From Abbott Family album (Box 892). Harold Athelstone Abbott was the fourth child and third son of Mary Hannah Gibbs and Richard Hartley Smith AbbottA Bartlett Bros Bendigo sepia standing studio portrait of Harold Athelstane Abbott in a sailor suit with racquet by his sideIn in written on reverse is 'Taken July 1st 97, Harold Athelstane Abbott born April 7th 1889r h s abbott, bartlett bros.

Mary Pitt Withers was the fourth child and third daughter of artist Walter Herbert Withers and Fanny (nee Flinn), born December 4, 1895 at Heidelberg, Victoria. Many items in this collection have suffered from significant water damage and black mouldjohn withers collection, heidelberg, 1898, mary pitt withers

Designer book promoting graduating Graphic Design class of 1997. Accompanied by a Compact Disc (CD Rom) of student work, refer item 29163.2 for screen captures from CD Rom. Lecturer, Helmut Stenzel.Graduation book to including works by third (final) year graphic design students, 1997. Perfect bound book, pages printed on satin coated in two colours (black and silver). 4pp card cover printed black and silver external, inside covers printed full colour.university of ballarat, federation university, graphic design, ben mangan, russell kerr, luke keys, travis prices, karen grinter, rosie busuttil, peter horvat, felix lee, karl chandler, matt bowman, adam laszczuk, narelle pietsch, natasha pietsch, jenny tyquin, helmut stenzel

A copy of the third edition of a handbook for training of Artillery Personnel in Gunnery. Published by the Royal Australian Artillery, Eastern Command in October 1941. This handbook contains 104 pages of illustrated notes for training personnel. It is bound in a soft cover of heavy weight linen covered grey coloured paper.

Sauce came in bottles bought at the local grocery store or at a large city store on a shopping expedition. The shape, colour, size of the bottles changed as did the stopper used to seal it.Historical: Change of bottles - shape, glass, stopper, size, embossing Aesthetic: Display shown embossing and shapeClear brown glass bottle of medium size used for sauce. Sealed with a glass stopper that has cork on the outside. It has straight sides for nearly two thirds to the top then tapers quickly into a long straight neck with a lip near the opening. Inside the opening is a lip. Embossed on base.Base: across the middle 'M 311' and below that 'M'glass bottle, household, glass cork stopper, sauce

Bottled milk was bought at the local store. The bottles were re cycled and remained the property of the manufacturer. to encourage their return a deposit was usually paid on them. Pre 1966 liquids were measured in pints.Historical: Dairy farmers lived in the Kiewa Valley and sent their milk to be pasteurised and bottled by a local Dairy Company. The bottles changed shape, size and embossing. Aesthetic: Display showing variations of shape, embossing and size Clear glass small bottle with straight sides nearly two thirds up from the base tapering gently to the opening which has a thick long lip before the opening. Heavy embossing around the circumference on each side where tapering begins. Light embossing on the base.Half Pint Milk This Bottle Belongs to Milk Bottles Recovery Ltd. And Cannot be Used With Out Written Permission Base: '2' Common Seal 'A' with 'G' and 'M' inside the A / '8' / '11' / 'M163'milk, dairy, farmers, kiewa, milk bottles recovery ltd

Black and white photograph - 1st Class, 1907. Ringwood State School No. 2997. First class 1907. Miss Kelly at left. Boy above sign is Ronald East (later Sir); third from right in front row is Alan Dawes, later war correspondent & journalist."Attached to photograph" Back Row - L to R: ?, ?, ?, ?, ?, ?, Emily Parker, ?. 2nd Row - L to R: ?, Gordon Dickson, ?, Reg Chenall, ?, ?, ?. 3rd Row - L to R: ?, ?, ?, ?, ?, ?, ?, ?, Ronald East, ?. Front Row - L to R: ?, ?, ?, ?, ?, ?, ?, ?, Allan Dawes, ?, ?. Teacher: Miss Kelly

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was appointed in 1934 as the Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and Conducting and was a Fellow of the Guildhall School of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. Frank was awarded an M.B.E. in 1967. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.This cream card with blue print folded in half, is both a menu and a programme of music. On the front cover is the coat of arms of the Royal Military School of Music. It is to celebrate the thirty-third annual dinner and ball of the Kneller Hall Club. On the back cover one of the fanfares is "Melba" by Frank Wright.Only printed informationroyal military school of music, frank wright, fanfare melba, kneller hall club

This photograph was reproduced in the Ballarat School of Mines Students' Magazine, 1920 1920 was the inaugural year of the Senior Technical Schools' Football Association. The idea of forming an association originated from the Sports Master at the Bendigo School of Mines. Twenty two members of the Ballarat School of Mines Football team pose for a photograph. The sports master, Dick Richards, stands on the left side. Seated third from left: Douglas Rex (Peter) Evans The Ballarat School of Mines Football jumper features a logo on the centre of the front. ballarat school of mines football team, sport, douglas rex evans, peter evans, dick richards, r.w. richards, richard w. richards, richards and co., inter-technical football team, senior technical schools' football association

This lifebuoy is part of the lifesaving equipment from the sailing ship the Falls of Halladale. It is filled with cork and covered with canvas and reinforcing bands. The name of the ship and its origin is printed on the lifebuoy. It has been sealed with several coats of white paint. A lifebuoy, or life-preserver, is used as a buoyancy device to keep a person afloat in the. It is usually connected by a rope to a person in a safe area such a nearby vessel or on shore. The lifebuoy is thrown to a person in distress in the water, allowing the rescuer to pull the person to safety. The lifebuoy is a made from a buoyant material such as cork or rubber and is usually covered with canvas for protection and to make it easy to grip. The first use of life saving devices in recent centuries was by the Nordic people, who used light weight wood or cork blocks to keep afloat. From the early 20th century Kapok fibre was used as a filling for buoys. Light weight balsa wood was used as a filler after WW1. In 1928 Peter Markus invented and patented the first inflatable life-preserver. By WW2 foam was combined with Kapok. Laws were passed over time that has required aeroplanes and water going-vessels to carry life-preservers on board. The Falls of Halladale 1886-1908 The vessel ‘Falls of Halladale’ was a four-masted iron-hulled barque, launched in July 1886, by Russell & Co of Greenock, Scotland and owned by the Glasgow Falls Line, which named its ships after Scottish waterfalls. The ship was built for long distance cargo trade. The Falls of Halladale was one of the last windjammers that sailed the Trade Route. The ship was on its way from New York to Melbourne via the Cape of Good Hope when, after 102 days at sea, its journey suddenly ended. During the night of November 14, 1908, in calm seas with some coastal fog, an ocean swell raised the vessel up then let it down on a submerged reef wrecked at Curdies Inlet, Peterborough. The ship was stranded and the Port Campbell Rocket Crew were sent for, to perform a rescue. However by the time they arrived, all on board had already travelled by lifeboat to the nearby beach at the Bay of Islands. The sight of the slowly disintegrating ship on the rocks attracted many sightseers. This lifebuoy is significant for its association with the famous ship the Falls of Halladale. It is significant for its association with lifesaving equipment used on board vessels in the early 20th century. The Falls of Halladale shipwreck is listed on the Victorian Heritage Register (No. S255). She was one of the last ships to sail the Trade Routes. She is one of the first vessels to have fore and aft lifting bridges. She is an example of the remains of an International Cargo Ship and also represents aspects of Victoria’s shipping industry. The wreck is protected as a Historic Shipwreck under the Commonwealth Historic Shipwrecks Act (1976).Lifebuoy; round white canvas ring, joined with hand stitching. Stencil with inscription is printed in black on first and third quadrant. The canvas has been repainted in white but avoiding the inscription in the lifebuoy. A hanging board for display is attached with white rope. Lifesaving equipment from the Falls of Halladale.“FALLS OF HALLADALE” “GLASGOW”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, life rings, lifebuoy, safety ring, life-saving buoy, ring buoy, life preserver, personal floating device, floatation device, safety equipment, falls of halladale, glasgow falls line, rocket crew, lifeboat, peterborough

Third Report of the Commission for Public Health 1924 - 1925. 62 pages report to the Minister of Public Health, Department of Public Health, Victoria. Note: pages 37 - 42 : Report by C. P. Rowan , District Health Officer re North-Central area 1924/5.organization, government, health

Metal fire screen shaped as a leaf. Painted pcture on the screen of pink roses and green leaves on a green background. Back has three metal vertical supports attached. Two outside supports serve as legs. A fourth metal support is attached as a hinged adjustable third leg.domestic equipment, heating, fire screen

Bendigo Advertiser "The way we were" from Monday, September 1, 2003. Hard yakka: New Argus Mine miners in Sailors Gully, circa 1910. Middle row, second from left: Phil Dunston. Back row, third from right: Jack Dunston.newspaper, bendigo advertiser, the way we were

Black framed glass display with yellow bordering. Features seven items - centrepiece "Exceptional Class" sash and badge, two small Republic of Vietnam flags, four neck badges - First, Third, Second, Exceptional Classes - each with own distinctive colour beading and gold badges.kim khanh decorations, republic of vietnam

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.This is the only example of a Hospital Day badge to include a patroness (or a patron). Lady Victoria Stradbroke was the wife of the third Earl of Stradbroke who served as Governor of Victoria from 1921 to 1926. Lady Stradbroke advocated for Hospital Days during her husband’s tenure as governor in the early 1920s."Hospital Day / Patroness Her Excellency The Countess of Stradbroke"hospital day, countess of stradbroke, fundraising buttons, badges

June is holding her plaque and certificate for her Australia Day Citizen of the Year 1998Colour Photograph of June Parsons of Lakes Bakery, 537 the Esplanade Lakes Entrance Victoria , bread shelves in the background. Also second photo taken at the front of the shop the same day . Third photo of Bakery staff member Angela Gunnser ladling soup taken June 2000businesses, commerce

The red brick Wesleyan Methodist church was the third church building on the site. It was built to seat 500 people, at a cost of 2401 pounds. The church was opened on 11 July 1875. Colour photograph of the exterior of the California Hill Uniting Church (Bendigo).california hill, wesleyan methodist, bendigo

The red brick Wesleyan Methodist church was the third church building on the site. It was built to seat 500 people, at a cost of 2401 pounds. The church was opened on 11 July 1875. Colour photograph of the exterior of the California Hill Uniting Church Sunday School (Bendigo).california hill, wesleyan methodist, bendigo

Photograph of three men, two shaking hands (Mr R W Pettitt on the left), the third man looking on. Possibly taken at an agricultural show in South Africa 1972.Mr R.W. Pettitt in South Africa, c.1972.South Africacorriedale sheep sheep breeding agricultural shows, australian corriedale association, pettitt, mr r. w., corriedale sheep, sheep breeding, agricultural shows

Details of the third meeting of the Committee formed to publish a biography of Sir Stanley Savige, at which members were brought up to date with the progress of the manuscript, and the raising of finances was discussed.Tracks the progress of the book being written about Stan Savige. Interesting to see that mail was expected to be delivered in no more than two days in the 1950s.3 x foolscap and 1 x A5 typewritten sheets, black on white.00326.2 pencilled date 30/4/58, in blue pen "Dear Wilf, This is the full list of those circularized for the meeting of the Committee at the No. 2 Committee Room at Melbourne Town Hall on Wednesday 30th. Most of the circulars were posted in the city on the morning of Thursday 24, so should have been delivered not later than Saturday 26th. Yours was held because I thought I might see you at the Shrine on Anzac Eve. Yours etc. Frank Doolan."savige book, committee

Third edition comprises eight drawings to be coloured in or other activities prepared by David Frost and Peter Waugh. See items 2250 for the first edition and 6006 for the second edition.Demonstrates a BTM produced Sales item.Book - 16 pages colour outside covers, centre stapled.btps, btm, coiouring book, sales items

Copy of the front page of the Australasian Sketcher No. 58 - Vol. V, dated Saturday, September 1, 1877. The top third of the page has the name and decorative artwork. The bottom two thirds has two sketch drawings of fancy ball characters. On the left are two ladies, dressed in long dresses and hats and a man dressed in very early dress and a hat. The right hand side shows a man with very long hair sitting on a box with old time clothing with long leggings, bows on his shoes and a wide brimmed hat. He also has a sword and broad carry strap. On the right of the picture is a camera. There is also a vase and a pot plant in the picture.By Courtesy Ern Williams, Bendigo. Argusnewspaper, argus, news items, peter ellis collection, australasian sketcher melbourne saturday september 1- 1877, ern williams. the australasian sketcher with pen and pencil was a monthly magazine published in melbourne by the argus between 1873 and 1889. the sketcher appeared once a month, starting april 1873. the proprietors were named as edward wilson, lachlan mackinnon and others.

