Showing 3598 items
matching melbourne events
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Koorie Heritage Trust
Journal - Serials, Aborigines Advancement League, Smoke Signals, 1970
Articles on current events of the period from an Aboriginal point of view. Land Ownership, Victoria-Aboriginals-Lake Tyers, Framlingham.Government-Victoria- Aboriginal Lands Act Bill-1970-Parliamentary Speeches.Aboriginal Reserves, Australia, 1970-statistics.Wattie Creek-Report. Vol. 9 No. 2.v. : ill. ; 26 cm. (description based on Vol. 1, no. 1 (Apr. 1960-)Articles on current events of the period from an Aboriginal point of view. Land Ownership, Victoria-Aboriginals-Lake Tyers, Framlingham.Government-Victoria- Aboriginal Lands Act Bill-1970-Parliamentary Speeches.Aboriginal Reserves, Australia, 1970-statistics.Wattie Creek-Report. Vol. 9 No. 2.aborigines advancement league (vic.) -- periodicals. | aboriginal australians -- victoria -- periodicals. aboriginal land rights - overview. -
Koorie Heritage Trust
Book, Barwick, Diane E, Rebellion at Coranderrk, 1998
A valuable resource to researchers. Covers a great area of people and events connected with Corranderrk.A valuable resource to researchers. Covers a great area of people and events connected with Corranderrk.coranderrk aboriginal station -- history. | aboriginal australians -- victoria -- coranderrk -- history. | coranderrk (vic.) -- history. -
Koorie Heritage Trust
Book, Boys, Robert Douglass, First years at Port Phillip : preceded by a summary of historical events from 1768, 1935
Foreword: This Chronology extends from the first permanent settlement of "Port Phillip" or "Australia Felix," at Portland Bay, by Edward Henty, until the beginning of the proceedings of the first Town Council of Melbourne. In order to provide the necessary historical perspective, the Chronology has been preceded by a Summary of Historical Events.Many matters are here noted for the first time, and, through the courtesy of the Trustees of the Public Library of Victoria, the compiler was allowed to publish in full the diary kept by Sir Richard Bourke during his visit to Port Phillip in March, 1837.In addition to the authorities quoted in the text, recourse has been had to the large collection of official documents in the Public Library of Victoria (including the collection of La Trobe papers), the Historical Records of Australia, and the books and pamphlets dealing with the first decade of this State.159 p., [4] leaves of plates : ill. ; index; 22 cm.Foreword: This Chronology extends from the first permanent settlement of "Port Phillip" or "Australia Felix," at Portland Bay, by Edward Henty, until the beginning of the proceedings of the first Town Council of Melbourne. In order to provide the necessary historical perspective, the Chronology has been preceded by a Summary of Historical Events.Many matters are here noted for the first time, and, through the courtesy of the Trustees of the Public Library of Victoria, the compiler was allowed to publish in full the diary kept by Sir Richard Bourke during his visit to Port Phillip in March, 1837.In addition to the authorities quoted in the text, recourse has been had to the large collection of official documents in the Public Library of Victoria (including the collection of La Trobe papers), the Historical Records of Australia, and the books and pamphlets dealing with the first decade of this State.victoria -- history -- 1834-1851. | victoria -- history -- to 1834. -
Koorie Heritage Trust
Booklet, Boys, Robert Douglass, Australian History : Summary of historical events from 1768
Contents:James Cook; Arthur Phillip; John Pascoe Fawkner; The Sydney Cove; George Bass; Tobias Furneaux; John Hunter; Matthew Flinders and George Bass; John Batman; James Grant; John Murray; Discovery of Port Phillip Bay; Proposed Settlement at Port Phillip; Matthew Flinders; Nicolas Baudin and Emmanuel Hamelin; Charles Robbins; Charles Grimes; The Settlement at Sullivan Bay, Sorrento; General Orders; Garrison Orders; Some Events at Sullivan Bay; Western Port; Edward Henty; Sealing; The Geordy; John Oxley; Hamilton Hume and William Hilton Hovell; The Settlement at Western Port; Port Fairy and Portland Bay; Charles Sturt; The Lively; Portland Bay and the Hentys;36 p. ; footnotes; 24 cm.Contents:James Cook; Arthur Phillip; John Pascoe Fawkner; The Sydney Cove; George Bass; Tobias Furneaux; John Hunter; Matthew Flinders and George Bass; John Batman; James Grant; John Murray; Discovery of Port Phillip Bay; Proposed Settlement at Port Phillip; Matthew Flinders; Nicolas Baudin and Emmanuel Hamelin; Charles Robbins; Charles Grimes; The Settlement at Sullivan Bay, Sorrento; General Orders; Garrison Orders; Some Events at Sullivan Bay; Western Port; Edward Henty; Sealing; The Geordy; John Oxley; Hamilton Hume and William Hilton Hovell; The Settlement at Western Port; Port Fairy and Portland Bay; Charles Sturt; The Lively; Portland Bay and the Hentys; australia-history-summary 1768-1834, australia-discovery and exploration-summary, port phillip-settlement p.17-35 -
