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Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Ixodia archilleoides (Ixodia). Myriocephalus stuartii (Poached-eggs Daisy), 1984
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Framed drawing of cuttings and details of two plants, one with tall green stem with long leaves and a group of white and yellow-brown (daisy-like) flowers at top of stem, and one with narrow furry green stem and leaves with a single white and yellow flower at top of stem. Seven drawings include two cuttings and five flower details. Mounted in a double matt (grey on apricot) under glass in a gold and brown frame.Front: CEW/84 (signature, lower left in image, next to stem) (green pencil) Ixodia archilleoides (Ixodia) Myriocephalus stuartii (Poached-eggs Daisy) (lower left) (pencil) Back: 15 (upper left) (pen)cema, botanical, collin woolcock, woolcock collection, botanical drawings -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Astroloma pinifolium (Pine Heath), 1972
Part of "Woolcock Gallery Collection" exhibition 1989, CEMA.Drawing of cuttings and flower and foliage details of plant with brown stem, narrow green leaves and green and yellow flowers. Eight drawings including one cutting with green foliage and four flowers, two flower details (one side view and one above view) two long leaf details, two details of buds and one detail of a stem with five leaves. The work is mounted on apricot and white matts. Framed in gold and grey-green frame with glass glazing.Front: CEW/72 (green pencil, below stem) Pine Heath (lower left) 45 (lower right, erased) Back: 4 (upper left)collin woolcock, woolcock, woolcock collection, botanical drawings, botanical -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Helichrysum obtusifolium (Blunt Everlasting). Helichrysum dealbatum (Silver Everlasting), 1984
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Framed drawing of two plant cuttings. Two drawings include one cutting of grey-green multiple stems with green leaves and white and yellow flowers and one single stem cutting with green leaves (grey-green underside) and a large white, yellow and orange flower. Mounted in a double matt (grey on apricot) in a gold painted wooded glazed frame.Front: Helichrysum obtusifolium (Blunt Everlasting) Helichrysum dealbatum (Silver " " ) (lower left) (pencil) CEW 84 (signature, left left in image) (green pencil) Back: 14 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Senecio Magnificus (Tall Yellow-Top / Showy Groundsel). Senecia Lautus (Variable Groundsel), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Two flowering stems. View on left depicts long stem with many large serrated leaves (blue-green) with some showing darker edges of a purple tinge. Top of stem has yellow flowers coming from long slim stems. Flowers have 8 long yellow petals each and yellow centres. View on left has fine pale green leaves (fern-like). At top of stem are floral stems, ending in buds and full flowers. Flowers are yellow, with 13 petals and darker yellow centres. Mounted in a double matt (white on faun), framed under glass in gold and green frame.Front: L. Senecio magnificus (Tall yellow-top). R. Senecio lautus (Variable Groundsel) (lower left) (pencil). CE Woolcock (lower right, signature) (pencil) CEW (lower left in image) (purple pencil). Back: 24 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Monotoca Scoparia (Prickly Broom-Heath), 1982
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawings of stem, leaf and flower details. At left is stem with small, long dark green leaves with small white flowers. At top centre is detail of a white flower from a top view and to right is flower view from bottom view. Below this (l-r), t-b) are: side flower view, leaf top view, stem detail with leaves and buds, bottom leaf view. At bottom left is detail of two buds. Mounted in double matt (white on sage), frammed under glass in gold detailed wooden frame.Front: Monotoca scoparia (lower left) (pencil). CEW/82 (centre left in image) (brown pencil). Back: 1 (upper left) (pen)collin woolcock, woolcock, woolcock collection, botanical drawings -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Leucopogon woodsii (Nodding Beard-heath), 1982
