Colour photograph. Reproduction on paper. This item and all other Darebin Parklands Association archival material is now held by State Library Victoria (Accession No: YMS 13746). Please contact State Library Victoria if access is required.

This collection of five photos was most likely taken at Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo in c1970s. The main tasks undertaken by technicians in Photo Troop were most likely enlargements, reductions and duplication of map reproduction material, and processing of aerial photography.This is a set of five photographs of Photo Troop equipment was taken in Lithographic Squadron, at the Army Survey Regiment, Fortuna, Bendigo, c1970s. The photographs are on 35mm colour slides and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, colour, c1970s, WILD U4A Diapositive Camera. .2) - Photo, colour, c1970s, Hass-Labortechnik Film and Paper Roller Transport Processor. .3) - Photo, colour, c1970s, Hass-Labortechnik Film and Paper Roller Transport Processor, SGT Christopher Wardley. .4) - Photo, colour, c1970s, Hass-Labortechnik Film and Paper Roller Transport Processor, unidentified technician. .5) - Photo, colour, c1970s, Pako Film Processor..1P to .5P – Some of the equipment is annotated on the frame of the 35mm slides.royal australian survey corps, rasvy, army survey regiment, army svy regt, asr, fortuna, litho

This collection of seven photos was most likely taken at Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo in c1983. The main tasks undertaken by technicians in Photo Troop were most likely enlargements, reductions and duplication of map reproduction material, and processing of aerial photography.This is a set of seven photographs of Photo Troop personnel and equipment from Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo, c1983. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, c1983, Photo Troop work area, SGT Garran Hill. .2) - Photo, black & white, c1983, Photo Troop work area, L to R: SPR Steve Burke, SGT Garran Hill. .3) - Photo, black & white, c1983, Photo Troop work area, SPR Steve Burke. .4) - Photo, black & white, c1983, Photo Troop work area, WO1 Noel ‘Nesty’ Coulthard. .5) - Photo, black & white, c1983, Photo Troop work area, WO1 Noel ‘Nesty’ Coulthard. .6) - Photo, black & white, c1983, Photo Troop work area, CPL Gary Tremain. .7) - Photo, black & white, c1983, Photo Troop work area, CPL Neville Carr. No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

This collection of 18 photos was most likely taken at Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo in 1986. The main tasks undertaken by technicians in Photo Troop were most likely enlargements, reductions and duplication of map reproduction material, and processing of aerial photography.This is a set of 18 photographs of Photo Troop personnel and equipment from Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo, 1986. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1986, Film developer. .2) - Photo, black & white, 1986, Chromalin Proof equipment. .3) - Photo, black & white, 1986, KLIMSCH Commodore camera. .4) - Photo, black & white, 1986, KLIMSCH Commodore camera operator’s console. .5) - Photo, black & white, 1986, Film contact frame. .6) - Photo, black & white, 1986, Film processing chemicals. .7) - Photo, black & white, 1986, Unidentified technician. .8) - Photo, black & white, 1986, L to R: Unidentified technician, SPR Russell Pajank, SPR Carmel (Butler) Fauth. .9) - Photo, black & white, 1986, SPR Carmel (Butler) Fauth. .10) - Photo, black & white, 1986, SPR Carmel (Butler) Fauth. .11) - Photo, black & white, 1986, L to R: CPL Paul Baker, SGT Rob Bougumil. .12) - Photo, black & white, 1986, CPL Paul Baker. .13) - Photo, black & white, 1986, CPL Paul Baker. .14) - Photo, black & white, 1986, L to R: CPL Paul Baker, CPL Brian Paul. .15) - Photo, black & white, 1986, L to R: CPL Frank Lenane, SGT Rob Bougumil. .16) - Photo, black & white, 1986, CPL Brian Fauth. .17) - Photo, black & white, 1986, WO1 Trevor Osborne. .18) - Photo, black & white, 1986, L to R: SPR Kerron South, SGT Rob Bogumil.No personnel are identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

