The Tricycle Race was an annual race from Portsea to Melbourne that involved various colleges and departments at the University of Melbourne. Wooden base with miniature metal tricycle sitting on base, metal plaques around edge of base with winners of the race (different university colleges and departments) from 1965 to 1983.'Argus Tuft Perpetual Trophy Portsea to Melbourne Trike'international house, sport

This is the fifth house that Anthi Chilianis lived in before she was married. It was in Royal Parade, opposite the University of Melbourne. A coloured photograph of a lady standing outside a two story Federation style read brick house, which has a cream picket fence. Two cars are parked in the street in front of the house.chillianis

Rev. G. S. Taylor (1901 - 1959) attended university of Melbourne and was a chaplain to the forces in World War Two.Semigloss, black and white, 3/4 studio portrait of Rev. George Stewart Taylor whose is looking directly at the camera with his body is facing to the right of the camera. He is wearing his clerical collar and academic gown. The photograph is on board and has a grey card mount with a gold border and inscription."REV. G.S.TAYLOR - B.A.,B.D. MINISTER OF ST. ANDREWS 1942-1959"rev g s taylor presbyterian minister, world war two chaplain, st andrew's presbyterian church oakleigh

Depicts start of annual intercollegiate University of Melbourne Portsea to Melbourne tricycle race held between 1965 - 1983.Black and white photographNone

Possibly part of a series of photographs taken at the Geoffrey Kaye Museum when it was located at the University of Melbourne in the late 1940s.Black and white photograph depicting six male figures standing around a c1870 nitrous oxide gasometer. The second man from the right is holding and pointing to an inhaler connected to the gasometer, demonstrating it to the dental students.•Handwritten in blue ink on reverse and underlined: Frame 11. •Handwritten in grey pencil on reverse: 12. [11 has been crossed out.] •Handwritten in blue ink on reverse: 5 (i) (c). •Black paper label which has separated from the photograph, written in white ink: A GASOMETER (C.1870) IS DEMONSTRATED TO DENTAL STUDENTSdental students, gasometer, nitrous oxide

Born in 1922 David Caro was educated at the Universities of Melbourne and Birmingham. Caro and John Rouse built the world’s first high speed, variable energy nuclear accelerator or Cyclotron. He was appointed as Vice-Chancellor at the University of Melbourne, and he later became Vice-Chancellor at the Northern Territory University and Chancellor at the University of Ballarat (later Federation University. He was awarded an AO in 1986. Photograph of David Caro, Chancellor of the University of Ballarat. david caro, chancellor, university of ballarat

This Chancellor's academic gown was worn by Professor David Caro during his time as the University of Ballarat's Chancellor from 1998-2005. Among his many roles during his long career, he was Deputy Vice-Chancellor at the University of Melbourne, Vice-Chancellor of the University of Tasmania, Vice-Chancellor of the University of Melbourne & Interim Vice-Chancellor at Northern Territory University. The Chancellor's academic gown is of royal blue light weight woollen cloth trimmed with gold oak-leaf braid on the facings, yoke and bottom hem; and sleeves with one gold embroided frog at the shoulder and four chevrons of gold oak-leaf braid below the arm hole. A gold embroided button and gold tassel are centred on each chevron.Makers embroidered patch - R.W. Bredin & Son, Academic, Legal & Civic Robe Makers, Melbourne, Australia federation university, university of ballarat, chancellor's academic gown, emeritus robert h t smith

This is a copy of the contract for 'The Puzzle of Architecture', signed by Robin Boyd and the Vice Chancellor and Registrar of the University of Melbourne on 14 May, 1963.Typewritten and handwritten date

Used by Colin Sach during his employment as Manager of the Chemistry Dept. at the University of Melbourne over a period of forty years.Manufacturing History Museum Victoria Commentary: Australian manufacturing history Philip Wollen Many years ago, when I was an ambition young man, I took over a company called Hecla.|This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good1'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good1'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Square metal box with electrical elements inside. Used to stand on or to put feet on when sitting. Elaborate pattern in centre with inscription.Hecla Foot Warmerdomestic items, heating

Digitised video (3.07GB) Duration: 50 minutes. Recorded May, 2022 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Prof. Charles Sowerwine, Emeritus Professor at University of Melbourne, Fellow at La Trobe University and Chair of RHSV Heritage Committee, presents this talk on the subject of Heritage, both from an academic point of view and the practical appreciation of this integral part of our culture and local identification.

Rev. E. H. Chapple (1866 - 1956) was educated at the University of Melbourne, and was ordained a Wesleyan minister. He was admitted Presbyterian in 1904. Matte, black and white 3/4 studio portrait of Rev. Edward Henry Chapple who is standing and looking directly at the camera. He is dressed in an academic gown over his clerical suit and collar and is holding a rolled document in his left had. The photograph has a grey which has a gold border and a black and gold script inscription. It is tipped onto brown card which has some pencil handwriting and an ink handwritten dedication at the bottom right.Front: "REV. E. H. CHAPPLE - B.A. MINISTER ST. ANDREWS 1913 - 1934" Back: "For Victor Taken 1930"rev e h chapple ba, st andrew's presbyterian church oakleigh, rev e h chapple ba presbyterian minister

Small eight page booklet of a poem inspired by Beethoven's 8th 'Pastoral' symphony.fictionEight page booklet of a poem by Ballarat Mayor and writer.ballarat, poetry, lambda

Tower Hill model - made for House of Ideas Exhibition, November 2017. Made by a University of Melbourne, Melbourne School of Design, Masters student.

