Showing 7111 items
matching exhibition,
-
Port Melbourne Historical & Preservation Society
Photograph - Launch of Women of Port Exhibition, 18 Oct 2005
Wendy MORRIS & relative of Nancy UREN & unknown at the launch of the Women of Port Melbourne Exhibition & book, October 2005.Wendy MORRIS & relative of Nancy UREN at the launch of the Women of Port Melbourne exhibition18/10/2005 Wendy Morris & relative of Nancy Urenwomen of port melbourne, nancy u'ren nee morris, wendy morris -
Warrnambool and District Historical Society Inc.
H. Perry & Co, Brown lace up boots x 2, 1906
These boots may have been made as a sample as they are a very small size and do not appear to have been worn. They come from the New Zealand International Exhibition held at Hagley Park, Christchurch from November 1906 to April 1907. This exhibition was the brainchild of the New Zealand Prime Minister, Richard Seddon who died before the exhibition opened. Nearly 2 million people visited the exhibition at a time when the population of New Zealand was less than one million. The exhibition was thus rated a success even though there was a financial loss. No information has been found on the bootmakers, H. Perry & Co. In the 19th and early 20th centuries boots were an essential item for women who often had to walk through unmade streets and muddy paddocks. This item is of interest as it is a memento of an important New Zealand Exhibition early in the 20th century. This is a pair of a lady’s light brown leather boots. The boots have long leather tongues with 16 eyelets either side to lace up the front instep. The laces are missing. The wooden heels are slightly raised. H. Perry & Co. New Zealand International Exhibition Christchurch 1906-7 vintage footwear, christchurch new zealand exhibition, 1906-7 -
Federation University Historical Collection
Booklet, Harold B. Herbert Watercolours
The exhibition 'Harold Herbert Watercolours' was held at Castlemaine between 31 October and 06 December 1992.Brown soft covered exhibition catalogue published by the Castlemaine Art Gallery and Historical Museum.harald herbert, castlemaine art gallery, artist -
Kew Historical Society Inc
Photograph - Display at Festival of Kew, 1979
From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library.Display of objects and costumes owned by members of the Kew Historical Society or derived from the collection, exhibited during the Festival of Kew in 1979. Recognisable items include a Chinese black evening jacket embroidered with chrysanthemums in satin stitch belonging to Dione McIntyre.Inscribed verso: " Society's exhibition Festival of Kew / Donated by Janet McDermott 1979"kew historical society -- exhibitions, festival of kew -- 1979 -
Port Melbourne Historical & Preservation Society
Photograph - Launch of Women of Port Exhibition, 18 Oct 2005
Joanna K, Natica SCHROEDER & Pat GRAINGER at the launch of the Women of Port Melbourne Exhibition & book, October 2005.Joanna K, Natica SCHROEDER & Pat GRAINGER at the launch of the Women of Port Melbourne exhibition18/10/2005 Joanna K, Natica Schroder, Pat Graingerwomen of port melbourne, pat grainger, natica schroeder, joanna k -
Warrnambool and District Historical Society Inc.