Koorie Heritage Trust
Book, Bessant, Bob, Australian History: the Occupation of a Continent, 1978
This book has been written as an introduction to the history of Australia and attempts to place issues such as racism, nationalism, immigration, constitutional reform, economic developments, labour relations and social changes in the context of their times, in the hope that the [reader] will gain some appreciation of the interrelation of historical events.411 P.; facsimiles; index; 22 cm.This book has been written as an introduction to the history of Australia and attempts to place issues such as racism, nationalism, immigration, constitutional reform, economic developments, labour relations and social changes in the context of their times, in the hope that the [reader] will gain some appreciation of the interrelation of historical events.australia, to 1975. secondary school texts | australia -- history. -
Koorie Heritage Trust
Book, Bowden, Keith MacRae, Goldrush doctors at Ballaarat, 1977
An historical account of events and doctors during the goldrush era at Ballarat.xiii, 125 p. : ill. (part col.), map ; 1977An historical account of events and doctors during the goldrush era at Ballarat. doctors. victoria. ballarat. gold fields, 1850-1860. | physicians -- ballarat, victoria -- history. | gold mines and mining -- victoria -- ballarat. -
Koorie Heritage Trust
Book, Bride, Thomas Francis, Letters from Victorian pioneers : being a series of papers on the early occupation of the colony, the Aborigines, etc., addressed by Victorian pioneers to His Excellency Charles Joseph La Trobe, Esq., Lieutenant-Governor of the colony of Victoria, 1899
The letters record events which will recall to many persons still living old Vctorian memories, and will have a great value for the future historian of Victoria, as narrating the experiences of actual movers in the early scenes of our colonization, while they will also possess interest as incidental contributions to the biographies of the men who half a century ago beagan to encounter the hardships and perils which beset the pioneer in every part of this continent. These papers also contain interesting contributions to our knowldge of the aborigines-their languages, customs , and conflicts with the white men; and although some of the incdents narrated have found their way into print before, they are now for the first time given in their entirety to the public.xiii, 325 p. : figs., map. index; Barabool dialect list; names of the tribe, about 1841-43; ; 22 cThe letters record events which will recall to many persons still living old Vctorian memories, and will have a great value for the future historian of Victoria, as narrating the experiences of actual movers in the early scenes of our colonization, while they will also possess interest as incidental contributions to the biographies of the men who half a century ago beagan to encounter the hardships and perils which beset the pioneer in every part of this continent. These papers also contain interesting contributions to our knowldge of the aborigines-their languages, customs , and conflicts with the white men; and although some of the incdents narrated have found their way into print before, they are now for the first time given in their entirety to the public. frontier and pioneer life -- victoria. | victoria -- history -- 1834-1900 -- sources. -
National Wool Museum
Photograph, Girls Interhouse Sports Champions 1931, 1931
Photograph of Girls Interhouse Sports Champions in 1931. Between the 1920’s and 1950’s the YWCA, Blue Triangle and local committee of representatives organised an Inter House Athletics Day for Girls in Geelong and Melbourne. Local Geelong business, such as the surrounding woollen mills, business firms and church clubs would form teams of seven women to compete in a variety of sports such as bowls, basketball, hockey, cricket and soccer. Events such as these were organised to encourage women to participate in competitive sports and network with other women in the workforce.Framed photograph of the Girls Interhouse Sports Champions 1931.Back Row L-R: M. Paley, Kath Whelan, Olive Dodds, Fairbrother and Mabel Chapman Front Row L-R Kathy and Mooney Nhiel.textile mills sporting teams, sport, textile mills - sporting teams -
National Wool Museum
Photograph
