This trophy has been presented to the Warrnambool & District Football League by the South Warrnambool Football Club. This latter club still plays in the Hampden Football League and dates back to the 1880s and possibly beyond and has always been a traditional rival of the Warrnambool Football Club. West End Football Club dates back to the 1890s and joined with the Allansford Football Club in the 1960s to form the West End Allansford team. In 2001 the name ‘West End’ was dropped from the club’s name. Russells Creek Football Club was established in 1931 and still plays in the Warrnambool & District Football League which dates back to the early 1900sThis football trophy is of interest as it comes from the mid 20th century and concerns two local Warrnambool football clubs still existing today and one club that no longer exists.This is a wooden trophy in the shape of a shield. It has a silver scroll on the top and a silver heart shape in the middle. There is a cord on the back of the shield attached by metal hooks for hanging purposes. There are five small shields with etched writing on four of these. The shield is a little scratched. ‘South Warrnambool Football Club Shield’ ‘Warrnambool & District Football League’ ‘R.C.F.C. Premiers 1947 Tom Zanos (Captain) H. Drewitt (Coach)’ ‘W.E.F.C. Premiers 1948 P. Lake Capt. & Coach G.R.Thomas Pres.’ ‘W.E.F.C. Premiers 1949 W.L. ‘Jack’ McMurrick Capt. & Coach’ ‘West End F.C. Premiers 1950 W.L. McMurrick Capt. & Coach’ south warrnambool football club, warrnambool & district football league

These vintage tins contained medicinal products to help relieve illness symptoms for the family at home in the 1900's. Two were manufactured in Australia and the two Ayrton's products were made in England.Three vintage medicinal tins and cardboard container. 1. Small Ayrton's heart shape Bismuth Indigestion Tablets tin with the Manufacturer details printed at the bottom of the lift up lid. It has a large red heart shape on a white background. Approx. 2ozs. It has a gold base with information for use and recommended dosages. 2. A small badly rusted and worn tin Ayrton's Sulphur and Yeast Tablets with seven red dots showing usage features of these tablets. Manufacturer details are listed at the bottom of the front lift up lid and the back of the tin has further information. 3. A cylindrical green Robinson's Patent Barley tin with a patterned rusted lid. The manufacturer details and usage information are indecipherable due to wear and rust. 4. A cylindrical lidded De Witt's Antacid Powder cardboard container with a rusted tin lid. Manufacturer details and usage are printed on a paper wrapper glued to the cylinder.1. 'Ayrton's Heart Shape Bismuth Indigestion Tablets Ayrton Saunders & Co Ltd Liverpool. England.' 2. 'Ayrton's Sulphur and Yeast Tablets Ayrton, Saunders & Co. Ltd. Liverpool. Eng.' 3. Robinson's Patent Barley' (indecipherable details) On the bottom of the tin Robinson's "Patent" Barley Letters Patent Granted 1923 Now expired Packed March 1951. 4.De Witt's Trademark Antacid Powder 2/6 for Indigestion. Contents 4ozs. Approx. Lasting Action' Inside the Ayrton's Sulphur and Yeast Tablets tin is a sticker with 'M Burgi' handwritten on it in biro.medicinal containers, tins, medication, containers

This uniform belonged to 036319 F/Lt A S Cutting who served in the RAAF During WW2.This uniform was made in 1945 and was owned by F/Lt A S Cutting.Service Dress Blue Jacket and Trousers with buckle belt, RAAF Buttons, badges of Rank on both sleeves and Ribbons of three Decorations above the left pocket.Inside the jacket a small tag - A F (the I in the shape of the 'broad arrow', used to indicate military use (Navy, Army, Air Force) 1945, M. TX, Size 22.raaf, 036319 a s cutting 1945

A timber plane , or jack plane (or fore plane) is a carpenters or cabinet makers tool that is used for dressing timber down to the correct size in preparation for truing and/or edge jointing.A significant tool from the mid to late 19th century that is still in use today. It gives context of how furniture and other finishes were created on timber by the use of cutting edged hand tools. Tools that were themselves handmade shows the craftsmanship of the era but also highlights craftsmanship needed to produce a even finish.Carpenters Plane also referred to a Joiner or Jack Plane. Long rectangular shaped timber block with carved timber grip handle, timber block support and blade. Square shaped opening Infront of block and blade, tapers to a small slot to the bottom to allow for the timber shaving to fall through. Stamp mark on metal plane blade: MITCHLL A........(Unable to distinguish further writing) Stamp is in a horse shoe shape with the Mitchll curving around the stop and the word starting with 'A' along the bottom.capenter, wood work, construction, box plane, cabinet maker

