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Greensborough Historical Society
School Magazines, Comet 1970-1973, 1970-1973
The "Comet" was issued by the Education Department of Victoria as a learning aid. Each edition includes stories, illustrations, puzzles and games. This set is incomplete, containing Sept 1970, May, July, August and September 1972 and a complete set February to November for 1973.An example of educational material from the 1970s. School newspapers or magazines have been published since early 20th century.A collection of magazines in green card folder specific to holding one year of magazines. Hand drawn illustrations. Incomplete set.Name of owner on folder.comet, education department of victoria, school magazines -
Flagstaff Hill Maritime Museum and Village
Painting
Painting watercolour of the "PS Gem" Port Melbourneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, painting, watercolour of the ps gem, watercolour, ps gem -
Tatura Irrigation & Wartime Camps Museum
Painting - Water Colour, Be Colechin (nee Bainbridge), Furphy's Foundry
The artist Be Colechin was born in Tatura. Not limited to just painting, Be is also a writer, music composer, playwright and has worked and acted in various reportory companies for 15 years.Timber framed watercolour painting of Furphy's Foundrybe colechin, painting, furphy's foundry, furphy and sons -
Tatura Irrigation & Wartime Camps Museum
Painting - Watercolour, Georg Rosenkranz, 1941/2
... illustrations ...Artist Georg Rosenkranz, crewman aboard the HSK Kormoran, painted this while at Graytown Prisoner of War Camp.Stylised watercolour portrait of soldier in cap, side on.graytown pow camp, georg rosenkranz, illustrations, watercolour -
Tatura Irrigation & Wartime Camps Museum
Sketch - Watercolour, Georg Rosenkranz, 1941/2
... illustrations ...Artist Georg Rosenkranz, crewman aboard the HSK Kormoran, painted this while at Graytown Prisoner of War Camp.Watercolour painting of a guardsman of Graytown with golf clubA guardsman of Graytown we called him "Heile Selassie" because he looked like a Scheich.graytown pow camp, georg rosenkranz, illustrations, watercolour -
Tatura Irrigation & Wartime Camps Museum
Sketch - Watercolour, Georg Rosenkranz, Graf von Hardenberg, 1941/2
... illustrations ...Artist Georg Rosenkranz, crewman aboard the HSK Kormoran, painted this while at Graytown Prisoner of War Camp.Watercolour sketch of man in brown/red trousersGraf von Hardenberggraytown pow camp, georg rosenkranz, illustrations, watercolour, graf von hardenberg -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Georg Rosenkranz, The Camp Commandant of Graytown, 1941/2
... illustrations ...Artist Georg Rosenkranz, crewman aboard the HSK Kormoran, painted this while at Graytown POW CampStylised watercolour painting of Graytown Camp leadergraytown pow camp, georg rosenkranz, hsk kormoran, illustrations, watercolour -
Slovenian Association Melbourne
Painting, M. Bole: Tomaj Monastery 1925, 1925
A watercolour painting of the Monastery in Tomaj, now SloveniaMarcela Gec, 1925 -
Ballarat Heritage Services
Painting - Artwork - Painting, [Coastal Scene] by Arthur Lindsay, 1948
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Framed watercolour of a Coastal Scene by Arthur Lindsay.arthur lindsay, watercolour, painting, townscape -
Ballarat Heritage Services
Painting - Artwork - Painting, Hong Kong Faimhouse by Arthur Lindsay, c1950
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Framed watercolour of a number of builidings, and a person in the foreground.arthur lindsay, watercolour, painting, townscape -
Brimbank City Council Art Collection
Watercolour painting - Indigenous Plants of the Basalt Plains. Part of series of 14 commissioned paintings, Helene Wild, Sticky Boobialla (Myoporum Viscosum), 1993
Local WildflowersSticky Boobialla. Watercolour, 42 x 29cmDetails of the plant on the back of the painting -
Brimbank City Council Art Collection
Painting, Summer Keilor, 1989
Local Scene, Market Garden landscapeSummer Keilor. Watercolour, 39 x 48cm -
Brimbank City Council Art Collection
Painting, Margaret Cowling, Keilor Pioneer, circa 1995
Local scene, Keilor, Margaret, cowling, watercolourKeilor Pioneer. Watercolour, 35 x 54cm -