Souvenir - Personal item: Rouge holder
This is a souvenir of the British Empire Exhibition of 1925. This exhibition, designed to showcase the industrial and natural resources of the countries in the British Empire was on a 216 acre site at Wembley, England. In 1923 the Wembley Stadium was completed and the F.A. Cup Final was held there. In 1924 the Exhibition was opened by King George V in a first ever radio broadcast by a British monarch. There were Palaces of Industry, Engineering, Horticulture and Art and Pavilions housing exhibits from most countries in the British Empire. 17 million people visited in 1923 and there were 11 million visitors in 1925 when the exhibiton was re-developed. Wembley Stadium was reconstructed in 2002. This item has no local provenance but is of some interest because of its connection to the British Empire Exhibition of 1925. It is a good example of the type of souvenir that was bought by visitors to the Exhibition. This is an enamelled metal container, circular (octagonal on the outside edges) in shape with a short handle. The central area is slightly recessed to take a small amount of rouge (a red powder compound for the face, usually the cheeks). A pad to apply the rouge to the face is missing. There is a metal hinged lid with a clip and a small ring at the end of the handle, possibly to contain a chain for it to hang around the neck. The wording on the front is black on a blue and green enamelled backgroundRaised image of a lion with the words underneath ‘British Empire Exhibition, 1925’rouge holder, british empire exhibition 1925 -
National Wool Museum
Quilt, Sure as night follows day
The quilt was purchased from the Wool Quilt exhibition held at the National Wool Museum in 1995. It was subsequently exhibited in the Expressions 2000: The Wool Quilt Prize exhibition in the 'Invited exhibitors' section of the show. (Jan Irvine wrote the catalogue essay for this exhibition.) The quilt is part of the "Running Stitch" Collection. This quilt is titled "Sure as Night follows Day" and was made by Jan Irvine from worn and recycled woollen blankets with wool batting. The quilt has been crazy pieced, air brush dyed and hand quilted. The quilt was exhibited in the Running Stitch Contemporary Wool Quilt Exhibition held at the National Wool Museum in 1995 and was purchased for $1800 from this exhibition. The quilt was catalogue entry no. 18. It was later exhibited in "Expressions 2000: the wool quilt prize" from 16 Sept. to 3 Dec. 2000 (extended until 2/2/2001, catalogue entry no. 26).Catalogue entry from "Expressions 2000" Catalogue, held 16th September to 3 December 2000. Introduction to exhibition "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery. Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 6 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 7 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 8 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 9 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 10 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5SURE AS NIGHT FOLLOWS DAY DESIGNER + MAKER: JAN IRVINE NSW AUSTRALIA MADE:1995...quilting, handicrafts, textile art, running stitch group, blankets, running stitch collection, irvine-nealie, ms jan -
Whitehorse Historical Society Inc.
Article, Women living lives of note, 2001
Five Whitehorse women are part of a touring exhibition highlighting their contribution to the community.Five Whitehorse women are part of a touring exhibition highlighting their contribution to the community. Valda Arrowsmith, Kaele Way, Helen Trotter, Mary Ryan and Gwen Mann. 'Ordinary women, extraordinary lives' exhibition opens at Melbourne Museum.Five Whitehorse women are part of a touring exhibition highlighting their contribution to the community. women, community services, arrowsmith, valda, ryan, mary, way, kaele, trotter, helen, mann, gwen -
Kew Historical Society Inc
Photograph - Exhibition Textiles in Bloom [Series], 2021
As part of the National Trust's Australian Heritage Festival 2021, the Kew Historical Society and the Villa Alba Museum collaborated to mount a fashion and design exhibition. The theme of the exhibition took its focus from the year-long program at the Museum featuring the use of flowers in design. The walls and ceilings of the house are notable for their use of floral and narrative painted decoration produced, in the early 1880s, for William and Anna Maria Greenlaw by the Melbourne art decoration firm the Paterson Brothers. The examples of fashion and design from the collection of the Kew Historical Society were located on the ground floor of the house: in the drawing room, dining room, morning room and in the vestibule, or ballroom as it was sometimes described in nineteenth century newspapers. The exhibition was supported by the City of Boroondara through Triennial Operational Grant funding for the Kew Historical Society and the Villa Alba Museum.Series of photographs of exhibition pieces in situ at the Villa Alba Museum in May 2021.fashion & design, exhibitions -- kew historical society, exhibitions --- villa alba museum, textiles in bloom, fashion - nineteenth century, fashion -- twentieth century, textiles - nineteenth century, headwear -- twentieth century -
Port Melbourne Historical & Preservation Society
Photograph - Launch of Women of Port Exhibition, 18 Oct 2005
Group at the launch of the Women of Port Melbourne Exhibition & book, October 2005.L-R - Unknown, Dina MANN, Jan SOLDATAS in front of painting of Jerri MANN.Group in front of portrait of Jerri Mann at the launch of the Women of Port Melbourne exhibition18/10/2005 Dina Mann, Jan Soldataswomen of port melbourne, jerri mann, dina mann, jan soldatos -
Glenelg Shire Council Cultural Collection
Booklet, A Homely Chat About Dairying, 09/1888
A booklet, containing a lecture on model dairies, 'A Homely Chat About Dairying'; delivered by Mr. D. Wilson, at the Centennial International Exhibition, 8th September 1888.centennial exhibition, melbourne exhibition building, 1888, dairy, rural industry -
Whitehorse Historical Society Inc.