These bottles were common in the late 1800's and 1900's. Bottle Nos 1 and 2 were made by Angus & Co, a Sydney company producing ink and gums (glue and clag) from about 1880 to 1920. Their products were sold in stoneware and glass containers in varying sizes. 1. Small pottery bottle referred to as a "Penny Ink" bottle, made by Angus & Co. The small bottle got its name because of the price of 1d. = 1 penny. This bottle is missing. Nos. 3 and 4 The two tall thin Erven Lucas bottles with handles at the top were usually referred to as "Dutch Gins". In fact they actually contained "'Seltzer Spa water' or a form of Quinine Tonic, both supposed to be health drinks. These types of bottles first arrived in Australia with the Gold-seekers from Europe. Early samples are somewhat crudely made. The potter would have formed the bottle with a young apprentice applying the handle, name stamp and the glaze prior to being fired in the kiln. There is evidence of fingerprints from these processes on both samples.A collection of five handmade rare stoneware bottles with a salt glaze: 1. Small pottery bottle referred to as a "Penny Ink" bottle, made by Angus & Co. The small bottle got its name because of the price of 1d. = 1 penny. This is missing. 2. Medium glazed brown pottery bottle with a pouring spout (Angus & Co Ink Commercial). 3. Medium glazed brown pottery bottle with a pouring spout (Bourne Denby). 4. Large glazed brown pottery bottle with a pouring spout (Bourne Denby). Sample is from England probably sold for 2/- or 2/6d. Two shillings or two shillings & sixpence. 5. and 6. Two tall thin brown pottery bottles, one with a broken cork stopper and one without a stopper with Erven Lucas Bols - Het Lootsje Amsterdam stamped at the top of both. They were usually referred to as "Dutch Gins". 6. Green/black bottle is a traditional Dutch Gin with tapering sides, which made it easy to remove from the mold after being blown by hand and the cork top was applied by an apprentice. This sample dates from approximately 1900. Earlier samples are very crude with later samples being machine made with embossing.(This bottle is missing, 13.10.2022). 2. 'Angus & Co Ink Commercial' 3 and 4. 'Bourne Denby' stamped inside an oval lined shape. 5. and 6.Erven Lucas Bols - Het Lootsje Amsterdambeverage bottles, bottles, storage containers, stoneware bottles

Ref: ebay sale same item description : 'Pill Maker dating from the late 1800s, used by chemists to mould ingredients into pills. It consists of two main parts, the board and the roller. The roller is made of wood with two handles. It fits over the sides of the board and has wheels to enable it to roll backwards and forwards. The underneath of the roller is fitted with a brass plate with grooves in it that match the board, enabling the mixture to be pressed into the grooves and formed into a tubular shape, ready to be weighed and cut into pills. The board is made of mahogany with brass sides and matching brass grooves'. Apothecary Pill Maker of brass and mahogany, in two parts, the board and the roller. The roller of thick wood with two handles, which fits over the sides of the board and has brass rollers to enable it to roll backwards and forwards. The underneath of the roller is fitted with a brass plate with grooves in it that match the board, enabling the mixture to be pressed into the grooves and formed into a tubular shape, to be weighed and cut into pills. The board is made of mahogany with brass sides and matching brass grooves. Numerals.pill roller, chemist

