The unidentified man has decorated his wagon to take part in the Easter Carnival of the Australian Native's Association. The Australian Natives Association was formed in Melbourne in 1871 and originally known as the Victorian Natives Association. The association was a friendly society and membership was restricted to white people born in Australia. Friendly society membership required a small fortnightly contribution and, in return, members received free medical care for their whole family, a funeral benefit to avoid a pauper’s grave and sick pay if they were unable to work. The ANA, as it became known, did not admit women members until the 1960s.A man in a bowler hat is holding the reins of a Clydesdale horse that is attached to a decorated wagon which is stacked with produce. Handwritten in red ink on reverse of image: A26 / 71% Handwritten in pencil: A26 / Chap 3market gardens, friendly societies, australian natives association, welfare, horse, horse drawn wagon

The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images. The man appears to be at the Mission to Seafarers, the Celia Little room usually used as a reading and quiet room. On the table is the shield annual competition by crew of merchant ships presented by Wally Nancarrow, Sydney.The presence of the framed football shield in the image links this image to other objects in the MTSV collection and helps confirm location of Celia Little room and the era of the photograph to mid 20th C.Black and white photograph of a man reading a magazine taken a table with a collection of different magazines. A framed shield appears to the left of the frame.Ilford paperphotography, flying-angel, club-room, black-and-white, mission-to-seafarers, stage, celia-little-room, shield, soccer, football

Denis Sikiotis (Skiotis) is the young man who was lifting up his young cousin, Jim Morris (Mortaitis). They are pictured in South Yarra where Jim's family operated a milk bar located on the corner of Osborne Street and Toorak. Denis and his brother Hector were sponsored by their aunt Marigo Sikiotis to come Australia to study at RMIT. Both brothers were born in China where their father had migrated and established a business - more information about the Skiotis family history https://www.ithaca.org.au/images/Historical_Stories/Ed_192_Art_2_Skiotis_of_China.pdfA black and white photograph of a young man lifting a little boy up. They are both under a bare tree in a park.

The young man is Ron Preston and the photograph shows the verandah and front of Preston's shop in Sussex Street, Linton. Ron was the son of George and Annie Preston. Preston's store which is pictured was on the corner of Sussex and Gillespie Streets, Linton.Scan of black and white copy of original photograph, which shows a young man wearing a dark jacket and light-coloured trousers, who is sitting sideways on a motorcycle that has been parked outside a shop.ron preston, preston's shop

The wedding between Fred Osterlund and Ida Rose Richardson was on September 9 1925 at the Rhyll Public Hall. James Clarke was best man and Charles William Richardson was groomsman. Fred and Ida were the parents of Jim Osterlund of Rhyll. Fred's mother was Sarah Jane Davis and Ida's mother was Rose Elizabeth Laugher. Fred [ Freedolf William] Osterlund was a ferry captain from Rhyll.HistoricalSepia photo of a man, dressed in a suit and bow tie, seated and a woman standing, wearing a wedding dress and veil and holding a large bouquet of flowers.wedding photo, fred osterlund, ida richardson, rhyll, ferries

This photo is of Neddy Wheeler - Dhudhuroa man and language informant to RH Matthews. The photo was taken at Lake Moodemere. Neddy spent the latter part of his life here, especially after his Wife Charlotte and children Thomas, Harry, Dolly and Kate were taken from him in the Kiewa Valley and taken to Lake Tyers.The Aboriginal Protection Board would provide travel passes for him to visit his Country. He died in April 1908Black and white photograph, printed on postcard, showing view of Lake Moodemere, with a man wearing a jacket and hat, reclining on the bank in the foreground.Printed at top of photo: "Lake Moodemere, Rutherglen"lake moodemere, neddy wheeler, dhudhuroa, charlotte wheeler, thomas wheeler, harry wheeler, dolly wheeler, kate wheeler, kiewa valley, lake tyres, aboriginal protection board

