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City of Greater Bendigo - Civic Collection
Photograph - Portrait, Don Semmens, Phyllis Campbell, Mayoress 1975 - 76, 1979 - 80, c 1980
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Phyllis Campbell served as Mayoress from 1975 - 76 and 1979 - 80 and was born in 1916 and died in 1995.Colour photographic studio portrait sitting behind oval mount.Inside lr; Don Semmens / Bendigostudio photography, city of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, mayor r campbell, mayoress phyllis campbell., lansell pendant -
Whitehorse Historical Society Inc.
Photograph, East Burwood Football Club Committee 1954, 1954
Names of the players are on a card in with photograph.Sepia Studio photograph of the East Burwood Club Committee 1954east burwood football club 1954, football club, sporting clubs -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Vincent Kelly, May Streader, Mayoress 1946 - 47, c. 1946
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Born in 1884 at Fryerstown, May Catherine Quick married David William Streader in 1910. May Streader served as Mayoress from 1946 - 1947 and died aged 103 years old in 1987. Reproduction of photographic studio portrait sitting behind oval mount.ll; Mrs D. W. Streader / Mayoress / 1946 - 47. lr R. Vincent Kelly / Bendigovincent kelly, studio photography, raymond kelly, city of bendigo mayoress, city of greater bendigo portraits, may quick, mayoress streader, city of bendigo mayor, mayor d.w. streader -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Don Semmens, Joan Cooper Mayoress 1976 - 77, c 1976
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Gwenda Joan Cooper was born in Ballarat in 1924 and served as Mayoress from 1976 - 77.Colour photographic studio portrait sitting behind oval mount.Inside lr; Don Semmens / Bendigostudio photography, city of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, mayor r cooper, mayoress joan cooper, lansell pendant -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Don Semmens, Kathy Tomkinson, Mayoress, 1980 - 81, c 1980
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Kathy Tomkinson served as Mayoress from 1980 - 81.Colour photographic studio portrait sitting behind oval mount.Inside lr; Don Semmens / Bendigocity of bendigo mayoress, city of bendigo mayor, mayoress tomkinson, mayor tomkinson, lansell pendant -
Whitehorse Historical Society Inc.
Photograph - Black and white photograph, Louis Schwerkolt husband of Francesca (Cissie)
Louis Schwerkolt studio portrait full beard and rose buttonholelouis schwerkolt, son of johann august -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Vincent Kelly, Mrs W. Ewing Mayoress 1925-26
Prior to the election of female Councillors and Mayors in the 1960’s, The Lady Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, international level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Mayoress Ewing was born Victoria Keighley in East Melbourne. Her father Edward Keighley was one on the district's earliest mine managers and part owner of the Rose of Denmark Mine. Framed, oval photographic studio portrait. Hand coloured detail.Mrs W Ewing / Mayoress 1925 - 26 / Vincent Kelly / Bendigovictoria keighley, mayoress ewing, mayor ewing, vincent kelly photographer, city of bendigo, mayoress portrait -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Raymond Kelly, Mrs N.J. Oliver Mayoress 1950 - 52, 1964 - 65, c. 1950
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Mayoress Oliver was born Ellen May Robinson and she married Norman J Oliver in 1928. Ellen Oliver died in 1985 aged 82.Framed, oval photographic studio portrait. Hand coloured detail.lr, Mrs N. J. Oliver / Mayoress 1950 - 51 / 1964 - 65. ll, Raymond V Kelly / Bendigovincent kelly, studio photography, raymond kelly, ellen may robinson, norman j oliver, city of bendigo mayoress, city of greater bendigo portraits -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Martin Washington, Mrs R.H.T. Wilson Mayoress 1960 - 61
Prior to the election of female Councillors and Mayors from the 1960’s onwards the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook Mayoral duties on occasions if their husband was unavailable. Framed, oval photographic studio portrait. Hand coloured detail.lcl, Mrs R. H. Wilson / Mayoress 1960 - 61. lr Martin Washingtonstudio photography, martin washington, wilson, lansell pendant, city of greater bendigo portraits, city of bendigo mayoress -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Vincent Kelly, Mrs A Staples Mayoress 1934 - 35
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, national level. Mayoresses were also required to undertake Mayoral duties on occasions when their husband was unavailable. Mayoress Staples was born Harriet Jane Whitford in 1892 and died in 1959. Married to Cr alber Staples, the couple reinstituted the annual Mayoral Ball after an absence of many years. Framed, oval photographic studio portrait. Hand coloured detail.vincent kelly, studio photography, staples, harriet jane whitford, city of bendigo mayoress, city of greater bendigo portraits -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Mrs A.S. Craig Mayoress 1956-57, 1963-64, 1973-74, c 1956
