B/W copy from Grampians Community Health Centre Book Norma Pickering has a chain around her neck. She is holding a photograph of herself in her tutu and ballet shoes. In foreground is a brick fireplace.

Ladies black leather sandal with wide strap across foot and supporting leather around ankle. Leather has reptile-skin type pattern. Shoes are joined together by elastic and still have Rubi label on them Rubi 39shoes, footwear, ladies, sandals, leather

Mabel Pye was a printmaker and painter. She was born in Box Hill in 1894, probably at the family’s Loch Street property. She was the daughter of Alice Eleanor Noar and her husband William Edward Pye, who married in 1893. William was known as Ted and is recorded in electoral rolls as a legal clerk and later as a public servant. Mabel had a sister Hazel who was also an artist, but less well known. 12 Loch Street, Surrey Hills was known as ‘Mulberry Hill’ and the Pyes appear to be the first occupants – Alan Holt’s register of Surrey Hills properties has them there from c1900. The property was originally about an acre in size and was later divided into 4 house blocks. In 1923 they built a house for themselves on one of the blocks facing Benwerrin Street and called it ‘Tanglewood’. The Loch Street house abutted the Surrey Hills Reservoir and was diagonally linked to the land in Benwerrin Street. In 2019 both the houses still stand. The family were involved in amateur theatre and at times the studio doubled as a rehearsal space for the Benwerrin Players, a group which operated through the late 1920s and early 1930s being comprised of friends and neighbours from Benwerrin Street and Windsor Crescent. Some of their performances were at the Surrey Hall in Union Road. Most of Mabel’s known work dates from the 1930s. She had studied under Bernard Hall at the National Gallery School. Mabel was a member of both the Victorian Artists Society from 1918-1941 and also the Melbourne Society of Women Painters and Sculptors from 1920-1950. Her work is represented in the Australian National Collection and in state galleries. The NGV has one of her works, the Gallery of NSW has 9 works, a large body of works and personal material is held by the Ian Potter Collection and there is one piece in the City of Whitehorse Collection. This ink sketch of the White Horse Hotel is signed MP and dated 1933, the year the building was demolished. A black and white studio photograph of a young lady standing beside a pedestal and wearing a light coloured dress with 3/4 length sleeves, dark stockings and lace up shoes. A corsage of dark flowers adorns the bodice. loch street, surrey hills, artists, whitehorse hotel, box hill, miss mabel pye, city of whitehorse collection, william edward pye, miss alice elanor noar, mrs alice eleanor pye, frank stamford

Heather Leonard wore this outfit to a Brighton Primary School fundraiser in the late 1960s. She hand painted the white platform heels to match her yellow and orange dress, and her husband Paul wore similarly bright colours with a mustard yellow and purple shirt. Heather was born in the Bayside area, initially working as a nurse and later as a yoga teacher. She and Paul lived together in Male Street for forty years until his death in 2002. Paul worked in advertising and later became a painter, mainly of Australian icons.Floor length dress (.1) of printed cotton with yellow and orange pattern, with scoop neck, short flared sleeves and zip at the back. Platform shoes (.2) with block heel. White leather, hand painted yellow and orange.heather leonard, paul leonard, brighton primary school, 1960s

In 1867 J.H. Abbott established the New Times Boot Market & Factory in Pall Mall, Sandhurst. In 1867, his wife Anne took over running the shop which was located next to the Bendigo Arcade near Williamson Street and was successful in creating a successful business. In 1876, the leather business of T. Baulderstone was purchased, and operations were further expanded later by the acquisition of the Edinburgh Tannery at Sheepwash Creek, and The Edinburgh Leather & Grindery warehouse in Bull Street, Sandhurst. In 1889, Joseph Abbott passed all interests in the business to his son, who shared the same name, in partnership with an adopted son, Richard Hartley Smith Abbott. The business continued trading under the name J. H. Abbott & Co. A number of branches of the business had been established in the early 1900s. In 1959 the Pall Mall business relocated to 291 Hargreaves Street. The whole business was soon after consolidated and conducted from the Market Square branch (Lyttleton Terrace) as the Abbott Supply Company. Harold Abbott, the last of the family to work in the business, died in 1979. In 1980 the business shifted to a new purpose-built store and warehouse on the corner of Abel & Deborah Streets, Bendigo. Sandhurst Trustees administered the business from 1979 until its sale in 1986. He was elected to the Sandhurst Borough Council and in 1860 became chairman of the municipality.Two single colour printed gatefold flyer on green paper advertising J.H. Abbott and Co.'s boot and shoe store on Pall Mall Bendigo. Contains information on products and the fitting services provided in store for customers. chairman of sandhurst borough, anne abbott, city of greater bendigo commerce

