Colour aerial photograph of the fishing boat Tarpeena in Bass Strait, taken from Colin Campbells aircraft, fish spotting from Lakes Entrance, Victoria.ships and shipping, fishing industry, ocean

Also second photograph showing net cable off stern of boat.Colour photograph on a fishing boat, working off Wellington Cape. Showing deckies Ian Hammarstrom and Tim Anketell on deck hauling in net. Lakes Entrance Victoria ships and shipping, fishing industry, ocean

Colour photograph of the fishing boat Tarpeena moored at a wharf in Cunninghame Arm Lakes Entrance, Victoria.ships and shipping, fishing industry, ocean

Colour photograph of fishing boats approaching the entrance channel from Bass Strait, taken from deck of Minawie, shows Tarpeena crossing bar and Nungurner entering the channel. Lakes Entrance Victoriaships and shipping, jetties, fishing industry, waterfront

Colour photograph taken on the deck of a fishing boat at sea, looking towards stern, fishing boxes and equipment on deck, deckie Ian Hammarstrom looking towards camera. Lakes Entrance Victoriafishing industry, ships and shipping, ocean

Colour photograph of the fishing boat Tarpeena working in Bass Strait, shows trawl rope out stern of boat three men on board. Lakes Entrance Victoria ships and shipping, fishing industry, ocean

Three other similar photographsColour photograph of an aluminium catamaran hull being prepared for launch in the North Arm, prior to having all superstructure built believed to be Calypso Star. Lakes Entrance Victoriaship building, transport

Also photograph showing deck awash and spray from big waves.Colour photograph taken on deck of fishing boat Minawie looking towards bow shows stacked fish boxes and deckie Trevor Bechaz hugging shark. Lakes Entrance Victoria ships and shipping, fishing industry

Black and white large format postcard of the man made entrance to the Gippsland Lakes, it shows work in progress on the western pier of the entrance, Bullock Island, photo taken at low tide. Lakes Entrance VictoriaLakes Entrance Cunninghameislands, waterways, topography, ships and shipping

Postcard printed in Germany has serrated edging. Also another sepia toned copy 10 x 15cm.Black and white postcard showing SS Wyralla steaming out entrance into Bass Strait, lot of smoke. Workshed on end of eastern pier. No-one on piers or beach on left of eastern pier. Boardwalk on right on end of pier. Tramline visible. waterways, piers, ships and shipping

Oval shaped picture. Also other copies, oval shaped 12.5 x 17.5 cm and 17.5 x 25 cm. Also two black and white prints 9 x 13 cm.Sepia postcard in cameo image, showing early view of eastern pier at the entrance to Gippsland Lakes from ocean - Bass Strait, at Lakes Entrance, Victoria. Photo shows work shed and crane at end of wooden eastern pier, SS Wyralla at sea.Lakes Entrance, Gippsland Lakes machinery, waterways, piers, ships and shipping

Black and white photograph of the man-made entrance from Bass Strait to the Gippsland Lakes, taken from the road at Jemmys Point. It also shows the rock groynes at Bullock Island. A steamer is entering the lakes from Cunninghame Arm. Lakes Entrance Victoriawaterways, ships and shipping

Colour photograph showing the entrance to the Gippsland Lakes from the ocean, Bass Strait, with fishing boat crossing the entrance, the ocean breaking on the bar outside. Lakes Entrance Victoriawaterways, ships and shipping

Black and white photographic postcard of an illustrative collage of two wood engravings, one showing view of the Western Spit of the natural entrance, with a steamer anchored and three cottages on the bank. The second illustration shows the wreck of the trading schooner Latrobe, at the natural entrance. Lakes Entrance VictoriaView of the Western Spit, 1878 (Wood engraving form Australasian Sketcher, Sale Regional arts Centre)waterways, ships and shipping

Black and white photograph of a collage of four pictures showing the remains of the vessel Burrabogie at the slipway. Paynesville, Victoria.ships and shipping, valvage

Black and white photograph of a collage of four pictures showing the remains of the vessel Burrabogie at the slipway. Paynesville, Victoria.ships and shipping, salvage

Date made November 2001Colour photograph of boats tied up at the Ports Jetty on Bullock Island. Small cabin cruiser called McMillan, open cockpit workboat called Evelyn, in foreground transom of larger cabin cruiser and in the background is a small aluminium run about. Lakes Entrance Victoriaships and shipping, dredging, jetties

A comprehensive account of the Dahlsen family in Gippsland, and their diverse business interests for over 125 years. Illustrated with photographs, family tree. Has end notes and index.transport, ships and shipping, tourism, genealogy

World War IBook, paperback, sepia photo of Grace Wilson with an umbrella on Lemnosnonethe western front, gallipoli, the marquette (ship) aegean

World War IBook, Hardcover. brown. Dustjacket, black and white photo of Grace Wilson with an umbrella on Lemnosnonethe western front, gallipoli, the marquette (ship) aegean

