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Ballarat Base Hospital Trained Nurses League
1980 Syllabus, BBH Trained Nurses League, program for monthly meetings
Hard Copy1980, syllabus, bbh trained nurses league, program, monthly, meetings, monthly, meeting, july 1978, president, dale -
Ballarat Base Hospital Trained Nurses League
Ballarat Courier - Women in Leadership - Wanda Chapman (nee Archibald) & Janet Dale (nee Scott) both Ballarat Base Hsopital Trained Nurses
Newspaper -
Nillumbik Shire Council
Ceramic (plate): Greg DALY, Images on a Platter, c.1985
stoneware, glazesek prac 2015 -
Nillumbik Shire Council
Sculpture, Ghost, 2012
The (logging) truck carries a representation of John Glover’s painted landscapes, which Cox has painted on a solid block of wood. John Glover is one of Australia’s most celebrated colonial landscape painters. Born in England, he was a highly successful water-colourist and painter of landscapes in the tradition of French artist Claude Lorrain. Arriving in Australia in 1831, Glover adapted his picturesque style and luminous technique to his new surrounds, creating naturalistic and atmospheric paintings of Australian nature, settler life, and Aboriginal culture. Working out of doors, Glover developed an understanding of the unfamiliar Australian landscape, especially the twisting forms of native eucalyptus trees. His direct experience of nature, as both pioneer settler and painter, resulted in a new approach using a subtle palette of olive greens, ochres, misty greys and intense blues, and layered glazes of mauve, grey and gold, to portray Australian light and atmosphere. Dale Cox continues the ongoing preoccupation and tradition of landscape painting in the Nillumbik area and our impact on the environment in a contemporary way. The truck creates a playful nexus between painting (representational landscape) and sculpture, purposely bluring boundaries across these traditionally distinct disciplines. ‘Ghost’ seeks to convey the idea that when we remove something significant from a location, like the landscape itself, the remaining ‘place’ changes to become a new ‘place’. This may seem self-evident until we think more deeply about location and landscape. The white truck is a ghost, an ethereal, transient being that spirits away an entire place, forever removed from itself, and forever changed. Logging wild trees can never be like harvesting a ‘crop’. Logging removes a landscape, and changes a place forever. The ‘packaging’ of this painted landscape highlights the anomaly between commodity and our environment. Dale Cox was a local artist and this work was highly commended at the 2012 Nillumbik Prize. White plastic toy (logging) truck with a landscape painting on a wooden block. The landscape painting is reminiscent of paintings by colonial artist John Glover. N/Alandscape, truck, sculpture, environment, john glover, colonial, painting, ghost, nillumbik prize -
National Wool Museum
Photograph, Puckapunyal - 75,172 Sheep for Shearing, 1988
Banjo Paterson once wrote, ‘The musterers are fetching them a hundred thousand strong’. Well, not quite 100,000 strong, but there are 75,172 mixed age Riverina-bred merino wethers in this mob mustered for shearing on January 22, 1988. The sheep were owned by the Mountjoy family from Geelong Victoria and were running on Puckapunyal Army Base near Seymour in Central Victoria on which the family held the grazing lease. Contractor for the shearing, Jim Walker, Avenel, Victoria, former Australian shearing team captain in 1974-75 and 1978-79, recalls there were up to 21 shearers in his team waiting for the red eyes to arrive despite the mid-summer heat of up to 38°C and the blinding dust on windy days. Jim Walker thinks there may also have been some sheep in the mob from Portland Downs and Isis Downs near Isisford in Central Queensland. The biggest shearing he did at ‘Pucka’ was 87,087 shorn in 1988. The ‘Pucka’ base was established during WW1. During the Second World War the Second Australian Imperial Force trained there as well as the US Army 41st Infantry Division. It was also home to the 1st Armoured Regiment from 1949 until 1995. During the 1950s up to 4000 national servicemen at any given time were training there. In the 1980s the Army undertook a major 60,000-acre land rehabilitation programme as decades of heavy use had led to serious degradation. By 1988 when the photo was taken, further land acquisition had increased the area to just under 100,000 acres, 43,000 of which is still bush country. There are no sheep there now, and the old shed was bulldozed and burnt. There are thousands of kangaroos which of course don’t need to be shorn and would be hard to muster and hold for a similar photo. Colour photograph, 75,172 merino wethers, mustered for shearing at Puckapunyal in 1988.shearing merino sheep, mountjoy, mr dale - worungalla pastoral co., shearing, merino sheep -
Whitehorse Historical Society Inc.
