Oil on canvas Signed 'Geo. Colville' lower right corner of painting.

Oil on boardSigned 'T de Kessler 1967' in lower right corner of painting.

Oil on canvas board Signed and dated 'T De Kessler 1962' in lower right corner of painting.

Oil on canvas board.Not signed. Not dated.

Oil on canvas.Signed and dated upper right corner 'Armstrong '76'

Oil on canvasSigned and dated on reverse.

Oil paint and pastelNot signed, not dated.

Oil on canvasSigned and dated on reverse top left "Euan L Heng 85"

Oil on paperSigned lower left of paint "Serwan"

Painting - lake scene with mountain in background.Canvas - prepared by Windsor and newton 98 Rathbone Place London.illustrations, oil

In the early 1920s Reginald and Gladys Skelton rented Schwerkolt Cottage. When they left to live in their new home on Deep Creek Road, having been encouraged by Mrs. Louis Schwerkolt to purchase the block, they where given this painting which was on a panel on the door of the eastern room. When the Nunawading Council was refurbishing the Cottage in 1964, Mr Skelton returned the panel. This information was provided by Lyn Davies the daughter - in - law of Mr. and Mrs. Skelton.Painting depicting a rural scene with a river and a bared tree in the foreground and a house, fields and hills in the background.illustrations, oil

Premier 23rd January 1893 – 27th September 1894. Born in Alnwick, England, Sir James Patterson (1833-1895) migrated to Victoria in 1852 to try his luck on the goldfields. After little success he turned his hand to farming, and later operated a slaughter yard at Chewton. Patterson served on the Chewton local council, being elected mayor four times before moving with his wife Anna and family to Melbourne in 1870. Patterson established a real estate business, and after two unsuccessful attempts to enter parliament in 1866 and 1868, he won the by election for Castlemaine in the Legislative Assembly in December 1870. He would hold this seat until his death 25 years later. Patterson served in Sir Graham Berry’s brief August to October 1875 government as Commissioner of Public Works and Vice-President of Board and Land Works. He repeated these roles two years later in Berry’s second government and additionally served as Postmaster-General, and in Berry’s third government was Commissioner of Railways and again Vice-President of the Board of Land and Works. In April 1889 after a time in Opposition, Patterson became Commissioner for Trade and Customs in Duncan Gillies’ Government. The following year he returned to the familiar positions of Public Works, Board of Land and Words and Postmaster-General. By 1891 Patterson was leader of the opposition, and when William Shiels’ government succumbed to a motion of no confidence, led by Patterson, he became premier on the 23rd of January 1893. During his premiership, James Patterson was also Chief Secretary and Minister for Railways. His term as premier coincided with a period of severe economic depression, and his enforced economies earned Patterson few public admirers. In May 1893 his government attempted to prevent a run on bank withdrawals and stabilise the sector, by declaring a 5 day 'bank holiday'. Patterson was awarded a knighthood in May 1894, however this did not increase public confidence in his government who were not returned to power in the August 1894 election. Again leader of the opposition, James Patterson died suddenly of influenza on the 30 of October 1895.This portrait was presented to Sir James Patterson by 'grateful citizens of Victoria' in appreciation of his services during the land boom depression. In 1929 the painting was donated to the Victorian Parliamentary Library by H. Lavinia Patterson, the wife of Sir James Patterson's nephew Colonel George Patterson.Oil on canvas, framed. Frame: ornate wood, gesso mouldings, unglazed. Signed on bottom right corner "G. Coutts" Stamped inscription along inner edge of canvas: "WINSOR AND NEWTON". Inscription on canvas, handwritten in ink: "13 1 92" from reverse.patterson, james brown (1833-1895)