This lead sealing capsule was recovered from the tragic wreck of the sailing ship ‘Loch Ard’. It may have once been on a bottle amongst the ship's cargo, its provisions or the passengers’ personal luggage. It is now part of the John Chance collection. Bottles in the early 19th century were handmade. They were not necessarily uniform in size or shape, so sealing was not always successful. If the bottles were stored they often became contaminated by rats and mice breaking the cork or wax seals, or by insects attracted to the contents if the seal on the bottle leaked. Lead sealing capsules were used from 1843 to overcome this problem. The lead was heated until it was malleable, then moulded by hand to fit over the sealed bottle’s mouth and neck. This was more successful if wire was also used under the capsule for added security (similar to modern champagne bottles). The capsule couldn’t be re-fitted so it was discarded after the bottle was opened. Capsule designs from about 1862 used tin-plated lead foil and often had the inscriptions and trademarks of the content makers on them. Eventually it was found that the lead was toxic. The lead was replaced by tin, aluminium, and later plastic. Today’s home brewers can buy readymade plastic capsules that fit over the bottle then twist to lock it firmly into place and can be re-used. Digs at archaeological sites often reveal lead sealing capsules. These are collected and catalogued. The information gathered from inscriptions, makers’ marks, logos and descriptions of the bottle contents has provided valuable insights into the history and the dating of other items on the sites. This lead sealing capsule was made to seal a handmade glass bottle and is historically significant for representing its invention to solve a preservation and integrity issue with bottle seals in the mid-to-late 19th century. Its design has evolved and is still in use today. This sealing capsule is representative of their historical use of capsules as a tool for dating and interpreting archaeological sites around the world. The sealing capsule is also significant as it was recovered by John Chance, a diver from the wreck of the Loch Ard in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The sealing capsule is also significant for being connected to the wreck of the Loch Ard (1873-1878), which is historically significant to both Victoria and Australia. The loss of the ship has been described as one of the ‘worst shipwreck tragedies’ and is well known in Victoria for the tragic death of 52 out of the 54 lives on board. The Loch Ard wreck's historical significance as a large international passenger and cargo clipper ship has been recognised and it is now registered on the Victorian Heritage Database, VHR S417. The wreck site is labelled as ‘one of Victoria’s most spectacular diving sites’ and the area is a popular tourist site. It is part of Victoria’s Underwater Shipwreck Discovery Trail.Bottle sealing capsule, cylindrical with thin, round top separated from thicker body (taped in place and fragile). Made from grey-white lead, uneven in thickness and shape. Remnants of a thick substance are inside the capsule.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, loch ard, bottle seal, bottle capsule, handmade bottle, antique bottle, sealing capsule, lead capsule, bottle closure, bottle foil, bottle preservation, bottle finish

Items are classed as WW 2 trench art..1) Perspex brooch, half round in shape, green colour. Inlaid is a rising sun lapel badge with is gold coloured. the writing on the badge "Australian Commonwealth Military Forces" has been coated in red. 2 pins have been attached. .2) Perspex brooch, oval shape, clear from the rear a crown and wings has been pressed into to giving a clear shape from the front. trench art, brooches

