Showing 17136 items
matching box
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Moorabbin Air Museum
Drawing (Item) - Decca Radar Limited Circuit Diagram for Lat / Long Gear Box B/RL/SKA/6519
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Moorabbin Air Museum
Document (item) - Australian Defence Specification DEF (AUST) 6119A Liners, Box, Water - Vapourproof Of Water Proof 1987 Draft No.1
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Moorabbin Air Museum
Equipment - Kevin Kerle Collection, Tin of Circuit Breakers, Servo Accelerometer, Plastic Box of Turner Bank Bubble Indicators, Plastic Container of Resistors, Tail of Plastic Bomb, Ball Bearing, Artificial Horizon x2, Sealed Gyroscope x2, Sealed Attitude Gyroscope , Compass Ball, Artificial Horizon Ball, Pitot Tube Static Probe, Minature Transmitter, Cable Pulleys, Bank Indicator, Static Probes, Warning Indicator Lights, Wind Range Chart, Nach Number Computer, Engine Tags, Paint Samples, F111 Electronic Parts, Ikara Wing Cross Section
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Moorabbin Air Museum
Book - BLACK BOX, JANICE PETERSON WITHAM, 2005
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Moorabbin Air Museum
Manual (Item) - RAAF Transformer Box Manual, Royal Australian Air Force Transformer Box Type 1M.3016 ( Abadie)
RAAF -
Moorabbin Air Museum
Manual (Item) - RAAF Power Junction Box Manual, Royal Australian Air Force Power Junction Box DR41 Series
RAAF -
Moorabbin Air Museum
Manual (Item) - RAAF manuals on - non-return valves, valve box, cap assembly, mixer valve, springed rod, manual control unit, pressure switch, cold air unit
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Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - pastel, Margaret Baskerville, Bathing box by beach, 1912
pastelbeach, coast, bathing box, margaret baskerville, bayside, port phillip bay, jetty, ship, bush -
Moorabbin Air Museum
Model (Item) - Supermarine Spitfire scale 1:56 -in perspex box
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Ararat Gallery TAMA
Functional object, Box, lidded, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Box, lidded, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Box, lidded, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Box, lidded, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Clothing, Wig Box and Stand
The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995. -
Moorabbin Air Museum
Archive (Item) - Box WP1 Prowse Collection See details under Description, Box WP1 Prowse Collection
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Ararat Gallery TAMA
Moira Doropoulos, Prayers for all Humanity: Book 1 + box, 1988
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Kew Historical Society Inc
Ceremonial object, Unknown, Commemorative Trowel in Presentation Box, 1971, 1982
WADE, Ivan Mayor 1969-70, 1970-71 Ivan Wade grew up in Bendigo and Brunswick, one of eight children. After his marriage, he moved with his wife and young family to Kew in 1951. In 1959, he took a year’s sabbatical in 1959 to build a new family home for his wife and four children at 222 Cotham Road, Kew. He worked professionally in the Meat Industry, successfully building a small chain of retail butcher shops, and a meat exporting business. He worked for improvements in the Trade through involvement in the Meat and Allied Trades Federation, of which he was the first State, and then Federal President. He was to be awarded an OBE for his services to the Meat Industry in 1979. Having been a long-time member of Melbourne Lions Club, he helped start Chadstone Lions’ Club as an inaugural tenant of the Chadstone Shopping Centre in 1979. He was also a tireless worker for charity, making his home available for functions raising funds for local groups. His passion for the community led him to stand for Kew Council as a representative of College Ward. As a councillor, he was elected mayor for two terms. During his term of office, new Kew Municipal Offices were constructed in Cotham Road. An active worker for the Kew Elder Citizens Association, he was involved in the establishment of an Opportunity Shop in Walpole Street to raise funds for the development of a new Centre in High Street. The Opportunity Shop was used to train locally unemployed youth skills such as furniture repair. (GW)Silver presentation trowel associated