Diana Trewenack is the youngest daughter of Cedric Hirst and great granddaughter of Godfrey Hirst. Her father was Managing Director and Chairman of Directors of Godfrey Hirst Woollen Mills until its takeover in the 60’s. Diana was married at St David's Church in Geelong in May 1954. The material for the wedding gown was made with very fine cream wool woven at the Godfrey Hirst Woollen Mill. From discussion with Diana, the dress was put together by a local dressmaker in Geelong. It is fine pure wool and beaded on the edge of the wrap over skirt and on the long train.Cream coloured woollen wedding dress with long sleeves. Decorative beading pattern around cuffs and up the front edge of the dress. Zippers at each sleeve and back of dress. - 7825.1 Train, made with same cream woollen material as dress, with matching beaded edging. Attaches with clasp around waist of dress. - 7825.2 Veil made of cream tulle, with beaded headband. - 7825.3wedding dress, ceremony, godfrey hirst and co. pty ltd, woollen mills, textiles, fashion, dressmaking, diana trewenack, viel, gown

This photograph shows bidding underway for the million dollar bale in the Sale Room on the 11th January, 1995 at the National Wool Centre, Geelong. People depicted include Sale Team Baxter Murray, Auctioneer Michael Crooks and Wool Manager Keith Jackson. The wool was shorn from sheep of the Wyndarra and Rockbank bloodlines. A flock of 290 sheep were kept undercover at Kadinia, the property of the Appledore family from Brim in the Wimmera district of Victoria. Their record-breaking wool was produced by giving the sheep a special diet and providing each one with a UV-protective coat. Around 180 fleeces were selected for the million dollar bale. The sale of the first bale of wool measuring below 14 microns was held in the Auction Room here at the National Wool Museum. Bidding began at 40,000 (cents a kilogram) and steadily increased until there were only two bidders left. The bidders represented the Japanese firm Aoki International and Loro Piana of Italy. The hammer fell at 1,030,000 cents per kilogram, with Aoki International paying $1,194,800 for the 116kg bale. The fleece was scoured (cleaned) at the Goulburn Wool Scour, New South Wales. The degree of preparation and care taken with the task was extreme. The Scour closed production three days before and was extensively cleaned. On the day of scouring 12 tonnes of 17 micron wool was washed to condition the water, then nine bales of extra super fine wool, worth over $300,000 was washed as a trial run. Toabo Agaki Japan was employed to process the scoured wool into suit cloth. Taobo required the scoured wool to contain 0.5% residual grease, 12% moisture and a yield of 83kg. These requirements were met. The entire staff of the Scour wanted to be part of washing the best wool in the world. Without asking for payment both the night shift and afternoon shift crews assisted the day shift in the task. The bale was fed into the scour in seven minutes and fitted into three bowls, half the scour. It completely disappeared into the dryer and the last wool was fed before the first wool was out. The clean wool was hand-packed into cardboard cartons and freighted to Japan. Aoki International, based in Yokohama Japan, cut three suit lengths from the cloth, then blended the remaining wool into an exclusive line of commercially-available suits. These suits are labelled Kadinia.Colour photograph showing an interior view of people seated at rows of tables with an auctioneers stand at front of the room.michael crooks, auctioneer, wool industry, million dollar bale, geelong, auction, kadinia, appledore, keith jackson, sale room

Geelong Centenary Souvenir pennant. Blue background with yellow graphics, text and border. Attached to a short stick with a blue fabric cord as hanger. Graphic of the ship Edina.GEELONG / Centenary / Souvenir / October / 1938 / 8th to 31st.geelong centenary, 1938, edina, mortony pennants

Yields information about the appearance of one Geelong's single truck trams and the intersection of Ryrie and Moorabool Streets.Black and white photograph of Geelong No. 3 turning from Moorabool St into Ryrie St, with the destination of Chilwell. Note the tram has a conductor. Shows the overhead structure at this intersection. Has the Bank of New South Wales in the background. Photographed April 1954, by Douglas A Colquhoun and used on page 45 of Destination Eaglehawk. See also btm7106i1 for a digital image. On rear in ink 9263# and along bottom edge "Geelong April 1954" with pencil cropping marks and stamped "Photographed by Douglas A. Colquhoun"tramways, trams, geelong, ryrie st, moorabool st, tram 3