Made by Gertrud Streker as an internee at camp 32 small leather buttons, made from old leather shoes. Each button is made of 2 circles of leather over sewn around the edges and thread in the centre where they have been sown onto a garment.gertrud streker, buttons, leather buttons, internee hand crafts

A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. Opening Ceremony Uniform included a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy.8120.1 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt, a matching headband and scarf, yellow gloves and brown leather shoes. To the right of the main image are five detail drawings of the skirt, gloves, shoes and scarf as well as a depiction of a brown leather bag. 8120.2 - unnumbered- mounted on green card this sketchbook page depicts a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt and yellow gloves. 8120.3 - unnumbered- A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt, a matching headband and scarf, yellow gloves and brown leather shoes. To the right of the main image are five detail drawings of the skirt, gloves, shoes and scarf as well as a depiction of a brown leather bag.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform

These advertisements were found in a suitcase donated by a GHS member. The case contained newspapers and other items. This advertisement for Punton's Shoes is from 1935.Although the advertisement not Greensborough based, it came from a local home.Digital copy of newspaper advertisement.puntons shoes

B&W photo shows three men in a muddy field, possibly a sports ground. A white fence with uprights and a top rail edges the field behind them, and the land beyond the fence is heavily treed. The man on the left is wearing a hat, possibly a fedora, white dress shirt and bowtie, a black tuxedo waistcoat, dark boxer shorts or shorts, socks and shoes or laceup boots. He appears to have dark glasses and a moustache. The man in the middle also has a hat, a white shirt and shorts, and what appears to be a large dark bowtie or cravat. He is wearing long socks with suspenders, and laceup boots or shoes. He is bent forwards as if catching or throwing something. The man on the right has a peaked cap, a long dark coat over a shirt and trousers, and either dress shoes or boots. He is holding a stick and other items. dated c.1950s.

The donor was given this doll about 50 years ago by her grandfather (in the late 1960s). He used to be a handyman at a high rise building in St Kilda, Melbourne. He had been doing some work for one of the old ladies and she gave him the doll to give to his granddaughter, who collected dolls. The doll has spent a few years at the Nagambie museum until it closed down and returned to the donor The origins or age of the doll are unknown. Originally it was thought to be a Fashion Doll dating from around the 1880s but the painted face together with the bisque legs and gold painted shoes are similar to those found on Boudoir Dolls (also known as Bed Dolls, Sofa Dolls, Flapper Dolls and French Dolls) of the early 20th century. Fashion dolls were sent from fashion houses to advertise the latest styles, fabrics, trims, hairstyles and accessories. Dressmakers would show these dolls to their customers. Ladies would then place their order and the dressmakers would make the dress to their size. The dressmakers would learn the construction techniques from examining the dolls. Boudoir Dolls dolls usually had no maker's marks and were primarily used as bedroom decorations for ladies rather than as children's toys. This doll appears to date at about the early part of the 20th century, but the petticoats are much older - possibly from a child's christening gown. At the time that the donor received the doll, it had a coloured lace over-gown that was badly torn so her mother removed it to replace with more lace but this never eventuated. The pink silk dress also appears to have been remodelled into a 19th century style with gathered sleeves and a gathered skirt. This fashion or boudoir doll is significant for being a rare example of a doll made in the late 19th or early 20th centuries. The doll is wearing clothing representing the fashion for young girls in that era. The doll is also significant as an item possibly used by fashion houses and dressmakers to advertise the latest fashions in clothing, trims, accessories and hairstyles. A doll such as this may have been found in a Victorian dressmaker's premises for use as a pattern and technique template and for a display to customers. It may also have been used as a decorative item in a lady's bedroom.Female boudoir doll with silk face and body, and porcelain lower arms and legs. She has plaited blonde silk hair. Her painted face has brown eyes and her shoes are painted gold. The doll is dressed in a long pink puffed-sleeve dress with a gathered waist and a ruffle at the hem. A pink ribbon around her waist is tied at the back. There are small silver balls hand-stitched around the neckline. She has a white, hand-embroidered lace petticoat and bloomers.warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, doll, boudoir doll, female doll, dressmaker's doll, display doll, late 1800s doll, fashion doll, antique doll, 19th century doll, children's fashion, girl's fashion, late 1800s children's fashion, early 20th century doll, composite doll, french doll