These spoons are from the wreck of the Loch Ard, which sailed from Gravesend, London 1878. The manifest listed an array of manufactured goods being exported to the Colony of Victoria. Included in the cargo manifest was a large number of hardware & cutlery items. The spoons are representative of similar items of silver electro-plated cutlery salvaged from the Loch Ard wreck site, comprising nickel silver electroplated spoons and forks of various sizes but all sharing the same general shape and design. Some of the pieces display their makers’ mark of William Page & Co Birmingham UK. Within the Flagstaff Hills cutlery collection donated from the Loch Ard, maker’s marks are often obscured by sedimentary accretion or verdigris after a century of submersion in the ocean. However sufficient detail has survived to indicate that the collection of samples of electroplated cutlery probably originated from the same cargo consignment from the Loch Ard and were made by William Page & Co. Of Birmingham England. William Page was born in 1811 and died in 1885. He was active as a manufacturer of cutlery from 1829 with premises at 74 Belmont Rd, Dales End as a "close plater" (someone who works sheet metal), and he began electroplating in 1855. William Page & Co was also active from 1880 at Cranemore St, Cattle’s Grove also 55 Albion St, Birmingham, and in 1936 the firm became an Ltd company. The firm used the trademarks "Asrista, Bolivian Silver, Silverite, Roman Silver, Romanian Silver, and Trevor Plate. In 1938 William Page was a supplier to the British Government, marking its products with the broad arrow symbol and was also present at Sheffield. Electroplated silver objects are made of a base metal (like copper, nickel or brass) coated with a microscopic layer of silver using an electrical current. If objects like these spoons are submerged for long periods in sea water or air, the surface may become tarnished with different colours - purple tarnish is a natural early-stage of oxidation when the copper alloy reacts with sulfur in the air and is often a precursor to black tarnish, green patina occurs when copper or brass is exposed to air and water over long periods and is generally harmless and acts as a shield against further decay and brown tarnish occurs when copper combines with oxygen. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1st March 1878 carrying 37 crew, 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that were intended for display in the Melbourne International Exhibition in 1880 - a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in 1976. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history.This is a collection of six spoons recovered from the wreck of the Loch Ard which sank in 1878. Spoon 8722.1 (a tablespoon) is the largest of the spoons. It has an elongated rounded handle and is extensively covered with green verdigris. Spoon 8722.2 (a teaspoon) is the smallest of the spoons. It also has an elongated rounded handle and has black and green tarnish. There is evidence of markings on the handle but they are difficult to decipher. Spoons 8722.3 - 8722.6 are of similar size and design. They are dessert spoons with a fiddle back handle. Spoon 8722.3 is badly corroded and encrusted with sea debris but there is evidence (which is difficult to read) of markings on the handle. Spoon 8722.4 is also heavily tarnished with green verdigris and the metal is beginning to flake on the handle. It has remnants of masking tape on the inner bowl. Spoon 8722.5 has an extensive covering of vertigris and the metal is very thin and fragile with several tiny holes and a larger hole in the bowl. Spoon 8722.6 has extensive brown (and some green) oxidation and a full set of hall marks on the handle - including the maker's mark for William Page and Co Birmingham - A WP stamp within a square diamond, a letter "B" and three more hallmarks.Makers’ mark “W” & “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape identifying the manufacturer as William Page & Co of Birmingham plus a "B" and three other unidentified marks.flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, loch ard, wreck of the loch ard, loch ard artefacts, loch ard salvage, william page and company, william page and co birmingham, spoons, domestic spoons, silver plated spoons, electroplated spoons, electroplated cutlery

The wooden pattern forms part of a larger collection, securely stored within a durable wooden crate. This pattern was an essential tool at Briggs’ Brass Foundry, specifically designed for creating sand casts. Sand casting is a time-honoured technique, with a history exceeding 2,000 years. The handcrafted nature of this process results in the production of brass and copper alloy items, which are particularly suitable for maritime applications. Typical products include bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. The distinctive bronze mixture used at Briggs’ Foundry is copper-based, composed of local ingots of copper, tin, zinc and lead, blended in precisely measured quantities. The resulting alloy is non-ferrous, known for its exceptional durability and longevity. In the early years of Flagstaff Hill, the Briggs family generously donated the crate of patterns along with other related items such as brassware, tools and machinery. These items were prominently displayed in a simulated Brass Foundry within the Village, alongside other working crafts, trades and services typical of a maritime town. From the completion of the building in 1986 until its repurposing in 1994, visitors could view these items and gain insight into the foundering and metalwork trades that supported maritime industries, including shipwrights and boatbuilders. The castings produced at the foundry were also vital for farmers, manufacturers and other local industries. The Brass Foundry display featured a historic Cornish chimney, constructed as a working model to illustrate the process of smelting metal in furnaces and pouring it into sand moulds. The chimney, crafted from specially curved bricks, currently stands at approximately two-thirds of its original height, having previously been located at the Grassmere Cheese factory. The craft of sand-casting, which utilises intricately carved wooden patterns to create metal objects, stands as a testament to the enduring value of traditional skills. This age-old technique remains relevant today, linking past craftsmanship to ongoing industrial practices. The foundry pattern set holds particular significance due to its strong associations with brass foundries, both locally and in coastal regions across Victoria. In these areas, marine industries such as ship and boat building have long depended on high-quality metal castings for the machinery, equipment, and fittings essential to their operations. The alloys formulated by Briggs Brass Foundry, crafted from non-ferrous metals, were specifically designed to provide superior longevity and durability in maritime environments. These patterns are closely tied to the history of the Briggs Brass Foundry, a respected and long-running company that specialised in producing cast goods for the marine sector. The foundry was equipped to supply both unique, one-off items and mass-produced components, ensuring that its products found their way onto a variety of sail and steam vessels along the Victorian coast, including in Warrnambool. In addition to its broader marine applications, Briggs Brass Foundry established itself as a bell-founder specialist. The company’s expertise is notably linked to the historic Schomberg Bell at Flagstaff Hill, which they restored to its original splendour as a fine example of a bell from a luxury migrant ship of the mid-19th century. The significance of the pattern set is further heightened by its association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its proficiency in producing, repairing, and restoring ship bells and other marine equipment. Renowned for their non-ferrous metal casting, Briggs Brass Founders consistently supplied high-quality fittings and equipment vital to maritime pursuits. Moreover, the company expanded its influence by opening a branch in Warrnambool. Through this local presence, Briggs Brass Founders supported the regional marine industry and forged strong connections with fishermen and businesses. This not only reinforced their reputation as skilled manufacturers but also highlighted their commitment to community engagement and support. Pattern; hexagonal wooden shape painted orange. The thick carved wooden shape is in halves forming a hole when locked together with the dowel pegs and opposing drilled holes. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, briggs, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, traditional send casting