This is the second edition of a book published originally in 1851. It is an early work concerned with the recording of aboriginal languages and was published in Geelong. The author, Daniel Bunce (1813-1872) was a botanist who went on journeys with aborigines in Victoria in 1839 and later in 1846 joined Ludwig Leichhardt’s second expedition in his attempt to cross Australia from east to west. This was unsuccessful. Bunce’s experiences in 1839 and in 1846 enabled him to write his book on aboriginal languages. In 1858 Bunce became the Director of the Geelong Botanic Gardens and designed and planted out the gardens. No information has been found on Noel Hallowill. This book is of antiquarian interest as an early dictionary of aboriginal languages and as a book written by the botanist, Daniel Bunce. This is a hard cover book of 60 pages. The cover is yellow with black lettering. There is an ornamental border around the printing. There are two blue stamps of the Warrnambool and District Historical Society on the front cover and on the first page. The book is bound with brown tape. The book has a Preface, an Introduction and sections on the aboriginal languages in areas of Victoria and beyond. A copy of a letter from the explorer, Ludwig Leichhardt, is included at the end of the book. Stamp of ‘Noel Hallowill’ (name unclear) daniel bunce, aboriginal languages, ludwig leichhardt

Victorian Producers Market Report, featuring details of the sale of the million dollar bale on Wednesday 11th January, 1995 in Geelong. The wool was shorn from sheep of the Wyndarra and Rockbank bloodlines. A flock of 290 sheep were kept undercover at Kadinia, the property of the Appledore family from Brim in the Wimmera district of Victoria. Their record-breaking wool was produced by giving the sheep a special diet and providing each one with a UV-protective coat. Around 180 fleeces were selected for the million dollar bale. The sale of the first bale of wool measuring below 14 microns was held in the Auction Room here at the National Wool Museum. Bidding began at 40,000 (cents a kilogram) and steadily increased until there were only two bidders left. The bidders represented the Japanese firm Aoki International and Loro Piana of Italy. The hammer fell at 1,030,000 cents per kilogram, with Aoki International paying $1,194,800 for the 116kg bale. The fleece was scoured (cleaned) at the Goulburn Wool Scour, New South Wales. The degree of preparation and care taken with the task was extreme. The Scour closed production three days before and was extensively cleaned. On the day of scouring 12 tonnes of 17 micron wool was washed to condition the water, then nine bales of extra super fine wool, worth over $300,000 was washed as a trial run. Toabo Agaki Japan was employed to process the scoured wool into suit cloth. Taobo required the scoured wool to contain 0.5% residual grease, 12% moisture and a yield of 83kg. These requirements were met. The entire staff of the Scour wanted to be part of washing the best wool in the world. Without asking for payment both the night shift and afternoon shift crews assisted the day shift in the task. The bale was fed into the scour in seven minutes and fitted into three bowls, half the scour. It completely disappeared into the dryer and the last wool was fed before the first wool was out. The clean wool was hand-packed into cardboard cartons and freighted to Japan. Aoki International, based in Yokohama Japan, cut three suit lengths from the cloth, then blended the remaining wool into an exclusive line of commercially-available suits. These suits are labelled Kadinia.Two pages held with staple in top left corner with printed black text.Front: [printed] VP / VICTORIAN PRODUCERS' / CO-OPERATIVE COMPANY LIMITED / A. C. N. 004 059 607 / VPC WOOL SALE G04 / 11TH JANUARY, 1995 SEASON 1994/95michael crooks, auctioneer, wool industry, million dollar bale, geelong, auction, kadinia, appledore, keith jackson, sale room, geelong wool centre