Article, Water walkout, 1993
An article in which the City of Nunawading council is blamed for continual flooding in Barbara Street Vermont.An article in which the City of Nunawading council is blamed for continual flooding in Barbara Street Vermont.An article in which the City of Nunawading council is blamed for continual flooding in Barbara Street Vermont.city of nunawading, barbara street, vermont, daly, lyn -
Whitehorse Historical Society Inc.
Article, Uproar over new units, 29/10/1997 12:00:00 AM
Mitcham residents and the Nunawading and District Historical SocietyMitcham residents and the Nunawading and District Historical Society have joined the growing list of objectors to a proposed 16 unit development at the corner of Mitcham Road and Meerut Street on the site of one of the few remaining historical homes in the area. The house was built in 1934 by Stanley and Helen Walker. Mr Walker's family was owner and operator of the Australian Tessellated Tile Company, an important industry for Mitcham and Victoria. The house was recognised in the 1994 City of Nunawading Heritage Survey Project and was classified as being of high local significance,Mitcham residents and the Nunawading and District Historical Societymitcham road, mitcham, meerut street, walker, stanley, helen, arrowsmith, valda, daly, peter, seamer -
Whitehorse Historical Society Inc.
Document, Scott's Garden Estate, 1915
Brochure of Scott's Garden EstateBrochure of Scott's Garden Estate consisting of 21 large allotments owned by Mrs. E.E. Scott, corner Victoria Street and Scott Street, Mitcham. Also includes New Street, Mitcham. Brochure of Scott's Garden Estate scott, emma elizabeth, coghill & haughton, daly, hall & davey, scott's garden estate, scott street mitcham, victoria street mitcham, new street, mitcham -
Whitehorse Historical Society Inc.
Article, Council votes to save Walker site, 24/12/1997 12:00:00 AM
Whitehorse Council last week voted to include the historic Walker EstateCutting from Whitehorse Gazette 24/12/1997 informing that Whitehorse Council last week voted to include the historic Walker Estate on its list of protected sites to save it from demolition. Cr Allen said he was confident the Council's decision to refuse a development permit would not be overturned at the Administration Appeals Tribunal. Whitehorse Council last week voted to include the historic Walker Estatewalker estate, city of whitehorse, metrospan developments, walker, stanley, mitcham road, mitcham, meerut street, australian tesselated tile co pty ltd, walling, edna, allan, peter, nunawading and district historical society, arrowsmith, valda, daly -
Whitehorse Historical Society Inc.
Newspaper - Article, House offers aid, 18/08/1992
Article on first recipients of the Vermont South Community House scholarships, 1992.neighbourhood houses, vermont south community house, woloshenko, steven, cartledge, renee, o'neill, catherine, dale, renee, hoey, louisa -
Whitehorse Historical Society Inc.
Article, Heritage concern over site, 10/12/1997 12:00:00 AM
Report on application to build 16 two-storey town housesReport on application to build 16 two-storey town houses on land at 456 Mitcham Road, Mitcham. There have been 42 objections from near-by residents.Report on application to build 16 two-storey town houses kirisopoulos, jenny, daly, peter, nunawading and district historical society, walling, edna, australian tesselated tile co pty ltd., walker estate -
Whitehorse Historical Society Inc.
