Photograph probably for promotional purposes, of a "David Sowden & Sons Linen Loom" No100." Photograph was with other photographs in an envelope from Yarra Falls Mill.Photograph, black and white, of a "David Sowden & Sons Linen Loom" No 100.textile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving

Photograph probably for promotional purposes, of part of a "Raffael Bros High Speed Hand Loom". Photograph was with other photographs from Yarra Falls Mill.Photograph, black and white, of a "Raffael Bros High Speed Hand Loom", with bicycle type foot pedals and chain.textile machinery weaving, yarra falls mill raffael bros, weaving looms, weaving machinery, textile machinery, weaving

Army Reserve regiments had ARA officers and senior NCOs posted to them for training and administrative purposes. The duration of the posting was usually two yearsRecords a presentation of memento in soldiers' messColour photograph of Lance Corporal Mahony, " A " Squadron 8/13 Victorian Mounted Rifles presenting a plaque to Cadre Staff Sergeant Whitney on his departure from Salamaua Barracks Cobram December 1987.military, mess, cobram, salamaua barracks, vmr

Army Reserve regiments had ARA officers and senior NCOs posted to them for training and administrative purposes. The duration of the posting was usually two years.Four colour photographs taken at Buna Barracks Albury when Major Robert Morrison farewelled 4 members of the 8/13 Victorian Mounted Rifles Cadre Staff: Sergeant King, Corporal Greg Nye, Sergeant Jim Whitney and Sergeant Len Scott.

Used by the Mah Meri people, Kuala Langat, Selangor (Malaysia), 1936. While Malaysian, this blow-gun is analogous to that used by Indigenous groups from South America with curare. The gun is of bamboo, with a highly polished inner tube of the same. The darts are reeds, made directional by knobs of a tudor wood, with poison made from the ipoh tree and the Strychnos vine The blowpipe examined in this report consists of a long bamboo tube with engraved floral motifs on the outside and a second bamboo tube inside. The mouthpiece is attached to the inner tube and the whole piece can be removed from the outer casing. There is a quiver, filled with darts, a small poisons receptacle, and a single dart and hollow bamboo tube, stored outside the quiver. The objects were donated as a whole to the museum in 1948 by Dr Thomas Edward Marshall. The engravings on the outer case originate from the Mah Meri community in Kuala Langat, Selangor, Malaysia. The floral ‘motif is of a vine with small incisions to reflect the properties/identity of the plant (poisonous/harmful)’. These motifs are generally handed down through the generations and can be used for kinship identification. They are also believed to enhance the performance of the blowpipe. The outer casing is made up of several pieces of bamboo fused together. Broken or damaged blowpipes were not discarded. Broken sections of a pipe could be removed and replaced as required, and the observably different bamboo sections suggest this has taken place at some point. Sap from the perah tree is used to seal or glue the pieces together and the glue is reversible by heating. The Mah Meri created a poison from the ipoh tree for use in hunting. The poison acted swiftly to kill the animal and did not result in secondary poisoning. The way in which the Mah Meri hunted is analogous with other blowpipe hunting practices elsewhere in the world. Blowpipe hunting practices represent a starting point for the introduction of standardised muscle relaxants into surgery during the 20th Century. In parts of South America, plant poisons were used to tip the darts and kill prey. These poisons are known as curare. The crucial ingredient in curare was Chondrodendron tomentosum root. Raw curare formed the basis for Intocostrin, the first standardised, mass produced muscle relaxant. The introduction of muscle relaxants dramatically changed surgery, allowing for more precise surgery and better patient outcomes. Bamboo blowpipes can be found in many museum and heritage collections, particularly those with strong colonial origins or influence. Blowpipes from Borneo seem to be well represented, along with those from Guyana. Blowpipes from Malaysia appear to be less common. More research is required to establish the rarity or representativeness of the blowpipe. Ownership of the blowpipe can be traced back from the museum to Dr Thomas Marshall. It has also been established the blowpipe’s point of origin is among the Mah Meri people of Kuala Langat, near Kuala Lumpur. There is no information regarding the way in which Marshall came into possession of the blowpipe. Provenance cannot be fully established. Despite these difficulties, the blowpipe represents a full set of hunting implements. It is accompanied by a quiver, also decorated with a floral motif, a set of bamboo darts, and a poison receptacle. The quiver also has a waist strap which enabled the owner to strap it to themselves, preventing its loss while hunting. Each object within the set is in good condition, although the inner tubing is beginning to split lengthwise and should not be removed from its outer casing. While the blowpipe and accompanying objects are not of South American origin, the techniques and poisons used are analogous and this object has high interpretative capacity. Hollow bamboo blowpipe with mouthpiece at one end. Two different types of organic fibre have been used at difference points along the shaft to secure different segments of the blowpipe. The item consists of two tubes a thin and unpolished inner tube that has degraded and can no longer be removed, and a polished and decorated outer casing. The outer casing is made up of different sections of polished bamboo, some pieces have developed a deep red hue which is likely the result of prolonged polishing and regular heating over many years, other sections are a lighter yellow indicating that they are newer pieces of bamboo. The entire outer tube is covered in a varied sequence of genomic patterns. The exact meaning of these patterns is unknown however they are passed down through family lineage, the exact family of origin is unknown. Connected to the mouthpiece if it is removed from the inner casing is a piece of cloth with the numbers 2241 written in black ink, their purpose is unknown.curare, malaysia, bamboo

The Air Force General Purpose Uniform was adopted by the RAAF in July 2014. It is worn as dress of the day for non-combat operations. These were worn by Bob Schouten.This jacket represents the every day experiences of Australian air force members since 2014.Blue/white/grey/green urban camouflage jacket. Made of cotton. With velcro sections to attach labels. Plastic buttons.'Australia' 'Air Force'military, raaf, air force, uniform, jacket, camouflage

The Air Force General Purpose Uniform was adopted by the RAAF in July 2014. It is worn as dress of the day for non-combat operations. These were worn by Bob Schouten.Trousers with a blue/grey/white/green camouflage pattern. Pockets on the sides, a metal zip at the front and plastic button at the top.Drawstring hems at the ankles.air force, raaf, fatigues, uniform

This is an updated draft of Banyule City Council's "Heritage Policy and Plan". Its purpose is "To give strategic direction for improved understanding, protection and promotion of Banyule's heritage"This document lists sites in the City of Banyule assessed for their heritage value.261 pages plus appendices. Photocopied A4 book on white paper with red pages interleaved. Blue spiral binding, clear front cover and brown card back cover.bnayule city council, banyule heritage review

Red Herring is a Tasmanian based surf store chain. This wax was produced by the company, presumably for promotional purposes. The wax is specifically labelled for Tassie Cool WaterRed Herring surfboard wax. Two blocks of Red Herring brand wax. Front of label: Red Herring Tassie Cool Water Wax Back of label: Stoked to be Surfin'red, surfboard, wax, tassie, herring

Photograph probably for promotional purposes, of a "David Sowden and Sons Patent Towel Loom" No [92]? Photograph was with other photographs in an envelope from Yarra Falls Mill.Photograph, sepia, of a "David Sowden & Sons Patent Towel Loom" No [92?].PATENT TOWEL LOOM/ DAVID SOWDEN & SONS/SHIPLEY/.....textile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving

Photograph probably for promotional purposes, probably of part of the mechanism of a "David Sowden & Sons" loom No384 . Photograph was among items from Yarra Falls Mill.Photograph, black and white, probably of part of the mechanism of a "David Sowden & Sons" loom No384.384textile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving