A studio photo of an officer standing next to a chair with tassles on arms and seat in front of a potted palm.Black and white unframed studio photo of Reggie Clarke. Mounted with some marking on LH side.clarke, reggie, rust, thomas a., photographers, uniforms, george evans collection

An older woman sits on an outdoor chair, smiling to camera. She wears a cardigan and a floral dress.1 B/W photographs of older female sitting outsideassociation for the blind, elanora home (brighton)

Black and white photograph with a white border. Image is taken from inside the main hall of the Mission to Seafarers Melbourne. It shows a radiator, noticeboard, group of six chairs around a coffee table (all situated on a mat), jukebox, two chairs next to a wall and three vases of flowers in front of two of the main hall's arch windows. The hardwood floorboards are visible, as is the wainscote (wood panelling) on the walls in the background. Overhead lights are also visible as is a fan next to one of the windows.window, jukebox, main-hall, wainscote, wood-panelling, arch, chairs, mission to seafarers, mission to seamen, music, arched windows, floorboards, flowers

Lisa Widdop (16/07/1971-18/01/2024) was an "artist, painter, creator of many things, connoisseur of small and precious things" Quote from her memorial card. Lisa was an alumni of Federation University. Lisa was also a passionate member of OZACT - a touring theatre company dedicated to making Shakespeare accessible to con temporary Australian audiences with performances in Southern Australia's outdoor landscapes. Lisa was involved in management, designing of props, costumes and production of these performances.Coloured prints on black backgrounds.1 Pussy-cat, pussy-cat where have you been? I've been to London to see the Queen. Pussy-cat, pussy-cat what did you there? I ate a chili right under her chair.

Minutes of the Second Meeting of the Committee held on 1 May 1957, which discussed the report tendered by Legatee Gillespie (00716) and confirmed W.B. Russell as the author of the biography. Resolutions were passed to authorise the financial details of the project.A good example of meeting protocols at that time as well as continuing the documenting of the project.Two typed foolscap sheets, black on white.Signed and dated in blue pen by Colonel Allan Spowers (Chair). He recorded the date of signing as 30 April 1958, nearly a year after the meeting was held. Pencilled correction to the spelling of his name in the list of those present. savige book, biography

The flag was placed on an empty chair, the Siege Perilous, for Court Rituals. Siege Perilous - Arthurian legends Some legends also note a special chair at the Round Table, called the Siege Perilous, or 'Dangerous Chair'. Legend says that the seat could only be used by a knight who had a pure heart. A person with a pure heart was seen as someone who had committed no crimes or done any wrong. In the tale, anyone who sat in the chair but did not have a pure heart would die instantly. It was kept free by Merlin for the person who would one day find an object called the Holy Grail. This was a magical cup that was supposed to have been the one that Jesus drank out of during the Last Supper. In the story, this person was either Sir Galahad or Sir Percival, depending on what version of the story is told. https://simple.wikipedia.org/wiki/Round_Table White flag with MOK symbols in centre of red cross and at each corner.methodist order of knights

This is a portrait of Dr James Kerr. Dr James Kerr practised medicine in Orbost from 1889 -1928. He was the first doctor to settle in Orbost. He served the Orbost community for 40 years travelling everywhere on horseback. He married Hilda Constance Temple in Orbost on November 30, 1893. On April 29th 1931, three glass windows were dedicated to "Dr James Kerr. Beloved Physician of Orbost" in St James Church of England , Orbost. ( Ref Orbost Hospital, History, Personalities and Stories by Margaret Hollands) Dr James Kerr was the first doctor to settle in Orbost. He was an integral part of the Orbost community for over 40 years.A black / white photograph of a man with glasses wearing a suit, hat and gloves, sitting on a chair, with one hand resting on his thigh. He has a bushy moustache. The portrait is oval shaped with a white background. kerr-james orbost-hospital medical-doctor

Small bowl, possibly a finger bowl used for ceremonies. Item in collection of "Richard William McGILVERY" RAAF. Refer Cat No. 7287P for his service details, photos and awards.Small bowl, outside white with blue images of Japanese country side. Inside picture of Asian man sitting on a chair looking at a green cloth covering half of the inside. Other half gold background.Japanese symbol on bottom.bowl, souvenir, richard william mcgilvery

The Grinton Collection. An unknown 38th Bn soldier at his point. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting an informal portrait of a soldier seated on a chair with a brick wall behind. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance". "E. 38th Battalion soldiers" .framed accessories, camera on the somme, ww1, 38th bn, grinton

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in January 1940 and shows Esther Grant and Valda Treadwell.Sepia photograph white narrow white border of two women sitting and lounging on sun chairs in front of Amess House. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, esther grant, valda treadwell

Given to Wally Wagner, an internee in Camp 3.Black and white photograph of Camp 3 Warden G. L. Horton seated in chair. Cat enjoying sun. Diamond design small wooden poles, lattice work in front of five Army huts."To Wally with my very best wishes, G L Horton 23/7/1947"internee children, camp 3, warden g. l. horton, camp 3 wardens