Article, German past, 1992
Nunawading's links with pioneering German orchardists are well documented.Nunawading's links with pioneering German orchardists are well documented. An exhibition of photos, books and manuscripts is on display at the State Library.Nunawading's links with pioneering German orchardists are well documented.orchards, germans in australia -
Federation University Historical Collection
Document, The Early Years of Ballarat, 1967
Exhibition pamphlet Three double sided yellow fooslcap typed pages realting to an exhibition of the early years of Ballarat held at the State Library of Victoria. ballarat, gold, state library of victoria -
Port Melbourne Historical & Preservation Society
Photograph - Launch of Women of Port Exhibition, 18 Oct 2005
Dina MANN & portrait of her mother, Jerri at the launch of the Women of Port Melbourne Exhibition & book, October 2005.Dina MANN with portrait of her mother, Jerri MANN at the launch of the Women of Port Melbourne exhibition18/10/2005 Dina Mann with portrait of her mother, Jerri Mann.women of port melbourne, dina mann, jerri mann -
Port Melbourne Historical & Preservation Society
Photograph - Making Tracks exhibition, Station Pier, Port Melbourne, Ann Smallpage, 12 Sep 2004
9 members attended the minister's breakfast celebrating the sesquintennial of the M&HB Railway & Pier, and others joined them at noon to see the "Making Tracks" exhibition. Both exhibition and the book "Welcome & Farewell" were launched at the breakfast, and also plaques for Station Pier, PMR Station & Flinders Street Station. Ref items 1947.01-.13 for presentation material. 1946 for book launched at this event.Set of 24 photos taken at 'Making Tracks' exhibition launch breakfast at Station Pier celebrating 150th anniversay of Pier & railway (12-09-2004). Includes: .01: Launch of "Farewell & Welcome" with Transport Minister Peter Batchelor and Jill Barnard with Sonia Jennings. .02: Jill Barnard presenting the book to PMH&PS Secretary Pat Grainger. .03 & .04: RHSV launch of 'Making Tracks'. .05 & .06: Meyer Eidelson & Pat Grainger at exhibition. .07: Norah Howard & Lois Daley at exhibition. .08: Norah Howard & Pat Grainger. .09-.24: Exhibition details.transport - railways, celebrations fetes and exhibitions, arts and entertainment - literature, barnard, jill, jennings, sonia, norah howard, meyer eidelson, pat grainger, batchelor, peter -
National Wool Museum
Book - Bedjackets, Bootees & Balaclavas Exhibition, Handknitters Guild Inc, August 1991
W8693.1 Exhibition booklet with printed text and graphics in black, white and cream. The front cover features printed text and a graphic of a man, woman and child. W8693.2 A4 Stapled pages containing black and white text listing the items and artists on display. front: [printed] HANDKNITTERS GUILD INC. PRESENTS / BEDJACKETS / BOOTEES / & BALACLAVAS / EXHIBITION / RE-INTERPRETING THE HANDKNITTING OF THE / 1930s / 1940sfashion, women, knitting, crochet, home life, patterns -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1980
Also a colour photograph of artwork by Meika Koning at the art exhibition held at RSL Hall Lakes Entrance 1980 number 04082.4Colour photograph of Renata Griebe at art exhibition held at the RSL Hall Lakes Entrance Victoriaarts, exhibition, people -
Kew Historical Society Inc
Document - Invitation to a ‘Conversazione’ in the Exhibition Building, George Austin, 1901
A report in the Ballarat Star on 8 May 1901 recorded that: "THE CONVERSAZIONE. A GREAT SUCCESS. The conversazion given by the Government of Victoria at the Exhibition was very largely patronised. the guests includ ing the Prime Minister and a goodly proportion of the distinguished personages now in Melbourne. A programme of high-class music was gone through, and refreshments were served during the evening. Australian wines were very prominent."The document design has artistic and aesthetic merit. While it is not rare, it is representative of the kinds of formal designs used for the Australian Commonwealth celebrations at the time of Federation, and is in excellent condition. Such items as this