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Wangaratta RSL Sub Branch
Postcard, 1917
From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Plastic postcard with paper backingsalbum, photo album, newspaper clippings, postcard, wwi, flag, plastic, horseshoe, good luck -
Melbourne Legacy
Postcard - Document, postcard, 1983
A postcard to the Comradeship Committee when a Legatee was travelling in France. The postcard was addressed to the Legatee Chairman of the Comradeship Committee. Dated 3 Feb 1983. It is signed GRIFF, it says: The French experience I should have had years ago. I am in the DORDONGE after spending some days at LA ROCHELLE on the Atlantic coast. The provincial French are courteous, generous, helpful and so elegant. Work I did with my French mistress at the Wesley Church has paid great dividends although today may be tough. I give 40 children (aged 10-14) their first ever Scottish Country dance lesson. The goose hatched in March lives a normal farmyard life till October, then it is force fed for three weeks and then 'WHAM' and PATE. Next meeting at Norton - France! Best wishes to all - GRIFF.A record of a Legatee travelling and relating experiences back to his comrades in Melbourne.Colour postcard of a Frenchman.Printed "Le Gaveur D'oies." French postage stamps. Handwritten text in blue pen.comradeship, legatee -
The Beechworth Burke Museum
Photograph
Taken in Beechworth 1870, this photograph depicts the business area of Ford Street. Black and white rectangular postcard. The image is printed on matt photographic paper and mounted on cardboard. Obverse: Beautiful Beechworth (Vic) 1800 ft. above Sea Level- Ford Street (Looking North) Copyright. F. Foxcroft Photo Reverse: A02754.2 POSTCARD beechworth, ford street, burke museum, 1870, beautiful beechworth, foxcroft -
Melbourne Tram Museum
Postcard, John Sands - Sandscene International, "Flinders Street Railway Station", 1970
... Postcards ...The photo shows the Flinders St station building at dusk. An MMTB bus and tram are waiting at the traffic lights. Tram fitted with marker lights shows a route number of "29" - which was discontinued in Nov. 1970. Marker lights commenced to be installed in 1970.Yields information about Flinders St station in about 1970.Colour postcard by Sandscene International, No. V7 with a serrated edge - No. JSC316postcards, route 29, flinders st station, flinders st, swanston street -
Melbourne Tram Museum
Postcard, Bartel Collectors World, "Swanston and Collins Streets, overlooking City Square", late 1970s
... Postcards ...Photo taken from the Town Hall shows the intersection of Collins and Swanston St looking south. It shows an early version of the City Square. In the photo is St Paul's Cathedral, the Graham Hotel, and the Wales Corner building. Several trams are in the view including W2 596 westbound in Collins St, See reference for the Square History - based on the paving, late 1970s,Yields information about the City Square,Colour postcard by W Bartel of Sydney - NoM301postcards, collins st, swanston st, city square, w2 class, tram 596 -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, Early 1900's
One of 5 postcards donated by G. Haywood.Sepia postcard of the Main Street in Cowes. Houses on the left and Cowes Motor Garage on right. Sea in the background."The Rose Series P. 3413" "Main Street, Cowes, Phillip Is., Vic."main street cowes, phillip island, cowes phillip island, phillip island, g. haywood -
Marysville & District Historical Society
Postcard (item) - Black and white postcard, Rose Stereograph Company, Panorama From "Kerami", Marysville, Victoria, 1913-1967
A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.An early postcard of the view of Marysville from "Kerami", Marysville, Victoria. Kerami was a guesthouse in Marysville that was destroyed in the 2009 Black Saturday bushfires.POST CARD THE "ROSE" SERIES/ DE LUXE/ REAL PHOTOS PUBLISHED IN/ AUSTRALIA Published by the Rose Stereographs/ Armadale/ Victoriakerami, marysville, victoria, p.2299, rose series postcard, postcard, souvenir, guesthouse -
Clunes Museum
Photograph - POSTCARD, HORNBY STUDIO, CLUNES, 1913
POSTCARD/PHOTOGRAPH OF MINERS STANDING ON POPET LEGS WITH ONLOOKERS. LETTER ON REVERSE SIDE.SEPIA POSTCARD OF POPPET HEAD, WORKING MEN ON STRUCTURE, OTHER MEN STANDING BY-1913..CLUNES -GOLD MINES 1913photography, poppet head, mining -
Ballarat Tramway Museum
Postcard, Kodak, "Opening of Tramway System Geelong", 14-3-1912
Postcard produced by Kodak of the opening of the Geelong Tramway System on 14 March 1912. Shows the highly decorated trams in the background and a large crowd. See also item 9056 for another view, 4407 and 5900.Yields information about the opening of the Geelong tramway system.Black and white Postcard divided back, unused.tramways, trams, geelong, opening, new tramways -
