WatercolourSigned and dated lower right corner in composition "M Macq 15-8-82"

The Wahgunyah Centenary Committee published this book for the celebration in 197836 page booklet with beige cover and brown lettering, with a sketch of Wahgunyah School.wahgunyah primary school no 644, wahgunyah, schools

The Wahgunyah Centenary Committee published this book for the celebration in 197836 page booklet with beige cover and brown lettering, with a sketch of Wahgunyah School.wahgunyah primary school no 644, wahgunyah, schools

The Wahgunyah Centenary Committee published this book for the celebration in 197836 page booklet with beige cover and brown lettering, with a sketch of Wahgunyah School.centenary, wahgunyah, primary school, wahgunyah primary school no 644, schools

The Wahgunyah Centenary Committee published this book for the celebration in 197836 page booklet with beige cover and brown lettering, with a sketch of Wahgunyah School.wahgunyah primary school no 644, wahgunyah, schools

The giving of horseshoes is as a token of luck to a bride.Digital images of horsehoes given to a bride after her wedding.wedding, luck, horse shoes, satin, marriage, good luck\

vi, 130 p. : ill. ; 27 cm.non-fictionhome economics -- australia., home economics -- australia -- history.

London : Longmans, Green, 1961 203 p. : ill. ; 22 cm. non-fictionchildren's history, australia -- history -- 20th century.

Melbourne : Oxford University Press, 1943 176 p. : ill., ports. ; 22 cm. non-fictionkent hughes, mary, world war 1939-1945 -- personal narratives

Donated from the estate of Dora Greenwall, 1975Steel engraving on papergippsland, artwork, permanent collection

Donated by Charles Nodrum, 2019Colour lithograph on papergippsland, artwork, permanent collection

Donated by Charles Nodrum, 2019Colour lithograph on papergippsland, artwork, permanent collection

The purpose of this history has been to present a narrative account of Hawthorn's Chinese in the decades leading up to and immediately after Federation, and to examine the impact of this event on a minority group in one of nineteenth-century Melbourne's fledging suburbs.chinese, hawthorn, sue slonek, mary sheehan, diane nicholas

Fairfax community network article asking for assistance to identify people in a photolocal identities

Green cloth cover with embossing detail on cover on the spine 368 pages ; 19cmHandwritten inscription on first page '288' Stamp on various pages 'Kilmore Mechanics Institute'kilmore mechanics institute library.

A very marked and damaged brown fabric covered book with the faded title The Twins of Emu Plains printed on the front cover with twin girls sitting on a window seat reading a letter. The back cover has dried mould at the bottom and also inside at the back on some pages. The inside front and back of the spine is showing signs of breaking away from the covers. There are a few illustrated black and white plates. Foxing is seen on the edges of the pages. p.256.fictionTwin 16 year old sisters bravely assist their father on his farm while Emu Palins is in the grip of a disastrous and seemingly endless drought. Being young the twins treat trouble as a tremendous joke , and by their lightheartedness and practical help their harassed parents are able to carry on. Adventure and incident abound in this tale.adventure fiction, farm life fiction, drought - australia

Book published in 2006 on the history of sport in the City of Boroondara dating back to the mid-nineteenth centurycamberwell, boroondara, sport

Ill, bib, ports, p.107.non-fictionGaeilge Ghriandóite: A go Z a hAon/ Sunburnt Gaelic from A to Z, Edition One, records selected findings of four Australians about the neglected history of the Irish language and Gaelic culture in this country. Gaeilge Ghriandóite/ Sunburnt Gaelic means the Irish language as it is spoken and written in Australia, as it comes to grips with a new environment. It is written throughout in Irish and is the first, and only, such book about the topic. Readers will find that over the past two centuries there have been dramatic breaks in continuity but also common threads. Triggered by positive responses from both experts and general readers alike to talks and papers all four had given on the topic, at a meeting in August 2019 the authors decided that the time was ripe to present to the public some fruits of their collaboration. The book's 108 pages present historical and contemporary facts about Irish-language culture in Australia in short entries, arranged in alphabetical order, with over 60 illustrations. This format makes it easy to find information and suits the present stage of research and publication on the topic. Also the alphabetical listing provides a flexible format for future editions. The book includes two short overview pieces and the first detailed bibliography on the topic.australia - irish language, australia - irish culture

non-fictionA family history of John Mitchell Harris and Emily Rebecca Farrell and their 15 children, and their contribution to communities in the north east of Victoria. Compiled from information provided by their family members.john mitchell harris family history, emily rebecca farrell, north east victoria families

Preston Market, Saturday late is part of a series of paintings and sketches that were included in Mary Hammond’s solo exhibition, Coming and Going, held at Bundoora Homestead Art Centre in 2010. The exhibition, a major retrospective of Hammond’s work from the mid-1970s-2009, focussed on her everyday depiction of people in Northcote and Preston, particularly along High Street, Northcote where she had a studio for a few years, and the Preston Market, primarily during the 1980s and 1990s.

Preston Market, Saturday late is part of a series of paintings and sketches that were included in Mary Hammond’s solo exhibition, Coming and Going, held at Bundoora Homestead Art Centre in 2010. The exhibition, a major retrospective of Hammond’s work from the mid-1970s-2009, focussed on her everyday depiction of people in Northcote and Preston, particularly along High Street, Northcote where she had a studio for a few years, and the Preston Market, primarily during the 1980s and 1990s.

Preston Market, Saturday late is part of a series of paintings and sketches that were included in Mary Hammond’s solo exhibition, Coming and Going, held at Bundoora Homestead Art Centre in 2010. The exhibition, a major retrospective of Hammond’s work from the mid-1970s-2009, focussed on her everyday depiction of people in Northcote and Preston, particularly along High Street, Northcote where she had a studio for a few years, and the Preston Market, primarily during the 1980s and 1990s.

Preston Market, Saturday late is part of a series of paintings and sketches that were included in Mary Hammond’s solo exhibition, Coming and Going, held at Bundoora Homestead Art Centre in 2010. The exhibition, a major retrospective of Hammond’s work from the mid-1970s-2009, focussed on her everyday depiction of people in Northcote and Preston, particularly along High Street, Northcote where she had a studio for a few years, and the Preston Market, primarily during the 1980s and 1990s.

Preston Market, Saturday late is part of a series of paintings and sketches that were included in Mary Hammond’s solo exhibition, Coming and Going, held at Bundoora Homestead Art Centre in 2010. The exhibition, a major retrospective of Hammond’s work from the mid-1970s-2009, focussed on her everyday depiction of people in Northcote and Preston, particularly along High Street, Northcote where she had a studio for a few years, and the Preston Market, primarily during the 1980s and 1990s.

Preston Market, Saturday late is part of a series of paintings and sketches that were included in Mary Hammond’s solo exhibition, Coming and Going, held at Bundoora Homestead Art Centre in 2010. The exhibition, a major retrospective of Hammond’s work from the mid-1970s-2009, focussed on her everyday depiction of people in Northcote and Preston, particularly along High Street, Northcote where she had a studio for a few years, and the Preston Market, primarily during the 1980s and 1990s.