Australian Wool Markets Report, featuring details of the sale of the million dollar bale on Wednesday 11th January, 1995 in Geelong. The wool was shorn from sheep of the Wyndarra and Rockbank bloodlines. A flock of 290 sheep were kept undercover at Kadinia, the property of the Appledore family from Brim in the Wimmera district of Victoria. Their record-breaking wool was produced by giving the sheep a special diet and providing each one with a UV-protective coat. Around 180 fleeces were selected for the million dollar bale. The sale of the first bale of wool measuring below 14 microns was held in the Auction Room here at the National Wool Museum. Bidding began at 40,000 (cents a kilogram) and steadily increased until there were only two bidders left. The bidders represented the Japanese firm Aoki International and Loro Piana of Italy. The hammer fell at 1,030,000 cents per kilogram, with Aoki International paying $1,194,800 for the 116kg bale. The fleece was scoured (cleaned) at the Goulburn Wool Scour, New South Wales. The degree of preparation and care taken with the task was extreme. The Scour closed production three days before and was extensively cleaned. On the day of scouring 12 tonnes of 17 micron wool was washed to condition the water, then nine bales of extra super fine wool, worth over $300,000 was washed as a trial run. Toabo Agaki Japan was employed to process the scoured wool into suit cloth. Taobo required the scoured wool to contain 0.5% residual grease, 12% moisture and a yield of 83kg. These requirements were met. The entire staff of the Scour wanted to be part of washing the best wool in the world. Without asking for payment both the night shift and afternoon shift crews assisted the day shift in the task. The bale was fed into the scour in seven minutes and fitted into three bowls, half the scour. It completely disappeared into the dryer and the last wool was fed before the first wool was out. The clean wool was hand-packed into cardboard cartons and freighted to Japan. Aoki International, based in Yokohama Japan, cut three suit lengths from the cloth, then blended the remaining wool into an exclusive line of commercially-available suits. These suits are labelled Kadinia.Three pages held with staple in top left corner with printed black text.Front: [printed] Wool International / TONY SMITH / VPC / WOOL INTERNATIONAL / AUSTRALIAN WOOL MARKETS REPORT: WEDNESDAY 11/1/95michael crooks, auctioneer, wool industry, million dollar bale, geelong, auction, kadinia, appledore, keith jackson, sale room, geelong wool centre

This photograph shows Grower Ian Appledore, Auctioneer Michael Crooks and Wool Manager Keith Jackson posing with the million dollar bale after it was sold on 11th January 1995 in Geelong. The wool was shorn from sheep of the Wyndarra and Rockbank bloodlines. A flock of 290 sheep were kept undercover at Kadinia, the property of the Appledore family from Brim in the Wimmera district of Victoria. Their record-breaking wool was produced by giving the sheep a special diet and providing each one with a UV-protective coat. Around 180 fleeces were selected for the million dollar bale. The sale of the first bale of wool measuring below 14 microns was held in the Auction Room here at the National Wool Museum. Bidding began at 40,000 (cents a kilogram) and steadily increased until there were only two bidders left. The bidders represented the Japanese firm Aoki International and Loro Piana of Italy. The hammer fell at 1,030,000 cents per kilogram, with Aoki International paying $1,194,800 for the 116kg bale. The fleece was scoured (cleaned) at the Goulburn Wool Scour, New South Wales. The degree of preparation and care taken with the task was extreme. The Scour closed production three days before and was extensively cleaned. On the day of scouring 12 tonnes of 17 micron wool was washed to condition the water, then nine bales of extra super fine wool, worth over $300,000 was washed as a trial run. Toabo Agaki Japan was employed to process the scoured wool into suit cloth. Taobo required the scoured wool to contain 0.5% residual grease, 12% moisture and a yield of 83kg. These requirements were met. The entire staff of the Scour wanted to be part of washing the best wool in the world. Without asking for payment both the night shift and afternoon shift crews assisted the day shift in the task. The bale was fed into the scour in seven minutes and fitted into three bowls, half the scour. It completely disappeared into the dryer and the last wool was fed before the first wool was out. The clean wool was hand-packed into cardboard cartons and freighted to Japan. Aoki International, based in Yokohama Japan, cut three suit lengths from the cloth, then blended the remaining wool into an exclusive line of commercially-available suits. These suits are labelled Kadinia.Colour photograph showing three men standing around a bale of wool.michael crooks, auctioneer, wool industry, million dollar bale, geelong, auction, kadinia, appledore, keith jackson, sale room, geelong wool centre