Marysville & District Historical Society
Postcard (item) - Black and white postcard, Rose Stereograph Company, Stevenson Falls, Marysville, Vic, 1930
A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia. A black and white photograph of Steavenson Falls in Marysville in Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson, who arrived in Victoria in the early 1860s. This postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.POST CARD. Correspondence Addressmarysville, victoria, waterfalls, stevenson falls, steavenson falls, southern cross series, 4990, postcard, souvenir, john steavenson -
Stawell Historical Society Inc
Photograph, Sister Rocks Stawell, 1920's
B/W Postcard, Rose Series of Sister Rocks StawellB/W Postcard Rose Series of Sister Rocks. Trees in foreground, boy sitting on rockThe Rose Series P.2724 Copyright The Sister Rocks, Stawell, Victoria Looking Easttourism -
National Wool Museum
Postcard
Postcard of the Metalexport building in Warsaw, Poland. Metalexport was the sole exporter of textile machinery from Poland.Postcard of the Metalexport building in Warsaw, Poland, 1959. Metalexport was the sole exporter of textile machinery from Poland. Back of a postcard of the Metalexport building in Warsaw, Poland, 1959. Metalexport was the sole exporter of textile machinery from Poland.METALEXPORTtextile machinery, metalexport -
Phillip Island and District Historical Society Inc.
Photograph, Murray Views, Isle of Wight Hotel
... postcards ...Tourist postcardSmall black & white photo of the Isle of Wight Hotel and War Memorial, CowesMurray Views No. 23 War Memorial & Isle of Wight Hotel, Cowes, Phillip Island, Vic.the isle of wight hotel cowes phillip island, photographs, war memorial cowes phillip island, postcards -
Ballarat Tramway Museum
Postcard, "High Street Eaglehawk", c1905
Printed coloured postcard of a view of High St Eaglehawk with the Town Hall in the background. An ESCo Bendigo tram, possibly No 8 is returning to Bendigo. On the rear is a message to a person in Collingwood saying that this is the third of three views of Eaglehawk - see also item 9082.Yields information about Eaglehawk Bendigo and ESCo trams.Postcard - colour divided back usedHand written message written on the rear - card 3tramways, trams, bendigo, eaglehawk, esco, high st -
Ballarat Tramway Museum
Postcard, Valentine & Sons Publishing Co, 'Alexandra Fountain Bendigo", late 1940s
Printed black and white postcard of Alexandra Fountain Bendigo with an ex-Melbourne SEC tram on the right side, going to Eaglehawk. In the view are the National Mutual, Australian Mutual Provident Society, and the Armstrong Tyre Service station. Published by Valentine of Melbourne and Sydney.Yields information about Bendigo's Charing Cross and View St late 1940s.Postcard black and white, used - No. 6.Has a letter on the rear with two stamps dated 27-6-1949 to Ken Magor from Roy and Ken about their visits to the three provincial tram systems and the narrow gauge at Ferntree Gully. The weather had not been good for their visit. See rear image.tramways, trams, bendigo, charing cross, view point -
Ballarat Tramway Museum
Postcard, Rose Stereograph Co, Ryrie St Geelong, 1930s
Reproduction of Rose Series postcard No. 547 of Ryrie St Geelong with tram No. 7 east bound and another tram in the distance. Photo shows the tramway centre poles. Has the old Geelong Post Office (see reference) on the left side of the image.Yields information about Ryrie St Geelong.Reproduction of Rose series postcard No. P547 trams, tramways, geelong, ryrie st, geelong post office, tram 7 -
Ballarat Tramway Museum
Postcard, Rose Stereograph Co, Ryrie St Geelong, 1930s
Reproduction of Rose Series postcard No. 547 of Ryrie St Geelong with tram No. 7 east bound and another tram in the distance. Photo shows the tramway centre poles. Has the old Geelong Post Office (see reference) on the left side of the image.Yields information about Ryrie St Geelong.Reproduction of Rose series postcard No. P547 trams, tramways, geelong, ryrie st, geelong post office, tram 7 -
Federation University Historical Collection
Postcard - Postcard Booklet, Levi Fils & Co, Vues Detachables