The Northern District School of Nursing opened in 1950 to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.Training school 49 commenced 8/2/1961. Black and white photograph; of a group of 21 Females students in nurses' uniforms; in three rows, front row sitting on the chairs, second and third standing.nurse training, ndsn, lister house, school 49 1961

Sepia Photograph. Man with white whiskers, in Masonic regalia of the Janitor in the Chapter degree, holding a Sword upright in his right hand, gloves in his left hand standing beside an ornate chair (part).Photograph is labelled by an embossed photgraphers name across the bottom. " Richards & Co 19 STURT STREET BALLARAT." Plus an ensignia (coat of alms) placed between the 'Co and the 19" janitor, freemasons, ballarat, circa 1900

Colour photograph. Woman sitting in camp chair. Man with tambourine. Peter Ellis with accordian, woman standing. Bush setting. Date stamped '87 1 1 bottom right corner on front of photograph.photo, group, mixed group

Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sanson who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which often inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. This work is one of a substantial body of limited edition prints donated by the artist to Federation University in 2022 covering work from Graeme Drendel's earliest years as a student, through to more recent etchings. An etching of a pool and surrounding objects such as chairs and towels. This work was completed during Graeme Drendel's final year at Melbourne State College where he was studying Secondary Art and Craft Teaching and majoring in Printmaking.graeme drendel, printmaking

Copy of sepia photograph showing young woman standing by a pedestal. Upholstered, straight back chair to her right. Young woman wearing long dress with ornate three-quarter overdress, fringed and ruched."Jane Dunstan born Linton-29.4.1862, daughter of Nicholas- and Catherine (nee Martin)-Married at Moonta Mines 2.2.1882-Thomas Allen".jane dunstan, jane allen

This is a photo of the opening of the new Halls Gap School in 1927. The man on the chair with a walking stick is Dr. Fox.The photo shows a group of ten men, fifteen women, twenty two children (including one toddler) and one toddler in arms, posing outside a wooden building with a water tank on the left side. The four adults on the right are sitting/leaning on two benches. A sign on the side of the building reads "Halls Gap School 3058". There are large trees and a mountain range in the background.education, halls gap

Camelot home of Brooks esq drawing room, sumptuous d�cor curtains fringed velvet chairsblack and white photograph laminated

Ertoel Wheels made a wide range of looms, chairs, drum and hand carders, and spinning and weaving accessories. Small drum carder, designed to be used on a table and operated by hand to card wool and or other fibres in preparing them for spinning or felting. This wooden carder has two cylindrical drums covered with coarse or fine metal “tines” designed to rake through and comb the natural fibre. The manufacturer's name 'Ertoel Wheels' is glued at one end"Ertoel Wheels"wool carding, drum carders, carding equipment

Miss Eva Carmichael is one of two survivors of the Loch Ard shipwreck.. Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Photograph of Miss Eva Carmichael sitting on a chair holding a curtain. Text below photograph is partly unreadable but gives the name of the photographic studio. A printed on the back "County of Gloucester Studio Cheltenham" with the address and other informaion.Reverse has crest that includes “PRIZE MEDALIST PARIS EXHIBIT’N 1867” Printed text “No. …………” “COUNTY OF GLOUCESTER STUDIO / 20a / PROMENADE VILLAS / CHELTENHAM” and “Autotype Prints or Permanent Porcelain enlargements can be made from this plate” flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph of miss eva carmichael, eva carmichael, loch ard shipwreck, county of gloucester studio

MEDIUM: Screenprint of drawing. DESCRIPTION: Black and white, signed print under glass, black outer frame, white board inner frame.Two figures are central on a light background. A man approaches a woman on a period chair. Signed across bottom of print (proper right).print, boyd, signed, limited, edition

EIG School - Ralph Birrell Collection. - Construction of Latrobe Uni. C1967. Bendigo Institute of Technology, Engineering School, Applied Science. 3 people setting up equipment in a classroom. Class chairs around the wall.Perutzeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection. - construction of latrobe uni. c1967. bendigo institute of technology, engineering school, applied science. 3 people setting equipment classroom class chairs

This is a portrait of former ANZCA President, Associate Professor Richard Walsh. In 1996, he was elected Vice President and, in 1998 was elected President, serving a full two year term. This painting was formally presented to the College in 2006. Further information about Associate Professor Richard Walsh can be obtained on the Lives of the Fellows, http://anzca.online-exhibition.net/fellows/fellows-1992/richard-george-walsh/ The artist, Jiawei Shen is a Chinese Australian artist considered to be one of Australia's leading portrait artists. He is most famous for his 2006 winning entry of the prestigious Sir John Sulman Prize in which he painted a portrait of Pope Francis which was presented to His Holiness in 2014. Oil painting on canvas of Associate Professor Richard Walsh sitting to the side facing left on a blue chair, wearing the College gown and President's medal against a plain background. Mounted in a mottled brown coloured frame.Lower left hand corner [artist signature \ '05]painting, walsh, richard, anzca president, shen, jiawei

In a black frame a coloured photograph of two men sitting on chairs reading on HMAS Sydney. bottom left hand side reads Voyages To Vietnam, bottom right hand side reads Copyright Roger DowntonVoyages To Vietnam. Copyright Roger Downtonphotograph, hmas sydney, cerberus collection