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, international level. They also undertook Mayoral duties on occasions when their husband was unavailable. Mayoress Craig was born Grace Adeline and was a highly respected teacher at Bendigo Girl's School and Bendigo High School. Grace Craig was the first lady to have an official part in the traditional induction of Mayor ceremony. Framed, oval photographic studio portrait. Hand coloured detail.Mrs A.S. Craig / Mayoress 1956 - 57 / 1963 - 64 / Eric (? aslington )grace adeline, mayoress craig, mayor craig, washington photographer, city of bendigo, city of greater bendigo portraits, lansell pendant -
Stawell Historical Society Inc
Photograph, Portrait of Bob Fisher of Great Western
Collected by Dorothy Brumby in relation to Great Western ResearchB/W Studio portrait of man with moustache tie and corsage Bob Fisher Stawell Photographic Co Close Railway Station C. HEWITT, Manager -
Stawell Historical Society Inc
Photograph, Studio portrait of seated young man in striped shirt and bow tie
Collected by Dorothy Brumby in relation to Great Western ResearchB/W Studio portrait of young man in striped shirtW.J. Chapman Stawell -
Stawell Historical Society Inc
Photograph, Studio portrait Baby in white dress
Collected by Dorothy Brumby in relation to Great Western ResearchB/W Studio portrait of young child in white dressA Merry Christmas and a Happy new year W.J. Chapman -
Stawell Historical Society Inc
Photograph, Portrait of seated lady with book
Collected by Dorothy Brumby in relation to Great Western ResearchB/W portrait of lady seated in studio holding book -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Don Semmens, Mollie Sandner, Mayoress 1978 -79, c 1978
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Annie Mary (Mollie) Sibson was born in England in 1904 and worked as a nursing sister at Bendigo Base Hospital until her marriage to Alec Sandner in 1933. Mollie was an active member of the community and was particularly interested in raising the participation of girls in sports and the lack of competitive sports opportunities for girls led Mollie to create an inter school tennis competition in 1944. The Mollie Sandner Cup continues to be played today and Mollie was recognised by the Sportswomens' Association of Bendigo for her contribution to women's sports. Colour photographic studio portrait sitting behind oval mount.Inside lr; Don Semmens / Bendigocity of bendigo mayoress, city of bendigo mayor, eugene and mollie sandner collection, mayoress mollie sandner, mayor sandner, sandner collection, bendigo base hospital, lansell pendant -
Ringwood and District Historical Society
Photograph, Ringwood Horticultural & Agricultural Society- J. Kirby, President, H. & A. Society showing Charles Howitt the Your Garden Shield 1958
Black and white photograph. (Photo by Peter Paynes, Ringwood Studios.)Written on back of photograph, "J. Kirby, President, H. & A. Society showing Charles Howitt the Your Garden Shield to be competed for by the shopkeepers for the best window during the Floral Festival in March. 'Mail' 20 February 1958." -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Reg V Brock, Mrs R. Poulston Mayoress 1949 - 50, 1954 - 55, c 1950
Prior to the election of female Councillors and Mayors in the 1960’s, The Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions if if their husband was unavailable. Mayoress Poulston was born Dora Isobel Morgan and was actively associated with many charities including the Baby Health Centre. Mayoress Poulston died in 1965 aged 75 and was born and lived her entire life in the district. Framed, oval photographic studio portrait. Hand coloured detail.ll, Reg Brock / of Bendigo. lr, Mrs R. Poulston / Mayoress / 1949 - 1950 / 1954 - 1955dora morgan, dora poulston, reg brock photographer, robert poulston, city of bendigo mayoress, city of greater bendigo portrait -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: MALE PHOTO, Nineteenth Century
Black & White Studio photograph. Front Bartlett Bros Sandhurst.Bartlett Bros Sandhurstphotograph, person, male -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: YOUNG MALE PHOTO, nineteenth Century
Black & White studio Photograph young male Jacket & vest.Bartlett Bros Bendigophotograph, person, male -
Streatham and District Historical Society
Post Card, Jack Kerr Luna Park
Luna Park in St Kilda has been a popular tourist destination thoughout the times and Jack Kerr and friend visited the theme Park during a visit to Melbourne at some stage. At this stage it appears that a photographer studio was in place at the park. It was common for people to get photos done of their adventures to show friends and relatives and for a photographic memory.Shows the popular destinations during the time. Demonstrates typical dress in the period.Rectangular, Black & white. Jack Kerr & friend sitting on a bench seat both wearing hats, suits and ties.Back: In black ink stamped, Luna Park, St Kilda. Electric Studio M. D. True, Manager. Photos Finished while you wait. Day or Night. Written inpancil the word Kerr. park, jack, photography, st, kilda, luna, kerr -
Bendigo Historical Society Inc.