Yields information about Geelong 1in Ryrie St during the mid 1930's.Black and White Photograph of Geelong No.19 at the depot, with the destination of Chilwell. Shows the tramcar in detail, such as the trolley rope. Photo by John Radcliffe, 11/1/1956, three days after the first closures.In hand writing on the rear "Geelong Pengelly car 19 on depot forecourt 3 days after the fist closures." In the bottom left hand corner "11-1-56" and in the bottom right hand corner "WFS Collection / J. C. Radcliffe (Adelaide)" trams, tramways, geelong, depot, pengelly, tram 19

Negative and Digital images of the Wal Jack Geelong Negative file of Geelong 5 at the Eastern Park terminus. Photo mid to early 1950's. trams, tramways, geelong, eastern park, tram 5

The photo shows Geelong tram No. 3 at the railway station with the destination of Newtown. Photo by Ken McCarthy 4-2-1948Yields information about the Geelong railway station terminus and tram 3.Black and white photograph with stamped details on rear.Typed on rear "No. 3 car SEC Geelong 4 Feb 1948, copyright K McCarthy, Photo No. 76". Ken Magor stamp as well" tramways, trams, geelong, tram 3, railway, railway station

This photograph shows Growers Ian Appledore, Kaye Appledore and Murray Appledore, Wool Manager Keith Jackson, Wool Classer Phillip Gibson, Geoff Allibon and Brendan Dart posing with the million dollar bale after it was sold on 11th January 1995 in Geelong. The wool was shorn from sheep of the Wyndarra and Rockbank bloodlines. A flock of 290 sheep were kept undercover at Kadinia, the property of the Appledore family from Brim in the Wimmera district of Victoria. Their record-breaking wool was produced by giving the sheep a special diet and providing each one with a UV-protective coat. Around 180 fleeces were selected for the million dollar bale. The sale of the first bale of wool measuring below 14 microns was held in the Auction Room here at the National Wool Museum. Bidding began at 40,000 (cents a kilogram) and steadily increased until there were only two bidders left. The bidders represented the Japanese firm Aoki International and Loro Piana of Italy. The hammer fell at 1,030,000 cents per kilogram, with Aoki International paying $1,194,800 for the 116kg bale. The fleece was scoured (cleaned) at the Goulburn Wool Scour, New South Wales. The degree of preparation and care taken with the task was extreme. The Scour closed production three days before and was extensively cleaned. On the day of scouring 12 tonnes of 17 micron wool was washed to condition the water, then nine bales of extra super fine wool, worth over $300,000 was washed as a trial run. Toabo Agaki Japan was employed to process the scoured wool into suit cloth. Taobo required the scoured wool to contain 0.5% residual grease, 12% moisture and a yield of 83kg. These requirements were met. The entire staff of the Scour wanted to be part of washing the best wool in the world. Without asking for payment both the night shift and afternoon shift crews assisted the day shift in the task. The bale was fed into the scour in seven minutes and fitted into three bowls, half the scour. It completely disappeared into the dryer and the last wool was fed before the first wool was out. The clean wool was hand-packed into cardboard cartons and freighted to Japan. Aoki International, based in Yokohama Japan, cut three suit lengths from the cloth, then blended the remaining wool into an exclusive line of commercially-available suits. These suits are labelled Kadinia.Colour photograph showing three six men and one woman standing around a bale of wool.michael crooks, auctioneer, wool industry, million dollar bale, geelong, auction, kadinia, appledore, keith jackson, sale room, geelong wool centre