This collection of 10 photos was most likely taken at Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo in 1988. The main tasks undertaken by technicians in Photo Troop were most likely enlargements, reductions and duplication of map reproduction material, and processing of aerial photography.This is a set of 10 photographs of Photo Troop personnel and equipment from Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo, 1988. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1988, BARCRO work area, SPR Gary Sievers. .2) - Photo, black & white, 1988, KLIMSCH Commodore camera, CPL Mick Gillham. .3) - Photo, black & white, 1988, KLIMSCH Commodore camera, CPL Mick Gillham. .4) - Photo, black & white, 1988, WILD U4A Diapositive Camera, SPR Rob Jones. .5) - Photo, black & white, 1988, WILD U4A Diapositive Camera, SPR Rob Jones. .6) - Photo, black & white, 1988, WILD U4A Diapositive Camera, SPR Rob Jones. .7) - Photo, black & white, 1988, WILD U4A Diapositive Camera, SPR Rob Jones. .8) - Photo, black & white, 1988, WILD U4A Diapositive Camera, SPR Rob Jones. .9) - Photo, black & white, 1988, Photographic camera enlarger, unidentified technician. .10) - Photo, black & white, 1988, SUPER CHROMEGA F Photographic camera enlarger. No personnel are identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

A Gramophone / Phonogram is a device for the mechanical recording and reproduction of sound. The phonograph was invented in 1877 by Thomas Edison. in USA and Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s and introduced the graphophone, This Edison was donated to CMHs by the family of John Box 1841-1913This gramophone belonged to John Box 1841-1913 an early settler in the area of Henry Dendy's Special Survey Brighton 1841A wooden cabinet with a lift up lid enclosing a turntable , record , trumpet and handle . This cabinet stands on another storage cabinet with shelf and doorEDISONmanufactured objects, music, musical records, long playing records, gramophone, phonogram, wireless, edison thomas, edison pty ltd, electric lights;

When scrimshaw is mentioned, most people think of carving on sperm whale teeth only. But scrimshaw also includes engravings on skeletal whale bone–such as the jaw bone, called panbone–and ivory from other marine mammals such as walrus. Although scrimshaw is widely associated with nautical themes and designs of the 19th century whaling industry, vintage scrimshaw was also produced as tribal art in many cultures. Today, scrimshaw is recognized as a unique medium in which present-day artists have developed their own modern themes. Scrimshaw reproductions may take several forms. There are - New carvings on genuine ivory or bone with the deliberate intent to create an "antique” - New carvings on genuine ivory or bone sold as signed and dated contemporary art - Clearly marked synthetic museum reproductions and mass marketed - Unmarked synthetic replicas Painstakingly carved deliberate replicas are directed towards the scrimshaw collector and seldom appear in the general market. Pieces of contemporary art and museum copies are usually clearly marked and openly sold for what they are. The biggest problems in the general antiques market are the mass produced synthetic reproduction pieces, such as this item, that can be mistaken for the genuine item. The scrimshaw is a modern reproduction of a typical scrimshaw scene and engraved onto a synthetic substance. It has been created as a decorative piece and is currently displayed as a representation of the craft of scrimshaw.Scrimshaw carved on a non-natural material in the shape of a whale tooth. Engraving depicts a grizzly bear with two cubs next to a fallen tree. Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, craft work, carving on bones, whale bone carving, engraving, scrimshaw, carving, reproduction scrimshaw

Catalogue card reads, 'Declaration of City 1960'. One copy is stamped with the following wording, 'Copyright not for reproduction. Herald-Sun photograph. Supplied by Feature Service, The Herald & Weekly Times Ltd. Melbourne, Australia'.

Colour slide, 35mm of SW6 class No. 923 painted for the RAAF recruiting campaign, Camberwell Depot 6/12/53. Tram has the destination of Camberwell Junction, route 7A. .1 - Duplicate cardboard slide by Keith with his notes. .2 - duplicate plastic mount slide duplicated by Dr Wilfred Brook of Glen Waverley. Both slides located within a small envelope with Wilfred's card and an apology for the delay. This item stored with Reg Item Document No. 4644. See Reg Item 5180 for another photo.In ink on the rear: "Copy of K(b)(12), MMTB SW6 class tramcar No. 923 painted for RAAF recruiting campaign Camberwell Depot 6/12/53" Has other reproduction notes as well.trams, tramways, camberwell depot, decorated trams, sw6 class, camberwell junction, route 7a, raaf, tram 923

