This photograph shows members of the community outside the Moorabbin Council Offices, handing over a brand-new utility truck for use by the Australian Comforts Fund, in support of the war effort. It was purchased with funds raised by contestants in Moorabbin's 'Popular Girl Quest'. Contestants received a vote for each penny they collected. The winner was Gladys Mariott, pictured centre wearing a sash, who raised £528 10s, earning her 126,800 votes. In total, the contestants raised more than a thousand pounds, which enabled the purchasing of the new utility truck.Members of the Moorabbin community were keen to play their part in supporting the war effort. A black and white photograph of a group of men and women standing in front of and behind a utility vehicle with the license plate FA 341. There are two buildings in the background, one of which has a sign out the front that reads "Moorabbin Free Library & Mechanics Institute". The photograph was taken outside Moorabbin Council offices to illustrate the handing over of utility truck for use by Australian Comforts Fund. Money for the truck was raised by the 'Popular Girl Quest' won by Gladys Marriott (centre wearing sash)Handwritten in red ink: A 600 / 72% Handwritten in black ink: CHAP 6. / WITH SUB-STORY / Spy base -- / OR general pix / in Chap 6 / referring to warworld war ii, australian comforts fund, popular girl quest, fundraising, war efforts, vehicles

This item is a World War One certificate featuring Walter Coulstock. Private Walter George Coulstock, an engineer, was born in Warrnambool and educated at the Warrnambool Academy. He enlisted at the age of 21 in August 1914, embarked in October 1914 and while travelling to Egypt he entered the machine gun section. He was wounded on the afternoon of the Landing and died of wounds in May 1915. He was buried at sea while in transit to Alexandria. Walter Coulstock was one of the many men and women from Warrnambool and district who enlisted in World War One and who died on active service.This certificate is of considerable significance as it is memento of Walter Coulstock who died in World War One. The Coulstock family was a prominent one in the Warrnambool district in the 19th and early 20th centuries and Walter is one of the local heroes of the Great WarThis is a paper certificate mounted on a frame of plywood. The mount indicates that the certificate has previously been framed. The certificate has a grey background and contains images of the British and Australian flags in red, white and blue, six black and white photographs, an image of H.M.A.S. Australia, an image of a battle scene with artillerymen and black and red lettering. Pasted on to the centre part of the certificate is a yellow piece of paper with a photograph and information on Walter Coulstock. The plywood is broken at the bottom edge and is somewhat stained."For King and Country' 'The Empire Called Us' 'Walter George Coulstock, Private, 8th Battalion, Company B. Reg. No.481, Date of Enlistment August 1914walter coulstock, world war 1 certificate

This chess set was carved from local wood with bases made from halved cotton reels. The chess pieces take the shape of Australian animals, and Aboriginal men and women. The set was presented to Mr. Benzion Patkin, Honorary Secretary of the Zionist Federation of Australia, by Tatura internees in recognition of his assistance, in particular, his assistance in facilitating the emigration to Palestine. According to Mr. Patkin, he received the chess set in a wooden box inscribed, "With our sincerest thanks from your Zionist friends - Tatura, on the way to Eretz Israel, per Leonhard Levin, 20.11.1942.".Written in pencil UR corner, upside down: (22) Printed in black ink: "B. & H. PATKIN Flat (printed 2 corrected in pen and ink 4) 313a Dandenong Road Windsor 3181 Victoria Australia Tel: Home 51 - 5671 Bus 63 - 8959"dunera, wwii, internees, jewish history & people