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cutting and flower head of plant with brown stem, green foliage and long white flowers. Seven drawings include two branches with foliage and flowers, two flower details and three details of buds or seed pods. The work is on white paper, mounted in a double matt (grey on maroon), unframed.Front: CEW/82 (signature, lower left in image, next to stem) (maroon pencil) Nodding Beard-heath - Leucopogon woodsii (lower centre) (pencil) Back: 25 (upper left) (pen) Nodding Beard-Heath $80 (Leucopogon woodsii) CE Woolcockcema, botanical, collin woolcock -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Melichrus urceolatus (Urn Heath), 1982
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Framed drawing of cutting, flower and leaf details of plant with brown stem, pointy green leaves and white bud flowers. Six drawings include one cutting, two flower details and three leaf details. The work is mounted in a double matt (off-white on sage green) under glass in a gold and green-grey frame.Front: CEW/82 (signature, lower left in image, next to stem) (brown pencil) Melichrus urceolatus Urn Heath (lower right) (pencil) Back: 6 (upper left) (pen)cema, botanical, collin woolcock -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Helichrysum paralium (Coast Everlasting). Helichrysum secundiflorum (Cascade Everlasting). Helichrysum thyrsoideum (Sticky Everlasting), n.d
Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of cuttings of a plants with different views and details. Two larger views depict stems with flowers and leaves. These are at the top and the bottom of the image, with the lower stem showing more base of the florettes. Six different views of leaves, three floew details and a smaller stem study accompany the larger studies. The work is mounted in a double matt (off-white on grey) and framed under glass in a wooden frame with silver-paint.Front: Hel. secundiflorum (Cascade Everlasting) " paralium (Coast " ) ~ " thyrsoideum (Sticky " ) (lower left) (pencil) Back: 29 (upper left) (pen)cema, botanical, collin woolcock -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Lyperanthus nigricans (Red Beak Orchid), 1972
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Two views of orchids. Large green leaf at base from which a long stem rises with leaves unfurling along its length. View on left depicts two red and white flowers unfurling; plant on right depicts three flowers. Mounted in double matt (grey on burgundy), framed under glass in wooden frame with gold detailing.Front: CEW/72 (lower left) (red pencil) Back: 77 (upper left) (pen) Lyperanthus nigricans 'Red Beak orchid' (sticky label and pen, top left)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Brachycome radicans (Marsh Daisy)/Brachycome scapigera (Tufted Daisy)/Brachycome diversifolia (Tall Daisy)/Brachycome tenuiscapa (var. tenuiscapa) (Mountain Daisy), 1985
Part of "Woolcock Gallery Collection" Exhibition, 1989, CEMA.Four studies of flowers, complete from base to flower. On far left is a single stem flower with many petals and a large centre. The base has many long tapered leaves, with the stem possessing smaller leaves. On left of this study is a study of a seed. To the right of this is another flower - similar to the first flower, but with stronger base leaves and one leaf on stem. Central flower study has three stems with leaves and flowers (central flower is a bud). Leaves are ripple-edged. On far right is a fourth flower study - single-stemmed flower with ripple-edged leaves at base and up the stalk.Front: Brachycome radicans (Marsh Daisy). " scapigera (Tufted Daisy). " diversifolia (Tall Daisy). " tenuiscapa (var. tenuiscapa) Mountain Daisy) (lower left) (pencil). CEW/85 (pen) (lower centre) Back: 25cema, botanical, collin woolcock -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Swainsona phacoides (Dwarf Swainson Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem view and details of a flowering plant in colour pencil. On left a stem view depicts stem with two off shoot branches of leaves and pea flowers on a long stem. The leaves are dark green, flat, long and gradually tapered with paler central vein. Flowers are purple with white partially blended striations. On right (t-b): front view of pea flower; side view with partial stem; rear view with sepals; leaf views with rear, front and side depicted in detail; side view of whithered flower. Numbered in pencil and typed letters on white paper affixed to surface of image. Mounted in double matt (pale grey on mauve), framed under glass in wooden gold and green frame.Front: Swainson phacoides (Dwarf Swainson