.1) The 38th group photo was most likely taken in Pall Mall Bendigo in front of the Myers store. Only one men is identifiable at this point..1) Photo B & W rectangular shape showing a group of men 23 in total standing beside a bus, two sitting on top. .2) Photo B& W rectangular shape showing one to the two Colours of the 38th BN AIF..1) “Melbourne Members. Bendigo Reunion October 1948”photographs, 38th bn

.1) Bottom section of messing set, flat one side, semi circle shape the rest. Steel handle & two belt loops. .2) Upper section smaller matching shape. The upper section fits over the bottom section as a lid.military equipment, metalcraft - aluminium, passchendaele barracks trust

The attribution of this item as a thyroid elevator is currently uncertain.This is one of a collection of items associated with Dr Felix Henry Meyer (1858-1937). Meyer was a very prominent early obstetrician and doctor, playing a part in the establishment of the role of the chair of obstetrics at the University of Melbourne in 1929. He was also a foundation member of the Royal Australian College of Surgeons.Surgical tool. Consists of a central shaft, the shape of which bows out in the middle into an elongated oval, with prongs in the shape of double hooks at either end. Inscription on one end of the tool reads 'MAYER & MELTZER', and inscription at the other end reads 'LONDON'.'MAYER & MELTZER' 'LONDON'surgery

The green over yellow usually denotes "Training" but not properly identified yet to the centre piece. Collection items re Paul Denis Ahearn No 331325, refer Cat No 11108P for his service details.Slouch Hat Pugaree kakhi colour with 7 folds, one side has a colour patch square shape green at the top yellow at the top, in the centre is a rectangular shape divided corner to corner red over orange. Label on the inside with details.On label inside, "A.D.I. P/L - Vic1988^"pugaree, colour patch, pdahearn

Wooden butter churn square in shape. L shaped winding handle on arm winds wooden paddles inside churn. Wooden square lid with handle is a newer addition to churn. Inside of churn has rounded edges to form U shape."1" has been branded on base.food technology, dairying, butter, dairy, churn, 1.

Ink pot glass disc shape with small opening at top. Slightly chipped around lip.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Bottle clear glass hexagonal shape with paper label marked "Bosco Liquid Suede Dressing"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Bottle green glass cylindrical of uneven shape with air bubbles and lines down side of bottle.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Carving of a large male head made by a patient of Mayday Hills Asylum. The sculpture has been roughly hewn from a single piece of wood.Mayday Hills Asylum was one of the three largest psychiatric hospitals in Victoria, and played an important role in the treatment of mental health illnesses from its establishment in 1867 to its closure in 1995. As part of prescribed treatment, many patients participated in craft activities were they were able to create an array of objects. A limb of a tree roughly carved into the shape of the man's face featuring heavy eyebrows, moustache and beard.beechworth, burke museum, mayday hills asylum, carving, wooden sculpture

Silver trophy cup with two handles on a stand. Highly decorated with oval shapes and floral pattern.B Main \ Won This Trophy \ on 3 Shootings at 500 yds \ Total 137 Scratched on the base.cup, silver, trophy, sport, gun club