Reproduction of a photo of a East bound ESCo car- prior to 1913, (no windscreens) B&W, with Town Hall in background. Cut out of a magazine or journal- titled "The Town Hall, Ballarat." Tram appears to be fitted with destination boxes. From an original postcard at Reg Item 8412.Yields information about Sturt St and ESCo trams c1910Illustration printed on paper showing a view of Sturt St.trams, tramways, sturt st, esco, town hall, tram 5

Eight pages reproduction of the Bendigo Advertiser from 6 August,2014. The centenary of the day Bendigo woke to news of war. August 6, 1914-2014. A centenary of Greater Bendigo and Bendigo district RSl centenary of ANZAC initiative.bendigo, history, centenary of ww1

Document. Norman Penrose collection: 5 notebooks - 3 blue, 1 light red and 1 with no cover containing notes on using colour in art. Subjects include Painting ?, Reproduction Processes, Outdoor Sketching, A to L and M to Y.person, bendigo, norman william penrose, norman penrose collection, colour in art, outdoor sketching, reproduction processes, painting

Transcription of G. A. Robinson?s journals for the period of May to August 1841. Contains numerous references to Aboriginal social organisation, personal name lists and clan grouping. Reproductions of Robinson?s sketches. Edited with an introduction by Gary Presland.maps, b&w illustrationsgeorge augustus robinson

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a dado pattern. Three colour, repeat pattern of facing squirrels in brown on a green ground, bordered top and bottom in a brown on yellow design. Sample is a later Morris-style wallpaper block reproduction from the 1970s. Inscribed verso: No.14decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history, wallpapers -- dados

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of inward and outward storks surrounding a Celtic knot in dark blue on a paler blue ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of lions and rose bushes above the letters SS in a knot design in burgundy on a red ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

Black and white, post card size reproduction of the East End of Rutherglen's Main Street, approx. 1900. Banner displayed across the street says "M.U.I.O.O.F Welcomes Old Brothers". M.U.I.O.O.F is the Manchester Unity Independent Order of Oddfellows.red boot shop, quon fruiterer, crockery ware & co, muioof

Date of issue confirmed on TROVE.Black and white photographic reproduction of an article to accompany three illustrations of Olive Hill, Mount Prior, and All Saints vineyard homesteads, taken from the Australasian Sketcher with Pen and Pencil, Thursday, 18 April 1889, page 49wineries, homesteads, olive hills, mount prior, all saints

This is a photograph of Photo Troop, Lithographic Squadron; one of the Army Survey Regiment’s four squadrons, at Fortuna, Bendigo, December 1989. The main tasks undertaken by Photo Troop’s technicians were most likely photographic enlargements, reductions and duplication of map reproduction material, and processing of aerial photography.This is a photograph of Photo Troop Lithographic Squadron, Army Survey Regiment at Fortuna, Bendigo, 1989. The colour photograph was printed on photographic paper and is part of the Army Survey Regiment’s Collection. The photograph was scanned at 300 dpi. Back Row L to R: Rob Bogumil, Kevin ‘Chuck’ Berry, Andrew ‘Morrie’ Morrison-Evans, unidentified, Greg Howell, unidentified, Damien Cole, unidentified, Warren ‘Waldo’ Shirley, Steve Burke, Paul Baker, Bob Garritty, Frank Lenane, Bill Jones. Front Row L to R: John Bragg, Ken Peters, Gavin Craggs, Michelle Withers, Penny Knott, Di Chalmers, Geoff Webb, unidentified, Darren ‘Barney’ Maher, Kim Reynolds. No personnel are identified. Annotated on back with ‘Photo Troop Dec 1989’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

By the early 1980's, the population of Little Terns visiting Rigby Island in the Gippsland Lakes had fallen to a low level as the species has a very low reproduction rate. ACTV arranged, at short notice, a "Tern watch" which was literally volunteers babysitting the birds. The project was very successful.This was the first ACTV project which actively used volunteers to protect a threatened species. The Little Terns are now off the official list of endangered species. It was among the first of our corporate sponsorships.Cream coloured, t-shirt, with ACTV logo, blue ANZ logo and text "Tern Watch '88" on front.gippsland, anz bank, little tern, tern watch, gippsland lakes, actv, conservation volunteers, endangered species, successful species recovery

