1942. In this letter to the Auxiliary Secretary's, Stan Hedger (Superintendent and Secretary for the RVIB) advises of Mr van Assche's death and the alternative arrangements to keep the work ongoing. Attached to the top of the letter is a newspaper article from The Sun (22/7/1942) paying tribute to this work. The letter reads: Dear Auxiliary Secretary, You will all be distressed and grieved as we are over the untimely death of our beloved friend, Mr van Assche, and I am enclosing a tribute to his memory. I think I was in a better position than anybody connected with the Institute for knowing his real worth and of the noble way in which he faced life anew in his brave unflinching determination to conquer disabilities of blindness. How well he succeeded is evidenced in our wonderful Auxiliary movement, in the multitude of friends he made wherever he went, in his never complaining attitude towards his affliction. We are heartbroken over what to me is an irreparable loss, for in my life-long experience among the blind, I have never met his peer. Other representatives will carry the torch lit by him (and he would not have liked to have thought we would fail him), and we feel that Auxiliaries will continue to do their best in memory of one who did his best for those who were sightless like himself, and for the cause for which they have so wonderfully worked in response to his appeals. Mr van Assche's Secretary and friend, Mr Webber, will act for the present, and I am sure you will all do your best to encourage him and those who may accompany him, in their desire to express the gratitude of everyone connected with this Institute for your loving kindness to Mr van Assche and to our blind babies, children and adults, who now depend upon you even more. With our kindest thoughts, Yours faithfully, Superintendent & Secretary1 letter with newspaper cutting pasted to top left edgeroyal victorian institute for the blind, auxiliaries, harry van assche

"The Committee, Blind Members and Staff acknowledge and record for posterity the outstanding service given to the blind people of Victoria by (blank) This exceptional contribution, which has enriched the quality of their living, was made in a selfless and warmhearted manner in the Association tradition of caring and sharing. Inherent in the many attributes displayed were the admirable qualities of leadership, loyalty, consistency of purpose, and a great generosity of spirit. In recognition of this distinguished service we now pay tribute to and honour Katharine Margaret Rose in the presentation of the John Wilson Award." Signed by Diana J. Jones (President), John Cook (staff representative), B. J. Sittlington (Chairman, Blind Members Council) on 16th October 1967.1 cream A3 page with tan border around edgeassociation for the blind, katharine (kitty) rose

This certificate for the registration of the business name 'Voice Print' was registered with the Victorian Corporate Affairs in 1995.1 white page with single blue edge mounted on cardboardForm 2, Business Names (Act) 1962, Section 7(4) and (5) Corporate Affairs Office, Victoria I hereby certify that the business name ... was on ... registered pursuant to and subject to the Business Names Act 1962. Given under my hand at Melbourne, this 13 October 1995 ... for Commissioner for Corporate Affairsassociation for the blind, corporation records

Aboriginal artifact (possibly found in garden in Bank Street Port Fairy By Chris Sharpells) 2 entries in green book under different numbers namely 792 and 814 state thisStone axe smoothed at long end to make cutting edgelocal history, ethnographic material, hunting, fishing, axe, gathering, stone, aboriginal

"The Board, Tilly Aston Customer Council and Staff acknowledge and record for posterity the outstanding service given to blind and vision impaired people in Victoria. This exceptional contribution was made in a selfless and warmhearted manner and continues Vision Australia's tradition of caring and sharing. Inherent in the many attributes displayed were the admirable qualities of leadership, loyalty, consistency of purpose, and a great generosity of spirit. In recognition of this distinguished service we now pay tribute to and honour Neil and Elizabeth Maxwell in the presentation of the John Wilson Award on 6th October 2000." Signed by John Cook - Chief Executive Officer, ? Chairman, Tilly Aston Customer Council and Malcolm Daubney, President.1 white A3 page with blue border around edgevision australia foundation, neil maxwell, elizabeth maxwell

Cream small square tablecloth with embroidered edge and centre panels.tablecloths