A ballistic galvonometer in black sealed metal enclosure, of cylindrical shape on a circular base, with levelling feet. scientific instrument, galvonometer, ballistic galvanometer

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.Lace edged white lawn apron with attached bib. Both bib and apron, pentagonal shape.clothing, womens history, needlework, domestic item

Military Financial Regulations and Instructions 1935 Reprinted with amendments up to and including Statutory Rule No 122 of 22 December 1938 and with amendments to Instructions up to and including Serial No 40 (AAO 141/1939)Pay and Allowances for Service Personnel as at 1935/1939 A book oblong in shape faded blue/green colour thin cardboard covers white pages.Serial No 40 (AAO 141/1939) by Authority L.F. Johnston, Commonwealth Government Printer, Canberra (Printed in Australia). Hand written in ink in top right hand corner of front cover: W. A. Cronk/Capt 59 Bn Hand written in ink top right corner of inside front page: W.A. CRONK. Capt./59 Bn.military financial regulations canberra johnston australia

This is a branding iron used by the Warren family on their farm in the Nerwmerella/Orbost district. It was locally made, probably by a blacksmith in Orbost. Hot iron branding was a typical method of identifying stock, usually cattle or horses. The iron was heated in a fire and then applied to the flank of the animal where the 'W' brand remained as a scar on the animal.This item is significant because it is identified as belonging to the Warren family, and also because of it shows the methods used to identify stock until the last decades of the 20th century. A long piece of iron rod with a ring at one end and a forged W shape at the other end. 'W' for Warren family brandfarming, orbost, branding iron, warren

Donated and worked by Ruth Woodward. Ruth was a member of Richardson family which was one of the pioneering families of the Orbost region from the 1870s.A cream cloth runner, woven body with hand worked designs in diamond shapes, cream fringe.cloth-runner hand-embroidery

Lady Bells were widely made and used during the 1800's as bells to call the servants.A brass bell in the shape of a lady wearing a full ball dress. Her hands are clasped in front.bell lady-bell brass ornament