Federation University Art Collection
Watercolour, Neville Bunning, '[The Beach]' by Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour depicting a coastal beach scene.art, artwork, neville bunning, beach, coast, seascape -
Federation University Art Collection
Watercolour, 'Mamm's Merimbula' by David Alexander, 1987, 1987
Framed watercolour of a boat shed at Merimbula beach.art, artist, david alexander, merimbula, available, boathouse -
Federation University Art Collection
Painting - Watercolour, Sketches' by Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A number of unframed watercolour drawings by Neville Bunningart, artwork, neville bunning, unframed, streetscape, life drawing, birds -
Federation University Art Collection
Artwork - Painting, David Alexander, [Landscape] by David Alexander
David ALEXANDER Small framed watercolour depicting an Australian landscape.nonedavid alexander, landscape, available -
Pyrenees Shire Council
painting, Maude Glover Fleay, Wind Damage by Maude Glover Fleay, 1932
A painter who studied under Frederick McCubbin, Glover-Fleay was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Her works are included in the Art Gallery of Ballarat Collection, Victoriasignificant as a work of art by modernist era woman artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture watercolour painting of a landscape scene with large treeSigned: Glover-Fleay 32 Verso: Wind damage WIND DAMAGE Winchelsea Kildean -
Pyrenees Shire Council
painting, The Crows Nest, Warapingo Beaufort by Maude Glover Fleay, 1930
Maude Glover-Fleay studied under Frederick McCubbin, Glover was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupialssignificant as a work of art by a modern era woman artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture watercolour painting of a landscape with large tree at centresigned: Glover Fleay 30 (lower right) -
Federation University Art Collection
Painting - Watercolour, Mitchell, John, [Scottish Scene] by John Mitchell
John MITCHELL (1837 - 14 July 1926) Born Woodside, Donside, Scotland John Mitchell attended evening classes under James Giles in Aberdeen, and was also taught by his uncle the Peterhead artist John Mitchell. After an apprenticeship at a local lithographic company (Keith and Gibb) John Mitchell went to London to study at the Slade under Legros. Returning to Aberdeen he painted many scenes around the city and Aberdeenshire, including Balmoral, under the patronage of Queen Victoria. John Mitchell gave lessons in painting to the Royal Family. His landscapes are highly coloured with dominant blues and purples in the hills and with vivid greens and yellows in the foreground, subtly fused and never garish. He lithographed sketches for John Stewart's 'The Sculptured Stones of Scotland', 2 vols 1856-57, illustrated 'Under Lochnagar' 1894. His landscapes of Aberdeenshire are highly prized especially in the area in which he lived. His painting in the Mearns is regarded by some as his best work. In 1875 he painted an interior of Culter Castle and its Chapel which was subsequently purchased by the owner and in 1883 showed a portrait of his mother. Lived latterly at 10 Gladstone Place, Queen's Cross, Aberdeen. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour of a Scottish Scene by John Mitchellart, artwork, john mitchell, mitchell, scotland, scottish, art, artwork, john mitchell, mitchell, scotland, scottish -
Vision Australia
Drawing - Artwork, Sydney Industrial Blind Institution, 1944
Side view of a double-storey, sandstone builidng with lawn, most likely the original building designed by Edmund Blacket for the Sydney Industrial Blind Institution in Boomerang Street. The artist has signed and dated the right-hand corner and has written 'Deaf and Dumb'.Watercolour and goucache over pencil in gold frameM Jonesm jones, sydney industrial blind institution -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Photocopy of Painting, Arandora Star
Arandora Star was used to transport internees from England to Canada and was sunk by a German U Boat off the coast of Ireland in 1940. Donated by Marco Gazzi who was an Italian survivor and later on the DuneraFramed photocopy of watercolour painting of Arandora Star.arandora star, internees transport ship, dunera, marco gazzi -