Mounted photograph of 20 men in uniform posing in front of a weatherboard building (probably at Fort Queenscliff)volunteer forces, military, armed forces, geelong, w.h. watts, fort queenscliff

Collector says: "This pair of Physician blankets was found at the Mission op shop in Blackburn South. I remember having such a lovely chat with the solo staff member there as we shared some blanket appreciation, a regular occurence when rehoming a relinquished blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized checked blanket, corn and bluePhysician Blankets/Pure Virgin Lambswool/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong

Collector says: "This pair of Physician blankets was found at the Mission op shop in Blackburn South. I remember having such a lovely chat with the solo staff member there as we shared some blanket appreciation, a regular occurrence when rehoming a relinquished blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen sized blanket, corn and bluePhysician Blankets/Pure Virgin Lambswool/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong

Collector says: "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.""For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Checked blanket, pink, blue and creamPhysician/Standard Chillproof/Pure Wool Blanket/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Geelong No. 5 and No. 4 in Ryrie St near Moorabool St. 1-1-1956, Photo by Wal Jack. In the background is Belchers Radio and Sport Store and a set of bar traffic lights. No. 5 has the destination of Newtown, and No. 4 the destination of Eastern Park. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 27/6/2020.On the rear in blue ink "Geelong No. 5 to Newtown, No. 4 to Eastern Park, Ryrie St near Moorabool St, 1-1-56" with Wal Jack copyright stamp in the top right hand corner and the number "T1303" written in.trams, tramways, geelong, ryrie st, tram 5, tram 4

Yields information about the Geelong Railway Station and Geelong's tramcars, c1915.Black and white reproduction photograph of a page from the Now Magazine, 21.3.1912 issue featuring photographs of the opening of the Geelong Tramways on the 14.3.1912. 4407.1 - features 6 photographs: Guests at the Works, Mayoress of Newtown at the wheel; Pakington St Geelong West, Mayoress of West Geelong at Driver, Guests at the Power house, and Guess returning to their homes by Tram (see 4407.3) 4407.2 - Reproduction from page 15, NOW Magazines, News of the Week, of the first car leaving the sheds - Mayoress of Geelong Driving, H.L. Potter photograph. Two copies 4407.3 - separate print bottom photo titled "Guests returning to their homes by Tram" Note each of the trams driven by the respective mayoresses, were decorated differently. Some printed on Hewlett Packard paper.4407.1 - on the front in ink "12) other side of page" "12)", "13)1" and "14.3.1912" and "21.3.1912" along the bottom edge. On rear "12) top rt hand pic only ie Newtown car" and "13)1 Bottom rt hand pic only ie guests going home". Also has a "William Scott" address label. 4407.2 - On the front in ink "NOW Magazine, issue 21.3.1912 (News of the Week magazine Geelong", "14.12.1912" and on rear "11" and a "William Scott" address label. 4407.3 - On the front in ink "News of the Week, a Geelong magazines / opening day 14.3.1912", and "issue 21.3.1912" and "13)2" in top right hand corner. On the rear "13)2 same as 13)1 bottom right hand corner only, Guests going home" and a "William Scott" address label..trams, tramways, geelong, first tram, opening, newtown, tram 4

Indicates the boom time experienced for Junior Cyclists at the Geelong Cycling Club during the years 1996-2006 This shield has an important place in the history of juniors in road cycling in Geelong.A mahogany coloured wooden shield with brass plated plaques containing inscriptions of winners of the junior road aggregate of the Geelong West Cycling Club during the years 1996-2006. There is an emblem of a cyclist and a banner at the top centre of the shield. "Geelong West Cycling Club/1996/Tim Wilson/1997/Andrew Tivendale/1998/Christopher Fry/1999/Mark Hudgell/2000/Rohan Chisholm/2001/James Stewart/2002 Danielle Budgell/2003 Brittany Foster/2004/ Chesney Milne/2005 Chesney Milne/Sponsored by/Junior Road Aggregate/Bill Clifton"geelong west cycling club; tim wilson; andrew tivendale; christopher fry; mark hudgell; rohan chisholm; james stewart; danielle budgell; brittany foster; chesney milne; chesney milne; junior road aggregate; bill clifton;

Certificate of Life Membership to the Geelong Textile Society, presented to WP Harrison.Certificate of Life Membership to the Geelong Textile Society, presented to WP Harrison.geelong textile society, harrison, mr w. p.

