A 1989 planning document for the Plenty Valley growth area, as much of it moved from rural to residential zoning.8 p., text and col. illustrationsplenty valley, urban development, plenty river, shire of diamond valley, whittlesea

Photograph shows a rural scene - a farmyard with stacked wood and disused farm equipment - in Lower Plenty, 1990s.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.lower plenty, farms

Photograph shows a rural scene with gumtrees and pylon. This is near the confluence of the Plenty and Yarra Rivers, Lower PlentyPart of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.yarra river, plenty river, lower plenty

Photograph shows a rural scene with gum tree and pylon, looking towards Bulleen from Lower Plenty.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"bulleen, lower plenty

Unidentified picnic group in Greensborough. In the first half of the 20th century, rural Greensborough was a popular picnic destination.Digital copy of black and white photograph.nellie butterworth, picnics in greensborough

Photos show the last small rural property in Mitcham before subdivision. The property was owned by the Moore familySet of 3 coloured photographs of Casella Street, Mitcham, taken in 1993 before the area was subdivided for housingcasella street, mitcham

The Country Women's Association of Victoria was established to support and promote the interests of women and children living in rural areas.Square ticket made from yellow cardboard. Ticket is for the Country Women's Association Choral & Drama Festival 1990. A date stamp of 10 October 1990 on the front. Printed with C.W.A FESTIVAL.10 OCT 1990 / C.W.A / FESTIVALcountry women's association, cwa, festival, women's history, women

This photograph is a "snap shot" in time circa 1950s detailing the rural environment before the effects of the Kiewa Valley Hydro Scheme altered the basic rural setting of the valley. The golfing fairway was being mapped out on previous grazing land, before the laying of a golf course, for use by the construction workers and auxiliary administration employees of the Victorian State Electricity Commission. This photograph details a dramatic period in time which saw an enormous change to the exclusively rural area of the Kiewa Valley region in the mid 1900s. This change presented both physical and mental challenges to the existing quiet rural inhabitants of the valley. The State of Victoria had to make adjustments to the changing demands imposed by population and industrial expansions. The development of cleaner energy supplies to a growing population has its downside ,which ever way the intrusion into the "natural" landscape is made.Black and white photograph detailing surveyor posts for construction of golf course. Land used, before establishment of the Mount Beauty Village, as farming/grazing cattle and viewed towards Mount Bogong and its Alpine ranges. The photo is on 200gms paper and not on photographic paper.nilmount beauty in the 1940s - 1950s, grazing in the kiewa valley, sec victoria

Light green coloured, folded A4 paper pamphlet titled "A School of Pride and Quality" advertising Southwood Primary School enrolements. Address - Maidstone St, Ringwood, 3134, PH: 9870 4106 List details of facilities, curriculum, and parental involvement. Advertises after school care. Some B&W photos of students. Descibes Southwood as a School of the Future, striving to 'preserve a rural school ethos'

One of 15 A3 sheets of copies of postcards on each page. Shirley Jones Collection.Copies of Postcards: Left side from top to bottom: 1 & 2. Main Street, Cowes. 3. Rural scene nears Cowes. 4. View of Newhaven from San Remo. Right side from top to bottom: 1. Three men sitting on the Cowes Pier - Baths in the background. 2. Coastal scene at Cape Woolamai. 3. Newhaven Pier. 4. Granite Quarry at Cape Woolamai. Left side from top to bottom: 1. "Main St Cowes". 2. "Main St Cowes". 3. "Scene Near Cowes". 4. "Newhaven from San Remo Phillip Island". Right side from top to bottom: 1. "Phillip Island from Cowes Pier". 2. "Phillip Island - Cape Woollami - Home of Mutton Bird". 3. "Phillip Island - Newhaven San Remo in distance". 4. Phillip Island - Granite Quarry Cape Woolamai".main street cowes phillip island, rural scene phillip island, views newhaven, cowes pier phillip island, coastline cape woolamai, granite quarry cape woolamai, shirley jones collection, thelma astbury

Poetry book with red cloth cover and part of the jacket pasted on the front cover. It has a picture of a rural scene of men driving cattle. The book contains a number of poems by a selection from Australian Poets. Poems chosen by Joan S. Mackaness, B.A. and George Mackaness, M.A., Litt. D. Written in the front of the book; 1959 Gift to Grade VIB from Mr. R.L. Harrowfield, Head Teacher.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - the wide brown land, joan s mackaness, george mackaness, mr r l harrowfield, golden square training school no 1189, angus and robertson, halstead press pty ltd

The letters of the completed banner were made by different churches within in the presbytery and spelled a sentence, presumably "BUILD YOUR CHURCH LORD!" Orbost was one of the churches that had the finished banner on display. One of 24 small banners with tabs at the top of each for hanging on a rod. 19 have large blue letters appliqued on them. Twenty two of the banners are roughly square and two are smaller and oblong. Three have no letters and are used as spacers in the four word sentence that the letters make. The banners are decorated with rural and coastal images. BN068.7 "O" with fabric paint flag, ram, road and trees and a cow "O"uniting church adult fellowship