invitation have local, state and national historic significance as mementoes of a key moment in Australia's history. Locally, the invitation is part of a group of Federation-related items issued to James Maitland Campbell (and his wife). Campbell was three times mayor of Kew in the second half of the 19th Century and the owner of Ramornie in Pakington Street, one of the significant extant mansions in Kew.Colour lithograph mounted on card to an evening event, a conversazione, held in the Exhibition Building on the evening of Tuesday 7th May 1901, as part of the Australian Commonwealth Celebrations. The recipients of the invitation were Mr and Mrs James Maitland Campbell of Kew. The Government of Victoria hosted the event. The invitation shows an etching of the Exhibition Building, surrounded by an ornate border of heraldic shields, portraits of the Duke and Duchess, views of Perth, Adelaide, Melbourne, Sydney, Brisbane and Hobart, and native flora (including wattle, waratah, pink heath, Sturt’s desert pea, and flannel flower), and native fauna (kookaburra, possum, lyre bird, cockatoo and koala). The royal crest ‘Dieu et mon droit’ and the Australian crest, ‘Advance Australia’ are also included.Printed: UNITED AUSTRALIA 1901 / ONE FLAG / ONE HOPE / ONE DESTINY; AUSTRALIAN COMMONWEALTH CELEBRATIONS / THE GOVERNMENT OF VICTORIA requests the honour of the presence of / / at a Conversazione in the Exhibition Building on the Evening of Tuesday 7th May 1901 at 8 P.M. Handwritten: Mr & Mrs J. M. Campbell.sands & mcdougall ltd, documents - invitations, first commonwealth parliament 1901, james maitland campbell (1847-1930), ramornie, ramornie - pakington street -
Clunes Museum
Photograph
ALFRED HARRIS WON PRIZES FOR HIS PRESERVES AT THIS EXHIBITION. THE ORIGINAL FRAMED CERTIFICATES ARE ALREADY IN OUR COLLECTIONPHOTOGRAPH OF LAMINATED PHOTOCOPIES OF CERTIFICATE PRESENTED TO ALFRED HARRIS FROM THE COLONIAL & INDIAN EXHIBITION IN LONDON 1886local history, photography, photographs, harris family -
Mission to Seafarers Victoria
Flyer, Clare McCracken, The Place Between, 2018
On the 21st of July 2018, Clare McCracken boarded the ANL Wahroonga container ship to travel to China mirroring her great-great-grandmother's journey from Australia to Asia in 1874. Artist statement from the back of the flyer: "In 1874, my great-great-grandmother, Elizabeth Amy Cathcart Payne, sailed unaccompanied from Australia to Asia, writing a detailed journal of her experiences. This exhibition weaves together sections of her diary with my own voyage from Australia to the world's busiest port, Shanghai. In doing so, The Place Between, is a meditation upon the social and political nature of international trade, the mobility and the place between Australia and the rest of the world in the 19th and 21st century." The Mission has always been open to the community and has a tradition of hosting cultural events: shows, concerts, exhibitions, festivals.Postcard size flyer advertising for an exhibitionthe place between, clare mccracken, cultural events, sea voyage, andrew ferris, arun munoz, video installation -
City of Greater Bendigo - Civic Collection
Medal - Centennial International Exhibition Melbourne 1888, Stokes and Martin, 1888
The 1888 Centennial International Exhibition, celebrating a century of Australian settlement, surpassed even the grand scale of the1880 Melbourne International Exhibition. It attracted over two million people, but the Victorian government had to spend £250 000 on it, ten times the amount estimated. The exhibition had a distinctively imperial focus, and a greater emphasis on culture than in 1880, particularly on music and painting (1). (1. https://collections.museumsvictoria.com.au/items/273830) S.D. Gadd was appointed Curator of Parks and Gardens in 1874 an lived in residence in Rosalind Park. He resigned in 1905 and moved to Melbourne where he died in 1917. Mr Gadd was a prominent member of the Masonic Lodge. It is not clear why he was awarded this medal.The bronze medal of the Centennial International Exhibition awarded to S.G. Gadd. Obverse - Portrait: bust of