Slide - FLEMING COLLECTION: 1950S BENDIGO SLIDE, 1950s
Bendigo 1950s. Bendigo Easter Procession. Easter Monday was 7 April 1958. The Studio, building constructed from small logs with tile blue roof. ? Carrol's Studio, Eaglehawk Road.Kodachromebuildings, residential, studio, bendigo 1950s. bendigo the studio, building constructed from small logs with tile blue roof. ? carrol's studio, eaglehawk road -
Nillumbik Shire Council
Print (etching and photo polymer): Imants TILLERS (b.1967 Syd., AUS) in posthumous collaboration with George BALDESSIN (b.1939 Treviso ITA – d.1978 Melb., AUS), Imants Tillers, 'Unsaid + Nameless' from the 'Baldessin & Friends' commemorative folio, 1976; completed 2016
Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio -
Greensborough Historical Society
Photograph (Framed), Mrs Samuel Haylock Poulter 1858-1896, 1890c
Margaret Morrow was born in County Tyrone, Ireland in 1858. Her father was John Morrow, a farmer. She married Samuel Haylock Poulter in 1881 at Heidelberg. Samuel was born in 1853, son of William Poulter Seven children were born to Samuel an Margaret. Margaret, aged 38, died on 02/08/1896 seven weeks after the birth of Edith May, from complications of the birth. She was buried at Eltham by rites of the Church of England. This portrait is presented to the Greensborough Historical Society at the request of Mrs Barbara Lenne (nee Cooke) (1935-2017), great grand daughter of Margaret Morrow and Samuel Poulter.Large timber-framed photograph. Studio portrait of woman. Biographical notes.samuel haylock poulter, margaret morrow, poulter family -
Bendigo Military Museum
Photograph, 26.6.1916
The postcard belonged to Horace Samuel LONG 'Swag' No 437, 9th & 4th LH Regt AIF seated on the right. The original postcard stated on the rear that the other 2 were Ray Forrester from Gippsland seated and Bob Exon from down Ravenswood way. Ray is possibly Joseph Raymond Forrester No 608 2nd reinforcements 9th LHRegt who was later awarded an "MM". Bob is Rupert Exon No 408 9th LHRegt. Refer Refer Cat No 16P for Swag’s service details. Refer Cat No 486P for the collection relating to Rupert Exon No 408.Copy of black & white postcard depicting 3 soldiers in a studio portrait.Handwritten bottom: Yours truly Me, us & Coy photography, light horse, aif -
Emerald Museum & Nobelius Heritage Park
Photograph, Mina Moore, Nightingale/Thompson Collection, 1907
child as yet to be identifiedThompson Collection Mina Moore photographerStudio photograph mounted on cream card of female child (3 years) Front: Mina Moore (photographer, hand written). Inscription: Peggy at 3 years old. With love to her Godfather. May 1907 Back: Mina Moore Auditorium Building, Collins Street Melbourne Australia. Hand written in pencil: Green Be?lthompson collection, nightingale, mina moore -
Emerald Museum & Nobelius Heritage Park
Photograph, Nightingale/Thompson Collection, July 1912
Wedding photograph of Sophie THOMPSON (1880 - 1950) and Henry William TUCKER in 1912. From the collection of Emma NIGHTINGALE. Sophie's brother William also sent a wedding photograph to Emma NIGHTINGALEThompson Collection, NightingaleSepia photograph mounted on brown card Studio portrait of young coupleManufacturer's mark on front of card: Pearce and Fullwood, Photographers, 238 Sydney Road, Brunswick, opposite Town Hallthompson collection, nightingale, tucker -
Victoria Police Museum
Photograph (Steve Hart), Burman Photo
Small black and white studio photograph showing a standing Steve HartSteve Hart Bushranger (on rear in ink)kelly gang, bushrangers, steve hart, glenrowan, stringybark creek, police murders -
Victoria Police Museum
Photograph (Dan Kelly), Burman Photo
Small black and white studio photograph showing a seated Dan Kelly. Dan Kelly Bushranger (on rear in ink)kelly gang, bushrangers, dan kelly, daniel kelly -
Stawell Historical Society Inc
Photograph - Studio Portrait, Edith Alice (Nee Martin) Huttley
Huttley - Martin FamilyB/w Studio: Young Woman -pensive. On faux balcony with flowersMelbourne "Eden" Sydney superior Platinotype Edith Alice Martin m Alfred Huttley (my mother) RAT EAST A A II AIhuttley, martin