Pea) (lower left) (pencil). CEW (lower centre in image) (maroon pencil). Back: 71 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Daviesia Latifolia (Hop Bitter-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawing of stem and flower detaisl. At far left is back view detail of an orange flower with paler, yellow edges to petals. At centre is a stem detail, depicting a long stem with a large leaf and flowering stem partnered and situated at staggered intervals up the central stem. Flowers are yellow with red centres. On right are three details of a flower (t-b): top view of flower; side view of flower; and side view of emergent bud. Mounted in double matt (white on faun), framed under glass in wooden frame with gold details.Front: Daviesia latifolia (lower left) (pencil). CEW (lower left in image, signature) (maroon pencil). Back: 19 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Lotus australis (Australian trefoil), n.d
Par of "Woolcock Gallery Collection". Exhibited CEMA 1989.Full stem study on left, details of flowers on right. Stem on left is pale green and brown with small hairs. From central stem are four side stems ending with leaves and flowers. Leaves depart stems in clusters of five, have rounded ends and have fine hairs. One stem depicts seek pods and withered petals. On lower right are two flower views (top & side) - the petals are pale pink with dark pink edges and veins. Sepals are green and brown and have small hairs. Printed numbers on paper are glued to the surface of the image, with the same numbers also written in pencil. Mounted in a double matt (off-white on pink) in a gold painted wooden glazed frame.Front: Lotus australis (lower left) (pencil) CEW (signature, lower left in image) (purple pencil) Back: 63 (upper left) (pen)collin woolcock, woolcock collection, botanical drawings, botanical -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Burtonia scabra (Painted Lady), n.d
Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Studies of stem and details of a plant. On left is a study of a stem with short, narrow leaves (in clusters of 2 or 3) and pink flowers, with large pale pink petals and a darker centre. On the right are detailed studies with typed letters affixed to the paper surface. "b1" is a front view of a flower. "b2" is a side view of a flower. "c" is a leaf and stalk detail. "d" is a seed detail. "b3" is a back of flower view. On far right are erased letters in pencil, and one also on the left next to a typed "a". Mounted in a double matt (pale grey on mauve) in glazed timber frame with gold paint.Front: Burtonia scabra (lower right) (pencil) CEW (signature, lower left of image) (mauve pencil) Back: (no inscriptions)cema, botanical, collin woolcock, botanical drawings, woolcock, woolcock collection -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Daviesia Brevifolia (Leafless Bitter-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem and detailed views of flowering plant in coloured pencil. On left is a stem view with small pink pea flowers and no leaves. On right (t-b): flower buds; side view of stem with flowers; front view of flower; rear view of flower with sepals. Each view is numbered in pencil and with typed numbers and letters on white paper affixed to surface of paper. Mounted in double matt (white on apricot), framed under glass in gold wooden frame.Front: CEW (signature, lower left in image) (maroon pencil). Daviesia brevifolia (lower right) (pencil). Back: 20 (top left) (pen)cema, botanical, collin woolcock, botanical drawings, woolcock collection -
Nillumbik Shire Council
Painting: David ARMFIELD (b.1923 Melb AUS - d. 2010 Melb AUS), David Armfield, Panton Hill, c.1980
David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Oil on canvas painting depicting a Panton Hill bush scape.Signed: D. Armfield in lower right hand corner. Not dated.david armfield, eltham art prize, panton hill -
Nillumbik Shire Council
Painting: David ARMFIELD (b.1923 Melb AUS - d. 2010 Melb AUS), David Armfield, Untitled (Beach), c. 1975
David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.'Untitled' by David Armfield an oil on canvas painting depicts sand, sea, distant mountains and various figures scattered about in a typical Armfield landscape. The figures tend to be annonymous, sometimes included more to establish the scale than for a narrative purpose. The figures are well clothed and it could be assumed that it is not a hot summer's day. Depth is established by changing of colours and diminishing the size of the figures.david armfield, beach, eltham, nillumbik shire council -