Black and white photograph 'Birney Car' Number 28, and 'Bogie' tram. Alexandra Fountain in foreground, 'The Beehive', Café, W.M.I Jones Chemist, Ezywalkin shoe shop in background.Inscription on reverse: Stamped in blue ink, 'Photo by A. Doney Bendigo'.person, individual, basil miller

Large plastic doll 1960's era, dressed in red crocheted dress, white undergarment, white shoes, white socks & red ribbons in hair, also 28 other items of hand knitted and crocheted garments for doll.Evergreen made in Hong Kong No 1027toys, dolls, plastic

Image of Hargreaves Mall, showing McCalmans, McArthurs Shoes, Treasureway, Electricity building (cnr. Williamson and Hargreaves) and Town Hall in distance. Excavation work evident. On back 'Hargreaves St. Mall looking east 14/2/82'place, bendigo, hargreaves mall, bendigo, hargreaves mall, 1982

Metal sheath with a screw just below the throat and a hook or stud to facilitate wearing the sword. The blade's (absent) point is further protected by a metal extension called a drag or shoe. Brownish in colour. Has a large dent on one side.None.scabbard, sheath for sword, bayonet, german

The series of 15 photographs were taken to bless the laying of the keel of the schooner 'Enterprize' on the 29th August, 1991. George Evans, who settled at Emu Bottom in Sunbury, travelled from Tasmania to Melbourne in the 'Enterprize' in 1834. The event took place at South Wharf in Melbourne. The Rupertswood Battery were present and Irene Evans was a member of the official party.Irene Evans is seated on the keel of the 'Enterprize' and is surrounded by eight members of the Rupertswood Battery who are in full ceremonial dress. Irene Evans is wearing a red and grey flecked tweed 2 piece outfit and grey lace-up shoes.schnooner 'enterprize', mccaughey, dr. david, grant, james. the rr. reverend, evans, irene, south wharf - melbourne, rupertswood battery, george evans collection

Pair of gilt painted shoe stretcher - probably ladies . Shaped wood toe pieces and spherical heel wedges. Thin metal stretcher also painted - black one side guilt the other. Circular paper label - handwritten.On label - D201costume accessories, footwear accessories

Amey Cook unmarried and only daughter of William Cook and Jane nee MaggsSepia photograph of a teen-age girl with dark hair worn long. Dark short dress with white bow at neck. Dark stockings and shoes. Standing on a stone stair and holding a basket of flowers. Photograph mounted on black card.cook, amey

Colour photograph of David and Jessie Newman Harbeck on their wedding day. Jessie in pale blue ensemble, pink toned handbag and shoes, David in dark blue suit, white shirt and pale blue tie. Lakes Entrance Victoriagenealogy, retail trade, transport

Photograph black & white, Bert Graham Collection, Annual Club Picnic 1961, Lake Jubilee, Daylesford. A Mother's & Daughters race and looking for their shoes. 2 menlooking from the left, and another two and a young boy near the mothers.bendigo, clubs, bendigo east swimming club

Copy of black and white photograph of D Staig. Horse Shoer and general blacksmith Canterbury Road, just east of Wattle Valley Road. Entrance to business, showing 3 adults, 1 child, 1 horse and 2 dogs.canterbury, canterbury road, blacksmiths, horses, staig> d

Grained brown leather with decorative stitching around edges of shoes. Small matching brown leather bow on instep. Nailed on leather sole and built up heel. Eyelet punch on instep flap to take small brown button.On sole circle stamp "All Leather IHM" 11 on sole towards toe

"Talma" and "The Little Minister company" were both touring theatrical companies in the late 1890's. The toured extensively throughout Australia and New Zealand.sepia photograph on cream board. Gentleman in top hot and tails, with cane. Buckles on shoes, theatrical pose. Floral backdrop. Talma/The little Minister Coy/ 119 Swantston Street, Melbourne. Copyright. Printed on base of photo board.Talma, 119 Swanston Street, Melbourne.person, group, portrait

From Abbott Family album (Box 892). Harold Athelstone Abbott was the fourth child and third son of Mary Hannah Gibbs and Richard Hartley Smith AbbottA Bartlett Bros Sandhurst sepia full body studio photo probably of Harold Athelstane Abbott born 7th April 1889 and taken December 1990 in a knee length dress with broderie anglaise frill and black strapped shoes.In gold on reverse 'Yahen?, Dec 90, Born April 7th 89'r h s abbott, bartlett bros.