Photo depicts the Federal Mills basketball team. Back: Gladys Rand, Mavis Anderson, Nellie Bawden, Lyla Dorling. Front: Jean Mawson, Eva Fagen, Jean Devlin. Mrs Alsop was a mill worker from early 1930s till early 1970s. She worked at Federal and Foster Mills in Geelong District and Yarra Falls, Melbourne. Between the 1920’s and 1950’s the YWCA, Blue Triangle and local committee of representatives organised an Inter House Athletics Day for Girls in Geelong and Melbourne. Local Geelong business, such as the surrounding woollen mills, business firms and church clubs would form teams of seven women to compete in a variety of sports such as bowls, basketball, hockey, cricket and soccer. Events such as these were organised to encourage women to participate in competitive sports and network with other women in the workforce.FEDERAL MILLS / FWMtextile mills sporting teams, textile mills staff, federal woollen mills ltd, sport, textile mills - sporting teams, textile mills - staff -
National Wool Museum
Photograph, c1943
Depicts seven members of an R.S.&S. Mill 'A' basketball team. Those pictured are: Dorothy Beckley, Ruth Ramsden, Violet Jones, Jean Clark, Jean Jones, Edie Ramsden, Pat Rogan.Between the 1920’s and 1950’s the YWCA, Blue Triangle and local committee of representatives organised an Inter House Athletics Day for Girls in Geelong and Melbourne. Local Geelong business, such as the surrounding woollen mills, business firms and church clubs would form teams of seven women to compete in a variety of sports such as bowls, basketball, hockey, cricket and soccer. Events such as these were organised to encourage women to participate in competitive sports and network with other women in the workforce.Depicts seven members of an R.S.&S. Mill 'A' basketball team.textile mills staff, textile mills sporting teams, textile mills, returned soldiers and sailors mill, sport, photographs, textile mills - staff, textile mills - sporting teams -
National Wool Museum
T-shirt
White t-shirt, which formed part of the uniform for the 1982 Melbourne College of Textiles "Sheep to Suit" team and which was worn by Mr John Hawthorne who took part in the event.AUSTRALIA WORLD RECORD 1HR 34 MINS 33.42 SECS GUINNESS/ SHEEP/ TO/ SUIT/ 1982textile production fashion shearing weaving sewing, melbourne college of textiles, carding, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing -
Plutarch Project
English wooden ship model, Cutty Sark replica, circa 1997
This replica ship was modelled to exact scale by Denis Paraskevatos with the original basic kit enhanced by a large number of brass and mahogany wooden parts used and showing on two labels positioned at the base of the model. These replica parts were specifically designed and constructed by D. Paraskevatos with the help of his family. This model along a large number of others have been displayed at the Victorian Parliament for ten days from the 18th March 2002 (Queens Hall) to the 28th March 2002, and the Melbourne Town Hall from 19th to 27th August 2004. The history of the 65 meter British vessel named Cutty Sark is as follows: THE CUTTY SARK (history) The “Cutty Sark” was a British clipper ship, aptly named of course as a [clipper for its speed ], which was built in 1869 on the [river Clyde in Scotland ] by the Jock Willis Shipping Corporation. It was primarily used to transport tea from China to Great Britain, as well to a lesser extent later in its life, wool from Australia; however, with the advent of the steam engines and the creation also of the Suez Canal in 1869, its days of operation as a sailing vessel were numbered, as the steam ships were now prevailing as technologically advanced cargo carriers through the shorter route by the Suez Canal to China. In fact, within a few years of its operation, as its delegation in the tea industry was declining, it was assigned primarily the duty of transporting wool from Australia to England, but this activity was thwarted again by the steam ships, as they were enabled by their technologies to travel faster to Australia. Eventually, the “Cutty Sark” in 1895 was sold to a Portuguese company called “Ferreira and Co.”, where it continued to operate as a cargo ship until 1922, when it was purchased on that year by the retired sea captain Wilfred Dowman, who used it as a training ship in the town of Falmouth in Cornwall. After his death, the ship was conferred as a gesture of good will to the “Thames Nautical Training College” in Greenhithe in 1938, where it became an auxiliary cadet training ship, outliving its usefulness as a training vessel by 1954, and permanently [being dry docked in Greenwich, London, ] for public viewing. Of course, the “Cutty Sark” was not the only tea clipper constructed and owned by the Jock Willis Corporation, as there were others who were also used for the transportation of tea from China to Great Britain. Noteworthy additionally in its impressive resume is the fact that, the “Cutty Sark” was not only valued and admired for its speed, but also for its prestige that it afforded to its owners, [as media coverage was insatiable during a tea race that was regarded a national sporting event, with fiscal bets being placed on a predicted winning ship ]. Disappointingly, even though the English tea clippers were the best in the world at the time in terms of marine design, they had never won a tea