Queen Victoria in left profile wearing a crown, veil and 3 medals. Reverse - Field: Victor's wreath consisting of leaves and acorns of British oak and the leaves and acorns of the wattle. The oak and wattle were tied together 'by a true-lover's knot, 'symbolizing the unity and affection between the mother country and the colony'. Southern Cross inside surrounded by a legend. (https://collections.museumsvictoria.com.au/items/273822) Obverse - Motto: Centennial International Exhibition Melbourne Reverse - Legend: (Latin) Artibus Dignis Honor Insignis (To the deserving arts, distinguished honor) (Mint) left: Melbourne Mint. (Date) Lower Centre: MDCCCLXXXVIII. (Engraver) Right: Stokes & Martin S.C. Edge - Plain, impressed with S.G. Gadd ESQ.centennial international exhibition melbourne 1888, s.g. gadd, rosalind park, city of greater bendigo medals -
Melbourne Legacy
Photograph - Photo, 1990
Photograph of Legatee Bob Cowper and another man by displays of paintings of aircraft. It was the launch of Legacy Week in 1990 which included an exhibition of Aviation Art at Legacy House. Paintings were by Frank Harding of Renmark, South Australia. The photo was used for a newspaper article published on 23 August 1990, mentions that Frank Harding had painted over 50 paintings of aircraft flown by Australians and published a book of the images. It was called 'They flew for the King'. Each painting had been extensively researched to capture a specific moment in the World War 2 combat career of various pilots, flight officers or bomb-aimers. His aim was to honour the fine efforts of these great individuals. Unfortunately the artist died a few weeks after the exhibition and launch of his book. Photos are at 01523, the article at 01522, also see media release at 01521. Date is assumed to be 22 August 1990 from the reference number on the back 900822.An example of an art exhibition being held at Legacy House to promote Legacy during Legacy week in 1990.Black and white photo of Legatee Bob Cowper at the aviation exhibition. Stamped on back Copyright Herald and Weekly Times in green ink. Handwritten "900822 / 261" in blue ink, "Pic 7" in black ink.legacy promotion, legacy week, painting -
Surrey Hills Historical Society Collection
Book, Care of Collections, 1994
This book deals with the care of collections including curating a collection, cleaning, storage and exhibition, handling works and emergency treatments.This book deals with the care of collections including curating a collection, cleaning, storage and exhibition, handling works and emergency treatments.museum conservation methods, museum techniques, (mr) simon j knell -
Bendigo Historical Society Inc.
Memorabilia - Bendigo Exhibition Glass
The Victorian Gold Jubilee Exhibition, held at Bendigo from 13 November 1901 to 14 May 1902. The courts were numbered from one, or had titles like “Machinery”, “Agricultural”, “Naval & Military Court” and “Art”. The female visitors to the Exhibition were able to view exhibits deemed suitable for the fairer sex and located within their own “Women’s Court”. There were exhibits such as “Parasols & Umbrellas”, cotton and haberdashery from Manchester and Staffordshire, “Corsets & Embroideries” from Paris. The most valuable exhibits were mining machinery such as Taylor Horsfield’s £850 “Air Compressor & Rock Borer”. “Bohemian Glassware” brought down from Sydney was valued at £600. The profits from this Exhibition were used to fund the sculpture known as the Gold Monument, which still gazes along Pall Mall (from the McCrae Street end). The Exhibition’s Cash Book shows payments, which totalled £1160, were made to then up and coming sculptor C.D.Richardson. Recently a City of Greater Bendigo staff member used both these volumes to write a detailed report about this monument, for Heritage Victoria.Etched drinking glass. Bendigo Exhibition 1902 - Mother - Etched on front - Fern frond etched on back.Mother 1902, etched glass, bendigo exhibition 1902 -
Peterborough History Group
Book, Art gallery of Ballarat, The Inimitable Mr Meek, 2015