Memorabilia - Box - Cigarette silks, 1911 - 1917
These type of cigarette silks were included in WD & HO Wills cigarette packets to induce women in particular to take up smoking.|The Word 'Cartophilic?|It is believed that this unusual word was coined in the 1920s by Col. Bagnall, an Englishman, who was the father of the hobby of cigarette card and trade card collecting. It is thought to be a combination of a Latin word, 'carto' meaning 'card and the Greek word 'philic', meaning 'love'.- lover of cards. The term originally related to the collection of the two types mentioned, however, our Society has included postcards in the range of items collected by our members.|The Cigarette Card|The cigarette card began its evolution in the United States of America, in the early 1880s as a plain piece of cardboard used by tobacconists to protect the cigarettes which were sold in that era, not in packets, but loosely. A purchaser would buy his cigarettes then wrap them in paper around the small piece of cardboard, which acted as a stiffener. In fact, for many decades, cigarette cards were known as 'stiffeners' in the USA.|The card depicting 'The Marquis of Lome' is reputed to be the first known cigarette card issued. This is thought to have been in 1879. It did not take long for an enterprising entrepreneur to recognise the advertising potential of the cigarette card, and, very soon, the cards began displaying popular images, often in sets. This had the effect of youngsters, wishing to complete their sets, harassing their fathers to buy a specific brand of cigarettes. The kids who collected cards in the days when they were being issued in the cigarette packets, would hang around outside the local tobacconist's shop, pestering the men who had just bought a packet of cigarette, with the cry: 'can I have the cig can mister?'|It is a proven fact that, here in Australia during the 1930s, at least one set had one card deliberately withheld and issued very sparingly. This card is No. 86 (Mrs Jack Crawford) in the Carreras 'Turf Personality Series'. Thus, in a set of reasonably easy cards to get, this one card is a constant source of frustration for the collector, and as such, commands a premium when it comes to price. It is not hard to imagine the young collector nagging his to Dad to keep buying 'Turf' cigarettes to enable him to finish the set.|From small beginnings the cigarette card soon gave rise to a booming industry in itself. Artists and writers were|employed to produce the cards, which were miniature works of art and served as little encyclopaedia's for the children of the day. By the 1930s cards were being issued in the countless millions. It has been stated, in one book on the history of cards; that 450 million sets of a series produced and issued by the prolific issuer of cards in the United Kingdom, WD & HO Wills. As each set contained 50 cards you would need a calculator with a very long result window to see the answer to how many cards of that series were in circulation.|Australia's involvement would appear to have its beginnings with the English and American firms who shipped their tobacco products here and the cards of American Tobacco Company (ATC) are found in great numbers in early Australian collections; many featuring Australian subjects, e.g. 'Australian Parliament a 1901 issue. Earlier U.S. sets depicting Australians included Goodwin & Co's, so called. 'Australian Series' with cricketers and Australian Rules footballers who were on the sporting scene during the 1880s. The caption of one of theses cards reads:|'W.Hannysee. Captain Port Melbourne Football Club' which enables us to pinpoint the year of issue to either 1889 or 1890.|On the Australian scene the first local manufacturer who issued cards seems to have been The National Cigarette Company of Australia Proprietary Limited, whose 'Tally Ho' packets contained cards from a series of thirteen featuring the touring 'English Cricket Team 1897-8' Of the few Australian manufacturers who issued cards, only two companies issued more the two sets.|Undoubtedly the cards issued by the Melbourne firm Sniders & Abrahams (later Sniders & Abrahams Pty Ltd) are the 'jewels in the crown' of Australian card issues. They issued some thirty-three series, with numerous sub-series and allied issues such as metal badges, metal football shields, celluloid flags etc., which ensured that the hobbyist had a vast range from which to collect. Sporting themes – football, cricket, horse racing – dominate, indicating the Australians' love of sport and the outdoors was as strong in those earlier times as it is today. Military, animals and birds themes were also to the fore, with a touch of culture being provided by 'Shakespeare', 'Dickens', actresses and even classical 'Statuary'. Humour was not forgotten with 'Cartoons and Caricatures', 'Naval and Cricket (double meaning) Terms' and the 'Jokes' series. Art and history were covered by the artist, S.T. Gill's 'Views of Victoria in 1857' while the stereoscopic 'Views of the World' expanded the collectors' knowledge of the world as a whole.