race, and Jock Willis was certainly determined to achieve this goal, as the American clippers were considered the fastest in the tea trade. Nonetheless, the British clippers were proven to be formidable opponents to their American counterparts in the tea trade, when in 1868 a British tea clipper called [“Thermopylae”, managed to travel from the port of London to Melbourne, in only sixty one (61) days, which Jock Willis was hoping to improve on such a feat with the “Cutty Sark” ] . Remarkably, the maximum speed that the “Cutty Sark” could achieve was 17.5 knots in spite of the challenges of the unpredictable winds, if any at times, and the high seas or ferocious storms. Interestingly, [the “Cutty Sark’s” greatest recorded achievement in distance in twenty four (24) hours was three hundred and sixty three (363) nautical miles ], which meant that it was averaging approximately fifteen (15) knots; much faster obviously than the recorded twenty four (24) hour distance of the “Thermopylae” which had accomplished three hundred and fifty (358) nautical miles. .... ______________ -*- Please read the complete history of the Cutty Sark vessel by Maria Paraskevatos in one of the attachments provided with this exhibit. This model along with a large number of others was constructed by the Master craftsman Denis Paraskevatos, in Melbourne and has a historic, artistic significance because of the time and artist efforts in construction.The English Cutty Sark replica model is a wooden replica scaled at 1:25. The wood is mahogany and it is normally displayed in a glass covered enclosure. It has three masts and it is the largest vessel of Denis Paraskevatos collectionCUTTY SARK LONDONreplica, ship, art, model, cutty, sark, greek, artist, paraskevatos, παρασκευάτος, πανομοιότυπο -
Chiltern Athenaeum Trust
Medal
This medal from the estate of W.C. Busse is believed to have been awarded to a recipient at the Rutherglen Agricultural Show in 1885. Due to degradation of the embossed markings, it is uncertain what the medal was awarded for or whom it was awarded to. It may have been awarded to a member of the Busse family prior to W.C. Busse's birth. Rutherglen is located approximately 18 kilometres from Chiltern. European agriculture and horticulture in the area was well established prior to the discovery of gold in the region in the 1860s. It held its first yearly Agricultural Show in 1880; in the present day it has a sister event focusing on showcasing the region's wines. Wilfred Clarence Busse was born in Chiltern in 1898. He went to school at Wesley College in Melbourne, studied law at the University of Melbourne and became a barrister. Additionally, after spending time on a Victorian station in his early twenties, he wrote two historical novels about bush life. His first novel was 'The Blue Beyond: a Romance of the Early Days in South Eastern Australia', written in 1928 and published in 1930. Busse's second novel was titled 'The Golden Plague: A Romance of the Early Fifties'. The judges of the Henry Lawson Society's T.E. Rofe competition to advance Australian literature unanimously awarded it the Gold Medal in 1931 for the best historical novel of 1930. Newspaper articles about the award mention the writer's meticulous documentary and oral history research regarding life on the Gold Fields in the 1850s. It became a best-seller. Busse also wrote a series of articles about local history for "The Federal Standard" newspaper in Chiltern. He was a member of the Chiltern Athenaeum. He died in 1960. This item is significant for the information it provides about the development of industry and local culture in Victoria in the 1880s. Bronze coloured medal attached to single large-format chain link; embossed medal markings are indistinct but appear to show Coat of Arms on reverse side. Inscription on obverse: Illegible Indistinct inscription on reverse may read: Rutherglen Agricultural Society medal, rutherglen agricultural show, chiltern, north-east victoria, gold fields, gold mining, gold rush, 1885, heirloom, farming, horticulture, rutherglen historical society, indigo shire, wilfred clarence busse, golden plague, authors, writers, victorian writers, victorian literature, historical fiction, blue beyond, wesley college, federal standard -
Nillumbik Shire Council
Photograph (performance): Jill Orr (b.1952 Melb, AUS), Jill Orr, Ash 2002, 2002
Created during her residency at Laughing Waters, Ash, the performance is a response to concurring world events and continues Orr's practice of using her own body as the site for creating provocative imagery. In Ash, she explored a familiar theme - our relationship with the environment. The audience was are asked to peer inside a rough wooden hut where Orr laid motionless on a coffin-like slab. The floor was strewn with forest litter and her own body, covered in ashes, carried text messages as reflections on human suffering, in particular the plight of refugees in Australia.Photograph - cibachrome depicting the artist Jill Orr in a reclined position, swathed in fabric. There is black text all over her body carrying messages about war and the plight of refugees.laughing waters, jill orr, ash -
