The Grinton Collection. Soldier in photograph - "Jack Grinton No.1038" 38th Bn doing his washing Refer Cat 1280 for Jacks Service History.Photograph - framed. Photograph - black and white photograph on paper depicting a soldier doing his washing. Frame - timber, light varnish finish. Perspex front and cardboard backing."Group 1: Living behind the lines". "E. At my washing" framed accessories, camera on the somme, 38th bn, jack grinton

The Grinton Collection. Photograph of a Soldiers full kit laid out. Refer Cat. 1280 for Jack Grintons service details.Photograph - framed. Photograph - black and white photograph showing a soldier's full kit laid out. Frame - timber, light varnish finish. Perspex front, cardboard backing."Group 1 - Living Behind The Lines" "C. My Kit" framed accessories, camera on the somme, 38th bn, grinton, kit

The Grinton Collection. Soldiers lined up on a Mess parade. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper, depicting a lineup of troops collecting food. Frame - timber, light varnish finish, perspex front, cardboard backing."Group 1: Living behind the lines". "G. Feeding the Troops".framed accessories, "camera on the somme, 38th bn, grinton, ww1

Framed photograph/portrait of W.J. HILSON WW2 VX 73637. Enlisted 10/2/42, age 20 years. Discharged 12/11/46 with Rank CRAFTSMAN, 1st AUSTRALIAN MECHANICAL EQUIPMENT WORKSHOPS.Photograph - Portrait, black and white, copy of a soldier in uniform. Frame - timber with brown stain, shaped edge. Glass front, cardboard backing. Mount - cream coloured cardboard.framed photograph, portrait, ww2

Queen Victoria was born at Kensington Palace, London, on 24 May 1819. She was the only daughter of Edward, Duke of Kent, the fourth son of George III. Her father died shortly after her birth and she became heir to the throne because the three uncles who were ahead of her in the succession - George IV, Frederick Duke of York, and William IV - had no legitimate children who survived. Warmhearted and lively, Victoria had a gift for drawing and painting; educated by a governess at home, she was a natural diarist and kept a regular journal throughout her life. On William IV's death in 1837, she became Queen at the age of 18. Queen Victoria is associated with Britain's great age of industrial expansion, economic progress and, especially, empire. At her death, it was said, Britain had a worldwide empire on which the sun never set. In the early part of her reign, she was influenced by two men: her first Prime Minister, Lord Melbourne, and then her husband, Prince Albert, whom she married in 1840. Both men taught her much about how to be a ruler in a 'constitutional monarchy, in which the monarch had very few powers but could use much influence. Albert took an active interest in the arts, science, trade and industry; the project for which he is best remembered was the Great Exhibition of 1851, the profits from which helped to establish the South Kensington museums complex in London. Her marriage to Prince Albert produced nine children between 1840 and 1857. Most of her children married into other Royal families in Europe. Edward VII (born 1841), married Alexandra, daughter of Christian IX of Denmark. Alfred, Duke of Edinburgh and of Saxe-Coburg and Gotha (born 1844) married Marie of Russia. Arthur, Duke of Connaught (born 1850) married Louise Margaret of Prussia. Leopold, Duke of Albany (born 1853) married Helen of Waldeck-Pyrmont. Victoria, Princess Royal (born 1840) married Friedrich III, German Emperor. Alice (born 1843) married Ludwig IV, Grand Duke of Hesse and by Rhine. Helena (born 1846) married Christian of Schleswig-Holstein. Louise (born 1848) married John Campbell, 9th Duke of Argyll. Beatrice (born 1857) married Henry of Battenberg. Victoria bought Osborne House (later presented to the nation by Edward VII) on the Isle of Wight as a family home in 1845, and Albert bought Balmoral in 1852. Victoria was deeply attached to her husband and she sank into depression after he died, aged 42, in 1861. She had lost a devoted husband and her principal trusted adviser in affairs of state. For the rest of her reign she wore black. Until the late 1860s she rarely appeared in public; although she never neglected her official Correspondence, and continued to give audiences to her ministers and official visitors, she was reluctant to resume a full public life. She was persuaded to open Parliament in person in 1866 and 1867, but she was widely criticised for living in seclusion and quite a strong republican movement developed. Seven attempts were made on Victoria's life, between 1840 and 1882 - her courageous attitude towards these attacks greatly strengthened her popularity. With time, the private urgings of her family and the flattering attention of Benjamin Disraeli, Prime Minister in 1868 and from 1874 to 1880, the Queen gradually resumed her public duties. In foreign policy, the Queen's influence during the middle years of her reign was generally used to support peace and reconciliation. In 1864, Victoria pressed her ministers not to intervene in the Prussia-Denmark war, and her letter to the German Emperor (whose son had married her daughter) in 1875 helped to avert a second Franco-German war. On the Eastern Question in the 1870s - the issue of Britain's policy towards the declining Turkish Empire in Europe - Victoria (unlike Gladstone) believed that Britain, while pressing for necessary reforms, ought to uphold Turkish hegemony as a bulwark of stability against Russia, and maintain bi-partisanship at a time when Britain could be involved in war. Victoria's popularity grew with the increasing imperial sentiment from the 1870s onwards. After the Indian Mutiny of 1857, the government of India was transferred from the East India Company to the Crown, with the position of Governor-General upgraded to Viceroy, and in 1877 Victoria became Empress of India under the Royal Titles Act passed by Disraeli's government. During Victoria's long reign, direct political power moved away from the sovereign. A series of Acts broadened the social and economic base of the electorate. These acts included the Second Reform Act of 1867; the introduction of the secret ballot in 1872, which made it impossible to pressurise voters by bribery or intimidation; and the Representation of the Peoples Act of 1884 - all householders and lodgers in accommodation worth at least £10 a year, and occupiers of land worth £10 a year, were entitled to vote. Despite this decline in the Sovereign's power, Victoria showed that a monarch who had a high level of prestige and who was prepared to master the details of political life could exert an important influence. This was demonstrated by her mediation between the Commons and the Lords, during the acrimonious passing of the Irish Church Disestablishment Act of 1869 and the 1884 Reform Act. It was during Victoria's reign that the modern idea of the constitutional monarch, whose role was to remain above political parties, began to evolve. But Victoria herself was not always non-partisan and she took the opportunity to give her opinions, sometimes very forcefully, in private. After the Second Reform Act of 1867, and the growth of the two-party (Liberal and Conservative) system, the Queen's room for manoeuvre decreased. Her freedom to choose which individual should occupy the premiership was increasingly restricted. In 1880, she tried, unsuccessfully, to stop William Gladstone - whom she disliked as much as she admired Disraeli and whose policies she distrusted - from becoming Prime Minister. She much preferred the Marquess of Hartington, another statesman from the Liberal party which had just won the general election. She did not get her way. She was a very strong supporter of the Empire, which brought her closer both to Disraeli and to the Marquess of Salisbury, her last Prime Minister. Although conservative in some respects - like many at the time she opposed giving women the vote - on social issues, she tended to favour measures to improve the lot of the poor, such as the Royal Commission on housing. She also supported many charities involved in education, hospitals and other areas. Victoria and her family travelled and were seen on an unprecedented scale, thanks to transport improvements and other technical changes such as the spread of newspapers and the invention of photography. Victoria was the first reigning monarch to use trains - she made her first train journey in 1842. In her later years, she became the symbol of the British Empire. Both the Golden (1887) and the Diamond (1897) Jubilees, held to celebrate the 50th and 60th anniversaries of the Queen's accession, were marked with great displays and public ceremonies. On both occasions, Colonial Conferences attended by the Prime Ministers of the self-governing colonies were held. Despite her advanced age, Victoria continued her duties to the end - including an official visit to Dublin in 1900. The Boer War in South Africa overshadowed the end of her reign. As in the Crimean War nearly half a century earlier, Victoria reviewed her troops and visited hospitals; she remained undaunted by British reverses during the campaign: 'We are not interested in the possibilities of defeat; they do not exist.' Victoria died at Osborne House on the Isle of Wight, on 22 January 1901 after a reign which lasted almost 64 years, then the longest in British history. Her son, Edward VII succeeded her. She was buried at Windsor beside Prince Albert, in the Frogmore Royal Mausoleum, which she had built for their final resting place. Above the Mausoleum door are inscribed Victoria's words: "Farewell best beloved, here, at last, I shall rest with thee, with thee in Christ I shall rise again." Source: https://www.royal.uk/queen-victoria This picture captures Queen Victoria in her later years. It may well have been painted to commemorate her Golden Anniversary in 1887, or her Diamond Anniversary in 1897.Picture, print, reproduction of a drawing or photograph of Queen Victoria. She is wearing a dark-coloured dress, white headdress and a diamond necklace and earrings. On her left shoulder is the Royal Order of Victoria and Albert, awarded to female members of the British Royal Family and female courtiers. There are four grades or classes of this Royal Order as well as the Sovereign's Badge, which is exclusive to her. Also across her left shoulder, is a blue riband representing the Order of the Garter. The picture is in a medium-coloured timber frame with a white string across the width at the rear. The label says it was framed by Hoy Art, Warrnambool. The signature of the Queen is on the picture but is not obvious since the picture has been re-framed."HOY ART / PICTURE FRAMING / 48 Kepler St, Warrnambool 3280 / Phone (055) 62 8022" Signature (hidden by new framing) "Victoria H.R.S."flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, picture of queen victoria, queen victoria, the royal order of victoria and albert, the order of the garter, hoy art