Six page fold out knitting pattern booklet featuring a colour image on the cover of two women and a man wearing knitted jumpers. One of the women is seated, one woman holds a pair of shoes and the man in holding a basketball.front: [printed] Cleckheaton / twilight / and / HELENE / Design 0153 / Lady/Man Jumper: 76 - 107 cm / Lady's Jumper: 76 - 102 cmknitting, pattern, fashion, knitwear, cleckheaton

This poster is advertising 'Royal Packaging and Assembly Ind' coir mats. There is a line drawing of a jester's legs and shoes and the tip of a jester's staff on a coir mat. 1 rectangular white poster with red and black text with illustration Royal Packaging and Assembly Ind. Coir Mats For the Home, Office, Factory, Hall, School. Woven Business Logos, Monograms, Lettering. Standard Sizes or Made to Order Acknowledged as Top of the Range Manufactured at our factory from the finest Indian coir Packaging and Assembly Ind. - the Industrial Division of the Royal Victorian Institute for the Blind Telephone: 5292211royal victorian institute for the blind, employment

Spats, a shortening of spatter guards are a type of classic footwear accessory for outdoor wear, covering the instep and the ankle. Spats are distinct from gaiters, which are garments worn over the lower trouser leg as well as the shoe. Since the mid-19th century, soldiers of various nations, especially infantry, often wore leggings or spats to protect their lower leg, to keep dirt, sand, and mud from entering their shoes, and to provide a measure of ankle support.These spats are of a type commonly worn to protect good shoes early 20thC and may have been part of a soldiers uniform c 1914A pair of khaki wool spats with 4 buttons and leather strap, with metal buckle, to pass under instep.MADE IN ENGLANDfootwear, spats, army uniform, clothing, knitting, craftwork, wool, world war 1 1914-18, world war 2 1939-1945, early settlers, city of moorabbin, bentleigh, mckinnon, ormond, moorabbin, post war settlers, hunt ailsa,