Tatura Irrigation & Wartime Camps Museum
Book, My War - More than 150 epic events of WW2, 1990
Cover features navy, red and pale blue stripes with main area white with soldier in uniform. Each page features front pages from the sun during wartime. Telling main stories of the war.. "The Sun" -
University of Melbourne, Burnley Campus Archives
Book, Visitors Book, 1964-1971
Attendees at BHCPSA eventsburnley college of horticulture, bhcpsa -
University of Melbourne, Burnley Campus Archives
Booklet - Brochure, Calendar of Events 1992, 1991
VCAH brochurevcah, burnley, events, 1992 -
University of Melbourne, Burnley Campus Archives
Document, Calendar of Events 1991, 1991
... Boulevard Richmond melbourne Document Calendar of Events 1991 ...Calendar of main College events and Centenary celebrations. 4 copies + photocopycentenary, 1991, celebrations, calendar -
University of Melbourne, Burnley Campus Archives
Document, Loose ends from the Burnley Centenary, 1991
Summary of year's (1991) eventsvcah, burnley, centenary, summary -
University of Melbourne, Burnley Campus Archives
Document, Volunteer assistants, 1991
Notes re volunteers assisting with Centenary eventsvcah, burnley, centenary, summary, volunteers -
University of Melbourne, Burnley Campus Archives
Document, Historic Site Management Seminar, 1991
1. Letter re seminar from DCE. 2. Paper by P. Esdale: Organising an Historic Eventseminar, site mangement, peter esdale -
University of Melbourne, Burnley Campus Archives
Document, Convocation and oration to commemorate the Centenary of Horticultural Education at Burnley, 1991
Program of event, which included Oration delivered by Sir Ninian Stephen, 2 copiesvcah, burnley, centenary, sir ninian stephen, 1991 -
University of Melbourne, Burnley Campus Archives
Album - Black and white and colour prints, Freeway Construction, 1963-1972
(1) 14 photographs showing views of where the Freeway would be going through near Burnley Gardens. (2) 2 photographs of views of the Yarra River near Burnley Gardens. (3) Aerial photograph of construction of the Freeway near Burnley Gardens and Yarra Boulevard. (4) 8 colour photographs of construction work in and over the River Yarra near the railway bridge. "Brian Ward Freeway Construction" handwritten on cover of folder. Student Dux 1973.freeway, burnley gardens, yarra river, yarra boulevard, river yarra, brian ward -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2008
1. Rock-art of the Western Desert and Pilbara: Pigment dates provide new perspectives on the role of art in the Australian arid zone Jo McDonald (Australian National University) and Peter Veth (Australian National University) Systematic analysis of engraved and painted art from the Western Desert and Pilbara has allowed us to develop a spatial model for discernable style provinces. Clear chains of stylistic connection can be demonstrated from the Pilbara coast to the desert interior with distinct and stylistically unique rock-art bodies. Graphic systems appear to link people over short, as well as vast, distances, and some of these style networks appear to have operated for very long periods of time. What are the social dynamics that could produce unique style provinces, as well as shared graphic vocabularies, over 1000 kilometres? Here we consider language boundaries within and between style provinces, and report on the first dates for pigment rock-art from the Australian arid zone and reflect on how these dates from the recent past help address questions of stylistic variability through space and time. 2. Painting and repainting in the west Kimberley Sue O?Connor, Anthony Barham (Australian National University) and Donny Woolagoodja (Mowanjum Community, Derby) We take a fresh look at the practice of repainting, or retouching, rockart, with particular reference to the Kimberley region of Western Australia. We discuss the practice of repainting in the context of the debate arising from the 1987 Ngarinyin Cultural Continuity Project, which involved the repainting of rock-shelters in the Gibb River region of the western Kimberley. The ?repainting debate? is reviewed here in the context of contemporary art production in west Kimberley Indigenous communities, such as Mowanjum. At Mowanjum the past two decades have witnessed an artistic explosion in the form of paintings on canvas and board that incorporate Wandjina and other images inspired by those traditionally depicted on panels in rock-shelters. Wandjina also represents the key motif around which community desires to return to Country are articulated, around which Country is curated and maintained, and through which the younger generations now engage