In 1895 artist Gordon Coutts was commissioned by Elizabeth Harding (Mrs. Silas Harding), a wealthy pastoralist, to paint this portrait of Prince Albert. The portrait was completed by 1896 and is a copy of an original by German artist Franz Xaver Winterhalter (1805-1873). In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Queen Victoria’s appreciation of Winterhalter began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. There are a number of notable differences in the original Winterhalter work and this painting. The local artist Coutts has changed the colour of the Prince’s cloak from deep blue/black to red (perhaps as a result of working from a black and white photograph). Other differences include extra satin shoulder ribbons, a simplification of the furnishings, notably the floor, and an inexact representation of the medallions worn; collars of the Order of the Garter, Bath, and the Golden Fleece. The painting is framed to match the official copy portrait of Queen Victoria, with the coat of arms of Prince Albert of Saxe-Coburg and Gotha, fixed atop the frame in place of the royal crown.Framed portrait, oil on cotton, of Prince Albert. The Prince Consort wears the robes of the Order of the Garter, holds a Field-Marshal’s baton, and is posed in front of a curtain and colonnade. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. The coat of arms that sits on top of the frame is a combination of carved timber and composition elements.Signed lower right corner in red brushpoint: ‘after Winterhalter / By Gordon Coutts / 1896’.albert, prince consort of victoria, queen of great britain, 1819-1861, winterhalter, franz xaver, 1805-1873, coutts, gordon (1865-1938)

William Irwin arrived in Australia on 09 February 1850 on the [[Faugh-A-Ballagh]]. He was a publican in Ballarat.Portrait of William Irwin, Treasurer of the Old Colonists' Association of Ballarat. He wears the medallion of that organisation. The 1894 minutes of the Old Colonists' Association read "Acknowledgement was given to the gift of Mrs Irwin and family ‘for their kindness and liberality in presenting to the Association the portrait in oil colour of the late William Irwin who was a highly esteemed member and Trustee of the Association.’ W. Irwin, Treasurer, O.C.A.old colonists' association ballarat, stanton bowman, t. stanton bowman, william irwin, thomas stanton bowman

Has a strong association with the artist and demonstrates activities the Ballarat Tramway MuseumFramed painting - decorative frame made from wood with card cut outs, glass sheet, oil on Masonite of tram 26 in Wendouree Parade. Painted by Alan Dixon, husband of donor, approx. 2000 to 2003. White card and brown tape on rear with label "219", with wire hanging cable with screwed ends.trams, tramways, wendouree parade, painting, art work

barbara better, fishing, river, inman, south australia, children, landscape

billilla, brighton, historic house, house, mansion, gardens, marjorie currie, smith and johnson, walter richmond butler, weatherly

Janet Green, Ricketts Point Tea House 1989, oil on canvasboard, 18.5 x 23.8 cm. Bayside City Council Art and Heritage Collection.ricketts point, beaumaris, bayside, janet green, tea house, vegetation

kevin taylor, summer, licola, gippsland, victoria, rural, hills, landscape, trees

kevin taylor, red bluff, cliffs, black rock, port phillip bay, half moon bay, bayside, coast, beach, boat

judith wharington, orpheus, echo, river, landscape, greek mythology

flinders, pier, beach, coast, western port, mornington peninsula, adrian kennedy

This painting was entered into the Annual Brighton Art Exhibition in 1992 and was the winner of Brighton City Council Acquisitive Award category.Thel Cardwell, Last light 1992, oil on board, 74.8 x 90 cm Bayside City Council Art and Heritage Collection. Purchased 1992beach, coast, thel cardwell, last light, sand, children, recreation, brighton art exhibition, brighton rotary

cerberus, winter, afternoon, hmvs cerberus, black rock, breakwater, boat, ship, port phillip bay, warship, navy

Warren W. Curry, Low tide St. Helens, Tasmania 1983, oil on board, 90.5 x 120.5 cm. st helens, tasmania, low tide, beach, coast, boat, clouds, warren curry

John Bredl, Brighton Beach 2000, oil on canvasboard, 13 x 60 cm. Bayside City Council Art and Heritage Collection. Purchased 2000

Acquired by the Sandringham City Council in 1979 as winner of the acquisitive Inez Hutchison Award, established by the Beaumaris Art Group in 1966.Andrew McLean, Black table still life c. 1979, oil on canvas, 101 x 101 cm. Bayside City Council Art and Heritage Collection. Purchased 1979.table, still life, painting, painting materials, brushes

aireys inlet, aireys, rebirth, bush fire, vegetation, tree, max sherlock