Murray Comrie Collection. This photograph is a well-preserved original. Monochrome photograph depicting the newly completed wooden bridge at Newbridge, Victoria. Position of photographer is on the east bank of the Loddon, looking west toward the present day Newbridge Pub.newbridge, bridge, loddon river, infrastructure, construction, roads, businesses, buildings

Has a strong association with a BTM/BTPS volunteer - mid 1980'sBlack and white photograph of Warren Doubleday, early 1980's covering seats in the BTPS/BTM Depot with No. 40 parked outside on No. 4 road. Photographer - "can't remember"tramways, trams, volunteers, btps, depot, tram 40

Negative of cable trams shunting at the Bourke St terminus, possibly 22/3/1940, trailers 583 and 507 have been identified by the photographer. In the background is Hudson's Stores.trams, tramways, cable trams, bourke st, shunting, tram 583, tram 507

Black and White photograph of Fred Turner (left) and seven other workers, mid 1970's?? at Preston Workshops standing in front of a Z class tram. Photographer unknown.trams, tramways, personnel, preston workshops

This photograph was used in the 150 year Lakes Entrance 1858 to 2008 display as the before picture paired with colour photograph number 03727.1 as the after picture size 10 x 15 cm road now paved with many buildings showingBlack and white photograph of Palmers Road looking south towards the sand dunes and ocean, teatree along the side of the road photographers shadow in foreground, Lakes Entrance Victoriatopography, sand dunes

Black and White reproduction (copy by scanning and reprinting) of a image of two Bendigo Tramways Co. Ltd steam trams and trailers at Charing Cross. Appears to be trailers 3 and 4. Understood to be 1898. Shown as a William Ninnis photographer, held by the Bendigo Historical Society (crossed out) and Creative Image Photographic Collection, Both trailers have roof advertisements "Confidence-Curls Tobacco" and in the background is Henderson & Goodisson? Beehive building, advertising Furniture and Drapery. Also J. T. Mill Tailor. .1 - Black and White copy print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Added 1/7/2013In pencil "The Fountain 1898 / Bendigo Historic Society Inc Collection (crossed out) / Photographer William Ninnis" and in ink "Creative Image Photographic Collection". .1 - in ink on rear "Steam Trams at the Fountain" and in the bottom right hand corner "P.W. Duckett"trams, tramways, bendigo, steam trams, trailers, charing cross, tram 3, tram 4

This image is one of a series of photographs taken by Melbourne based photographers Stevenson and McNicoll who visited Bacchus Marsh and its nearby districts between September and November 1883. The photo is of a brick residence, built in 1865-66 as a house and surgery for Dr. Rae, a medical practitioner in Bacchus Marsh 1863-1874. Dr. Rae was influential in community affairs as a Justice of the Peace, a member of the Board of Advice of Bacchus Marsh Common School and a President of the Mechanics’ Institute. After ill health forced him to resign his practice, he built the Bungalow in 1880, where he lived until his death. The house was later purchased by William Anderson (c.1880) who named it “Dunglass”. The people in this photograph are probably members of the Anderson family. The house is now used as an Adult Education Centre. The house is of significance as the embodiment of the importance to the community of its influential figures, such as Dr. Rae, in the late nineteenth and early twentieth centuries. Small sepia 'carte de viste' style unframed photograph on card with gold border framing photograph. Housed in the Jeremeas Family Album which contains photographs of Bacchus Marsh and District in 1883 by the photographers Stevenson and McNicoll. The photo is of a double-fronted brick Classical nineteenth century house with a high hip roof. Two brick chimneys are visible. The left hand bay is set forward, with the central section of the house being set back. A concave return verandah supported by decorative columns runs along the front and side of the house, leading to a separate entry door off the side verandah. On the window set in this door, the word ‘SURGERY’ can be discerned, indicating that this is the entrance to be used by patients. The building features buff-coloured stone quoins and architraves. A white picket fence runs along the front. Ranged along the footpath in front of the fence stands a group of eight young women and girls. A flat stone acts as a bridge over a deep drainage culvert running parallel to the street.Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, doctors, houses bacchus marsh