with their traditional lands and reach out to wider international communities. We suggest that painting in the new media represents a continuation or transference of traditional practice. Stories about the travels, battles and engagements of Wandjina and other Dreaming events are now retold and experienced in the communities with reference to the paintings, an activity that is central to maintaining and reinvigorating connection between identity and place. The transposition of painting activity from sites within Country to the new ?out-of-Country? settlements represents a social counterbalance to the social dislocation that arose from separation from traditional places and forced geographic moves out-of-Country to government and mission settlements in the twentieth century. 3. Port Keats painting: Revolution and continuity Graeme K Ward (AIATSIS) and Mark Crocombe (Thamarrurr Regional Council) The role of the poet and collector of ?mythologies?, Roland Robinson, in prompting the production of commercial bark-painting at Port Keats (Wadeye), appears to have been accepted uncritically - though not usually acknowledged - by collectors and curators. Here we attempt to trace the history of painting in the Daly?Fitzmaurice region to contextualise Robinson?s contribution, and to evaluate it from both the perspective of available literature and of accounts of contemporary painters and Traditional Owners in the Port Keats area. It is possible that the intervention that Robinson might have considered revolutionary was more likely a continuation of previously well established cultural practice, the commercial development of which was both an Indigenous ?adjustment? to changing socio-cultural circumstances, and a quiet statement of maintenance of identity by strong individuals adapting and attempting to continue their cultural traditions. 4. Negotiating form in Kuninjku bark-paintings Luke Taylor (AIATSIS) Here I examine social processes involved in the manipulation of painted forms of bark-paintings among Kuninjku artists living near Maningrida in Arnhem Land. Young artists are taught to paint through apprenticeships that involve exchange of skills in producing form within extended family groups. Through apprenticeship processes we can also see how personal innovations are shared among family and become more regionally located. Lately there have been moves by senior artists to establish separate out-stations and to train their wives and daughters to paint. At a stylistic level the art now creates a greater sense of family autonomy and yet the subjects link the artists back in to much broader social networks. 5. Making art and making culture in far western New South Wales Lorraine Gibson This contribution is based on my ethnographic fieldwork. It concerns the intertwining aspects of the two concepts of art and culture and shows how Aboriginal people in Wilcannia in far western New South Wales draw on these concepts to assert and create a distinctive cultural identity for themselves. Focusing largely on the work of one particular artist, I demonstrate the ways in which culture (as this is considered) is affectively experienced and articulated as something that one ?comes into contact with? through the practice of art-making. I discuss the social and cultural role that art-making, and art talk play in considering, mediating and resolving issues to do with cultural subjectivity, authority and identity. I propose that in thinking about the content of the art and in making the art, past and present matters of interest, of difficulty and of pleasure are remembered, considered, resolved and mediated. Culture (as this is considered by Wilcannia Aboriginal people) is also made anew; it comes about through the practice of artmaking and in displaying and talking about the art work. Culture as an objectified, tangible entity is moreover writ large and made visible through art in ways that are valued by artists and other community members. The intersections between Aboriginal peoples, anthropologists, museum collections and published literature, and the network of relations between, are also shown to have interesting synergies that play themselves out in the production of art and culture. 6. Black on White: Or varying shades of grey? Indigenous Australian photo-media artists and the ?making of? Aboriginality Marianne Riphagen (Radboud University, The Netherlands) In 2005 the Centre for Contemporary Photography in Melbourne presented the Indigenous photo-media exhibition Black on White. Promising to explore Indigenous perspectives on non-Aboriginality, its catalogue set forth two questions: how do Aboriginal artists see the people and culture that surrounds them? Do they see non-Aboriginal Australians as other? However, art works produced for this exhibition rejected curatorial constructions of Black and White, instead presenting viewers with more complex and ambivalent notions of Aboriginality and non-Aboriginality. This paper revisits the Black on White exhibition as an intercultural event and argues that Indigenous art practitioners, because of their participation in a process to signify what it means to be Aboriginal, have developed new forms of Aboriginality. 