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Kew Historical Society Inc
Postcard, A Newhaven Fishwife, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Newhaven is in Edinburgh, Scotland. Portraits of fishwives were popular subjects for postcards due to the colourful, layered, striped outfits that they wore. The fishwife sits on rocks beside a basket of fish. The postcard would appear to be a studio portrait. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."A Newhaven Fishwife"postcards, george and edith weir, newhaven - east sussex, fishwife series, weir collection, postcards — england — uk -
Kew Historical Society Inc
Postcard, Portabello From Joppa, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Portabello From Joppa. Joppa is an eastern suburb of Edinburgh. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928. Portabello From Joppa / 8400 J.V.postcards, george and edith weir, portobello, joppa, edinburgh, postcards -- scotland (uk), weir collection -
Kew Historical Society Inc
Postcard, Shanklin: The Village, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Shanklin is a popular seaside resort and civil parish on the Isle of Wight, England , located on Sandown Bay. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."31640 / Shanklin: The Village"postcards, george and edith weir, shanklin - isle of wight, postcards -- uk, weir collection -
Kew Historical Society Inc
Postcard, Shanklin: The Village, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Shanklin is a popular seaside resort and civil parish on the Isle of Wight, England , located on Sandown Bay. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."31640 / Shanklin: The Village"postcards, george and edith weir, shanklin - isle of wight, postcards -- uk, weir collection -
Kew Historical Society Inc
Postcard, Shanklin: The Village, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Shanklin is a popular seaside resort and civil parish on the Isle of Wight, England , located on Sandown Bay. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."Shanklin: The Village"postcards, george and edith weir, shanklin - isle of wight, postcards -- isle of wight, weir collection -
Kew Historical Society Inc
Postcard, The Port of Liverpool : The "Empress of Russia" at Prince's Landing Stage, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.The Port of Liverpool. Coloured postcard. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."The Port of Liverpool : The "Empress of Russia" at Prince's Landing Stage"postcards, george and edith weir, the port of liverpool, postcards -- liverpool -- england (uk), weir collection -
Kew Historical Society Inc
Postcard, The Port of Liverpool : Canada Basin, Langton, and Alexandra Docks, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.The Port of Liverpool. Coloured postcard. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."The Port of Liverpool : Canada Basin, Langton, and Alexandra Docks"postcards, george and edith weir, the port of liverpool, postcards -- liverpool -- england (uk), weir collection -
Kew Historical Society Inc
Postcard, The Port of Liverpool : Canida and Huskisson Docks, Looking South, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.The Port of Liverpool. Coloured postcard. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."The Port of Liverpool : Canida and Huskisson Docks, Looking South"postcards, george and edith weir, the port of liverpool, postcard series -- liverpool (uk), weir collection -
Kew Historical Society Inc
Postcard, The Port of Liverpool : Nelson, Bramley-Moore, Sandon Half-tide, Huskisson and Canada Docks, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.The Port of Liverpool. Coloured postcard. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928.postcards, george and edith weir, the port of liverpool, postcards -- liverpool (uk), weir collection -
Kew Historical Society Inc
Postcard, The Port of Liverpool : R.M.S. "Mauretania" Entering Sandon Half-tide Dock, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.The Port of Liverpool. Coloured postcard. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928.postcards, george and edith weir, the port of liverpool, postcards -- liverpool, weir collection -
Kew Historical Society Inc
Postcard, The Port of Liverpool : Langton Graving Docks, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.The Port of Liverpool. Coloured postcard. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."The Port of Liverpool : Langton Graving Docks"postcards, george and edith weir, the port of liverpool, postcard series -- liverpool (uk), weir collection -
Kew Historical Society Inc