|The Sniders & Abrahams series began in 1904 and by 1919 the company was in decline and was eventually taken over by G.G. Goode & Co. Ltd. This company produced one set only, the highly collectable 'Prominent Cricketer Series' issued in 1924. During the early to mid-1920s, J.J. Schuh Tobacco Pty Ltd issued eight series, again containing the popular subjects of sport and war. At least two provincial tobacconists, Lentens of Bendigo and Baillies of Warrnambool, issued private football series. The last series of cards issued by a truly Australian firm was Dudgeon & Arnell's '1934 Australian Cricket Team'.|The Australian market was not neglected by the English companies with WD & HO Wills, Godfrey Phillips and Ogdens all making their contributions. By far the most active issuer was the long-established company Wills, whose 'Cricketers' of 1901 heralded the flood of Australian series, which continued into the mid-thirties.|The onset of the 1939-45 World War sounded the death knell of the cigarette card and very few post-war issues were made, certainly not here in Australia.|The Trade Card|The Trade Card is a non-tobacco item used by manufacturers to promote and advertise their products, in the same way that cigarette cards were. It is uncertain exactly when they were first produced, but in the USA, non-collectable cards were issued by firms in the early 1800s. These were more akin to a latter day 'business card'. It was not until the 1850s, when coloured and pictorial cards were issued to advertise and promote products that the Trade Card|became a collectable item. Many beautiful lithographic cards were produced in this early era and they are very mu sought after by collectors. By the 1870s the issues of Trade Cards became more prolific and it is from this era that more cards are seen.|Again, it is difficult to pinpoint the exact date of the first Australian Trade Card and it may be that the highly collectable and extremely rare 'American Candy Co's' - 'Pure Caramels' Australian Rules football card, issued i 1891, is the earliest series. This confectionery firm was located in Fitzroy, a Melbourne suburb. To date only two subjects have been seen.|Another early set was 'Flags', issued by F.H.Fauldings & Co. It featured testimonials of seven English cricketers who toured Australia with the 1894/5 Test team. Fauldings was an Adelaide based firm which manufactured medicinal toiletries, soaps and oils, using the distinctly Australian eucalyptus oil. During the 20th century a multitude of Australian businesses issued trade cards, with confectionery manufacturers such as Hoadleys, Allens, Sweetacres and Australian Licorice producing the majority of them. Again sporting themes dominated with the ever popular Aussie Rules football cards being the most numerous. Cricket issues ran a close second.|Apart from sporting cards, almost every subject imaginable was covered by the Trade Card, making it the most diverse and interesting branch of cartophilly. In contrast to the Cigarette Card, which had its demise prior to the Second World War, the Trade Card is still alive and well.|We all are aware of the long running 'Birds of Australasia' series put out by Tuck-fields Tea and 1 doubt if there is a kitchen drawer in Australia that has not got one or two of these informative and attractive cards floating about in it. These cards were first produced in the early 1960s and are still being inserted in that company's packets of tea. Such is also the case with Sanitarium Health Foods, manufacturers of the well known Weetbix, who began issuing cards, with a wide range of subjects, in the early 1940s and continue to do so.|The 1940s and 1950s saw the two breakfast food giants, Kornies and Weeties dominating the card scene. Kornies footballers were in production fora decade from 1948 to 1959. Four years later in 1963, we saw the start of four decades of Scanlens bubble-gum card issues, both football and cricket. In the mid 1990s, with the end of the Scanlens/Stimorol cards, the Trading Card came on the scene. These cards do not fit under the umbrella of the Trade Card, having been produced and marketed purely as a 'collectable' with no connection whatsoever to any product, which of course is necessary for an item to be classified as a Trade Card.|The earliest British postcard was issued in 1870 and was designed to send short messages; the stamp was printed on the card, therefore it did not require an envelope. It was considered by many to be lowering the postal standards because the texts were no longer private. However the cards were a great success as on the first day of issue in 1870, half a million passed through the London postal centre.|The first illustrated postcards are said to be those introduced by a French stationer in 1870. He realized that French troops fighting in the Franco-Prussian War needed to be able to send short messages to their families and designed a 'postcard' to suit the purpose. As many of the soldiers were illiterate they decorated their cards with sketches of their many activities at the front rather than writing; thus creating a picture postcard. Private enterprise soon saw the great financial possibilities of this new easy and attractive way of communication by post; also sending a postcard cost less than postage for letters. It was correctly assumed that postcards were likely to overtake letter writing in many instances.