This doll’s leg was part of the cargo from the Fiji and was part of the articles salvaged from the wreck. The three-masted iron barque Fiji had been built in Belfast, Ireland, in 1875 by Harland and Wolfe for a Liverpool based shipping company. The ship departed Hamburg on 22nd May 1891 bound for Melbourne, under the command of Captain William Vickers with a crew of 25. The ship’s manifest shows that she was loaded with a cargo of 260 cases of dynamite, pig iron, steel goods, spirits (whisky, schnapps, gin, brandy), sailcloth, tobacco, coiled fencing wire, concrete, 400 German pianos (Sweet Hapsburg), concertinas and other musical instruments, artists supplies including brushes, porcelain, furniture, china, and general cargo including candles. There were also toys in anticipation for Christmas, including wooden rocking horses, miniature ships, dolls with china limbs and rubber balls. On September 5th, one hundred days out from Hamburg in squally and boisterous south west winds the Cape Otway light was sighted on a bearing differing from Captain Vickers’ calculation of his position. At about 2:30am, Sunday 6th September 1891 land was reported 4-5 miles off the port bow. The captain tried to put the ship on the other tack, but she would not respond. He then tried to turn her the other way but just as the manoeuvre was being completed the Fiji struck rock only 300 yards (274 metres) from shore. The place is known as Wreck Bay, Moonlight Head. Blue lights were burned and rockets fired whilst an effort was made to lower boats but all capsized or swamped and smashed to pieces. Two of the younger crewmen volunteered to swim for the shore, taking a line. One, a Russian named Daniel Carkland, drowned after he was swept away when the line broke. The other, 17 year old able seaman Julius Gebauhr, a German, reached shore safely on his second attempt but without the line, which he had cut lose with his sheath-knife when it become tangled in kelp. He rested on the beach a while then climbed the steep cliffs in search of help. At about 10am on the Sunday morning a party of land selectors - including F. J. Stansmore, Leslie Dickson (or Dixon) and Mott - found Gebauhr. They were near Ryans Den, on their travels on horseback from Princetown towards Moonlight Head, and about 5km from the wreck. Gebauhr was lying in the scrub in a poor state, bleeding and dressed only in singlet, socks and a belt with his sheath-knife, ready for all emergencies. At first they were concerned about his wild and shaggy looking state and what seemed to be gibberish speech, taking him to be an escaped lunatic. They were reassured after he threw his knife away and realised that he was speaking half-English, half-German. They gave him food and brandy and some clothing and were then able to gain information about the wreck. Some of the men took him to Rivernook, a nearby guest house owned by John Evans, where he was cared for. Stansmore and Dickson rode off to try and summon help. Others went down to the site of the wreck. Messages for rescuing the rest of the crew were sent both to Port Campbell for the rocket rescue crew and to Warrnambool for the lifeboat. The S.S. Casino sailed from Portland towards the scene. After travelling the 25 miles to the scene, half of the Port Campbell rocket crew and equipment arrived and set up the rocket tripod on the beach below the cliffs. By this time the crew of the Fiji had been clinging to the jib-boom for almost 15 hours, calling frantically for help. Mr Tregear from the Rocket Crew fired the line. The light line broke and the rocket was carried away. A second line was successfully fired across the ship and made fast. The anxious sailors then attempted to come ashore along the line but, with as many as five at a time, the line sagged considerably and some were washed off. Others, nearly exhausted, had to then make their way through masses of seaweed and were often smothered by waves. Only 14 of the 24 who had remained on the ship made it to shore. Many onlookers on the beach took it in turns to go into the surf and drag half-drowned seamen to safety. These rescuers included Bill (William James) Robe, Edwin Vinge, Hugh Cameron, Fenelon Mott, Arthur Wilkinson and Peter Carmody. (Peter Carmody was also involved in the rescue of men from the Newfield.) Arthur Wilkinson, a 29 year old land selector, swam out to the aid of one of the ship’s crewmen, a carpenter named John Plunken. Plunken was attempting to swim from the Fiji to the shore. Two or three times both men almost reached the shore but were washed back to the wreck. A line was thrown to them and they were both hauled aboard. It was thought that Wilkinson struck his head on the anchor before s they were brought up. He remained unconscious. The carpenter survived this ordeal but Wilkinson later died and his body was washed up the next day. It was 26 year old Bill Robe who hauled out the last man, the captain, who had become tangled in the kelp. The wreck of the Fiji was smashed apart within 20 minutes of the captain being brought ashore, and it settled in about 6m of water. Of the 26 men on the Fiji, 11 in total lost their lives. The remains of 7 bodies were washed onto the beach and their coffins were made from timbers from the wrecked Fiji. They were buried on the cliff top above the wreck. The survivors were warmed by fires on the beach then taken to Rivernook and cared for over the next few days. Funds were raised by local communities soon after the wreck in aid of the sufferers of the Fiji disaster. Captain Vickers was severely reprimanded for his mishandling of the ship. His Masters Certificate was suspended for 12 months. At the time there was also a great deal of public criticism at the slow and disorganised rescue attempt to save those on board. The important canvas ‘breech buoy’ or ‘bucket chair’ and the heavy line from the Rocket Rescue was in the half of the rocket outfit that didn’t make it in time for the rescue: they had been delayed at the Gellibrand River ferry. Communications to Warrnambool were down so the call for help didn’t get through on time and the two or three boats that had been notified of the wreck failed to reach it in time. Much looting occurred of the cargo that washed up on the shore, with nearly every visitor leaving the beach with bulky pockets. One looter was caught with a small load of red and white rubber balls, which were duly confiscated and he was ‘detained’ for 14 days. Essence of peppermint mysteriously turned up in many settlers homes. Sailcloth was salvaged and used for horse rugs and tent flies. Soon after the wreck “Fiji tobacco” was being advertised around Victoria. A Customs officer, trying to prevent some of the looting, was assaulted by looters and thrown over a steep cliff. He managed to cling to a bush lower down until rescued. In 1894 some coiled fencing wire was salvaged from the wreck. Hundreds of coils are still strewn over the site of the wreck, encrusted and solidified. The hull is broken but the vessel’s iron ribs can be seen along with some of the cargo of concrete and pig iron. Captain Vickers presented Bill Robe with his silver-cased pocket watch, the only possession that he still had, as a token for having saved his life and the lives of some of the crew. (The pocket watch came with 2 winding keys, one to wind it and one to change the hands.) Years later Bill passed the watch to his brother-in-law Gib (Gilbert) Hulands as payment of a debt and it has been passed down the family to Gilbert Hulands’ grandson, John Hulands. Seaman Julius Gebauhr later gave his knife, in its hand crafted leather sheath, to F. J. Stansmore for caring for him when he came ashore. The knife handle had a personal inscription on it. A marble headstone on the 200m high cliffs overlooking Wreck Beach, west of Moonlight Head, paying tribute to the men who lost their lives when Fiji ran aground. The scene of the wreck is marked by the anchor from the Fiji, erected by Warrnambool skin divers in 1967. Amongst the artefacts salvaged from the Fiji are bisque (or china) toys, (including miniature animals, limbs from small bisque dolls), rubber balls, a slate pencil, a glass bottle, sample of rope from the distress rocket and a candlestick holder. These items are now part of the Fiji collection at Flagstaff Hill Maritime Museum, along with Captain Vickers’ pocket watch and Julius Gebauhr’s sheath knife. Flagstaff Hill’s Fiji collection is of historical significance at a State level because of its association with the wreck Fiji, which is on the Victorian Heritage Register VHR S259. The Fiji is archaeologically significant as the wreck of a typical 19th century international sailing ship with cargo. It is educationally and recreationally significant as one of Victoria's most spectacular historic shipwreck dive sites with structural features and remains of the cargo evident. It also represents aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The Fiji collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Doll’s leg salvaged from the wreck of the Fiji. This moulded, shapely leg, made of bisque (sometimes described as china or porcelain) and tan in colour, is for a small doll. It has a shoe shaped foot complete with heel. The leg would have probably been finished with paint and the shoe would also be painted on. However this leg has no paint remaining. The leg is solid rather than jointed and goes from foot to lower thigh. Around the top edge of the thigh is a groove, which would enable the leg to be attached to the cloth body of a doll.1891, china, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwrecked artefact, flagstaff hill maritime village, shipwreck coast, warrnambool, porcelain, doll, moonlight head, wreck bay, cargo, bisque, dolls limb, dolls leg, toys, doll's limb, doll's leg