Nillumbik Shire Council
Painting: David ARMFIELD (b.1923 Melb AUS - d. 2010 Melb AUS), David Armfield, Eltham 1965, 195
David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires. Painting: oil on canvas. Depicting the desolate aftermath of a bushfire in Eltham. Trees are bare and burnt, foreground is sparse, whilst background is fiery red.david armfield, eltham, bushfire -
Nillumbik Shire Council
Ceramic (plate): Joan Armfield & David Armfield, David Armfield, Platter with dolomite glaze and Grevillia decoration, c.1975
David Armfield: David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1930s on painting trips and used to camp on the banks of Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Ceramic stoneware. Reduction fired, dolomite glaze, wax resist decoration over iron. Decorated/painted by David Armfield. Cast by Joan Armfield. -
Federation University Historical Collection
Book - Report, Camp Street Precinct Ballarat Conservation Management Plan, November 1999
This report was prepared for the City of Ballarat to assist in the process of planning for the future management and development of the Camp Street precinct.214 page report with spiral binding and a cover featuring a black and white image of the Ballarat Post Office, Ballarat Free Library and Ballarat State Offices. The report includes information on buildings in the Camp Street precinct including Art Gallery of Ballarat, old Colonists' Hall, former Police Court, former Police Station, Former Police Barracks, Government Camp (1852-1864), etcballarat fine art gallery, art gallery of ballarat, ballarat old colonists hall, ballarat former library, ballarat old court house, old ballarat police station, former ballarat post office, ballarat market reserve, ballarat benevolent reserve, bones building, old colonists hall, former ballarat call room, former ballarat police court, archaeology, aledandria tea room, former lister and angel warehouse, pratts warehouse, cms, conservation management plan, old colonists' hall, old colonists' association -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: A SNIPPET OF BENDIGO HISTORY
Bendigo Weekly article by Edith Lunn ''A snippet of Bendigo history'', the View Street story, continued. In this article Edith details the history of the Trades Hall building erected in 1858 as a Court of Petty Sessions and of the Bendigo Art Gallery Building. Also mentioned are the only two commercial enterprises on that side of View street: Swallow & Ariell's wholesale biscuit depot and McKenzie's wholesale grocers. The clip is in a folder.newspaper, bendigo, bendigo weekly -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: AS IT WAS, AND AS IT WILL BE
Newspaper article from Friday, September 11, 1998. '' As it was, and as it will be.'' After having been hidden for almost forty years, the original Bendigo Art Gallery building has been reclaimed. A victim of the modernisation of the 1960's the building has been covered by a cream brick structure until last week. Four photos accompanied the article showing the before and after. The clip is in a plastic folder.newspaper, bendigo -
Bendigo Historical Society Inc.
Photograph - SCENES OF BENDIGO - PHOTOCOPIES, Various
Photocopies. 12 x A4 size photocopies of scenes of early Bendigo. Includes, Randell's Café, Queen Victoria statue Rosalind Park, Francis Bros Beehive Stores, Colonial Bank of Australasia, Favalaro's Pall Mall, Gold Office (Wm Harris) Finlay & Co., R O Henderson, Alexandra Fountain, Art Gallery, Scenes of Charing Cross, Original Post OfficeVariousphotograph, buildings, randell's café, queen victoria statue, francis bros, colonial bank, favaloro, charing cross, r o henderson, alexandra fountain, jackson's gold office, original post office. -
Bendigo Historical Society Inc.
Photograph - MCCOLL, RANKIN AND STANISTREET COLLECTION: JAMES HIERS MCCOLL - FRAMED PHOTO
Photograph; Framed photo of James McColl - wooden frame with wire hanger, and glass. Written on back: James Hiers McColl, b. 31/01/1844, South Shields. D. 20/02/1929 Burwood. Son of Hugh McColl & Jane Hiers. From D. G. Coope & Son, Est. 1871, Picture Frame Manufacturers, The Fine Art Gallery, Mitchell Street Bendigo.MCCOLL RANKIN & STANISTREETperson, individual, james hiers mccoll, mccoll rankin & stanistreet -
Bendigo Historical Society Inc.
