Colour photographindustries, bridge street, burson auto parts, hot takeaway food, style interiors

Colour photographindustries, bridge street, repco, tyrepower, cedar village, haymes paint right, melbourne stairs

Roll of 35mm colour negative film, 1 stripKodak GB 100 5096shire of eltham, roads, piper crescent

Booklet, cream cover, Shire of Eltham logo embossed on front1978, eltham community centre, opening day, program, souvenir program

Original Item recovered from possibly Australian Corps HQ, probably between the Armistice, 11 November 1918, and June 1919, when the Staff Sergeant R.O.(Bob) Snape was repatriated.Sepia photograph, showing trench lines, gun emplacements, landscape peppered with shell craters.snape collection

Colour photographic image of a doll's face in partial profile; strips of yellow, orange and green across bottom; text in yellow."10th Melbourne Queer Film & Video festival 2000. Citymedia @ Treasury Theatre, 1 Macarthur Place, East Melbourne. Opening Night Gala: Astor Theatre, Cnr Chapel St & Dandenond Rd, St Kilda."

Development application 252/2017/03P: Use and development of the land for 8 three storey townhouses (revised to 7) Land sold 20 Dec 2107 for $1,515,000 - https://www.realestate.com.au/sold/property-residential+land-vic-eltham-201972410 Previously $140,000 June 1994 and $165,500 Oct 1988 Born digital image (6)eltham, luck street, streets, houses

Built in 1947 by A.V.Jennings and Co. Lived in for 34 years by Sir Billy and Lady Sneddon.Folder compiled by Richard Carter (C.E. Carter & Sons, RESI) containing various plans, title and notes on the development and extensions to the house, of significance because it was the home of Liberal Parliamentarian and leader of the Liberal Party Sir Billy Snedden.(1926-1987). Built in 1947 by A.V.Jennings for J.M.C. Pratt. Sir Billy and Lady Snedden bought the property in 1963 and Lady Snedden sold it in 1997.

Written on back of photograph, "Arthur and Jim Broben".

The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 7 stripsKodak GC 400-6eltham, houses, streets, margaret ball (pre 1960s houses) collection, taylor street

The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 7 stripsKodak GC 400-6eltham, houses, streets, margaret ball (pre 1960s houses) collection, john street

The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-6eltham, houses, streets, margaret ball (pre 1960s houses) collection, henry street

The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-6eltham, houses, streets, margaret ball (pre 1960s houses) collection, taylor street

The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 5 of 6 stripsFuji 200eltham, houses, streets, margaret ball (pre 1960s houses) collection, dudley street

Owner: Albert Parsons then daughter Oriel Glasgow who married Ron Glasgow. Was demolished in 2000 to make way for new Safeways storeThe Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 10 stripsFuji 200eltham, houses, streets, margaret ball (pre 1960s houses) collection, pryor street

Owner: Sydney Albert and Winifred Alice Hick (plasterer)The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 10 stripsFuji 200eltham, houses, streets, margaret ball (pre 1960s houses) collection, luck street

Note the graffiti. Older 20th.c and earlier railway cars were rolling palaces of the cabinet makers art. Full of polished timber, plated & embossed metal fittings, soft upholstery & beveled glass. In their earliest form, the Tait’s and earlier swing door cars for even modest suburban work, reflected some level of this design approach. Plus of course large sepia toned photographs on dividing walls displaying tourist spots trains could take you to.Digital TIFF file Scan of 35mm Kodak Safety 5062 black and white transparencygraffiti, interior, passenger carriage, red rattler, tait train

Note the graffitiDigital TIFF file Scan of 35mm Kodak Safety 5062 black and white transparencygraffiti, interior, passenger carriage, red rattler, tait train

Digital TIFF file Scan of 35mm Kodak Safety 5062 black and white transparencybrighton beach railway station, red rattler, sandringham lline, tait train

Digital TIFF file Scan of 35mm Kodak Safety 5062 black and white transparencybrighton beach railway station, red rattler, sandringham lline, tait train

Digital TIFF file Scan of 35mm Kodak Safety 5062 black and white transparencygowrie, flinders street railway yard, red rattler, tait train

L1152 entered service Wednesday, 29th April 1953 and was withdrawn Thursday, 9th October 1986 Scrapped January 1988 Source: Vicsig.net https://vicsig.net/index.php?page=locomotives&number=1152&class=L&type=Electric%20(1500V%20DC)&orgstate=VDigital TIFF file Scan of 35mm Kodak Safety 5062 black and white transparencyflinders street railway yard, l class electric locomotive, l1152

B70 In service 23rd March 1953 Withdrawn 3rd June 1984 Source Vicsig.netDigital TIFF file Scan of 35mm Kodak Safety 5062 black and white transparencyb class diesel-electric locomotive, b70, flinders street railway yard

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Timber framed colour photograph of thirty nine people with name plate at the bottom.Typed name plate with names of everyoneviosh, viosh australia, graduate diploma in occupational hazard management, mark bartlett, penelope chapman, dean cipolla, john cumberland, garry dazeley, tony finlay, david fitzgerald, john fennell, con germantsis, karen horne, faith houston, christine irmler, geoff kaiser, michael kirton, carole labram, pat mcatackney, david melhuish, laurie mercurio, susie metelovski, samuela namosimalua, michelle nation, maria papas, steve pavlich, trevor paynter, peter plavina, raluca racoti, peter rennick, linda roberts, paul scarfe, david smith, jon temby, gayle thwaites, ron van veen, sandra voumard, john wakely, robert wator, alan watson, veronica wilkey, barrie wright, university of ballarat