Levy Sons & Co. 1895-1919 Paris, France and London, England In 1864 the Parisian photographic studio of Ferrier pere*, fils & Soulier was bought out and became M. Leon & J. Levy. This partnership lasted until 1872 when Leon left and it was renamed J. Levy & Co., which became an important producer of stereo-views and lantern slides. By 1895 his sons had joined the company and it was renamed once again to Levy Sons & Co. (or Levy et ses Fils). His son Lucien became a well known photographer who began publishing international view-cards from his own work depicting scenes mostly from within the French empire, though quite a number are from England and there are some from Australia and Russia as well. There are few French towns that are not captured by his cards. His name does not appear on the cards but - L.L. follows the title as a photo credit. Many of their cards are not attributed. These cards were printed as colotypes in black & white, sepia, and over speckled color lithography. In 1920 the studio united with Neurdein Freres to become Levy & Neurdein reunis. Their negatives are now owned by the Roger-Viollet Photographic Agency. *Claude Marie Ferrier (1811-1889) was also an important early photographer. He was the 'Pere' in Ferrier Pere, Fils & Soulier - best remembered for their stunning series of glass views. Sorting this collection is a challenge. The postcard rears display a variety of forms - a) garland emblem with LL inside, b) with an addition emblem within (FPS?). Or c) - no emblem which may mean production by another company - however LL. remains on the front as a credit to the photographer. http://www.metropostcard.com/picslogos/pcl-levylucien.jpg.jpg http://www.unpi.com/clem/unpostcards/LON1919PC2Naback.jpg Example Colour Card circa 1920 No. 78 Paris - L'Escalier de l'Opera - LL. http://www.postcardcollector.org/forum/index.php?p=/discussion/1306/levy-fils-cie-paris-specifically-lucien-levy-llAbbeyville was a town in the Somme, so that this is a possible reason that the name has been erased on the postcard. http://www.france-voyage.com/travel-photos/abbeville-11435.htmSmall brown covered book of 12 postcards with views of Abbeyville in the Somme. Issue between each each individual postcard. The cover has an oval on front and the name "Abbeyville" in its centre has been erased. The name of the town has also been erased (censored) throughout the booklet. There is a garland in maroon around the maroon oval on the front cover. Print in dark grey on bottom left and right hand side corners.Print "Modele ... Depose" in dark grey on bottom left and "12 Vues Detachables" on right hand side corners. Names of places printed inside but the name of the town has been erased throughout. "Carte Postale" with logo underneath at centre and "Correspondence" LHS and "Adresse" RHS on top of verso of each postcard in booklet. "Levy Fils & Co, Paris sideways along centre line of postcard on verso.abbeyville, levy fils, postcard, vues, panorama, place de l'amiral-courbet, monument, rue alfred-cendre, alfred-cendre street, statue, saint vulfran church, saint gilles church, museum, prarona statue, avenue de la gars, avenue of the station, chevalier de la barre, river somme, somme, talence bridge, correspondence, carte postale, censor, censored -
St Kilda Historical Society
Ephemera - Postcard, Imitators can't hurt the Dandies, c1911 - 1918
Postcard advertising the Dandies, a collection of troupes, each of around a dozen performers that were popular in Australia throughout World War I. The Dandies were established in 1911 by Edward Branscombe.Unused postcard, yellowed white card printed in brown.the dandies, edward branscombe -
St Kilda Historical Society
Ephemera - Postcard, I'm going to see the Dandies, c1911-1918
Postcard advertising the Dandies, a collection of troupes, each of around a dozen performers that were popular in Australia throughout World War I. The Dandies were established in 1911 by Edward Branscombe.Unused postcard, yellowed white card printed in brown.the dandies, edward branscombe -
The Beechworth Burke Museum
Postcard
The postcard depicts a large group of young men and women posing inside the Beechworth Town Hall. They are attending the Back to Childhood Ball in Beechworth on 3 November 1937. Joining them is a small goat in the front row.The postcard provides insight into entertainment, leisure and recreation in Beechworth during the 1930s. It enriches the community's understanding of how entertainment has developed in Beechworth since the early twentieth century.Black and white rectangular postcard printed on card.Obverse: a memento of the Back To Childhood Ball "Beechworth" / 3.11.37 / Reverse: 3708 / POST CARD / KODAK / CORRESPONDENCE / ADDRESS ONLY / AUSTRAL / A / AUSTRAL / KODAK / N. R. McGEEHAN, (Flashlight Specialist.) / 154 HOTHAM ST., ST. KILDA. S. 2. /entertainment, entertainment album, beechworth, 1930s, goat, recreation, performance, leisure, back to childhood ball, social -
Marysville & District Historical Society
Postcard (item) - Novelty postcard, Valentine Publishing Co. Pty. Ltd, Just a Line from MARYSVILLE, 1940's-1960's