Scrapbook of advertisements, newspaper articles and photographs about woollen mills in Geelong.Scrapbook of advertisements, newspaper articles and photographs about woollen mills in Geelong.Scrapbookwoollen mills woollen mills - history textile mills, collins bros mill pty ltd godfrey hirst and co. pty ltd victoria woollen mills albion woollen mills co. pty ltd textile workers' union returned soldiers and sailors mill, hirst, mr godfrey, woollen mills, woollen mills - history, textile mills

Thelma Alto won the Novice Handicap at Geelong on the 18 October 1923. One large black and white mounted photograph. Top line: Geelong / 18/10/23 Second line: Novice Handicap Third line: Won by Thelma Alto horses, race, winner, driver, trainer, owner, geelong, thelma alto, e earl, 1923

Yields information about the form and style of the early Geelong trams and assistance given to the Red Cross during the first world war.Black and white photograph, printed onto card (inkjet printer?) of Geelong Cross bench tram No. 18 in Corio Tce, now Brougham St outside the wood stores. Tram has the destination of Belmont. Taken after SEC take over with the sides of tram panelled in. Late 1930's. See Reg item 4317 for a different view. Two copies held. Dave O'Neil advised 20/7/2009 - following conversion for one man trams. Given the condition of the tram, assume just after conversion. Copy 1 - "Geelong Hist Soc / William Scott Collection." in ink. Copy 2 - " Corio Tce, now Brougham St / Moorabool Street crossing in background / Geelong Hist Soc / W F S Collection." in ink.trams, tramways, geelong, depot, brougham st, tram 18

Yields information about the form and style of the early Geelong trams.Black and white photograph, printed onto card (inkjet printer?) of Geelong Cross bench tram No. 18 in Corio Tce, now Brougham St outside the wood stores. Tram has the destination of Belmont. Taken after SEC take over with the sides of tram panelled in. Late 1930's. See Reg item 4318 for a different view. Dave O'Neil advised 20/7/2009 - following conversion for one man trams. Given the condition of the tram, assume just after conversion." Corio Tce, now Brougham St / Geelong Hist Soc / W F S Collection."trams, tramways, geelong, depot, brougham st, tram 18

Photographic reproduction of the original Coat of Arms of the City of Geelong and the city motto "By the right use of God's gifts", used from 1849 to 1981.On rear in ink "(7),", "WFS Collection", a "William Scott" address label. In writing "1849 to 1981" / The original coast of arms for Geelong. William F. Scott Collection / Geelong Historical Centre".trams, tramways, crests, coat of arms, city of ballaarat, city of ballarat

David Buckley Bridgwood: born 1852 England. Commenced ministry in 1884. Married Adeline Williams, daughter of the Rev. Spencer Williams of Launceston on 22 March 1888. 1884 Warragul; 1885 Prahran; 1886 Murtoa; 1887 Flemington; 1888 Wangaratta; 1889 Sandhurst; 1892 Hobart; 1895 New Town; 1897 Westbury; 1900 Geelong West; 1902 Geelong; 1903 St. Arnaud; 1904 Sale; 1905 Moonta; 1908 Crystal Brook; 1911 Koolunga; 1914 Woodville; 1916 Redruth; 1920 Gumeracha; 1924 Supernumerary Gumeracha; Chairman of District 1897 - 1899, 1904, 1913. Died 1941, buried Mitcham S.A. B & W gloss, studio portrait of the Rev. D. Buckley Bridgwood with his wife Adeline and daughter Florence.methodist, minister, buckley bridgwood, adeline bridgwood, florence bridgwood

