During WWII the Batallion fought in Syria, New Guinea,Borneo and Darwin. Pte. Eric Wild D.O.B. 30/09/1909 enlisted in Windosr Vic. 27/05 1940. and served with the 16RWAR. until his discharge 27/10/1944, at which time he had been assigned to 2/2 Army Fld. Wshops. He saw service in Africa and the Pacific 16 RWAR Campaign WWII North Africa 1941, Syria, Syrian Frontier, The Litani, Sidon, Wadi Zeini, Damour, South West Pacific 1942 - 1945, Kokoda Trail, Isurava, Eora Creek, Templetons Crossing, Efogi-Menari, Ioribaiwa, Buna-Gona, Gona, Liberation of Australian New Guinea, Ramu Valley, Shaggy Ridge, Borneo, Balikpapan, WaitavoloMedal set 1939-45 star, Africa star,Pacific Star,Defence Medal,War Medal 1939-45 and Australian Service Medal 1939-45.Also patches for 16 RWAR Awarded to Wild, Eric Vincent VX 17865 2/2 Field Workshop16 rawr, wild eric vincent

Items issued to and worn by Leonard John Young in Malaya. Regt No 3793454 National Serviceman served in Malaya with 8 RAR 1969 then Vietnam with from 17.11.1969 - 25.3 1970 when his 2 years were up, discharged with the rank of L/Cpl..1) Shirt green colour cotton, heavily starched with sleeves rolled up, has two arm patches, one a "Rising sun" and second is a "Commonwealth" in two blues with crown on. .2) Shirt khaki colour, heavy cotton, long sleeves British pattern for tropical use. .1 On tag in texta, "A82" being a washing number. .2) On tag, "Size 2 E.R. Ltd 1952"uniforms, shirts, malaya

Issued to VX 140967 Lance Corporal MASON, refer Cat No 3979.2 for his service details.2nd AIF WW2 Soldier's uniform jacket and trousers. Khaki colour. Jacket has embossed buttons "Australian Military Forces". Both shoulders have colour patches of the 2/38th Battalion. A Lance Corporal's strip is on the right sleeve. Often known as Service Dress or SDs.Inside jacket labelled "Made In Australia V46 1942 Size 14. Label for Regimental Number and Name. Also a Government arrow "O^O". Trouser inside label "Made in Australia V93 1942 Size 16. Label for Regimental Number and Name. uniform, aif, jacket, trousers, 2/38th battalion

Belonged to Walter Henry SMITH Regt. No 1572. Refer Cat Nos 102.4 Medals, 104 Certificate..1) Rectangular patch of uniform cloth, black diamond at top with yellow diamond inside, inside that is a brass-coloured “A” for ANZAC. Underneath black diamond are brass coloured crossed machine guns sewn onto cloth. .2) Metal badge, commemorative, 1915, depicting Simpson's donkey. .2) Top: “1915” Bottom: “ANZAC”uniforms, colour patches, crossed rifles

Circular black patch with red writing. "Military Police" top, "Sherrif's Office" in vlue writing on blue background. Steer head (middle) surounded by M P in red. Military ribbons (various colours) AFV PRO UNIT - NUI DAT SVN in red writing at bottom.Military Police. AFV PRO UNIT - NUI Dat SVNinsignia, military police, nui dat svn

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Unique collection of photographs showing the first years of an armoured regiment of the post-Second World War era Citizen Military Forces showing equipment, uniforms, training and social activity and some personalities.Black and white photograph of three soldiers preparing a meal in field, wearing greatcoats with shoulder titles and formation patches. One has corporal's chevrons and is wearing goggles on head. Cloth berets.One of a collection of photographs of 8th/13th Victorian Mounted Rifles Regiment between 1948 and 1951." Cpl Leischke, -----, Tpr Keighran"

The 20th Light Horse (Victorian Mounted Rifles) was raised in 1920 as part of the 3rd Cavalry Brigade, 2nd Cavalry Division, Citizen Military Forces, with Headquarters at Seymour and depots along the Goulburn Valley from Mansfield to Tocumwal in southern NSW. In December 1941, 20th Light Horse (Victorian Mounted Rifles) converted from horse to mechanised, initially as 20th Motor Regiment. In 1943 the Regiment was deployed to Merauke, Dutch New Guinea. Upon its return in April 1945, the Regiment was redesignated 20th Pioneer Battalion. It was disbanded following the end of the war. 20th Light Horse was the only light horse regiment to serve overseas in WWII.This is one of a collection of photographs featuring a Light Horse regiment drawn from rural and regional Victoria in the period immediately prior to mobilisation for World War 2 (1939-1945).Black and white photograph of 25 soldiers and one Officer of the 20th Motor Regiment (Victorian Mounted Rifles). Officer is wearing peaked cap, Sam Browne Belt and shoes; men are wearing slouch hats, boots and web anklets. 20th Motor Regiment colour patches are evident.Cross over head of one soldier in rear rank.20th motor regiment, wwii, world war two

Standard summer dress shirt indicative of that worn by sailors of all rank post WWII until present time. Summer, tropical dress shirt white worn by from post WWII to present day. Shirt was worn on service duty by CPO (R’td) Craig Duff; This style shirt is still in use by the RANShirt Service Dress White short sleeved with two breast pockets; Insignia embroided Naval Police Coxswain on the right sleeve; shoulder patch embroided in navy blue cotton with the word Australia embroided on both sleeves, Insignia Rank Petty Officer, buttoned down the front.Inside seam right hand side there is laundry instructions label measuring 45mm x 50mm; Collar label 45mm x 68mm/ DNJ9CC/ July 2007/ 8405-66-051-8334/ SIZE 40,/ NAME/ Service No., 65% polyester/ 35% viscose Rayonshirt short sleeved white, shirt white

Black and white photograph of Ballarat tram No.42 at the Sebastopol terminus c1965. Photograph has large white light patch in front of the photograph. Tram showing destination of Lydiard St. North, white on black prior to replacement with black on white blinds and has a Briquette roof ad.trams, tramways, sebastopol, albert st., tram 42

Digitised video (2.41GB) Duration: 43 minutes. Recorded September, 2022 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Hardy and Evie Kielnhofer are rare examples of historians who are totally dedicated to gaining, and imparting, knowledge of their patch of the world. In this presentation, Evie talks about one of their regular group tours of Vermont that they conduct most Saturday mornings.

Grey Butcherbirds live in wooded habitats, including suburban areas, from the north of Western Australia, across different parts of the top of the country, through to mid-eastern Queensland, and then south along the eastern side of the country all the way down to Tasmania. They have a 'lovely, lilting song', and are fiercely protective of their nests and chicks, swooping at presumed attackers with enough strength to sometimes draw blood. Adult Grey Butcher Birds are typically a light grey colour with dark heads and white underparts. The brown colouring on this animal suggests that it is a young bird, with its grey adult feathers coming in. This bird appears thinner than most Grey Butcher Birds, but it is unclear if this is because of its age or because of inaccurate taxidermy. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This specimen is particularly special in the Burke Museum Collection as it is part of a male/female pair (see Relationships). Many birds in the collection were originally donated in male/female pairs, but at least one specimen has been lost, leaving these as one of the few surviving sets.This Grey Butcher Bird (likely female, based on size) has a light grey and brown bill with a sharp hook. The majority of the feathers on its back and tail are an olive-brown colour. The feathers of its underparts, the patches on either side of its bill, and two stripes coming up either side of its neck are a yellow-white colour. There are some light grey feathers coming through in small patches, particularly across the back, the top of the underparts, and along the upper half of the legs. The eyes are brown. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its right leg.18a. / Collared Crow. Shrike / See Catalogue; Page 10. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, australian birds, butcher bird, butcherbird, grey butcher bird, collared crow-shrike, australian butcherbird, tasmanian butcherbird, tasmania, bird pair

Information board showing colour patches & units that were in the Siege of Tobruk. There is a print portrait of LT GEN SIR LESLIE MORSHEAD at bottom left. Top centre shows Rising Sun badge surrounded by Union Jack & Australian flag. There is a Rats of Tobruk Association badge on left side.Siege of Tobruk AIF April - Dec 1941.colour patches, tobruk ww2

The Ballarat Technical Art School boasted a well-stocked Antique Room replete with plaster copies of classical, Renaissance and Gothic sculptural examples, which were used as drawing props by students. The school inherited some casts from its predecessor institutions, and further consignments were purchased during the 1920s, including full length, bust and relief figures, as well as dozens of ornamental and architectural casts. Unfortunately, much of the collection was lost or destroyed in the late 1950s. This is one of the few surviving pieces. The foot came into the school’s collection prior to 1920 as it appears in a photo in the SMB Annual Report. There are two possibilities where these sculptures may have originated, either Victorian and Albert Museum or the British Museum. There is a reference to the purchase of plaster casts from the Victoria and Albert Museum in the 1918 School of Mines Ballarat Minute Book. This plaster cast of a foot is of local significance as only one of a few remaining teaching pieces from the substantial collection of sculptures used in the art school. The foot also has significance as an interpretive tool complementing the complete art folio of Edith Alice Watson who was a student from 1930-1933.Plaster cast of right foot including ankle. Made from plaster of Paris. Mainly white in colour with grey patches around metatarsels, flecks of blue and green paint and pale brown paint (possibly shellac) and on top of ankle. Measurements suggest a size 11 man's right foot.plaster cast, foot, drawing aid, art school, smb, edith alice watson, 1931, 1931-33, 1918, 1920, plaster of paris, sculpture, ballarat technical art school number 10, drawing from the antique, drawing the human figure from cast

Large white painted metal sign with red and green lettering including ' Cohns The Popular Lemonade' Line drawing of a bottle of lemonade and a glass. Cohns shield emblem with ' Quick 'to Quench' 'Cohns' ' Since 1857' Sign has turned edges with holes at regular intervals, Patches of rust on the back.