7. Culture production Rembarrnga way: Innovation and tradition in Lena Yarinkura?s and Bob Burruwal?s metal sculptures Christiane Keller (University of Westerna Australia) Contemporary Indigenous artists are challenged to produce art for sale and at the same time to protect their cultural heritage. Here I investigate how Rembarrnga sculptors extend already established sculptural practices and the role innovation plays within these developments, and I analyse how Rembarrnga artists imprint their cultural and social values on sculptures made in an essentially Western medium, that of metal-casting. The metal sculptures made by Lena Yarinkura and her husband Bob Burruwal, two prolific Rembarrnga artists from north-central Arnhem Land, can be seen as an extension of their earlier sculptural work. In the development of metal sculptures, the artists shifted their artistic practice in two ways: they transformed sculptural forms from an earlier ceremonial context and from earlier functional fibre objects. Using Fred Myers?s concept of culture production, I investigate Rembarrnga ways of culture-making. 8. 'How did we do anything without it?': Indigenous art and craft micro-enterprise use and perception of new media technology.maps, colour photographs, b&w photographswest kimberley, rock art, kuninjku, photo media, lena yarinkura, bob burruwal, new media technology -
Victorian Aboriginal Corporation for Languages
Book, Meyer Eidelson, The Melbourne dreaming : a guide to the Aboriginal places of Melbourne, 1997
This guide shows Melbourne?s Aboriginal places so that people using it can gain easy access to and a greater knowledge of them. Important historical events occurred at some of them. Others are Archaeological sites where there are still physical remains of Aboriginal activity before settlement. Locations have been mapped and Melways references and maps are included.maps, b&w illustrations, colour illustrations, colour photographs, word listswoi wurrung, wurundjeri, boon wurrung, kulin, yarra yarra, yarra river, werribee river, bunjil, waa, moieties, maribyrnong, sacred sites -
Victorian Aboriginal Corporation for Languages
Book, Eve Mumewa D Fesl, Conned!, 1993
Language is power. It is used to describe and direct events fictional and true. This book describes how historians have manufactured a flattering Australian race relations history. Conned! challenges established perceptions of Indigenous Australians.maps, b&w illustrations, b&w photographs, chartsaboriginal languages association, atsic, education, electoral system, moravian -
Victorian Aboriginal Corporation for Languages
Book, Ian Macfarlane, Historical records of Victoria : foundation series : volume 2B : Aborigines and protectors 1838-1839, 1983
Reproductions of various transactions and reports relating to Aboriginal people in Port Phillip in the period 1838-39. Includes studies of the establishment of an Aboriginal Protectorate, the Native Police, missions, and includes numerous reports by various protectors about events in their districts and government policy towards Aboriginal people.b&w illustrations, b&w photographs, tablesvictorian history, james dredge, william thomas, yarra, westernport, sievwright, mount macedon, goulburn river, john montagu, maria robinson, worredy, trucanini, george augustus robinson, tunermenerwail, jackia jackia, george langhorne, benbow, nerrebrunin, billibellary -
University of Melbourne, Burnley Campus Archives
Flyer, Rose pruning, 1947
This is a sheet of information advertising a forthcoming demonstration of Rose Pruning to be held at School of Horticulture, Burnley Gardens, 7/6/1947. The event is organised by the Department of Agriculture and the National Rose Society of Victoria. Persons are invited to become members of the National Rose Society for the subscription price of 10/- per annum. Demonstrations at the event were to be lectures from Burnley College. Also members of the National Rose Society. The cost of attending was 1/-.Advertising sheet for demonstration of rose pruning to be held at Burnleyroses, pruning, national rose society of victoria -
University of Melbourne, Burnley Campus Archives
Photograph - Colour prints, Miscellaneous, 1990
11 photographs of demolitions between Nursery and Tennis Court (some scanned). 15 photographs of a Hortico presentation. demolitions, nursery, tennis court, hortico, event, science laboratories -
University of Melbourne, Burnley Campus Archives
Photograph - Colour print, Student Amenities Building
People at an unidentified event in the Student Amenities Buildingevent, student amenities building, staff, public