This painting, which includes the beautifully crafted wind vane above the historic Mission to Seafarers’ building in Flinders Street, Melbourne, symbolises the safe port for the crew of ships, over the years, that have entered Port Phillip Bay, since the Victorian Mission was established in 1857. The stormy ocean weather for the sailors is contrasted with the calm seas near the Mission.This painting was an entry for the 2017 Maritime Art Prize. Jack's marine art covers a wide spectrum of maritime subjects, but with a focus on paintings of classic yachts that ventured over long distances to remote parts of the world. Maritime art, Marine artDonated by Jack WoodsOil painting on linen covered wooden frame, incorporating several features: from left to right a tanker vessel, a windjammer and the galleon wind vane restored to the roof of the Mission in 2020.safe, jack woods, painting, port, artwork, windjammer, windvane, cargo ship, galleon, weather vane, anl, maritime art prize, artwork-paintings

Also sepia copy 10x15cm, black and white copies 10x17cm, and 14x24cmSepia coloured small format postcard of the Western wharf, Lakes Entrance, Victoria. It shows the pier variously called the Post Office Jetty, Freemans Jetty, as the steamer leaves. Smaller vessels moored beside jetty. Shoreline edged with bluestone, wooden tree guard surrounding young memorial cypress tree. Lakes Entrance VictoriaThe Pier Lakes Entrancememorials, jetties, waterfront, ships and shipping

Also black and white enlargement 18x25cmBlack and white small format postcard of the Western wharf. Shown on the wharf a shed and signal light. Four boats moored including either Omeo or Dargo. Reflections on calm waters of lake. Lakes Entrance VictoriaOn back 'Western Wharf Lakes Entrance'jetties, waterfront, ships and shipping

Black and white small format postcard of the Post Office Jetty, showing a steamer at the end of the jetty, the passenger shelter, rock groyne from shore into lake, bluestone rock retaining wall and flagstone path at edge of lake, three electricity poles and one memorial cypress tree in distance. Lakes Entrance VictoriaThe Pier Lakes Entrancememorials, waterfront, ships and shipping

All overseas correspondence to Gladys Holmes. Vida Holmes, Frank and Jim from Byaduk servicemen, relatives and friends, during WW! service 1915-1919. Except Letters and postcards from Orford Critchlow to Gladys. Some of the seven servicemen died and are remembered on the Byaduk war memorial- Wilfred Rentsch, William Thomas Harper, Stanley O Miller, Albert V Harper and Walter Kinghorn. Gladys wad born in Byaduk 1897 daughter to Joseph (Baker) and Agnes Holmes with sisters Vida and Una and brother Frank. She married Alexander George Anderson of Stawell in 1924. Archie McGillivray married Minnie Ramsay, the Scottish sister of a friend Ashley Ramsay.Primary documents sent to Byaduk residents from local friends serving overseas in WW!. Details of feelings, ship journeys, overseas war service and few photographs of period 1915/6- 1919. some of the writers/authors have photographs on the Byaduk Memorial hall Honour Board.001800.1 -001800.10 Cardboard postcards, some colour, one photograph and one embroidered001800.1: To Gladys from Archie - undated 001800.2: To Gladys, With Kindest Regards, From Archie - undated 001800.3: Dear Gladys.. Sept 14.... Bye Archie; Harefield Hospital 001800.4: Dear Gladys...Kindest regards Archie; Sutton Veny June 16/1918 001800.5: Dear Gladys..Archie; Belgium, March 21/1919 001800.6: To Gladys ....From Archie; 16/3/1918 001800.7: Dear Gladys...Your old pal Archie; Belgium, 16/3/1918 001800.8: Dear Gladys....Love from Archie, France, Jan 27/1918 001800.9: To Gladys from Archie; Christmas 1918 001800.10: Dear Gladys....from Arch, France Nov 7 1917 001800.8: 001800.9: gladys, vida holmes, frank holmes, archie mcvillivray, wilfred rentsch, william t harper, albert v harper

The wooden pattern was possibly made for casting a part for Craftman Marine, makers of engines for boats and other machines. It is part of a set that is stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; rectangular wooden block with a corner cut diagonally. A five-sided shape has been carved into the centre, with one side curved inwards and slightly shallower than the other sides. The cut-out area is painted black. Three holes are drilled in the cut-out side to align the pattern with another piece of work. A wooden slat is fixed across the diagonal side. The back of the pattern has a handwritten inscription, possibly by two writers. The pattern is part of a set of foundry patterns from Briggs Brass Foundry and is connected to Craftman Marine.In black handwriting: "1 # H AL" Handwritten in a different hand: "CRAFTMAN MARINE" Written the the first hand: BRIGGS" (or "BRICK")flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, craftman marine, craftsman marine

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. It may fit together with one of the other patterns with a similar outline. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century.Pattern; thick square mostly unopainted wooden block with a solid half-cylinder added to the top, which has rounded shoulders. A disc is added to the front, aligned with the curve at the top. The top curve has orange paint and the dial is pink. Three holes are drilled in the back, in a triangular configuration. It is similar in shape to a mantle clock or an early-style radio. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

The wooden pattern is part of a set that is stored in a strong wooden crate and may be part of another similar pattern. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; unpainted, square wooden block with a semi-circle of dowel added to the centre of the side with rounded corners. Three short dowel pegs are inserted on one flat side; one below the semi-circle and one near the lower corners in an overall triangle configuration. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912