Washing wringer (or mangle) marked "EXTRA HIGH GRADE WARRANTED" and "102" and " - - -ROLLS 12 - - -" Has orange coloured rollers. Clamps on swivel to clamp onto trough. Adjustable pressure clamps on top. Trade Mark of Horse Shoe with "AWCo" inside it . Instructions stamped on wooden slope "THIS WRINGER HAS WARRANTED RUBBER / ROLLS / VULCANISED TO THE SHAFTS / PUT - - - THE BEARINGS / BEFORE USING LARD LOOSEN TOP SCREWS / WHEN THE WRINGER IS NOT IN USE" and "HORSE-SHOE COMBINATION TUB CLAMPS / WILL HOLD WRINGER - - - TO GALVANISED IRON, FIBRE OR WOOD TUBS" . flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wringer, mangle, laundry, domestic, cleaning, washing wringer, clothes wringer

RAAF Publication No 175 June 1941. Blue buckram hard cover book loosely bound & held together by a shoe lace. Light blue binding, black printing, 110 pages. Illustrated with photos & examples of RAAF message forms.books-military/education/air force, w/t operators, raaf

In 1875-78 and 1883-89 Councilor John King was elected as a member of council. He was appointed Shire President in 1887-88.This photo forms part of Original Historic Photo of councilors for 1885-86. Sepia photo of Councilor John King is oval and set third from bottom of right side of " horse shoe" shaped light grey mount and on a deeper grey mount, it is edged with gold.It is part of composite photos of councilors for 1885-86." PRESENTED BY THE PRESIDENT G.RENNIE.ESQ. TO THE BALLARAT SHIRE COUNCIL 1885-86 ".1885 1886, ballarat shire council, king john