Annie Mary (Mollie) Sibson was the youngest daughter of Mr and Mrs J Sibson of Milwa Gippsland. Mollie held the position of paid nursing sister at Bendigo Hospital until her marriage in 1933 to Eugene Sandner, although Mollie did continue to hold an unpaid position on the Board of Management of the Hospital for many years afterwards. The annual ball would have been a popular event at which men and women could socialise. Mollie Sandner served as Mayoress of Bendigo from 1978 - 1979 at which time her husband served as Mayor.Printed, bi fold green card with attached green cotton used by Molly Sander to record dance partners at the Hospital Auxiliary Ball. Card is printed in green ink with scalloped edges. Inside lists twenty dances including the Fox Trot, Waltz and Schottische, against which perspective dance partners have placed there initials in pencil. Front: Hospital / Auxiliary / Ball / Town Hall, / June 30th, 1931 / Bendigomollie sibson, eugene and mollie sandner collection, bendigo town hall, city of greater bendigo town hall, bendigo hospital, city of bendigo mayoress

A speech by Legatee Bill Rogers at the planting of a Lone Pine tree at Oakleigh South Primary School. The dates is not noted but probably in 2007. He briefly mentions the Gallipoli campaign and then the story of how Legacy have propagated the trees as a symbol of remembrance of all the men and women who have given their lives for our nation. The two pages showing the history of the Lone Pines have been superseeded. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008).A record of a ceremony to plant a Lone Pine tree at a primary school.Print out x 2 pages of a speech at Oakleigh South Primary School and 2 pages of the history of the Lone Pine trees.lone pine, students, schools

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This outfit was donated by Netta Fuller.Two piece grey silk outfit comprising a tailored bodice and a very full skirt. The bodice has puffed leg-of-mutton sleeves and is heavily encrusted with large grey artificial pearls and steel beads of the period. The skirt is cut to allow for a long train at the back. Grey pearls and steel beads are similarly used on the right side of the front of the skirt. Metallic braid may have been added at a later date. The outfit has been much altered over time. There is evidence of shattered silk in parts of the garment. Printed on a strap at the waist is the label of Peter Robinson, Oxford Street/Regent Street.Peter Robinson. Oxford Street/Regents Streetwomen's clothing, women's fashion -- 1890s, peter robinson, international fashion, fashion -- united kingdom, fashion design, fashion -- 1890s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This coat was donated by Rona Jenkins.Purple velvet three quarter length coatLabel: "Elegance Reg."coats, elegance -- melbourne, fashion and design, women's clothing

Certificate in Gold Frame (rectangular). Certificate shows the Republic of Korea & Australian Flags highlighted. On the bottom of certificate shows the flags of (in miniature) -Australia Belgium Canada Columbia Denmark Ethiopia France Greece India Ireland Luxembourg Netherlands New Zealand Norway Philippines Sweden Thailand Turkey United Kingdom United States of America. ( In Writing) THANK YOU Australia. 60 Years of Commitment. 60Years of Friendship. The year 2010 marks the 60th anniversary of the outbreak of the Korean War. The peace, prosperity and liberties that we cherish today are built on your selfless sacrifices and contributions. Korea is forever indebted and we will continue to build the trust and friendship between our nations. Our profound respect and gratitude is directed to the brave service men and women of the 21 United Nations Allies korean war, 60th anniversary, republic of korea, un, united nations

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens and mens knitted garments. Interestingly, TV and theatre personalities have been used as well as high fashion models.Hand Knits / by / Villawool / 2nd EDITION / 3'9knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens and mens knitted garments. Interestingly, TV and theatre personalities have been used as well as high fashion models.Autumn-Winter '61 / ... a superb / collection of / Villawool / designs ... / 3rd EDITION / Hand Knits / by / Villawool / 4'-knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. Dress owned and worn by Dione McIntyre.Pale pink long woollen dress the skirt of which is embroidered above the hem with large woollen flowers of the same colour. Beneath the floral embroidery are long pink woollen tassles. women's clothing, australian fashion, evening dresses, dione mcintyre

The fashion and design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. The collection includes numerous fashion accessories including items of lace clothing.Machine embroidered broderie anglaise dress front with lace edging hanging from a shoulder to shoulder broderie anglaise panelwomen's clothing, lace, jabots