3/4 length studio photograph of standing young woman. Dark long sleeved dress buttoned up front. Closed neck with lace neckerchief. Printed on front Mendelssohn & Co Photographers. Swanston Street Melbourne. Jewelled crown depiction on front. Printed on reverse. Jewelled Crown depiction. Mendelssohn & Co, Photographers, Victoria Buildings corner of Collins & Swanston Streets Melbourne. Opposite the Town Hall in small letters.photograph, person, female

The Kiewa Valley Highway was/is a major road along the Kiewa River ending at Mt Beauty the site of the S.E.C.V. town built for the construction of the K.H.E.S.Black and white photo with roofless old car beside two horses pulling a cart with man behind the cart. All coming towards the photographer on a road with paddocks on each side.kiewa valley highway, road building

Paul LambetPhotograph of Vincent Street Daylesford taken through the front window of the photographers car. 13762.1: black and white photograph adhered to card 13762.2: black and white photograph, enlargement of 13762.1title in pencil on verso "Vincent St, Daylesford"vincent street, daylesford, street scene, paul lambeth

Date and Location Unknown - Photo of a Suburban House. On the Back Stamp of Aulsebrook & Martin Pty Ltd Photographers, 6 Ruth St. Golden Square 3555. phone 054 437565house, private, unknown

Small, oval head and shoulder portrait of a young man. He is wearing a checked jacket with a white shirt and no tie. Mounted on dark brown card with the photographer's name and address in gold.Bartlett Bros., View Place, Sandhurstphotograph, portrait, male, portrait of a young man, bartlett bros.

Three small portrait photographs, 1 male 2 female by Photographer Tuttles Co Melbourne ,Sydney & Adelaide, written on back of 7923/1 in ink yours sincerely Robert.W.Greville.Tuttles Cophotograph, portrait, male & female

Bakery established by Peter Klunder in 1876. Sold to Munachens in 1930s and then Wallace, J. Griffin, P. Kliempt, Currans and a. Tallentyre. Shop renovated several times.Colour photograph of Curran's Bakery, Victorian Producer's Co-operative and the Charlton Tribune Office. White Car parked in fron of VPC office. Man crossing the street toward photographer. peter klunder, bakery, munachen, wallace, griffin, kliempt, curran, tallentyre

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of two standing people, one kneeling, and one pointing at a white piece of paper on the ground. The group stands within a copse of trees, and all have their backs to the photographer.catalogue number on reverse in pencilchurchill island, photograph

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in January 1940.Sepia photograph white narrow white border of a blurry photo of a terrier running towards the photographer Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans

The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.Black and white photograph of twenty-six nursing students in uniform from the Northern District School of Nursing taken by a professional photographer. Written on back School 20 1953 Oct.northern district school of nursing, bendigo, lister house, preliminary training schools

Children names - Craig Kramme, Amanda Spiller, Candy Bragg, Jeremy Kilby, Chris White, Sonia Clues, Rodney Walton, Allen BraggSmall size portrait photographers proofs originally stuck to a large poster, cut down in size for storage purposes, of eight named children from primary school Johnsonville Victoriaschools

Children names - Jeremy Kilby, Allen Bragg, Gavin Kramme, Paul Peace, David Bragg, Geoffrey Bassett, Susie Spiller, Danielle Stribley.Small size photographers proofs originally stuck to large poster which has been cut for storage purposes, of eight named children from primary school Johnsonville Victoriaschools

Yields information about the SEC Geelong operations and tramcars.Black and white photograph of the Geelong No. 7 at a terminus? Tram has the destination of Eastern Park. Note children on a seat opposite tram and a pram? Photographer unknown - early 1950's?tramways, trams, geelong, eastern park, tram 7

Colour print - inkjet on photographic paper, of Horse Tram No.1 in Wendouree Parade with Lyle Drayton, Len Millar and Sam Boon on the brake, 25/9/2005. Photographer unknown.trams, tramways, horse tram, btm, wendouree parade, tram 1