Dress was purchased from 'The Diamond Dog' at the Vintage Costume Fair, Williamstown Town Hall for the CollectionYellow polyester dress. Short sleeves, belted waist, four pleats from waist to hem.Bodice has centre back zip from neck to below waist & peak collar with yellow, navy & white tie. Dress has patches of navy, white, & brown from the waist to the hem.costume, female

Display board with British War Medal and Victory medals of 10962 Private A J Wood 3rd Divisional Train and later 22nd Company Australian Army Service Corps (AASC), together with one ID disc and a Returned from Active Service badge, ribbon bar and colour patch.wood, service corps, world war one, wwi, aasc

Tapestry is a form of weaving and is most commonly made on a loom, but traditionally, from 11th to the 19th centuries, made by hand. When used as a table cover, items such as this one were often covered and protected by a lighter weight, easily washable tablecloth. This tapestry tablecloth has a soft velvet feel. It has seen many days and has been lovingly repaired in several places with dark patches on the underside. This tapestry tablecloth represents heavy duty table coverings used to protect furniture and as a form of decoration. It is an example of what was used in the Colonial and Early Settler days in Australia.Tablecloth or table cover, rectangular tapestry in burgundy and red tones. A burgundy is around all sides with a floral inner border, framing a decorative oval centrepiece of floral design on a red background. the short sides are reinforced with tape on the underside. The cloth has been carefully repaired on the underside. There are pin marks on the tape in one corner.flagstaff hill, warrnambool, shipwreck coast, flagstaff hill maritime museum and village, maritime museum, tablecloth, tapestry, table cover, table linen, manchester, vintage, arts and crafts

Menu for the 2/14th Battalion reunion dinner at Caulfield Town Hall on 24 April 1967. The front cover shows the Battalion's colour patch and battle honours. The Battalion was an infantry battalion of the Australian Army that served during World War II. Part of the 21st Brigade, 7th Division, the battalion was raised in 1940 from Second Australian Imperial Force volunteers drawn mainly from the state of VictoriaFolded card printed in multiple colours on the front and blue on the back and inside2/14th army battalion, 2/14th army battalion association

Collection of 50 "HARD N BOLD" 57/60 ASSOCIATION BOOKLETS. Original owner of items; FRANK TRACEY JOHNSON UNIT 57/60 AREA OF SERVICE PNG SEE ALSO 5973 & 5974Soft cover booklets. Cover - cardboard, black print on cover. Illustrated with the red and black battalion colour patch. Date on front cover. Published annually. 1. - 9. Cover grey textured cardboard. 16-32 pages 1960-1969 - 1964 booklet missing, 10. - 19. Cover - glossy white, blue or cream cardboard. Illustrated with maps and black and white photographs. 24 - 40 pages, 1970 - 1979. 20. - 29. Cover glossy white, cream, yellow and bronze colour cardboard. Illustrated sepia, black and white and black, red and blue, photographs and maps 1980 to 1989 - 24 to 40 pages. 30. - 39. Cover - glossy white cardboard. illustrated with 57 & 60th colour patches and unit badges. 1990 to 1999. 44 - 60 pages. 40. - 50. Cover - glossy white cardboard. illustrated with 57 & 60th colour patches and unit badges on "Cobbers" bronze 1998. 44 o 68 pages. All booklet pages - cut, plain, white paper. Booklets illustrated with black and white photographs.booklets, 57/60 battalion association, ww2

Item in the collection re MAX Jolliffe, refer Cat No 4322.3 for service/ other details.Framed gold colour metal with MDF backing, inset are two shoulder patches, "15 National Service Battalion" and "Royal Australian Signals". Centre is a Signals badge and a small crown, either side of that is cloth arm badges re "Australian Army HQ", under are two sets of Sgt's stripes.framed, memorabilia, insignia, rank, badges

.1) steel helmet, painted Kahki colour, front of the helmet has a colour patch red or black, white and blue. .2) Steel helmet, painted Kahki colour with Kahki coloured elasticated Cotten webbing chin strap, etched label on the chinstrap with brass flat buckle on the chin strap. .2) Etched on chinstrap holder, “Mk 111/1941helmets, steel, headwear