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This polonaise is part of the Netta Fuller Collection.Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Long train of cream, watered silk taffeta lined with silk net. The shattered silk train is believed to date to the 1880s. wedding dresses, trains, polonaises, netta fuller

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The pantsuit was owned, worn and donated by Annie McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Brown satin pantsuit comprising jacket and separate pants. The jacket has four buttons made of the same fabric. The matching pants of the same fabric and colour are tapered at the ankle.Label: Scanlan Theodorescanlan theodore, women's clothing, australian fashion - 1980s, day wear, pantsuits

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This item was owned, worn and donated by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Turquoise coloured raw silk coat dress. The dress includes a belt of the same fabric and colour. Renny Pty Ltd was a major fashion house in Melbourne in the 1960s winning awards for innovation in design, particularly those awarded by the wool industry.Label: Rennyrenny, women's clothing, australian fashion - 1960s, mcintyre collection

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This outfit was donated to the Fashion Collection by Val Goldsworthy.Brown wool coat with large silver buttons and fur trim to neck and sleeves. Matching brown dress.Label: Merco Davronmerco davron, australian fashion - 1960s, melbourne fashion designers

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This brocade top was made and worn by Thea Sartori.Brocade evening top highlighted with flowers of orange, blue and purple. evening wear, evening tops, australian fashion -- 1960s, thea sartori

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This item was owned and worn by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1980s. 1920s style red coloured dress of Indian cotton, tucked, and embroidered with beading.mcintyre collection, australian fashion - 1980s, women's clothing, day wear, dione mcintyre

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress was worn by Kew resident Lilian Cohen.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1980s. Cream-coloured drop waisted handmade dress, using machine made lace and added lace trim. The dress is missing its underdress.women's clothing, australian fashion - 1930s, lace dressses, mcintyre collection

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This wedding dress was worn by the grandmother of Val Warren.Raw silk wedding dress. The full length dress has lace on the bodice and long sleeves. Other decorative elements include finely pleated silk panels on the bodice, an insert on the skirt and on the cuffs of the sleeves The dress features extensive use of both utilitarian and decorative buttons that are covered in the same silk fabric as the dress. The final photograph shows two early repairs to the dress. Lydia Edwards in 'How to Read A Dress (Bloomsbury Academic, 2017), when describing a 1912 dress in the McCord Museum notes that: 'In 1911-12 the use of buttons for both fastening and decoration was extremely popular, the American women's magazine The Delineator declaring at the end of 1911 that "one cannot use buttons to liberally in the present mode".' (p.132)costumes, wedding dresses, women's fashion - 1910s, fashion design, fashion -- 1910s

Created by architects Grant and Associates to show their concept for a new ambulance district headquarters and station in Wangaratta. This building was subsequently built and as of 2015 is still in use.Timber framed water colour showing ambulance station seen from the road. Two cars present and several women and men are walking near the building. Ambulance Service logo has been adhered to the building.north eastern victoria district ambulance service, wangaratta

Bronze Memorial plaque and Memorial Scroll issued to families whose relative was killed in action during word war 1. The history of the dead man's penny began in 1916 with the realisation by the British Government hat some form of an official token of gratitude should be given to the fallen service men and women's bereaved next of kin. Production of the plaques and scrolls, which was supposed to be financed by the German reparation money began in 1919 with approximately 1,150,00 issued. There were some relatives who returned the pennies to the Australian Government in protest as b they felt it was insulting and it did not replace their loved one's life.Killed in Action William Edward Ernest Bond joined the 58th Bn on the 24th November 1915 as a labourer from Geelong. As a private (4296), he was sent to France and the Western Front. He initially went missing in action in the Fleurbaix area on 19th of July 1917. It took a court of Inquiry in the field in September,1917 to determine he was killed in action, although his body was never recovered. He died aged 18. His name can be found on Panel 14, VC Corner Australian Cemetery and Memorial, Fromelles, Lille, Nord Pas de Calais, FranceMemorial Bronze Plaque and Scroll. The Memorial Plaque was also known as the WW1 'Death Penny' in memory of William Edward Ernest BONDBrass Plaque " He died for Freedom and Honour William Edward Ernest Bond" Scroll Commemoration to Pte Edward Ernest Bond 58th Bn AIFbrass memorial plaque and scroll dead man's penny bond william lara geelong killed in action world war one kia