|Between 1875 and 1882 every state in Australia introduced official postcards, N.S.W. first and Tasmania last. Each state produced a simple type of postcard with a pre printed stamp allied to that state. The stamp side stated 'The Address Only To Be Written On This Side'; the reverse side sometimes carried a simple illustration or decoration with space fora short message, each state extolling their own state's virtues. In 1901, with the advent of Federation, the new Government became responsible for all postal services in Australia and produced postcards for sale in every state. With several mail deliveries each day in most towns, postcards were used for many purposes. One 1906 postcard, with an illustration of fruit, was sent from Mrs X in the morning to her greengrocer ordering her fruit and vegetables to be delivered that afternoon. Another lady asks her charlady to 'come this afternoon'.|Australian private enterprise also began selling pictorial postcards, most companies using the very experienced German printing works who were the worlds best in the field of lithography and fine detailed colour-printing. Many of these beautiful German cards still exist today, 100 years later. Australia did have a few fine printers but they were in the minority. Black and white postcards printed in Australia in the early 1900s were often of good quality e.g. postcards printed by 'The Bulletin', illustrating the works of 'The Bulletins' top artists.|Between c1903-09 The Melbourne company Osboldstone and Atkins etc. printed coloured reproductions of 46 J.A. Turner bush/rural life paintings, which were generally of good quality and became hugely popular and still sought after today. Like thousands of homes in Europe, Britain and U.S.A., many Australia homes had albums of cherished postcards, which were given pride of place for visitors to see and enjoy.|Postcard collecting remained popular but was changing with the times. About 1912 the Australian photographer George Rose of Melbourne began to produce topographical B/W real photographic postcards covering most of Australia and other photographers began to do likewise. These cards soon found their way into collections as well.|WWI and the horrors of war suddenly changed the world; postcards were still in great demand but the subject matter was far more serious. Thousands of postcards from the trenches in European war zones arrived in Australia to be included in family albums. Propaganda and recruitment messages were produced to encourage enlistment. Australian postcard producers began to create cards decorated with gum leaves, boomerangs, wattle etc., which were designed for sending to Australian troops serving overseas. Very few 'pretty' cards were available, as access to the Gentian printing works was no longer possible and exporting of postcards from Britain was very limited. By the end of WWI people had other more serious problems to contend with and the avid postcard collecting hobby declined, fold greetings took over and topographical photographic postcards became a small but steady income for the producers and newsagents etc. in every town.|Fortunately many of these old postcards still exist and are avidly collected by a new generation or postcard collectors. The Australian Cartophilic Society Inc. is one of four postcard/cigarette card organizations in Australia. They are, N.S.W. Post Card Collectors Society; Queensland Card Collectors' Society Inc. and West Australian Card Collectors|Society, and across the Tasman there is a New Zealand Postcard Society.|References:|Picture Postcards of the Golden Age A Collector's Guide by Toni & Valmai Holt. Picture Postcards in Australia 1898 - 1920 by David CookBox of Cigarette Silks ( 10 ) depicting animal motifs, which were placed in cigarette packets as an incentive for women in particular to smoke.|WD & HO Wills|Produced 1911 - 1917personal effects, smoking accessories, recreations, collections -
Ballarat Heritage Services
Map, Melville Island
Copy of a map from 'A Short History of Australia' by Ernest Scott.map, explorers, exploration, melville island, tiwi islands, arnhem land, palmerston, daly, croker island, bathurst island, pine creek, daly river -
Kingston Arts
Painting, C. Dudley Wood, Dale's Gorge - Hammersley Range, 1968
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Moorabbin Air Museum
Manual (Item) - Aviation Technician Training Series - Aircraft Instrument Systems EA-AIS by Dale Crane
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Moorabbin Air Museum
Manual (Item) - Aviation Technician Training Series - Aircraft Sheet Metal Construction and Repair EA-SMF by Dale Crane
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Moorabbin Air Museum
Manual (Item) - Aviation Technician Integrated Training Program - General Section Section Study Guide EA-ITP-GSG-B by Dale Crane
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Moorabbin Air Museum
Manual (Item) - Aviation Technician Integrated Training Program - Aircraft Airconditioning (Vapor Cycle) EA-AAC-I by Dale Crane
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Moorabbin Air Museum
Book (Item) - Aviation Technician Integrated Training Program - General Section Study Guide by Dale Crane
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Moorabbin Air Museum
Book (Item) - Aviation Technician Integrated Training Program - Airframe Section Study Guide by Dale Crane
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Bendigo Historical Society Inc.