Postcard, A Glimpse of Bonnie Scotland, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Coloured postcard of highland scenes produced as part of the "Fine Art" Series. Valentines Series. The postcard was purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."To Jack / From Inverness 21-8-1928"postcards, george and edith weir, postcards -- scotland (uk), weir collection -
Kew Historical Society Inc
Postcard, A Highland Chief, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Coloured postcard of highland scenes produced as part of the "Fine Art" Series. Valentines Series. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."A Highland Chief"postcards, george and edith weir, postcards --- scotland (uk), weir collection -
Kew Historical Society Inc
Postcard, Atlantic Hotel and War Memorial, Newquay, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Atlantic Hotel and War Memorial, Newquay, Cornwall. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."Atlantic Hotel and War Memorial, Newquay"postcards, george and edith weir, atlantic hotel - new quay, war memorial - new quay, postcards -- newquay (uk), weir collection -
Kew Historical Society Inc
Postcard, J Salmon, Souvenir Letter Card of Clovelly, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Souvenir Letter Card of Clovelly containing eight hand-coloured postcards, joined concertina-like, published and produced by J. Salmon, Art Publisher, Sevenoaks especially for G. S. Reilly, The Art Store, Clovelly. The letter card was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928.SOUVENIR LETTER CARD OF CLOVELLY / PRODUCED AND PUBLISHED BY J SALMON, ART PUBLISHER, SEVENOAKS / SPECIALLY FOR G S REILLY, THE ART STORE, CLOVELLYpostcards, george and edith weir, postcards -- clovelly (uk), weir collection -
Kew Historical Society Inc
Postcard, Valentine's Series, River Mersey - Through Wind and Wave, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.River Mersey - Through Wind and Wave. One of a set of three [originally six] 'High Class Postcards of Memories of the Mersey, Beautifully Reproduced in Nature Colours', in their original brown envelope.The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928. postcards, george and edith weir, river mersey, postcards -- england (uk), weir collection -
Kew Historical Society Inc
Postcard, Valentine's Series, River Mersey - The End of the Voyage, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.River Mersey - The End of the Voyage. One of a set of three [originally six] 'High Class Postcards of Memories of the Mersey, Beautifully Reproduced in Nature Colours', in their original brown envelope. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."River Mersey - The End of the Voyage"postcards, george and edith weir, river mersey, postcards -- uk, weir collection -
Kew Historical Society Inc
Postcard, Valentine's Series, River Mersey - Outward Bound, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.River Mersey - Outward Bound. One of a set of three [originally six] 'High Class Postcards of Memories of the Mersey, Beautifully Reproduced in Nature Colours', in their original brown envelope. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."River Mersey - Outward Bound"postcards, george and edith weir, river mersey, postcards -- uk, weir collection -
Vision Australia
Administrative record - Text, 94th Annual Report Royal Blind Society of N.S.W. (1974), 1974
Articles in the annual report include: death of General Manager Ian Burnet, expenditure exceeding income, need to sell Woolahra (Helen Keller hostel) property, goal of opening 20 new Day centres by the end of 1975, plans to establish Occupational Therapy Training unit, review of aging hostels and restructure workshop, growth of Mitchell Street Theatre, increase of children with more than sight loss at nursery, decision to establish reading competition in memorial to Barbara Rutherford and awarding of Churchill Fellowship to Joan Ledermann for a review of Braille production units overseas.1 volume of text and imagesroyal blind society of new south wales, corporation records -
Melbourne Tram Museum
Document - Radio Transcript, Australian Broadcasting Commission, "Woman at War - Melbourne Tram Conductress", May. 1943
Interview titled "Woman at War - by Catherine Duncan - Interviews with women in Industry No. 1 - interviews Mrs. Hammond a Melbourne Tram Conductress", dated 5/1943. ABC Shortwave Division. An announcer introduces Catherine Duncan, who then introduces Nita Hammond who featured in a poster on the tram called "She's Helping You". Her husband is serving overseas, prior to becoming a conductress, was just an ordinary housewife, describes the training, learning on the job to collect fares, making friends son the job, was stationed at Head Office, American servicemen, finishing up after the war.Demonstrates the work of the ABC during 1943 and has a close association with Catherine Duncan and Nita Hammond.Radio Transcript or script, 7 foolscap pages, duplicated. A4 photocopy held as well.trams, tramways, world war 2, conductresses, radio stations, abc radio news -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal, Defence Medal, abt 1945