This rectangular slate of 'beautiful, unusual, expensive, green' American roof tile was amongst tiles recovered from the wreck of the Falls of Halladale. Salvaging began in 1974 by volunteer divers, using local cray-fishing boats. An efficient system was devised that enabled the recovery of up to 4,000 of the still neatly packed slates a day. Many of 22,000 salvaged slates can be seen on roofs of eight buildings in the Flagstaff Hill Maritime Village. The sought-after slate doesn't need any special treatment before use. Some of the slates have slight red staining that comes from over 70 years in the wrecked vessel's rusting hull. The four-mast iron barque 'Falls of Halladale' left New York in August 1908 and, due to a navigational error, floundered off the rocks at Peterborough, Victoria, in the following November. None of the 29 lives on board were lost. Crowds gathered for months to watch the tall ship slowly break up. The green American slates were carried on board as ballast. As well as over 56,000 of the American slates, the large cargo on the Falls of Halladale included benzine, costly timber, rolls of printing paper, coils of barbed wire, thousands of metal bolts, hardware items, tableware, American walnut desks and medicine. Some of the cargo was later recovered. The iron-hulled, four-masted barque, the Falls of Halladale, was a bulk carrier of general cargo. She left New York in August 1908 on her way to Melbourne and Sydney. In her hold, along with 56,763 tiles of unusual beautiful green American slates (roof tiles), 5,673 coils of barbed wire, 600 stoves, 500 sewing machines, 6500 gallons of oil, 14400 gallons of benzene, and many other manufactured items, were 117 cases of crockery and glassware. Three months later and close to her destination, a navigational error caused the Falls of Halladale to be wrecked on a reef off the Peterborough headland at 3 am on the morning of the 15th of November, 1908. The captain and 29 crew members all survived, but her valuable cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. ABOUT THE ‘FALLS OF HALLADALE’ (1886 - 1908) Built: in1886 by Russell & Co., Greenock shipyards, River Clyde, Scotland, UK. The company was founded in 1870 (or 1873) as a partnership between Joseph Russell (1834-1917), Anderson Rodger and William Todd Lithgow. During the period 1882-92 Russell & Co., standardised designs, which sped up their building process so much that they were able to build 271 ships over that time. In 1886 they introduced a 3000 ton class of sailing vessel with auxiliary engines and brace halyard winches. In 1890 they broke the world output record. Owner: Falls Line, Wright, Breakenridge & Co, 111 Union Street, Glasgow, Scotland. Configuration: Four masted sailing ship; iron-hulled barque; iron masts, wire rigging, fore & aft lifting bridges. Size: Length 83.87m x Breadth 12.6m x Depth 7.23m, Gross tonnage 2085 ton Wrecked: the night of 14th November 1908, Curdies Inlet, Peterborough south west Victoria Crew: 29 The Falls of Halladale was a four-masted sailing ship built-in 1886 in Glasgow, Scotland, for the long-distance cargo trade and was mostly used for Pacific grain trade. She was owned by Wright, Breakenridge & Co of Glasgow and was one of several Falls Line ships, all of which were named after waterfalls in Scotland. The lines flag was of red, blue and white vertical stripes. The Falls of Halladale had a sturdy construction built to carry maximum cargo and able to maintain full sail in heavy gales, one of the last of the ‘windjammers’ that sailed the Trade Route. She and her sister ship, the Falls of Garry, were the first ships in the world to include fore and aft lifting bridges. Previous to this, heavily loaded vessels could have heavy seas break along the full length of the deck, causing serious injury or even death to those on deck. The new, raised catwalk-type decking allowed the crew to move above the deck stormy conditions. This idea is still used today on the most modern tankers and cargo vessels and has proved to be an important step forward in the safety of men at sea. On 4th August 1908, with new sails, 29 crew, and 2800 tons of cargo, the Falls of Halladale left New York, bound for Melbourne and Sydney via the Cape of Good Hope. The cargo on board was valued at £35,000 and included 56,763 tiles of American slate roof tiles (roof slates), 5,673 coils of barbed wire, 600 stoves, 500 sewing machines, 6,500 gallons of oil, 14,400 gallons of benzene, plumbing iron, 117 cases of crockery and glassware and many other manufactured items. The Falls of Halladale had been at sail for 102 days when, at 3 am on the night of 14th November 1908, under full sail in calm seas with a six knots breeze behind and misleading fog along the coast, the great vessel rose upon an ocean swell and settled on top of a submerged reef near Peterborough on the south-west Victoria’s coast. The ship was jammed on the rocks and began filling with water. The crew launched the two lifeboats and all 29 crew landed safely on the beach over 4 miles away at the Bay of Islands. The postmistress at Peterborough, who kept a watch for vessels in distress, saw the stranding and sent out an alert to the local people. A rescue party went to the aid of the sailors and the Port Campbell rocket crew was dispatched, but the crew had all managed to reach shore safely by the time help arrived. The ship stayed in full sail on the rocky shelf for nearly two months, attracting hundreds of sightseers who watched her slowly disintegrate until the pounding seas and dynamiting by salvagers finally broke her back, and her remains disappeared back into deeper water. The valuable cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. Further salvage operations were made from 1974-1986, during which time 22,000 slate tiles were recovered with the help of 14 oil drums to float them, plus personal artefacts, ship fittings, reams of paper and other items. The Court of Marine Inquiry in Melbourne ruled that the foundering of the ship was entirely due to Captain David Wood Thomson’s navigational error, not too technical failure of the Clyde-built ship. The shipwreck is a popular site for divers, about 300m offshore and in 3 – 15m of water. Some of the original cargo can be seen at the site, including pieces of roof slate and coils of barbed wire. This slate tile is significant for its connection with the wreck of the Falls of Halladale. The Falls of Halladale shipwreck is listed on the Victorian Heritage Register (No. S255). She was one of the last ships to sail the Trade Routes. She is one of the first vessels to have fore and aft lifting bridges. She is an example of the remains of an International Cargo Ship and also represents aspects of Victoria’s shipping industry. The wreck is protected as a Historic Shipwreck under the Commonwealth Historic Shipwrecks Act (1976).Unusual beautiful green American slate, rectangular shape, recovered from the wreck of the Falls of Halladale. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, falls of halladale, green american roofing slate tile, roof tiles, slate, slate roof tiles, falls of halladale shipwreck, shipwreck cargo, russell & co.