A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.Just a Line from MARYSVILLE 1355 PRINTED PAPER/ MAILING NOVELTY TO OPEN RAISE FLAP VALENTINE'S "MAIL NOVELTY" POST CARD/ COPYRIGHT From Printed in Great Britain To Marysville Chalet/ Marysville/ Phone 12 Dear Nev. We had a good/ trip up, left Ballarat/ 1/4 to 2 & Ivy & Kev were waiting 1/2 hr for us &/ Kev took the lead through Melbourne & by cripes/ was I glad to get through it, our darn engine/ kept cutting out, at the stop signs, by cripes I felt/ like crawling under the seat. Its beautiful weather/ here, we done a couple of good walks, going fishing/ this afternoon, Merle & Valerie have mixed up with/ some of the young mob & seem to be doing alright./ Well hope every-thing is going OK down there./ Merle & Val are thinking of going horse riding./ The trees and ferns are gorgeous here, tall I have never/ seen so tall a trees. Well Nev must close now. Love from Mum. Xmarysville, victoria, postcard, souvenie, valentine publishing co, crossways cabaret (image 1), taggerty river (image 2), acheron way (image 3), black spur (image 4), nicholl's lookout (image 5), main street marysville (image 6), sugarloaf bay eildon (image 7), steavenson falls (image 8), cumberland falls (image 9) -
Eltham District Historical Society Inc
Photograph - Postcard, Geisha Sakae looking into a mirror applying makeup, c.1905 to c.1920s
The text on reverse translates Kikaha toilet department. There is also the printed image of a swallow on the back, which suggests that it was taken by the S. N. Banshiudo Studio in Shiba Park, Tokyo. Geisha Sakae was an extremely popular postcard model shortly after the Russo-Japanese war 1904-05, people used to line up early in the morning whenever a new postcard was released at the postcard shop in Ginza. The beauty of her gait was so widely admired that her walk inspired many of the leading Onnagata (male Kabuki actors in female roles) of the day. She went on to marry Ichikawa Sadanji II, one of the most popular Kabuki actors in Japan, who worked hard to promote new plays and revive long-forgotten classical dramas. [Ref: https://www.flickr.com/photos/blue_ruin_1/8448420741] During the Russo-Japanese War (1904–05), the Japanese government sent postcards of beautiful Japanese women, bijin ehagaki (美人絵葉書), to soldiers to motivate them. Publishers continued to print them well into the 1920s. [Ref: Duits, Kjeld (February 21, 2022). 1910s: Geisha Postcards, OLD PHOTOS of JAPAN. Retrieved on March 31, 2024 (GMT) from https://www.oldphotosjapan.com/photos/883/vintage-geisha-postcards-early-20th-century] See also: Sakae さかえ - Meiji / Taishō Era Geisha https://www.flickr.com/groups/1988804@N22/pool/ The photochrom process Photochroms are not photographs but actual prints, produced using 6 to 15 colors and the lithography printing process. The technique was invented by the Swiss Hans Jakob Schmid during the 1880s. The fascinating aspect of these prints is that they are created from black and white photographs. It required quite some work and talent to create these images. The photographer would usually make notes about the colors in the image he shot. These enabled a painter to create a painting that served as a color guide for the litho stone maker. This artisan would then create multiple exposures of the original black-and-white negative, changing the exposure time, development settings, and using dodge and burn techniques to create the required set of 6 to 15 stones that would each be used to print one specific color. By combining all these colors you get the prints [Ref: https://www.prepressure.com/printing/history/photochrome-prints]This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, geisha sakae, japanese postcard, postcard -
Eltham District Historical Society Inc
Photograph - Postcard, Geisha Sakae holding an Ichimatsu Doll, c.1905 to c.1920s
The text on reverse translates to Kikaha toilet department. There is also the printed image of a swallow on the back, which suggests that it was taken by the S. N. Banshiudo Studio in Shiba Park, Tokyo. Geisha Sakae was an extremely popular postcard model shortly after the Russo-Japanese war 1904-05, people used to line up early in the morning whenever a new postcard was released at the postcard shop in Ginza. The beauty of her gait was so widely admired that her walk inspired many of the leading Onnagata (male Kabuki actors in female roles) of the day. She went on to marry Ichikawa Sadanji II, one of the most popular Kabuki actors in Japan, who worked hard to promote new plays and revive long-forgotten classical dramas. [Ref: https://www.flickr.com/photos/blue_ruin_1/8448420741] During the Russo-Japanese War (1904–05), the Japanese government sent postcards of beautiful Japanese women, bijin ehagaki (美人絵葉書), to soldiers to motivate them. Publishers continued to print them well into the 1920s. [Ref: Duits, Kjeld (February 21, 2022). 