Document - IAN DYETT COLLECTION: AUCTION CATALOGUE - COCKS PIONEER GOLD AND TIN MINES
Red covered auction catalogue for a sale held at the Cocks Pioneer Gold and Tin Mines (1934) No Liability on 10th, 11th, and 12th March, 1942 at Eldorado, Victoria. Sale consisted of Mining Machinery, Sluicing Plant, Electrical Equipment, Stores, Tools, Buildings and Residences. J. H. Curnow & Son were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - cocks pioneer gold and tin mines (1934) no liability, j h curnow & son, j l jamieson & co, george best, alf dale, jacob eddy, joseph tredennick, the cambridge press -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: VARIOUS NOTES, 21st December, 1885
Two sheets of paper (1 ruled with two message pad pages attached) & 1 plain) of various notes, reports and references to articles in books. Books include Artists of the Australian Goldrush, Snakes of the Whipstick - MacGillivray, The Whipstick Scrub 65 years Ago by Walter W Froggatt, Through the Whipstick Scrub, Excursion to Bendigo (Paton), Observations in the Platypus by Dr MacGillivray, A Plea for the Birds by R N Nancarrow, Snakes & Lizards Macgillivray, and The Naturals History of Leaves J B Mackay. Report on lecture of snakes of the Bgo District Bgo Adv 21/12/1885 and Bgo School of Mines Report 1884bendigo, history, early bendigo, peter ellis collection, bgo science society, dr macgillivray, huxley, nancarrow, files of the bgo adv, allen mccullocks, artists of the aust goldrush, snakes of the whipstick, von mueller, frogatt, bgo adv 21/12/1885, snakes of the bgo district, bgo school of mines, ellez, braugh smyth, vic naturalist, g w knight, c daly, excursion to bendigo, the whipstick scrub 65 years ago , walter w froggatt, through the whipstick scrub, paton, bgo school of mines report 1884, mr nancarrow, 1885 observations in the platypus by dr macgillivray, a plea for the birds by r n nancarrow, 1889 snakes & lizards macgillivray, the natural history of leaves, j b mackay -
Heidelberg Theatre Company Inc..
Memorabilia - Program Photos Review Newsletter Poster Articles, Lost in yonkers by Neil Simon directed by Gayle Poor
2019, heidelberg theatre company inc, directed by gayle poor, 429, artspace artist - anne lucas, artspace curator - teresa schipano, arty played by henry smith, jay played by robbie nicholson, bella played by aimee sanderson, gert played by cat jardine, louis played by liam gillespie, eddie played by seth kannof, grandma played by lindy yeates, ass director catherine christensen, production coordinator maureen mcinerney, stage manager melanie belcher, ass. stage manager and rehearsal prompt bobby parish, stage assistant janine kerwood, lighting design emma fox, sound design rob wanless, set design gayle poor & owen evans, costumes wendy drowley, costumes assistant catherine christensen, props melanie belcher & maureen mcinerney, set decor mal cother, lighting operator jarrod catt, sound operators rob wanless & harry gravell, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review cheryl threadgold, htc 2018 awards: best performances in a main role claire benne (private lives) & claire abagia (blue stockings): best performances in a supporting role libby kaye (private lives) & juliet hayday (blue stockings), vdl awards: gold award for an actress in a minor role – venetia macken (angustias in the house of bermuda alba), 2018 bill cherrey award bob tyres -
Heidelberg Theatre Company Inc..