Mr Meek was the first person to build a house in Peterborough prior to 1858. Born in England in 1815 and came to Australia in 1838. this catalogue showcases his artistic skill. The art exhibition was curated by Joan Luxemburg as part of her PHD.Mr Meek is credited with building the first house in Peterborough. He was an artist and had a varied and interesting life and this book mentions the dates he was in Peterborough (Curdies Inlet, as it was then known) and his activities in Peterborough. 85 page soft cover catalogue of an exhibition held at the Art Gallery of Ballarat in 2015mr james mckain archibald john meek, calligraphy, calligraphic works, graphic arts, joan luxemburg, peterborough, curdies inlet -
Clunes Museum
CATALOGUE, 1989
ART EXHIBITION WAS HELD IN CLUNES COURT HOUSE BUILDING AND PRESENTED BY WM BARKELL MEMORIAL ARTS & HISTORIC CENTRE INC. OFFICIAL OPENING BY CR. W. COOK, SHIRE PRESIDENT, SHIRE OF TALBOT & CLUNES - NOVEMBER 2ND 1989CATALOGUE FOR AN ART EXHIBITION HELD DURING 150 YEARS CELEBRATION & BACK TO CLUNES 1989local history, document, catalogues, events and celebrations, back to clunes, art exhibition -
Tatura Irrigation & Wartime Camps Museum
Booklet, The Dunera Experience
Booklet printed for the Jewish Museum of Australia exhibition. Contains lists of items displayed, information on the camps in Hay, Orange, Tatura and the Dunera Boys.The booklet has a white cover with a blue design of an exhibition of various camp items in glass cases with people looking at the items. Title of booklet "The Dunera Experience an exhibition at the Jewish Museum of Australia 3 September 1990 - February 1991" and "Sponsored by the Victorian Ministry for the Arts" is in blue print. Back cover has signatures of various Dunera men with the date 1976 in top left corner.jewish museum of australia, hay internment camp, orange internment camp, tatura internment camp, dunera boys, internment in australia -
National Wool Museum
Knitting, Cape, Minerva's Robe
The Aquarian Esoteric Group Melbourne made the robe as an entry in the 'In the Tracks of Hercules' exhibition in London December 2005. See attached notes.Front cover of the exhibition catalogue for "In the Tracks of Hercules" Entry for 'Minerva's Robe' in exhibition catalogue "In the Tracks of Hercules" Promo card for exhibition "In the Tracks of Hercules" First page of "Triangles Bulletin" which contains an article about the exhibition "In the Tracks of Hercules". Concept sketch of the front of 'Minerva's Robe' Concept sketch for back of 'Minerva's Robe' Minerva's Robe Back of Minerva's Robe Detail of Minerva's Robe Detail of Minerva's Robe Comments on making the robe by the group Poem "Minerva's Robe" by Helen Baxter Articles offered form for 'Minerva's Robe' The history of 'Minerva's Robe' Document "In the Tracks of Hercules 'Minerva's Robe' The Journey" 'The Process of Creating "Minerva's Robe"'knitting handicrafts textile art, aquarian esoteric group, costume, heywood, mrs anne, knitting, handicrafts, textile art -
Wangaratta RSL Sub Branch
Framed photograph, Wangaratta Picture Framers
Image of RAAF Radio & Radar Trainee Mechanics taken at the Exhibition Building, Melbourne in 1941-42. In 1940, in the months after the outbreak of WWII, the Exhibition Buildings complex was requisitioned by the Royal Australian Air Force and used as a barracks and training facility. By 1942 more than 2000 men of the RAAF had been stationed there, alongside members of the Women’s Auxiliary Australian Air Force.Brown timber frame and cream coloured mount containing photograph of large group of airmen Plaque -RAAF Radio & Radar Trainee Mechanics 1941-42 at Exhibition Building Melbourneraaf, radio & radar, exhibition building, melbourne, ww2 -
Clunes Museum
Card
A THANK YOU CARD WITH ROSES ON THE FRONT THE CARD WAS SENT FROM KAROLINA TO MERLE ALEXANDER ,( FORMER TEAM LEADER OF THE WAREHOUSE CLUNES) AT THE COMPLETION OF KAROLINA'S ART EXHIBITION AT THE WAREHOUSEDEAR MERLE AND STAFF, ON COMPLETION OF MY EXHIBITION "PANORAMA, PETALS & PLACES" I WOULD LIKE TO EXTEND MY THANKS AND GRATITUDE TO ALL WHO SUPPORTED MY VENTURE. WARMEST REGARDS KAROLINAkarolina, merle alexander