Mt Beauty Camp- The new State Electricity Commission construction camp at the head of the Kiewa Valley was for workmen on the second power station in the project expected to be the most modern and best equipped in Australia… In contrast to the early Kiewa days of horses and canvas tents, the new camp, with its modern amenities, compared favourably with any country town. Administration of the Kiewa Scheme was moved from Tawonga to Mount Beauty in 1946. The first house in Mount Beauty, in Hollonds Street, was occupied by the co-op store manager from November 1946. The new Mess Hall at Mt Beauty was opened with much ceremony in early November 1946. The houses up to Nelse street were erected from 1946 onward and then the township was extended beyond Nelse Street in 1950. The workmen's camp was enlarged in 1950 to the extent of providing accommodation for a total of 1,200. Bogong Camp - In 1940 Field Headquarters for the Kiewa Scheme were established at Bogong with office, workshop facilities and accommodation for workmen, staff and some families constructed. (There had been a 'tent camp' on this site in 1939 but was destroyed by bushfires) Construction of accommodation continued until 1947. A total of 40 houses plus a hostel for single staff, post office, police station, medical centre and primary school all with water and sewerage and electricity supply. The staff hostel was known as Kiewa House and is now occupied by the Education Department. Lake Guy was named after Mr. L.T. Guy who was the Resident Engineer in charge of construction work and associated activities on the Kiewa area. He held this position from 1939 to November 1946 when he was transferred to Head Office. Both Bogong Village and Mt Beauty were developed to accommodate workmen on the Kiewa Hydro Electric Scheme but have since become centres for tourism and a range of outdoor activities.1. Black and white photograph of Mount Beauty Camp taken in September 1950 2. Black and white photograph of Bogong Village Camp1. Written on the back in grey lead - Sept 1950. Mt Beauty Camp. HT Cooper own taking 2. Stamped on back of photograph - Copyright. Not for reproduction. Herald Sun feature Service. Melbourne Australiamt beauty camp, bogong camp, secv

Little known as this print was discovered in an old cabinet in the vestry of the Chapel of St Peter. Possibly a donation meant to be framed or possibly an item used at Port Melbourne Mission which at times ran Sunday school services at the turn of the 19th and 20th C.Allen a child prodigy was a significant popular religious artist. This print is a good example of her work.Appears to be a fine quality full colour reproduction of a nativity scene with angels wise men and madonna in the style influenced by late Pre -Raphaelites mounted on heavy card with printed name of artist at left and printer initials at right and title in centre. see imagenativity scene, daphne allen, artwork-paintings

This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities, are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to a lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up a home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Official History of Australia in the War of 1914-1918 Vol 12 "Annotated by C.E.W.Bean and H.S Gullett" Publisher: Angus & Robertson Ltd Date: 1943 Further Information: Photographic Record of the War Reproductions of the Pictures taken by the Australian official Photographers The label on the spine cover with typed text H 940.40994 OFF Paste down front end paper has a sticker from Corangamite Regional Library Service.flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, official history of australia in the war of 1914-1918 vol 12, c.e.w.bean, h.s gullett

Reproduction of 1904 Photograph showing the Alexandra Fountain, Charing Cross, Bendigo. Publisher - Crown Castleton, Bendigo. Printer - D G Walker Pty Ltd, Bendigo. Plate No 16 of a limited edition of 100 in a series of 25, Print No 26.place, bendigo, charing cross

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample: ‘Larkspur’ pattern, Foliate design with flowers, red on a paler red background. Original design by Morris in 1872; revised by Morris in 1875. Sample is a later Morris-style wallpaper block reproduction from the 1970s. Pattern No. 133400.Stamped on verso: 133400CI / MADE IN ENGLAND. Inscribed in ink on verso: W. MORRIS / LARKSPUR / 133400 / $7.60decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history