Lakes Entrance Historical Society
Print - Watercolour print, 'Oakshade' Lakes Entrance Victoria
Oakshades was Hancock home on Esplande Lakes EntranceWatercolour print of 'Oakshade' Lakes Entrance Victoriahousing -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white and sepia prints, Information Branch Victorian Department of Agriculture, Mowing Burnley Gardens, 1891-1893
Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 32.Sepia copy of illustration in, "Prize Essays," by A.E. Bennett, published 1894, following p 112. 2 men using hand lawnmowers on the Oak Lawn, one of which is being pulled by 2 boys with rope.On reverse, "Photograph by Information Branch Victorian Department of Agriculture Ref. No. 1981 (889-7)."a.e. bennett, green grows our garden, a.p. winzenried, students working outside, prize essays, mowing, oak lawn, publicity -
Benalla Art Gallery
Watercolour, Penleigh BOYD, Edge of the forest, 1919
Born: Westbury, Wiltshire, England 1890; Arrived: Melbourne, Victoria, Australia 1893; Died: Warragul, Victoria, Australia 1923InterwarGift of Wooleen Pty Ltd.,1980Misty forest landscape with large gum tree. Limed timber frame.Recto: Signed "Penleigh Boyd" in brown watercolour in l.r.c of composition; Not dated; Not titledwatercolour, tree, landscape -
Benalla Art Gallery
Watercolour, Arthur STREETON, The Imperial Institute, Kensington, London, c. 1900
Born: Mount Duneed, Victoria, Australia 1867; Lived and workd: England 1897-1919; Died: Olinda, Victoria, Australia 1943EdwardianGift of Mrs E.E. Ledger, 1982Sunny urban landscape with impressive building with large towers facing a street with figures and trees.Thin gold brushed timber frame.Recto: Signed "Arthur Streeton." in brown watercolour in l.l.c of composition; Not dated; Not titledwatercolour, building, sky, figures, trees, tower -
Benalla Art Gallery
Watercolour, Neville CAYLEY, Congress of the birds, 1910
Born: Yamba, New South Wales, Australia 1886; Died: Sydney, New South Wales, Australia 1950NationalismLedger Gift, 1985Clearing in a rural landscape with many different types of birds. There are palm trees and treed hills in the background. Stained timber frame.recto: Signed and dated "Neville.W.Cayley -10-" in black watercolour in l.r.c of composition; Not titledwatercolour, landscape, birds, magpie, cockatoo, kookaburra, blue wren, rosella, field, tree -
Benalla Art Gallery
Watercolour, William Blamire YOUNG, Japanese willow, Not dated
Born: Londesborough, Yorkshire, England 1862; Arrived: Sydney, New South Wales Australia 1885; Lived and worked: England 1893-1896; Died: Montrose, Victoria, Australia 1935VictorianLedger Gift, 1985Rural landscape with large weeping tree, fence, rolling hills, line of trees and sky. Grey rubbed from gold gesso timber frameRecto: Signed "BLAMIRE YOUNG-" in white watercolour in l.l.c of composition; Not dated; Not titledwatercolour, landscape, trees, fence -
Benalla Art Gallery
Watercolour, Nicholas CHEVALIER, Swiss scene, 1886
Born: St Petersurg, Russia 1828; Arrived: Melbourne, Victoria, Australia 1854; Lived and worked: Switzerland 1845-1848, Germany 1851-1854, Australia 1854-1865, New Zealand 1865-1866, England 1870-1902; Died: London, Middlesex, England 1902RomanticismGift of Mrs E.E. Ledger, 1985View from rustic house with two figures overlooking lake surrounded by mountains and trees. Grey brushed stained timber.Recto: Signed and dated "N.Chevalier. / 1886" in brown watercolour in l.l.c of composition; Not titledwatercolour, landscape, waterscape, building, trees, mountains, water, cabin, sunset -
Benalla Art Gallery
Watercolour, Ellis ROWAN, Springtime in the Dandenongs, Not dated
Born: Melbourne, Victoria, Australia 1848; Lived and worked: New Zealand 1866-1877, New Zealand, United Kingdom, United States 1892-1905; Papua New Guinea 1916 and 1918; Died: Macedon, Victoria, Australia 1922NationalismLedger Gift, 1987Dense bush landscape with pink flowers, yellow trees and tall gum trees. Gold brushed timber frame. Recto: Signed "Ellis Rowan" in brown watercolour in l.l.c of composition; Not dated; Not titledwatercolour, landscape, trees, shrubs, flowers, autumn