Black and white photograph of Geelong No. 39, photographed at the Geelong depot, prior to an AETA Tour on 2/4/1955. Photo by Peter Duckett. Tram has Australian Electric Traction Association sign on the front bumper, a auxiliary sign showing "Chartered Tram" and showing destination of "Special". See also Reg. Item 487 for a similar photograph. Item from the ARHS Archives dated 14/7/2004 via Bill Kingsley. No indication of original source, date or photographer.On rear of photograph in red ink at top "39 Geelong Depot 2/4/1955, Ex MMTB 39, to Ballarat as No. 41". On base of photo in blue ink "Peter Duckett Photo" and in red ink "AETA Special Tour"tramways, trams, geelong, depot, special tours, aeta, tram 39

This photograph shows armed guards and Wool Manager Keith Jackson posing with the million dollar wool bale after it was sold by auctioneer Michael Crooks on the 11th January, 1995 in Geelong. The wool was shorn from sheep of the Wyndarra and Rockbank bloodlines. A flock of 290 sheep were kept undercover at Kadinia, the property of the Appledore family from Brim in the Wimmera district of Victoria. Their record-breaking wool was produced by giving the sheep a special diet and providing each one with a UV-protective coat. Around 180 fleeces were selected for the million dollar bale. The sale of the first bale of wool measuring below 14 microns was held in the Auction Room here at the National Wool Museum. Bidding began at 40,000 (cents a kilogram) and steadily increased until there were only two bidders left. The bidders represented the Japanese firm Aoki International and Loro Piana of Italy. The hammer fell at 1,030,000 cents per kilogram, with Aoki International paying $1,194,800 for the 116kg bale. The fleece was scoured (cleaned) at the Goulburn Wool Scour, New South Wales. The degree of preparation and care taken with the task was extreme. The Scour closed production three days before and was extensively cleaned. On the day of scouring 12 tonnes of 17 micron wool was washed to condition the water, then nine bales of extra super fine wool, worth over $300,000 was washed as a trial run. Toabo Agaki Japan was employed to process the scoured wool into suit cloth. Taobo required the scoured wool to contain 0.5% residual grease, 12% moisture and a yield of 83kg. These requirements were met. The entire staff of the Scour wanted to be part of washing the best wool in the world. Without asking for payment both the night shift and afternoon shift crews assisted the day shift in the task. The bale was fed into the scour in seven minutes and fitted into three bowls, half the scour. It completely disappeared into the dryer and the last wool was fed before the first wool was out. The clean wool was hand-packed into cardboard cartons and freighted to Japan. Aoki International, based in Yokohama Japan, cut three suit lengths from the cloth, then blended the remaining wool into an exclusive line of commercially-available suits. These suits are labelled Kadinia.Colour photograph showing three men with a bale of wool in front of an armaguard truck. Two of the men are armed guards standing either side of the wool bale, one is holding a shotgun. Another man in a suit and tie is crouching near the bale.gavel, michael crooks, auctioneer, wool industry, million dollar bale, geelong, auction, kadinia, appledore, keith jackson, armed guards, armaguard

Yields information about the appearance of one of Geelong's trams prior to closure and entry to the depot building.Black and white photograph of Geelong No. 34 leaving the depot with the conductor leaning out front door. The tram has the destination of "Belmont" Photographed by John Webster, 21/8/1955. The "Stripped Horror" Actual print part of the whole negative, see btm 4197i3.. Negative scanned at hi res 4/6/2020 and image updated.On rear in ink "Stripped Horror, / Tram 34, Geelong Vic" and in top right hand corner "EH 34 / 21-8-55 JR" On Negative in ink "EH36"tramways, trams, geelong, depot, tram 34

Negative and Digital images of the Wal Jack Geelong Negative file of Geelong 26 with the destination of Eastern Park in ?/ Aberdeen?? St. Photo late 1940's. trams, tramways, geelong, eastern park, tram 26