Black and white photograph of Geelong No. 2, possibly at the East terminus, 1930's or early 1940's? Tram has the destination of Chilwell. Photographer not known. Two copies held.trams, tramways, geelong, east, tram 2

Black and white photograph of Geelong No. 30, Birney, possibly at the East terminus, 1930's or 1940's? Tram has the destination of Chilwell. Photographer not known. Two copies held.trams, tramways, geelong, east, tram 30

Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection.Black and white publicity photograph of Robin Vanser (aka Robin Kelly nee Vandersluys) taken while performing in Sydney in 1965 by the photographer Greg Desmond, Ray Leighton Associates."1965, SYDNEY"robin vanser, perfoming arts - australia - 1960s, greg desmond (photographer), ray leighton associates - sydney - new south wales - australia (photographers)

Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection.Black and white publicity photograph of Robin Vanser (aka Robin Kelly nee Vandersluys) taken while performing in Sydney in 1965 by the photographer Greg Desmond, Ray Leighton Associates.PHOTOGRAPHED BY GREG DESMOND RAY LEIGHTON ASSOCIATES 278294-272231robin vanser, perfoming arts - australia - 1960s, greg desmond (photographer), ray leighton associates - sydney - new south wales - australia (photographers)

Arthur Henry Miers played for cricket, football and baseball teams in Kew for a number of decades in the first half of the twentieth century. He was born on 22 November 1901, the son of Rodolph Theophilus Miers (1874-1951) and Margaret Frances (Margaretta) Fry (1875-1958). He had two brothers, Rodolph Cecil Miers (1904-80) and Charles Wilfred Miers (1906-88), and a sister Marjorie Elizabeth Miers (1911-84). Arthur Miers died in Kew on 25 January 1966, and after his body was cremated, his body was interred in the Mausoleum of Boroondara General (Kew) Cemetery.Group portrait of a cricket club team in Sydney, standing in front of or sitting on the steps of a monument. The individuals in the photograph are posed in three rows. It is posited by the donor that the probable photographer is Bob Galley.Back Row - ? Tilley : ? : Frank Littlefield : Jack Fox Middle Row - Arthur Miers : Jack Lauries : ? : ? Front row - ? : 'Dad' Richards : ? : Beres Galley : ? : Jack Simonton : Bill Young I assume Bob Galley may have taken the photo - A trip to Sydney comes to mind - 1930s?kew cricket club, arthurv miers, frank littlefield, jack laurie, 'dad' richards, jack simonton, bob galley, beres galley

One of a series of photographs, taken by Edgar James Dower in the second decade of the twentieth century. Born and raised in Olinda, his family later moved to Surrey Hills. He worked as an adult as a clerk in the city office of the Metropolitan Gas Company, and in his role as a 'collector', he was able to photograph scenes including the construction of tramlines, railways and associated buildings in Kew, Hawthorn, Camberwell and Surrey Hills. Later he established a real estate agency with his brother - the E.J. Dower Real Estate Agency, Dandenong Office.The image is an historically significant record of the development of transport infrastructure which was used to connect Victorians in the first two decades of the twentieth century. This development resulted from increases in population and the consequent extension of Melbourne's suburbs. The photographs, both individually and collectively, richly detail the labour of workers and the tools and machinery used to create and extend Melbourne's public transport network in the years preceding and during World War 1.Digital copy of a an original mounted photograph showing the Camberwell Railway station being demolished and the Auburn Railway Station. The photos were later dated by the photographer as being taken in 1915.verso: "2015 / Top picture - Original Camberwell railway station being demolished / Bottom picture - Original Auburn Railway station on left / Taken by E.J. Dower"theme -- connecting victorians by transport and communications, camberwell railway station, auburn railway station, theme - travelling by train

historic, socialPhotograph of Durham Lead house, c1901, taken by John William Henry Austin, photographer of Durham Lead. House probably belonging to Austin family. Single story wooden house.john william henry austin, photographer, austin familky, durham lead

Digital photographPhoto by George Murray, photographer, 1a Bedford St, St Kilda