with the opening of significant civic projects in the former City of Kew.Commemorative, inscribed silver-plated presentation trowel given by the City of Kew to the Mayor, Cr Ivan Wade, on the occasion of the laying of the foundation stone of the new Kew Civic Centre on the corner of Cotham Road and Charles Street, now part of Trinity Grammar School. The silver trowel was presented in a black leather case lined with blue velvet. The trowel was to be used a second time in 1982 when Cr Wade and his wife laid the foundation stone of Hamer Court. The trowel was later donated to Kew Historical Society Inc by Gwlad Wade, the wife of Cr Ivan Wade, on 20 August 2000. Front: "Presented to Cr Wade J.P. / Mayor of / the City of Kew / at the laying of the / foundation stone / of the / Kew Civic Centre /20-8-1971." Reverse: This trowel was also used / by / Cr Ivan Wade OBE JP & Mrs Gwlad Wade / at the laying / of the foundation stone / of / "Hamer Court" / Hostel for the Aged / 22nd August 1982"cr ivan wade, hamer court, commemorative trowels, kew civic offices, city of kew 1860-1993 -
Kew Historical Society Inc
Postcard, Whitehorse Rd, Box Hill
One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Coloured matte postcard of Whitehorse statue. Palm tree in foreground, statue in middle ground and church (sic) in distance.whitehorse road -- box hill, postcards -- box hill, christian-washfold collection -
Bendigo Tramways (managed by the Bendigo Heritage Attractions)
BOOK, 'THE FIRST ELECTRIC ROAD A history of the Box Hill and Doncaster tramway' by Robert Green, 1989
This item was donated to the Bendigo Tramways Depot Archives by the author, Robert GreenThis is a history of the first electric tramway in Australia.The history of the first electric tramway in Australia, and the southern hemisphere, examining the conflicts and challenges faced by all those involved. -
Heidelberg Theatre Company Inc..
Program Photos Reviews, The Shadow Box by Michael Cristofer by special arrangement with Samuel French (Aust.) Pty Ltd directed by Ian Brown
1983, 220, director ian brown, heidelberg theatre company inc -
Gippsland Art Gallery
Sculpture, Kleehammer, Col, Jewel Box, 1986
Purchased, 1986Blackwood and feltgippsland, artwork, permanent collection -
Gippsland Art Gallery
Photograph, Eden, Ron, The Signal Box, 1983/1996
Purchased, 1984Type C printgippsland, artwork, permanent collection -
Gippsland Art Gallery
Sculpture, Forster, Hendrik, Sterling Silver Square Box with Banksia Insert, 1982
Purchased with the assistance of the Crafts Board of the Australia Council, 1982Sterling silver and banksiagippsland, artwork, permanent collection -
Gippsland Art Gallery
Work on Paper, Taylor, David, Signal Box near Stratford, 1977
Purchased, 1977Oil, crayon and pen on coloured cardgippsland, artwork, permanent collection -
Gippsland Art Gallery
Work on Paper, Markham, Arthur, Signal Box Sale Station, 1983
Donated by the Sale Art Group, 1983Ink and pencil on papergippsland, artwork, permanent collection -
Stawell Historical Society Inc
Archive, Brown and Grey Case Field Naturalists. Municipal Matters. Old Lake Oval. 3 Jacks & Kingston Reserve. Box Iron Bark Issues Flora & Fauna Assessment Stawell Gold Mines. Big Hill Development Project-Stawell Vic – 20 April 1999 Press Clippings 1952 Roll of Members 1975-1997 Meeting Notes 1972-1982. Outing Reports 1965 & 1967, 1982 & 1985. Australian Naturalists Network Register 1996. Letterhead Stamp, 1952 - 2011
Brown & Grey Casestawell, club -
Stawell Historical Society Inc
Archive - CD/DVD, Stawell Rail Photos - Various photographs of trains at Stawell, Stawell Station, Stawell Cutting, Stawell Turntable, Sloane Street Crossing, Goods Shed, Signal Box, Stawell Gift Special, Silo's, Grampians Line
stawell, transport, railways -
Stawell Historical Society Inc
Book, Malcolm & Jane Caulder, Victoria’s Box Iron Bark Country - A Field Guide, 2002
stawell -
Beechworth Honey Archive
Publication, Box-Ironbark in Victoria's State Forests, Silviculture reference manual No. 4 (Dept of Economic Development, Jobs, Transport and Resources) Peter Fagg & Owen Bassett, 2015
Soft cover book, white & grey cover with photos of ironbark flowers & forest 137 pages -
Beechworth Honey Archive
Publication, Keeping Australian stingless bees in a log or box. (Dollin, Anne and Heard, Tim). North Richmond, NSW, 1997
14 pages, illustrated