The Defence Medal was instituted to provide recognition for specified periods of service in non-operational areas subjected to air attack or closely threatened. Eligibility The Defence Medal is awarded for six months service in a prescribed non-operational area subject to enemy air attack or closely threatened, in Australia and overseas, or for 12 months service in non-prescribed non-operational areas. Within Australia the area is the Northern Territory , north of 14 degrees 30 minutes south, and the Torres Strait Islands between 3 September 1939 and 2 September 1945. Overseas service includes the Middle East, east of the Suez Canal (less the period of the Syrian Campaign) or Malaya prior to the Japanese invasion on 8 December 1941. The Medal The Defence Medal is cupro-nickel, with the uncrowned effigy of King George VI on the obverse. The reverse has a conventional oak tree centrally, with a crown above, with two lions counter rampart as supporters between the dates 1939 and 1945. The base of the medal reverse has the words ‘THE DEFENCE MEDAL'. The Ribbon The Defence Medal ribbon is orange with green outer stripes, each green stripe having a black pin-stripe running down the centre. The green represents the Islands of the United Kingdom, the orange represents enemy attacks, and the black represents the black outs.Full size and miniature medals with ribbonsnildefence medal -
Melbourne Legacy
Postcard, Like the boomerang may you quickly come back, c1917
Sometimes called a sweetheart postcard, it was a way of sending thoughts to the troops overseas. The printing on the rear implies it was sent with a hamper to the troops overseas. The text and poem on the front says : 'Like the boomerang may you quickly come back. / To wish you a Speedy, Safe and Sure Return. This hamper is sent you with greetings sincere, And the hope that its contents will bring you "good cheer"; While you're doing your bit, we are thinking of you And we'll welcome you home when you've seen the job through, In the meantime just send us a message to say You've received this all right if you find it OK.' Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920.A record of correspondence with the troops in World War 1 and sending good wishes with a hamper. This type of experience would have been familiar to the first Legatees as they had served in World War 1.Postcard with a boomerang stapled to the front, also the image of a kookaburra.Printed on the back is' Postcard / Per Hamper Mail / From Griffiths Bros, Syd / To An Australian Hero / on Active Service ABROAD'world war one, war correspondence -
Warrnambool and District Historical Society Inc.
Badges, Australian Comfort Funds, circa 1916
These three badges all bear the phrase " For Our Fighting Men" and were sold to raise funds for Australian servicemen's comforts in World War One. The funds would have been used to send food and amenities parcels to those serving overseas, to provide assistance to those soldiers who had returned to Australia or were serving within Australia. The funds from the sale of these badges were directed to the Australian Comforts Fund which was an organisation formed in August 1916 from the amalgamation of the State groups formed to provide assistance to those serving in World War One. These badges are of interest as examples of those made and sold in Australia during World War One to provide comforts for Australian servicemen..1 Circular metal and enamel badge. The front features the Australian flag on a red background surrounded by a white annulus and a pale blue ring with text. There are rust marks on the surface.The reverse has a pin clip. .2 Identical to .1 but very discoloured and faded. .3 Circular metal and enamel badge. The front features a the head and shoulders of an Australian soldier in uniform with a slouch hat and a gun with bayonet fixed against a background of the Australian flag. Inside the outer rim of pale gold is a white ring with red text. There is a pin clip on the reverse. .1 FOR OUR FIGHTING MEN .2 Identical to .1 .3 OUR FIGHTING MEN AUSTRALIAN.COMFORTS. FUNDaustralian comforts fund -
Bendigo Military Museum
Souvenir - TRENCH ART, 1940 - 45