A three section collage. Section 1 - Coloured Photograph of soldier squatting in the jungle reading a book. There are quotes above and below the photograph. Section 2 - Three Coloured Photograph of Battlefields during the offensive. Section 3 - 3 RAR Charlie Company Patch with Inscription "Combat soldiers outside the wire"Quotes " The Poor Bloody Infantry" " All battles and all wars are won in the end by the infantryman"photograph, patch, 3 rar, coral balmoral, charlie company

A box of safety matches made by Bryant & May, Australia. The tray containing the matches slides inside the open-ended cover. The striking patch is on both sides of the cover. The red label shows a traffic light with the bottom light showing green. The box contains green-headed matches and appears to be complete.Front: TROPICAL / GREENLITES / SAFETY MATCHES / STRIKE IN ANY WEATHER / MADE IN AUSTRALIA. Red Label. Average contents 50 By Bryant & May.bryant & may, greenlites, safety matches

Painter, printmaker and installation artist John Wolseley was born in Somerset, England. He lived and worked throughout Europe before relocating to Australia in 1976. His work explores how people dwell and move within landscape. Wolseley see's himself as a hybrid mix of artist and scientist; one who tries to relate the minutiae of the natural world - leaf, feather and beetle wing - to the abstract dimensions of the earth's dynamic systems. Using techniques of watercolour, collage, frottage, nature printing and other methods of direct physical or kinetic contact Wolseley finds ways of collaborating with the actual plants, birds, trees, rocks and earth of a particular place. George Baldessin was one of the first artists John Wolseley met when he arrived in Australia in 1976. Both immigrated to Australia and connected through this shared experience. They were both at 'Realities Gallery' with Marianne Baillieu in the 1970s and 80s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'Life world of the Longicorn beetle' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Communion and collaboration with nature are central to Wolseley's practice. He assembles different drawing methods to represent a kind of inventory or document about the state of the earth. His interest is to paint the processes and energy field of the living systems of this land. 'Life world of the Longicorn beetle' is his continued exploration of Australia's natural eco-systems. The beetle attacks the eucalypt and in the process of tunnelling into the wood of the tree leaves scribbly patterns. The work celebrates the cycle of life, and the wisdom and delicacy of these creatures. This three dimensional work consisting of three layers of paper is a varied edition, offering just the slightest difference between each print, reflective of variation in nature. The found log used as a woodcut acknowledges the interconnectedness of nature and living beings; the log is not apart from the art and the beetle has become an active artistic collaborator. An intimate and layered print of a tree log with line trails from the Longicorn beetle. Patches of pink, yellow and orange watercolour placed randomly. Woodcut from found log and etching on chine-colle with water colour on Gampi (top layer), Mulberry (middle layer) and Arches (bottom layer) paper. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Life world of the Longicorn beetle' (title); right 'John Wolseley' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)woodcut, etching, chine-colle, landscape, environment, longicorn beetle, print, baldessin, ekphrasis2018, eco, mixed media

Black pin stripe jacket and pants. Jacket has zip closing from neck to hem. Two patch pockets and three buttons on long sleeves. Pants have zip fly front and slit pockets at hip length. Made by Dominex, a prominent designer and manufacturer of quality women's apparel.costume, female

The last train to Beech Forest ran on 30 June 1962, between Banool and Wimba. The train had a particularly motley look with 180 passengers loaded into NU goods vans and the old NQ wagons hastily fitted out with temporary seats and tarpaulin roofing. The train was hauled by the G42 locomotive kept alive through patch-up repairs and cannibalised G41 parts, steam escaping from every joint.Last train to Beech Forest, 30 June 1962.beech forest; trains; railways;

The spotted quail thrust is a heavily patterned bird native to Australia. It expresses many calls, including a long, very high-pitched "seeeeeep” and a long sequence of doubled whistles, but the main call in inaudible to humans. Due to their heavy camoflague pattern, they are often very difficult to observe. They are often found on the forest floor. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The spotted quail thrush is characterised by yellow and brown tones with black spots on the flanks. The females (10056) have a yellow ochre-coloured throat patch. This particular quail has lost its tail feathers. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Label: 43a. / Spotted Ground Thrush / See Catalogue, page 15. /taxidermy mount, taxidermy, burke museum, beechworth, australian museum, spotted quail thrust, quail

Wall plaque of timber with reddish brown stain & glass finish on front. Metal emblem on front has gold & red crown on top of the Rising Sun badge covered in centre with white over red colour patch. A black & gold boomerang is underneath with 2/8 AUST INF BN within.Makers label: “Made to approved specifications by LEGA 13 Hinkler Road Mordialloc, Victoria, 3195 Australia Phone: (03) 98871433” Fax: (03) 9580 9301military history - souvenirs, plaques, 2/8th, passchendaele barracks trust