The Garden of the Grieving Mother is an acknowledgement of the trauma, grief and anxiety felt by the families of Australian servicemen and women. Of the 3,801 WWI service men and women commemorated in the Ballarat Avenue of Honour, 1 in 5 made the ultimate sacrifice, giving their lives. At the centre of the memorial space is a bronze sculpture of a mother clutching a photograph of her son by sculptor Peter Corlett who has created many war memorial public artworks. The memorial was unveiled on 15 February 2017 by Governor General Sir Peter Cosgrove and Mrs Kaye Baird, mother of posthumous Victoria Cross recipient, Corporal Cameron Baird.Bronze sculpture installed in landscaped garden on lit plintha mother grieving the loss of her child at war

The traditional image of a prisoner of war is that of an emaciated, diseased and ill-treated figure humiliated by incarceration. Prisoners of War challenges this image. Using dozens of interviews with former POWs, Patsy Adam-Smith shows the strength and courage of Australians taken prisoner in World War I, World War II and the Korean War. Says Patsy: 'This book has not been written for ex-prisoners: they know the homesickness of exile, the tyranny of bondage; it was written for those people of today who know little of the experiences of these men and women, of their courage, endurance and pain. It has been written for the generations to come.soft cover non-fiction book

The booklet shows important aspects of the Shrine, 'one of the greatest of the war memorials erected in various parts of the world'. 'The purpose of this imposing structure is set out in the simple words quoted on the eastern wall of the Shrine of Remembrance itself- "This memorial was erected by a grateful people to the honoured memory of the men and women of Victoria who served the Empire in the Great War of 1914-18." The booklet outlines parts of the Shrine including the Battle Honour Discs, the Porticos, the Stone of Remembrance, the Inner Shrine, the Crypt and the Ray of Light. The document was in a file with other documents concerning the Shrine and it's history (01181 - 01190).A record of the Shrine of Remembrance. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01190)A 16 page of booklet of buff paper in a dark grey brown cover describing the Shrine in photos and black print.memorial, shrine of remembrance

Nathan Mullins deployed to Afghanistan as a Special Forces Commando. Spearheading Australia's Special Operations troops, he and other Australians like him sought the Taliban in the valleys and hills of Uruzgan through Afghanistan's harsh winter while at the same time attempting to bring a human face to the villagers caught in the middle of the fighting. They lived with the daily threat of roadside bombs, ambush and firefights, where survival meant learning to read the signs to determine friend from foe. And they did what they could to relieve the awful effects of war on the men, women and children of the civilian population caught in the crossfire. But these were not your regular soldiers. Sure, they had trained for years for the role but these were citizen soldiers, reservists who had put aside their usual jobs as salesmen, farmers, scientists, lawyers and students to fight Australia's 'war on terror'. Keep Your Head Down is a brutally honest, first-hand account that takes you into the centre of the action and asks some tough questions. What is Australia doing in Afghanistan? What would winning that war look like? What makes a man leave his family to go to war when he doesn't have to? Can there be such a thing as a just war? Nathan Mullins isn't a typical Special Forces soldier. In his day job he is the International Program Manager for Australian Aid International, a humanitarian organisation that responds to disasters and emergencies around the globe.soft cover bookaustralian special forces, australian commando, afghanistan