The letters of the completed banner were made by different churches within in the presbytery and spelled a sentence, presumably "BUILD YOUR CHURCH LORD!" Orbost was one of the churches that had the finished banner on display. One of 24 small banners with tabs at the top of each for hanging on a rod. 19 have large blue letters appliqued on them. Twenty two of the banners are roughly square and two are smaller and oblong. Three have no letters and are used as spacers in the four word sentence that the letters make. The banners are decorated with rural and coastal images. BN068.12 "U" with sunrise over the sea with gold chain sunbeams and sequins "U"uniting church adult fellowship

The letters of the completed banner were made by different churches within in the presbytery and spelled a sentence, presumably "BUILD YOUR CHURCH LORD!" Orbost was one of the churches that had the finished banner on display. One of 24 small banners with tabs at the top of each for hanging on a rod. 19 have large blue letters appliqued on them. Twenty two of the banners are roughly square and two are smaller and oblong. Three have no letters and are used as spacers in the four word sentence that the letters make. The banners are decorated with rural and coastal images. BN068.13 "R" with fine blue embroidery at each corner and only two tabs "R"uniting church adult fellowship

The letters of the completed banner were made by different churches within in the presbytery and spelled a sentence, presumably "BUILD YOUR CHURCH LORD!" Orbost was one of the churches that had the finished banner on display. One of 24 small banners with tabs at the top of each for hanging on a rod. 19 have large blue letters appliqued on them. Twenty two of the banners are roughly square and two are smaller and oblong. Three have no letters and are used as spacers in the four word sentence that the letters make. The banners are decorated with rural and coastal images. BN068.22 spacer with appliqued sun with ribbon rays and black white and brown figures uniting church adult fellowship

Photograph shows the view overlooking the Greensborough township in the first half of the 20th Century. It shows the rural nature of the area.Digital copy of black and white photograph.greensborough

Booklet about improving shearing efficiency produced by the National Rural Industry Training Committee and the Australian Wool Corporation."Improving Shearing Efficiency"shearing, national rural industry training committee australian wool corporation, stuart, mr david - south australian college of advanced education

Monument to mark where the First hospital was built at Pleasent CreekDoctor's Hill On the hill in 1859 the First Pleasant Creek Hospital was built to serve the needs of the Gold Miners and the Rural Communitites of Western Victoria. There not being anything else of the kind further towards the interior oof the Colony. [1st Annual Report 1959] The Hospital was resited at Stawell West 1861.doctor's hill

Monument to mark where the first hospital was built at Pleasent CreekDoctor's Hill On this Hill in 1859 the First Pleasant Creek Hospitalwas built to serve the needs of the Gold Miners and the Rural Communities of Western Victoria. "There not being Anything Else of the kind further towars the interior of the Colony.' [1st Annual Report 1859]. The Hospital Was Re-sited to Stawell West in 1861doctors hill, monument

This type of "stone" jar drinking container was used before glass and later plastic material made it "out of date" as a drink container. The qualities of the glazed pottery (stone) drinking containers made from this natural thermal insulation material was to contain the liquid to a prescribed temperature either hot or cold, as required. This was particularly important in rural environments that lacked adequate refrigeration means. The rural regions where the last areas in Australia where this type of drinking container remained in use. The late 1960's saw a revival of the basic rural ethos by the "hippie" culture of going to basic survival non "commercial" living.This particular stone jar drinking container was also a method of advertising for a Wodonga Stone masonry manufacturer. It is both relevant and significant to the Kiewa Valley because it highlights the type of industry that has breached the evolutionary trend for cheaper "throw away" drinking containers. Although this particular type of container is limited to quality liquids and it is still available in most rural sectors of the Australian "bush" environment.This stone/earthenware jar has a lip 250mm in length and 150mm thick. This lip will allow the thumb and forefinger to be used to grip the container for either pouring its contents out or securing it for any movement. The external glazed surface may become slippery when wet. The jar is heavy even when empty and would be too heavy for small children to carry. By using a cork seal the jar can be reused and therefore become more economical for the longer term. The thickness of the vessel provides a good insulation for the liquid contained. Most of this type of container would have contained ginger beer.Within two elliptical circles are painted (in freehand) "S. MASON" in the top half and "WODONGA" in the bottom half.These are separated by an asterisk on both sides. A large "S" overlaid by a similarly large "M" is within the inner circle. Stamped into the jar when still wet during manufacture is "PINNACLE BRAND" in 5mm lettering.drinking container, stone jar, ginger beer container, s. mason, wodonga earthen ware

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief depicting a man bent over to shear a sheep. His shirt sleeves are rolled up and he is bent toward the viewer.sculpture, industry, rural, copper, bas-relief, shearing, sheep, shearer

Bendigo & District, 32 pages with coloured photos. Includes 2 loose pages of an index of photos compiled by Lyn Friswell.Ken and Esther Stepnellbendigo, history, housing/cultural, bendigo, urban, rural, housing, history

This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9.Black and white photo mounted on cream card with hand written text in lower half on front, and printed and hand written text on back. Image depicts two sheep in the foreground with a road, fence, stone wall, trees and building in the background.Front: [handwritten] Mark E Mitchell / Harrogate / Pure bred Wensleydale / Ram Shearling / Pure bred Wensleydale / Ram Lamb. Back: [printed] MARK E. MITCHELL HARROGATE / [handwritten] 334 - C / 27/12/28new south wales graziers association, world tour, england, wensleydale, sheep, farm, rural, agriculture

Digital Photograph od snow on a distant hill at Newlyn.snow, weather, victoria, newlyn, hepburn shire, agriculture, landscape, rural