The soldier in the photo is Charles Alfred KEDGE No.38512. Born in Bendigo, he enlisted on 8.11.16 aged 21 in the FIELD ARTILLERY BRIGADE Reinforcement 32. Embarked for England 26.11.17, embarked for France 17.7.18, KIA 16.8.18 at Tincourt, France. The photo was most likely taken in Croydon, South London at the home of Stephen Tully, the elder man sitting in the photo. Betty Tully is in front of him, Eileen in the white dress. The lady in the black dress is Annie Parker. The photo was taken prior to Kedge embarking for France. Refer to Ct. No.4056 for other item.Photo, sepia tone, showing a soldier standing behind a man & woman seated and two girls sitting on grass.On rear in pen: “CHARLIE KEDGE, Stephen Tully, Annie Parker, Betty Tully, Eileen Tully”photograph, artillery, kia

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. A etching of a man with a man size goose.graeme drendel, printmaking, goose, fauna

This iron is typical of the electric irons used in the 1950s. It didn't have a thermostat like the irons that followed so care had to be taken not to leave it on too long. Women in their domestic role used irons.The Kiewa Hydro Electric Scheme commenced in the late 1940s when Mt Beauty township was created. Amongst the shops in the main street was an SEC shop which sold electrical items. "Creda" Electric Iron with plug-in cord. A metal steel base iron with a wooden handle and a thumb rest. The handle is bolted onto the iron with 2 large screws. The cord is coloured maroon except where it is repaired with black tape. The cord socket plugs in behind the handle of the iron. CREDA Cat. No 6; Man. No.; Volt 200; AMPS 2.7 iron, laundry, household, electric, pressing clothes, domestic

This type of steam boiler is called a Scotch Marine boiler. It was manufactured in Dordrecht, Netherlands, possibly in 1918 by 'DeMan & Teveldhuis'. The only history that we have was that the boiler was found in an unknown paddock. It had an attached tag labelled "Melbourne Steam Club" but never collected by them. It was eventually brought to Flagstaff Hill Maritime Village for display.This boiler is an example of equipment used for a steam driven machine.Boiler, Scotch Marine Boiler design, cylindrical shape with rivets on the enclosed end, pipe fittings on top and apertures and open pipe ends on the other end.. Possibly manufactured by 'DeMan & Teveldhuis' in 1918 in Dordrecht, Netherlands. Inscription embossed on outside of boiler. "19 DE MANS & TEVEL-(D?)HUIS DORDRECHT 18"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, boiler, scotch marine boiler, steam boiler, ship's boiler, dordrecht netherlands, 1918 boiler, melbourne steam club

Dip pens emerged in the early 19th century, when they replaced quill pens. They were generally used prior to the development of fountain pens in the later 19th century, and are now mainly used in illustration, calligraphy, and comics. A nib pen usually consists of a metal nib with capillary channels like those of fountain pen nibs, mounted on a handle or holder, often made of wood. Other materials can be used for the holder, including bone, metal and plastic. Generally speaking, dip pens have no ink reservoir; therefore the user has to recharge the ink from an ink bowl or bottle in order to continue drawing or writing. Birmingham, England was home to many of the first dip pen manufacturers. John Mitchell pioneered mass production of steel pens in 1822; prior to that the quill pen had been the most common form of writing instrument. His brother William Mitchell later set up his own pen making business in St Paul's square. The Mitchell family is credited as being the first manufacturers to use machines to cut pen nibs, which greatly sped up the process. Germany 1842 began at the factory of Heintze & Blanckertz in Berlin By 1860 there were about 100 companies making steel nibs in Birmingham, but 12 large firms dominated the trade. Dip pens are rarely used now for regular writing, most commonly having been replaced by fountain pens, rollerball pens, or ballpoint pens. However, dip pens are still appreciated by artists, as they can make great differences between thick and thin lines, and generally write more smoothly than other types of pens. Dip pens are also preferred by calligraphers for fine writing. Richard Esterbrook was a Cornish Quaker from England who saw an opportunity in the United States to manufacture Steel Pens. In 1856 R.Esterbrook traveled to the US to set up shop as 'The Steel Pen Manufacturing Company' where Richard made these steel pens by hand using special tools and machines (mostly that Richard had to invent). In 1858 he was able to establish himself as the sole pen manufacturer in the USA and he changed the company name to 'The Esterbrook Steel Pen Mfg. Co.' The company settled down in Camden, New Jersey. Quality was a key factor in his success. His steel pens were versatile, long lasting, and came in many different styles to fit the varied writing styles of the public. Sadly, Richard Esterbrook didn't see the 'empire' his company was to become as he passed away in Atlanta on October 12th 1895 . in 1896 they started an Esterbrook branch in England to join the ranks of the other main pen manufactures in Birmingham . In 1912 the company had gotten so large that they erected a 5 story building, just to continue manufacturing pens. By 1920 the fountain pen was fast becoming more popular amongst people who were tired of 'dipping.' To meet this demand the company manufactured its first fountain pen. In 1930 the company sought less expensive means of manufacturing pens because gold and 'jewel' tips were too expensive and in this same year they began selling fountain pens in England . The Esterbrook Company began using the metal Iridium which they called 'Durachrome.' To meet the fountain pen demand the company reformed as 'The Esterbrook Hazel Pens Ltd.' In 1940 war had come to strike a blow at the Esterbrook company. On November 19th 1940 their England location was hit by an incendiary bomb destroying half of the location! To make matters worse, when putting out the fire using a human water bucket chain, someone accidentally grabbed a bucket of paraffin and set the place further ablaze. Oddly enough, the company was able to rebuild the structure during the war. However, the government had placed a stipulation that 50% of its capacity was to be used for government related purposes. In 1947 the company bought out John Mitchell and the American branch had already acquired Hazel Pen Co. The company re-formed again as 'The Esterbrook Pen Company.' This is the last company name the dip pen nibs were manufactured under. A box of Steel dipping nibs for writing pensOn Box; Photo of man / R. Esternbrook Co. / PENS / PROBATEsteel nibs, writing pens, education, schools, writing, caligraphy, artists, moorabbin, bentleigh, cheltenham, dip pens, inkwells, fountain pens, mitchell john, birmingham england, esternbrook richard, maple barbara

Jungle green trousersTrousers Mans cotton sateen OG 107, Type 1uniform, united states army

SoftcoverFlyer of 'Rodney Pople: First One Man Show in Melbourne"national gallery of victoria, painting, sidney nolan, richard haese, jan minchin , walsh st library

Black & white photograph of 2 men, 1 girl and 1 boy on upper deck of P. S. Kelvin. In the background is a 3rd man, Hugh Price, at the wheel. Documented as being on mail run and at the Murray BridgeDemonstrates passenger transport and travel along the river as well as the delivery of mail services between rural communities.Black & white photograph of 2 men, 1 girl and 1 boy on upper deck of P. S. Kelvin. In background is a 3rd man, (Hugh Price) at wheel. Documented as being on mail run and at the Murray Bridge Echuca.In pencil on back : Kelvinp.s. kelvin, murray bridge, mail run, paddlesteamers, murray river, hugh price

Colour slide of a man repairing a sawmill at a timber yard in Eildon. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Other slides show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of a man repairing a sawmill in a timber yard in Eildon during Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Handwritten 'Repairs / Eildon' in blue pen. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, wood, sawmill

A image of the weatherboard Railway Hotel with two men shaking hands on the r/h side and on the l/h side a family group consisting of a man, two women and four children. This hotel is now known as the Olive Tree HotelAn image of the weatherboard Railway Hotel with two men shaking hands on the RH side and on the LH side a family group consisting of a man, two women and four children. This hotel is now known as the Olive Tree Hotel.hotels, clothing and dress, olive tree hotel, people, lamb, george, railway hotel, sunbury, george evans collection

Photograph is of Sir John Bowser as a young man, probably shortly after he settled in Wangaratta about 1880. In 1884 he became editor and part-owner of the Wangaratta Chronicle. In 20 November 1894 he won the Wangaratta and Rutherglen seat in the Legislative Assembly by only thirteen votes. He remained in the Victorian Parliament for many years and in November 1917 he became premier, chief secretary and minister of labour. At the time the Rutherglen Common School was completed in 1874 he was the Minister of EducationBlack and white portrait photograph of a young man with a mustache. Photo was mounted on a light piece of cardboard that has been torn at the edges.At bottom of photo is pasted a slip of paper printed with: "J. Bowser, Esq., M.L.A."john bowser, victorian legislative assembly, common school, rutherglen common school

"The Music Man" is a musical in two acts, music and lyrics by Meredith Willson & Franklin LaceyBendigo Operatic Socety Souvenir Music Programme for "The Music Man" - a musical in 2 acts opening for 8 nights commencing Wednesday, 12th June 1974 in the Capital Theatre - A5 booklet with 16 pages - booklet consisting of lists of individuals participating and organizing the concert, advertisements, acknowledgments, synopsis of story and scenes. Included also are cast, musical numbers and Orchestra.programme, concert, bendigo operatic society, capital theatre

The booklet gives a historical account of the early days of establishing Legacy. It is a personal reminder of the contribution made by Legatee Stan Savige. The account is an extract from 'There goes a man', the biography of Stanley Savige, the whole of chapter three plus a lead in from chapter two (pages 123 to 176 of the book).Significant in that the booklet reminds the reader of the difficulties of establishing a charity and taking the idea from a thought, to funding and recruiting like minded people to develop the idea.Printed paperback book with blue cover and white pages and black type.Front cover. LEGACY. ITS ORIGINS AND EARLY DEVELOPMENT. An extract from THERE GOES A MAN. The biography of Lieutenant-General Sir Stanley Savige, K.B.E.,C.B.,D.S.O.,M.C.E.D. (First published by Longmans,1959). Reprinted for Legacy’s Diamond Jubilee, 1983stan savige, savige book

Born: St Petersburg, Russia 1873; Arrived: Sydney, New South Wales, Australia 1887; Lived and worked: England, France, Wales, Egypt, Palestine 1900-1921; Died: Cobbity, New South Wales, Australia 1930InterwarGift of J. Brackenreg, Artarmon Galleries, 1979Drawing of head with short hair, neck and shoulders. Black timber frame.Recto: Signed, titled and dated "G.W.Lambert / J.W.L. McHugh – April 28th / 1925" in grey pencil across lower centre of composition.drawing, portrait, face, man

Scanned from a coloured slideView from this sidepapua new guinea, papuan, man, sem

The man on the horse was photographed close to the main entrance of The Avenue which was the main approach to the former Sunbury Asylum. In later years the conifer trees were replaced with oak trees and today The Avenue is still the main road leading into Jacksons Hill, the housing estate that has been built on the former Sunbury Asylum land.The housing development on the former Sunbury Asylum site began in the 1980s. A black and white photograph of a man astride a white horse standing on an unmade road with an avenue of tall trees growing on either side of the formed road. A building is just visible in the distance.the avenue, sunbury as, jacksons hill

Colour print of a group of Bowlers, "At Transport Interstate Bowls Tournament Victoria, NSW, Queensland - Lyndon Bowls Club - Brisbane 1985 Vics L to R Tom Arral, Norm Martin, John Faulks, Self (Seated), Jack Manning, Alan Edwards." Printed on Fujichrome paper.In ink on rear ""At Transport Interstate Bowls Tournament Victoria, NSW, Queensland - Lyndon Bowls Club - Brisbane 1985 Vics L to R Tom Arral, Norm Martin, John Faulks, Self (Seated), Jack Manning, Alan Edwards."trams, tramways, personnel, sports, bowls