Item belonged to Mrs Eileen Pascoes father Arthur Castleton Clarke VX79039. He enlisted in the 2nd AIF on 5.5.42 and on discharge from the Army he was a Sapper in No 20 Australian Maintenance PL RAE. Refer 528.2, 530, 531. Her Grandfather William David Maher No 68 enlisted in the AIF 10.9.14 in the 8th L.H Regt A Sqd. Embarked for overseas 25.2.15 then for Gallipoli 16.5.15. He was hospitalised 5 times including Dysentry, Malaria and Pnuemonia. He was discharged from the AIF on 23.3.19. Refer 529, 533.2. All items referred to are Trench Art.Ashtray, brass, silver/chrome plated. Base is from a possible 4" Shell with 3 'U' shaped metal pieces to hold cigarettes. The centre piece is a possible .50 cal round projectile.arms - ammunition, metalcraft - brassware?, smoking accessories, trench art -
Emerald Museum & Nobelius Heritage Park
Book, Catalogue of Fruit Trees 1915 C.A. Nobelius Nurseryman, Gembrook Nurseries, Emerald, Victoria, Australia, 1915
This is the twenty fourth catalogue of trees and it contains fruit trees, nut trees, berries and some ornamental trees. Carl Nobelius wrote in his General Remarks that he had one million trees to sell, clean, healthy and pest free. The nurseries were 250 acres in extent and contained two and a half million trees in various stages. His nurseries were at Emerald, Railway Siding and his office half a mile from Emerald Railway Station. He imported new varieties from overseas and the nursery was the largest in the Southern Hemisphere, employing 80 people between 1903 and 1930.Green Catalogue 1915 of Fruit Trees, also Elms, Oaks, Planes, Poplars and other Deciduous and Ornamental Trees. The catalogue contains 5 black and white prints of landscape views of the nursery, plus there are 5 bright colour inserts of individual pears and apples.nobelius -
Moorabbin Air Museum
Archive (Item) - Box Baa 98 Boeing (Gaf / Asta) Collection
Description: Flight Manual - Jindivik Mk 3A Target Aircraft (2 copies) MinTech Publication 74 Volumes 3 to 5 - Jindivik Mk 103B Aircraft MinTech Publication 74 Volumes 1 and 6 - Jindivik Mk 103B General & Technical Information & Repair Schemes Covers 1 t Level of Importance: National. Historical Details: DAP/GAF/ASTA constructed many overseas designs under licence in Australia (Beaufort, Beaufighter, Lincoln, Canberra and F18) however they also designed and constructed a number of significant local designs that were successful in oversea's markets includi -
Moorabbin Air Museum
Archive (Item) - Box Baa 105 Boeing (Gaf / Asta) Collection
Description: Jindivik 3A & 3B - Spanwise Loading and Lift Distribution - JDH I Jindivik 3A & 3B - Re-design of Elevator - JDH II Jindivik 3A & 3B - Aerodynamic Data for Stressing - Flap and Aileron Hinge Moments - JDH III Jindivik 3A & 3B - Aerodynamic Da Level of Importance: National. Historical Details: DAP/GAF/ASTA constructed many overseas designs under licence in Australia (Beaufort, Beaufighter, Lincoln, Canberra and F18) however they also designed and constructed a number of significant local designs that were successful in oversea's markets includi -
Moorabbin Air Museum
Archive (Item) - Box Baa 110 Boeing (Gaf / Asta) Collection
Description: GAF Project Report B3/61 - Summary of Jindivik Mk 2B - Development Trials ® (2 copies) UK TECHNICAL COOPERATION PROGRAMME - Report on 12th Mtg of Working Panel H-1 - Aerial Targets & Drones, September 1969 - Vol 1 Main Text & Appendices I-XXX Level of Importance: National. Historical Details: DAP/GAF/ASTA constructed many overseas designs under licence in Australia (Beaufort, Beaufighter, Lincoln, Canberra and F18) however they also designed and constructed a number of significant local designs that were successful in oversea's markets includi -
Moorabbin Air Museum
Archive (Item) - Box Baa 111 Boeing (Gaf / Asta) Collection
Description: (Containing 4 large binders) Willis Electric Co, Warwickshire - Electro-pneumatic Relay - Equipment drawing file General Assy No WL100, WL200, Spec WL99 03/1961 - 1963 WRE - Transponder Set, X-Band Drawings74776 - 150-71 1966/67 GAF - Ji Level of Importance: National. Historical Details: DAP/GAF/ASTA constructed many overseas designs under licence in Australia (Beaufort, Beaufighter, Lincoln, Canberra and F18) however they also designed and constructed a number of significant local designs that were successful in oversea's markets includi -
Moorabbin Air Museum
Archive (Item) - Box Baa 112 Boeing (Gaf / Asta) Collection
Description: GAF - Jindivik Mk2B - Wing Extension Data Calculations, including Modifications - July 1959 to May 1961 GAF - Project B Mk 2 - Jindivik Zero Launch AD Trolley - Data and Calculations, Vol 3 - 1955 to 1959 GAF - Jindivik Trials Reports and Mee Level of Importance: National. Historical Details: DAP/GAF/ASTA constructed many overseas designs under licence in Australia (Beaufort, Beaufighter, Lincoln, Canberra and F18) however they also designed and constructed a number of significant local designs that were successful in oversea's markets includi