Memorabilia - Program Photos Review Newsletter Poster Articles, A view form the bridge by Arthur Miller directed by Chris McLean
2019, heidelberg theatre company inc, directed by chris mclean, 430, artspace artist - liz gridley, arts space coordinator teresa schipano, eddie carbone played by mark tregonning, beatrice played by catherine christensen, catherine played by ruby duncan, alfieri played by ian mcmaster, marco played by nick wright, rodolpho played by jack kenny, mr lipari/tony played by laurie jezard, mrs lipari played by lynne mcgregor, mike played by luke styles, louis played by anthony edward, officer 1 played by david peters, officer 2 played by siobhan larkin, submarine played by harry gravell, production coordinator karen wakeham, lighting design michael rowe, set design chris mclean, sound design john rowe, stage manager melanie belcher, ass. stage manager and rehearsal prompt bobby parish, costume design wendy drowley, costumes assistant catherine christensen, dance choreography christian del'olio, fight choreography robert shook, special props warren lane, props melanie belcher & chris mclean, scenic artists gaye billing and mal cother, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, sound and lighting operator john rowe, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review by beth klein -
Heidelberg Theatre Company Inc..
Memorabilia - Program Photos Review Newsletter Poster, It's a wonderful life a radio play by Joe Landry directed by Terese Maurici
2019, heidelberg theatre company inc, directed by terese maurici, 431, artspace exhibitor textile art community art space, artspace curator - teresa schipano, freddie filmore/henry f potter & others played by liam gillespie, jack laurents/george bailey played by mark yeates, sally applewhite/mary bailey played by llaaneath poor, mycroft fry/clarence the angel played by tim camilleri, lana sherwood/violet bick & others played by paula mcdonald, harry heywood/harry bailey & others played by gavin baker, bobby b sharpe /pianist played by jack stringer, wally watson/foley artist played by phil holmes, dolores birdwhistle/floey assistant & others played by kadey mcintosh, musical director jack stringer, production coordinator jim thomson, lighting design emma fox, set design phil holmes, sound engineer andrea cole, stage manager karen dowling, pianist/vocal coach jack stringer, costume design wendy drowley, choreography llaaneth poor, foley props phil holmes, props jim thomson & phil holmes & terese maurici, set painter mal cother, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, sound and lighting operator emma fox, rehearsal prompt ryan purdey, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review by beth klein -
Heidelberg Theatre Company Inc..
Memorabilia - Program Photos Review Newsletter Poster, The drawer boy by Michael Healey directed by Karen Wakeham
2019, heidelberg theatre company inc, directed by karen wakeham, 432, artspace artist fred colla, artspace curator - teresa schipano, angus played by john cheshire, morgan played by andrew mcaliece, miles played by sam barson, production coordinator bruce akers, stage manager melanie belcher, lightening designer deryk hartwick, set designer lisa mcvilly, sound design john rowe, costume designer catherine christensen, composer david cheshire, props gaye billings & karen wakeham & melanie belcher, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, furniture warren lane, set painter mal cother, sound & lighting operators john rowe & chloe connolly, rehearsal prompt bobby parish, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review by beth klein -
Heidelberg Theatre Company Inc..