Edward Byam Brown (1880-1966) was Associate Professor in Electrical Engineering at the University of Melbourne. He married Dr Vera Scantlebury in 1926.Black and white photograph showing a man wearing jacket, vest and tie, sitting surrounded by engineering equipment."Assoc. Prof. Edward Byam / Brown / c.1950".associate professor edward byam brown

The program indicates the play was presented by The University of Melbourne and the Melbourne Theatre Company in association with The Nimrod Theatre of Sydney. John Bell was the director of The Nimrod Theatre.Paper program athenaeum theatre, program, travelling north, melbourne theatre company, nimrod theatre company, david williamson

The Victorian Music Teachers Association was formed by members of the University of Melbourne Conservatorium in 1928. The Bendigo group operated from the 1930's till 2006.Bendigo Music Teachers Association Concert Programs and Flyers 1984 - 2002 onwards A4 white papers in plastic sleeve Bendigo Symphony Orchestra Concer 1 - 2 December 1984 Bendigo Symphony Orchestra Bendigo Town Hall 20th April 1986 Bendigo Symphony Orchestra Inglewood, Bendigo Town Hall and Maryborough, 9th, 10th and 24th August 1986 Bendigo Symphony Orchestra, Faure's Requiem 22nd November 1987 Bendigo Easter Festival 1988, 9th April 1988 Winter Concert 30th July, 1989 Bendigo Symphony Orchestra Palm Sunday Concert, 19th March 1989 Bendigo Symphony Orchestra Family Concert, 4th November 1990 Bendigo Symphony Orchestra Mozart's Requiem, 7th September 1991 Bendigo Symphony Orchestra, Bendigo Easter Fair Palm Sunday Concert 12th April, 1992 Bendigo Symphony Orchestra, 4th April, 1993 Bendigo Symphony Orchestra, 14th November 1993 Bendigo Symphony Orchestra, An evening of Fine Music, 2nd September 1995 Benola Singers and Bendigo Symphony Orchestra, Handel's Messiah, 31st March 1996 Bendigo Symphony Orchestra, 1996 winter Concerto Concert, 20th July, 1996 Combined Choir Concert, Bendigo Festival, 25th October 1997 Benola Singers and Bendigo Symphony Orchestra, Handel's Messiah, 5th April, 1998 Oratorio, The Creation, Palm Sunday, 16th April 2000 Bendigo Symphony Orchestra, Beethoven at Sacred Heart, 10th November 2002 Piano Duo, Kharitonova and Mashlak, Bendigo Symphony Orchestra, Young Soloist in Concert, 24th July Bendigo Symphony Orchestra, Summer Concert, 8th, 14th, 15th December, Bendigo Symphony Orchestra Programme, Conductor: David Lord Bendigo Symphony Orchestra with Bendigo Youth Orchestra, 14th August Bendigo Easter Fair, Easter Festival Concert, 28th March Masterpieces of Opera and Instrument, 25th October Moscow! Moscow! 18th July, Bendigo Symphony Orchestra and Bendigo Youth Choir Spring Concert, 10th September Bendigo Symphony Orchestra Concert, 30th July, Sacred Heart Cathedral, Toccata and Fugue, 26th October, Bendigo Symphony Ochestra, Winter Concert, 26th July, Mozart's, The Magic Flute, 4th July,

The Victorian Music Teachers Association was formed by members of the University of Melbourne Conservatorium in 1928. The Bendigo group operated from the 1930's till 2006.Bendigo Music Teachers Association: Scrapbook Binder Scrapbook. Blue and Red. White Pages Various cuttings attached to pages, music related. Cuttings are various advertisements and programs of events, newspaper clippings related to music, autographs and signitures.

The house is located at 806 Mair Street and is currently owned by the University of Melbourne. This photo is believed to have been taken from the Ballarat Base Hospital tower.mair street, private dwelling, building

'The Teahouse of the August Moon' was the first play presented by residents of International House at the University of Melbourne. The 'House play' has gone on to become a regular annual event. play, performing arts

This work is an undergraduate essay submitted for the capstone subject 'Making history' at the University of Melbourne in 2018. The primary objective of the project was to research and write a local history for a public audience. Grey soft covered booklet with an old black and white image of the front of the Ballarat Gaol on the cover. ballart gaol, pentonville, gallows, charles deutschman, louisa rooke, susan dooley, andrew george scott, captain moonlight

Burns studied at Melbourne Technical College and University of Melbourne. An architect and painter he exhibited with the Contemporary Art Society where he was to become secretary and vice president.

This is a facsimile copy, produced by Masters of Architecture Students at the Melbourne School of Design University of Melbourne, 2017. This features newspaper articles published during the Modern Home Exhibition 1949.walsh st library