1910s: Geisha Postcards, OLD PHOTOS of JAPAN. Retrieved on March 31, 2024 (GMT) from https://www.oldphotosjapan.com/photos/883/vintage-geisha-postcards-early-20th-century] See also: Sakae さかえ - Meiji / Taishō Era Geisha https://www.flickr.com/groups/1988804@N22/pool/ The photochrom process Photochroms are not photographs but actual prints, produced using 6 to 15 colors and the lithography printing process. The technique was invented by the Swiss Hans Jakob Schmid during the 1880s. The fascinating aspect of these prints is that they are created from black and white photographs. It required quite some work and talent to create these images. The photographer would usually make notes about the colors in the image he shot. These enabled a painter to create a painting that served as a color guide for the litho stone maker. This artisan would then create multiple exposures of the original black-and-white negative, changing the exposure time, development settings, and using dodge and burn techniques to create the required set of 6 to 15 stones that would each be used to print one specific color. By combining all these colors you get the prints [Ref: https://www.prepressure.com/printing/history/photochrome-prints]This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, geisha sakae, japanese postcard, postcard -
Wangaratta RSL Sub Branch
Embroidered Postcard, c. 1916
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered flags. Handwritten message on back.Front: "Victory / and / Liberty" (embroidered) Back: "To Alice from Will / Best love / hope you are all well as it leave me at present / xxxxxx"wwi, postcard, embroidered postcard, carte postale -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, Early 20th Century
One of a collection of 11 photographs/postcards donated by Meg Davis & Nancy McHaffie from the estate of Brenda Higgins, grand-daughter of JD & Georgianna McHaffieSepia Postcard of a horse and gig with man and dog. Nobbies in the backgroundThe Rose Series P 666. Looking to The Nobbies, Phillip island, Victoria.the blowhole phillip island, phillip island coastline, horse & gig, meg davis, nancy mchaffie, brenda higgins -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, Early 20th Century
One of a collection of 11 photographs/postcards donated by Meg Davis & Nancy McHaffie from the estate of Brenda Higgins, grand-daughter of JD & Georgianna McHaffieBlack & White postcard of the Cowes Pier with Jetty Shed in the foreground.The Rose Series, P 672. The Pier, Cowes, Phillip Island, Victoriacowes pier, cowes pier phillip island, cowes jetty, cowes jetty shed, meg davis, nancy mchaffie, brenda higgins -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard
Also another photograph tinted on postcard of Mavis Fish a little older 05055.2 14 x 8.5 cm in oval frameBlack and white postcard of baby Mavis Fish daughter of Ted Fishgenealogy -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, 1920 c
Also anothe black and white postcard of Lake scene from Fair Haven Mallacoota 05121.2 9 x 14 cmBlack and white postcard of jetty at Fair Haven guesthouse Mallacoota VictoriaJatty Scene at 'Fair Haven'Mallacootawaterways -
Marysville & District Historical Society
Postcard (Item) - Colour postcards, John William Lindt, The Hermitage on the Blacks' Spur, 1900s
A series of historical colour postcards of "The Hermitage" at Narbethong in Victoria taken by John William Lindt.A series of historical colour postcards of "The Hermitage" at Narbethong in Victoria taken by John William Lindt. "The Hermitage" was built by photographer John William Lindt as a home and guesthouse in 1894. John Lindt had previously photographed the mountain scenery of the Black Spur and purchased 71 acres and subseqently built his home and guesthouse from where he continued his career. "The Hermitage had a garden designed by John Lindt's friend, Ferdinand von Mueller, who was at one stage the Director of the Melbourne Botanic Gardens. The garden featured New Guinea tree houses from which John Lindt made frequent panoramas of his property and the surrounding forest of towering mountain ash. Aged 81 Lindt died of heart failure during disastrous bushfires on 19 February 1926 at the Hermitage. He was survived by his wife Catherine who continued to run ‘The Hermitage’ guest house before she retired to the city.the hermitage, john william lindt, narbethong, victoria, black spur, ferdinand von mueller, melbourne botanic gardens, new guinea, catherine lindt, postcard, souvenir