Seven photocopies of photos of hotels. New Chum Hotel - 1870 J. Matthews showing two men and two women standing at the front. A coloured photo of the New Chum hotel C.15.03.23 is attached. Cricketers' Arms Hotel - T. Nicholson showing a bearded man standing at the front holding a baby. Caledonian Hotel - several men and women standing at the front, one on horseback, a house can be seen at the back of the hotel and Alex Roberts, horseshoer & general merchandise shop next to the hotel. Clyde Hotel - Photos of Thomas Henry Randall, Alice Maud Randall and the Clyde Hotel at the corner of Bull and Myers Street. Under the photos a short biography of the Randall's. Queens' hotel - Large crowd outside and on the balcony of the hotel. Limerick Hotel - grainy black and white photos of the Limerick Hotel in McIvor Road, some people at the front and two trucks also an article from the Bendigo Advertiser titled: ''Revamped Limerick''bendigo, hotel

1936. Back to Cheltenham State School, Charman Road, Cheltenham. Photograph is black and white. Four rows of men and women dressed in their best clothes. School photo of coming back to Cheltenham in 1936. The men are wearing suits, some with waistcoats, and white shirts with neckties. The women are wearing dresses some with jackets,. On every man and women, they have a sticker against their chest with their names on it. Most of the ladies are wearing hats on their head, and about four ladies have their hats on their lap. The front row are sitting on the ground, second row sitting on a chair and third and fourth rows are standing.Front of Mount : Back to Cheltenham 1936 / CHARMAN RD. SCHOOL Stamp on back of Mount : N. R. McGeehan. / 154 / Hotham St / Ripponlea / Photographer.state school, charman road, cheltenham, 1936, school, cheltenham primary school, charman stephen, gettens mary, spring grove, balcombe road, nepean road, dairy farmers, market agrdeners, poultry farmers, methodist church

William Kleinert (Friedrich John Wilhem Kleinert) made wine from the grapes he grew. The house was built in 1905 and was the home of William and Emily Kleinert from 1905. William was a coach-builder, wheelwright and blacksmith. He moved from Prahran to Surrey Hills. His son Ernest worked with him as a coach painter and also worked as a painter undertaking intricate hand painting on early cars. Their other son Martin played for the Surrey Hills Football Club. In return for the support given to the club by Mrs Emily Kleinert, it built a rotunda in South Surrey Park as a memorial to her. Alan Holt research: Lot 6 was sold to Martin Klienert by Karl Richter in 1860 together with a portion of another adjacent lot. From 1860-1885 Martin worked it as a market garden leasing some land for grazing when it was not required for gardening. He died in 1898. In a formal document, William declared he was the son of Martin "who purchased land in 1860, died in 1898 and the land has been continually occupied by father and family since. It has been cultivated as a market garden; when not being used for gardening it was let for cultivation and grazing." William died in 1939 and the property passed to his sons Martin and Ernest. The Kleinert land extended from Union Road to Essex Road. They ran horses, ducks and fowls and Emily Kleinert grew flowers. The Kleinert property later became the South Surrey Park. The family sold the land to the Camberwell Council in the 1950s. Ernest and Ida Kleinert lived on the corner of Scotsdale and Warrigal Roads. The donor of the photo Nada Harris, nee Kleinert, was Ernest and Ida's daughter. Ida lived to a good age (> 93 years) and in later life lived in Burwood.Black and white photo of a group of men and women posed against the backdrop of a timber house. Immediately behind the group is a large grape vine and drying racks can be seen to the left of the picture. The group is identified as: Standing L to R: Ernest Kleinert, Rose Kleinert, William and Emily Kleinert, ? (unidentified), Ida Kleinert (nee de Vasey) Seated (L to R): Martin Kleinert, Nada Kleinert (daughter of Ernest and Ida and 1st grand-daughter of William and Emily), great-grandmother Maria Radford, Ivy Kleinert.surrey hills football club, blacksmiths, wheelwrights, coachbuilders, harris, rotunda, william kleinert, vineyard, ernest kleinert, rose kleinert, ida kleinert (mrs), ida de vasey (miss), martin kleinert, nada kleinert (miss), ivy kleinert (miss), friedrich john wilhem kleinert, emily florence radford (miss), maria dina radford (mrs), maria dina aylwin (miss)