WARM was a community textile art project that saw over 250 knitters come together to create a beautiful collage tapestry. Made entirely from wool, the artwork contains more than 1000 individual hand knitted sections. The project takes aim at global warming, it highlights both the causes and solutions for us to create a sustainable and safe climate for future generations. Lisa Kendal, the co-creator of the project, said “One of the problems in the world is that we have forgotten how to warm ourselves with wool. We have become too dependent on fossil fuels (for heating)”. This is the key idea surrounding the project. WARM began as two large scale images created by Lars Stenberg. The first image is a landscape scarred by coal mining. The second image is the same landscape only many decades later. Regeneration and regrowth have taken over the landscape and hidden the past coal mine completely. In its place is a beautiful landscape including trees, native flowers, a lake, lots of greenery and wind turbines. From March to the end of August in 2016, knitters worked hard to create the over one thousand pieces that came together to form the final tapestry. The pieces were all designed by Fibre Artist Georgie Nicolson of Tikki Knitting Designs, who converted the second image of the healed landscape into patterns for the 250 plus knitters to follow. These patterns included unusual designs such as gum leaves, trees, native flowers and even the wind turbines. During several days of installation, the knitted pieces were stitched together by Lars Stenberg over a picture of the first image of the operational coal mine. They worked to create the second image of the renewed landscape; like an enormous collage. The WARM project was donated to the National Wool Museum in 2021. It was a much-loved hanging within the Ballarat Hospital for many years before coming to the museum. More information about the project can be found on the following website. http://www.seam.org.au/warm The tapestry is made from 1000+ hand knitted sections stitched together to make an image. In the foreground of this image is a large gum tree that stretches from the bottom left to the top right corner. The trunk of this tree follows the left edge of the tapestry, with foliage from the gum tree spanning its top border. The bottom third of the tapestry is predominantly green grass with yellow, pink and red flowers providing sporadic colour. The middle third encompasses a lake, with orange colours surrounding the banks of the water as opposed to the green grasses of the bottom third. To the right of the lake are wind turbines. The top third of the tapestry is blue sky with white clouds. It also contains the previously described gum tree leaves. Each piece of the tapestry is 100% wool and was hand knitted and stitched together. The Tapestry is accompanied by an oil painting on canvas. It is a painting that matches the tapestry and served as a template for the final tapestry. Finally, the tapestry is accompanied by another pointing on wood board. This final panting is of a coal mine. This is the setting before regeneration and regrowth have reclaimed this site, which is the theme captured in the final tapestry. In the foreground of the coal mine painting is the same gum tree described in the tapestry; however, it is grey and sickle with only 4 leaves visible at the top border, compared to the numerous leaves in the tapestry. Also in the foreground is a broken barb wire fence adding to the unwelcoming nature of the site. The colour scheme of this image is of dark greys and browns. A coal fired power plant can be seen in the final third of the image with four chimneys emitting plumes of smoke into the sky. In front of this power plant is the spiral shape of a coal mine, burrowing deep into the earth’s crust. Inside of the coal mine 3 yellow trucks are seen mining and transporting coal to the top of the mine.warm, community textile tapestry, knitting, community artwork, global warming

Three colour photographs; two looking diagonally across Main Road, Eltham towards Lyon Bros Ford dealership with the Wizard of Oz float and Institute of Linguistics float. The third photo looking further down Main Road showing the Wizard of Oz float approaching the viewing point.eltham, festivals, main road, lyon bros ford

Three colour photographs; two looking diagonally across Main Road, Eltham towards Lyon Bros Ford dealership with the Wizard of Oz float and Institute of Linguistics float. The third photo looking further down Main Road showing the Wizard of Oz float approaching the viewing point.eltham, festivals, main road, lyon bros ford

Soft drink came in bottles bought at the local grocery store or at a large city store on a shopping expedition. The shape of the bottles changed as did the stopper used to seal it. Bottles were re cycled remaining the property of the manufacturer. History of R.J. Hadden's company in Benalla.Historical: Change of bottles - shape, glass, stopper. embossing, use. Aesthetic: Display showing embossing & shape especially if in good condition.Clear glass bottle heavily embossed. It was used for lemonade. It has straight sides that taper towards the opening two thirds of the way up. On 1 side the company's logo forms a circle with the word 'lemonade' embossed horizontally inside the circle. On the other side, at the base, are 2 lines of embossing.R. J. HADDEN - moon shape across the top forming the top of a circle with BENALLA completing the circle below. LEMONADE is embossed horizontally inside this circle. On the other side of the bottle: 'This bottle is the property / of R.J.Hadden, Benalla.' Base: lemonade, benalla, bottle, drink, r.j.hadden, soft drink