Document - PICTURE THEATRE EQUIPMENT
Photocopy images of foreign picture theatre equipment 16 inch transcription disc on a turntable fixed to a projector, open air cinema screen middle of picture behind Art gallery & Capital theatre, Golden Drive in carbon arc lamp, carbon arc lamp, sound on disc 16 inch record. UK. Thomas Edison's Kinetoscope 1894, hand cranked Pathe projector (Paris).audio-visual technology, audio-visual appliances, picture theatre -
Bendigo Historical Society Inc.
Photograph - RED RIBBON COLLECTION: PHOTOGRAPHS RED RIBBON AGITATION RE-ENACTMENT
Sixteen colour photographs of Red Ribbon Re-enactment performed by members of the Bendigo Historical Society and students from Bendigo schools. Re-enactment started in Rosalind Park, near plaque commemorating the movement and proceeded through the Park to a point outside the Bendigo Art Gallery. Photos show various stages of the re-enactment and participants including Jim Evans, Norm Harris, Phyllis Harris.bendigo, history, red ribbon agitation -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, The Rose Series, 1945c
Postcard, one of a series from 'The Rose Series De Lux'Black and white postcard of the Club Hotel. Shown are seven hard top sedan cars and two soft top cars. Ardath cigarette advertisements in upper windows of right hand section of the complex. Building is weatherboard, hipped roof corrugated iron, three chimneys. Roof of viewing gallery at rear of main building. Picket fence and hedge in front of left section. Lakes Entrance Victoriahotels, architecture, transport -
Melbourne Tram Museum
Photograph - Colour Print, c1985
Colour print of SW5 818 at the East Malvern Darling Road Terminus, c1985, with destination of City and showing route 3. VicSig.net (accessed 8-11-15) notes that the tram, built as a W5 was converted to a sliding door car in Oct. 1984. In the background is a Butcher shop and Windeyer Art Gallery. Advert on side of tram is an expired parking meter - something you don't see on The Met.trams, tramways, east malvern, darling rd, sw5 class, route 3, tram 818 -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Jim Connor, 21 Brougham Street, Eltham, 18 March 2012
This building at 21 Brougham Street, Eltham, known previously as The Light Factory, now Second Home restaurant, was designed by Alistair Knox and is one of the few commercial buildings he designed. It was a combined residential (rear) and factory (front) development. The Light Factory Gallery; OnlyMelbourne "The Light Factory Gallery was built in 1973 and is a classic example of his design. Exposed soaring six metre Oregon beams, handmade bricks, clerestory windows flood the building with natural daylight giving treetop views of the eucalypts that he designed the building around." The Light Factory Gallery. (2024, March 31). Retrieved from https://www.onlymelbourne.com.au/the-light-factory-galleryjim connor collection, brougham steet, eltham, alistair knox design, industries, restaurants, second home, the light factory gallery -
Ballarat Heritage Services
Ceramic - Artwork - Ceramics, Pottery Vase by Mark Reid
Mark REID Mark Reid began working with clay in the early 1980s, working for a time at Kairi Pottery in North Queensland. In 1985, he and his wife Robyn set up the Torvil Pottery at Buninyong, Victoria. In 1991, they relocated to a 10 acre property in nearby Magpie and set up the Ballarat Clayfire Gallery with a working studio, gallery and residence. In 2005, the Clayfire Gallery was located to Daylesford. Reid signs his work with an incised 'Mark Reid' or 'MR'. Photograph of a hand thrown ceramic vase. australian landscape pottery, gilbert buchanan, graham wood, landscape, redbyrne pottery, ceramics, shepparton, torvil pottery, ballarat clayfire gallery