Sloan's liniment was used in the late19th and early to mid 20th century. Originally used for horses but later advertised as good for Man and Beast.While the bottle of Sloan's liniment has historical value, the link with Warrnambool lies in the chemist's label of J Paterson who operated a business at 186 Timor Street, Warrnambool around the 1930s.Brown glass bottle with black metal screw-top lid. Bottle has a short neck. The indented rear has the maker's name imprinted. The black and white printed paper label has a picture of a man's head and wraps across the front and sides and has a red sticker with the Warrnambool retailer's name..Front: SLOAN'S/FAMILY/LINIMENT/(text obscured)/NEW YORK (obscured) ST LOUIS/NETT CONTENTS 2½ FL. OZS Left side: INSTRUCTIONS-Massage (obscured) gently with/fingers. Then (obscured) liberally with a soft/ flannel cloth or a piece of absorbent cotton. If skin is tender,/do not use./ CAUTION:-COMBUSTIBLE MIXTURE./Do not Use near Fire or Flame./Regd Vic 1173 Right side: EXTERNALLY: Recommended by us in the treatment of Muscu-/lar Congestion and Muscular Pain due to the exposure and fatigue or/of rheumatic origin, Lumbago, S--- and sc--- and s--- of/Muscles and Tendons, Neuralgia, (obscured), Stiff Neck, Backache, Bruises, Chilblains, Mosquito Bites and/stings of major non-poisonous insects. An Excellent Counter (obscured) Back: THIS BOTTLE ALWAYS REMAINS/ THE PROPERTY OF/CHAMBERLAIN'S PTY LTD/SYDNEY warrnambool, chemists, timor st, sloan's liniment, paterson j

The Reverend Doug Dargaville, Anglican clergyman and former General Secretary of the Victorian Council of Churches from 1966 – 1982, and again for a time in 1995, passed away on 19 March 2013. "The death of Rev. Doug Dargaville at Bacchus Marsh in Victoria, Australia has been announced, and his funeral is to take place on March 28th. Doug was one of the great pioneers of the ecumenical and interfaith movements, especially in his role as executive secretary of the Victorian Council of Churches from 1966 to 1982. Perhaps more than anyone else, he laid the foundations for the organizational structure of the ecumenical movement here in Victoria and across Australia. A small man with a big vision, he brought his inclusive Anglican spirituality to the tasks at hand. With his retirement to the country town of Bacchus Marsh outside Melbourne with his beloved Lucy, his life’s work was not yet complete. He devoted three years of his life during the 2000s to being the general secretary of Religions for Peace Australia, and was always a strong supporter of the interfaith movement, not least during the Parliament of the World’s Religions, held in Melbourne in December, 2009. He was an efficient and prudent administrator, never seeking the limelight yet everything was done with an ironic and disarming humor and a certain impish and whole-hearted spirit. He was, in every sense of the word, a good man whose life was completely devoted to overcoming barriers and forging unity between the different churches and different faith traditions. We pray that he will find rest and eternal peace with the God whom he served so well and so faithfully for so long." Professor Des Cahill, Chair, Religions for Peace Australia.B & W photograph of Rev Anderson Douglas Dargaville discussing ecumenical material with another man.dargaville, douglas, victorian council of churches

The young man in the photo is Dennis Black. He along with his brother, Steve worked with their father John at the family fruit stall in Camberwell Market. A scanned non-digital black and white photograph of a young man behind a fruit stall in a market. He has a paper bag in his hand and is preparing to serve a customer. There are wooden fruit packing cases stacked behind and the fruit prices in imperial currency, are displayed on individual plastic tickets. dennis black, fruit stalls, fruit vendor, camberwell market

Yields information about the Ballarat's bogie trams, in particular the one that was converted to one-man operation that was no used in traffic soon after it re-entered serviceDigital image from the Wal Jack Ballarat Album of Ballarat 38 after its conversion to a one man tram in Wendouree Parade. Has date 15 Feb. 1953. See Reg Item 5295 for a photograph prior to conversion. Wal Jack photo. Tram has the destination of Victoria St. Tram was converted to one-man form in 1953, so possibly a very early photograph of it as such. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeOn rear in ink "SEC Ballarat No. 38 bogie converted to one man tram - Wendouree Parade Ballarat" In top right hand corner is Wal Jack stamp with negative number "T42/PC" written in. Has been dated with a hand stamp "15 Feb. 1953".trams, tramways, wendouree parade, conversion, one man trams, bogie trams, tram 38