Memorabilia - Program Photos Review Newsletter Poster Articles articles special events, Tartuffe by Moliere directed by Joan Moriarty adapted by Christopher Hampton by arrangement with Origin Theatrical on behalf of Samuel French Limited
433, artspace exhibitors downstairs eddie dix & sharon chang & jan bottcher & ann martin & sue norris & jaclyn wong, artspace exhibitor upstairs susan garrett, artspace curator - teresa schipano, madame pernelle played by catherine christensen, monsieur orgon played by jim thomson, elmire played by veneita macken, damis played by broderisck mcdonald, mariane played by emma warner collins, valere plated by alexander dimitrovski, cleante played by sam howard, tartuffe played by chris mclean, dorine played by maree barnett, officer played by david ruunnalls, monsieur loyal/laurent played by laurie jezard, flipote played by rebecca bassett, ass director liam gillespie, production coordinator tim scott, stage manager rebecca bassett, ass stage manager tamsin mackie, lightning designer craig pearcey, set designers marie mackerell & owen evans, sound design rob wanless, costumes wendy drowley, costumes assistant catherine christensen, props karen wakeham & melanie belcher, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, set painters marie mackrell & gaye billing & mal cother, sound/lighting operators john rowe & margaret hassall, technical assistant tom agar, rehearsal prompt bobby parish, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review by ken barnes -
Heidelberg Theatre Company Inc..
Memorabilia - Newsletter Memorabilia, 2020 HTC General Memorabilia
The 2020 season was cancelled after the first show, Gaslight because of the COVID-19 pandemic social isolation directives that closed all theatres.2020, heidelberg theatre company inc, general memorabilia, coronavirus pandemic covid-19, season cancelled after first show because of the pandemic lockdown, gaslight, kadey mcintosh, wendy drowley, david willey, the late jean willey, the late bronwyn parker, toni tyers, cheryl threadgold, htc president john gilbert -
Heidelberg Theatre Company Inc..
Memorabilia - Program Photos Review Newsletter Poster Articles, Gaslight by Patrick Hamilton adapted by David Jacklin directed by Catherine Christensen
2020, heidelberg theatre company inc, directed by catherine christensen, 435, art space exhibitor david belton, arts space coordinator teresa schipano, mrs bella manningham played by claire benne, mr jack manningam played by liam gillespie, elizabeth the housekeeper played by patricia alcock, nancy the maid played by elysia janssen, rough played by chris mclean, officers played by robert peel and charles field, production coordinator joan moriarty, stage manager melanie belcher, lighting design emma fox, sound design rob wanless, set design/decor costume design props wendy drowley, special props warren lane, scenic artists gaye billing and mal cother, ass. stage manager and rehearsal prompt bobby parish, sound/light operator tasmin mackie, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, set construction owen evens & doug mcnaughton & paddy moriarty & brett hunt &, des harris & norm munks & tim scott & bob tyres & david belton & noel purdey & dean christenssen & htc members, production review cheryl threadgold, foh helpers alicia curry & owen evans & diane dawson, 2019 agm christmas party and awards president john gilbert treasurer bruce akers represented by jim thomson awards adjudicators jill scott & leslie hardcastle & rodney charles, 2019 best male lead actor mark yeates as jake laurents in it's a wonderful life, 2019 best female lean actor catherine christensen as beatrice in a view from the bridge', 2019 best supporting male actor jack kenny as rodolpho in a view from the bridge, 2019 best supporting female actor aimee sanderson as bella in lost in yonkers, 2019 special award for body of work liam gillespie for louis in lost in yonkers & freddie filmore and others in it's a wonderful life, 2019 victorian drama league awards htc's nominated entry lost in yonkers: nominations: best actress in a minor role cat jardine as gert, best properties melanie belcher & maureen mcinerney: best costume design wendy drowley, best production: drama, best supporting actor in a drama liam gillespie as louis & best supporting actress in a drama lindy yeates as grandma, 2019 bill cherrey award john rowe, election of committee: returning committee all elected unopposed joan moriarty & jim tomson & ryan purdey & morgan thomas-connor & melanie belcher -
Brimbank City Council Art Collection
Ceramics, Glazed pottery charger, 1985
Rainbow Workshop TutorRainbow Workshop TutorLarge Ceramic Wall mounted plate - AR 0010