This collection of nine photos was most likely taken in Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo, c1970s to 1980s. The two Ultra-MAN-III Printing Presses were made in Germany at a standard map size format and introduced in June 1962 as a two-colour offset press with improved safety features. With an upgrade to a third colour deck in 1968, productivity greatly improved as the two presses could print a five-colour standard topographic map in two passes, rather than the three passes before their upgrade. They were replaced with a single Heidelberg Speedmaster 102 five colour Printing Press in 1990. There is more information on the Ultra-MAN-III, Printing Press on page 71 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. For additional photos, refer to item 6065.10P for Ultra-MAN-III presses. The Krause Wohlenberg in photo .5P was a heavy-duty guillotine to trim bulk printed map stock in the c1970s and c1980s. See item 6069.6P for more information and photos of guillotine equipment. Densitometer readings as shown in photo .6P were essential to the quality control of film and printing processes, reductions in time taken and material wastage.This is a set of nine photographs of Print Troop personnel and equipment from Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo, c1970s to 1980s. The photographs are on 35mm colour slides and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, colour, c1970s, Ultra-MAN-III Printing Presses, L to R: unidentified technician, Laurie Sutton, SGT Jim Cook, unidentified technician. .2) - Photo, colour, c1970s, Ultra-MAN-III Printing Presses, unidentified technicians (x2). George Mann Fast Five Quad Demi Printing Press in background. .3) - Photo, colour, c1970s, Ultra-MAN-III Printing Presses, unidentified technicians (x2), George Austen in background and George Mann Fast Five Quad Demi Printing Press next to back wall. .4) - Photo, colour, c1970s, Ultra-MAN-III Printing Press, unidentified technicians (x2) operating George Mann Fast Five Quad Demi Printing Press in background. .5) - Photo, colour, c1970s, Krause Wohlenberg heavy-duty paper guillotine, unidentified technician. .6) - Photo, colour, c1970s, Densitometer reading taken by unidentified technician. .7) - Photo, colour, c1980s, Ultra-MAN-III Printing Presses, L to R: Janet Murray, Lance Strudwick, Terry Winzar, Komori Newkoni and Planeta Polygraph Printing Press in background. .8) to .9) - Photo, colour, c1980s, Ultra-MAN-III Printing Presses, Janet Murray, Komori Newkoni and Planeta Polygraph Printing Presses in background..1P to .9P - There are no annotations stored with the 35mm slides.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, printing, litho

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.1.) Black and white photograph of the head and shoulders of a man. The man is Frank Wright. 2.) Black and white photograph of the profile of the head and shoulders of a man. The man is Frank Wright. 3.) Black and white photograph of the torso of a man with his head resting on his hand. The man is Frank Wright. 4.) Black and white photograph of the torso of a man . The man is Frank Wright.Stamped on back of all 4 photographs - Rough Proof, Derek Allen, Photography., Seymour Studies, 61 Seymour Street, London, W.1., Tel. PADdington 2708frank wright, conductor, brass band

Always immaculately groomed councillor Kaele Way was a keen advocate for woman in local government. in 2005 she was elected to the Springfield ward. In 2007 she was inducted into the Victorian Honour Roll for Women. She was one of only 20 at the time. In 2008 she co-authored a handbook for women for wishing to run for office. In2008 she became chair of the Australian Local Government Womens Association. In 2009 she became deputy chair of the Victorian Regional Development Association. She was also deputy chair man of the Victorian Regional Development for the Eastern Metropolitan area. In 2009 she was presented with an AM for her work for women in local government. Kaele Way died in July 2011Coloured photo of Whitehorse councillor Kaele Way planting a tree on a Whitehorse nature strip. A man is assistingway kaele, councillors