Port of Portland CollectionFront: Portland (upper left) Victoria (upper right)/ The Victorian Wheatgrowers Corporation (upper centre) 1. M. V. Geisha; 2. SS. Peebles; 3. SS. Queen Margaret; 4. SS Barwon Polwarth; 5. SS Anstral Port; 6. SS H. H. Asquith; 7. M.S. Canada; 8. SS Unden; 9. Portland Bay 1922; 10. SS Aussa; 11. SS Ootmarsum; 12. SS Shelley; 13. SS Dumfries; 14. SS Baltico; 15. SS Indianic/ Season 1921-22 (lower centre)/ Total Wheat Slapped - 3,499, 402 bus - 93,734 Tons (lower centre)(white print) Back: (no inscriptions)port of portland archives, portland harbour, vessel, victorian wheat corporation

Original oil painting, by Harry Clarke of mud brick house & outbuildings near Eaglehawk Golf Course, in a timber frame, signature bottom right corner, with note stuck on rear. Harry Clark lived in Lobb St North Bendigo with his wife and son Max in 1940s. He moved around working for thre mines including Central Deborah (managing or as an inspector). he lived in Alice Springs for a while. He shifted to Wangaratta where he died aged in his 80s. H eloved painting buildings and old houses and landscapes in Central and Goldmines Districts. Information from note attached to painting. Note not signed.Harry Clarkeartwork, oil painting, landscape, victoria-history-eaglehawk

Willam John Turner. The recommendation details his awards of being made a Life Govenor twice, Fund raising for the POW efforts, RSL Relief fund, RSL Picnic Committee, Chairman & Organizer off, RSL Inter Units Social Club, President and Treasurer off and Committee. The originals of this submission are damaged and will be in later Cat No’s in the Turner collection. Cat No 8030 will detail his service history and more RSL involvement.Framed letter, frame is timber gold colour, frame backing is maroon colour with the letter I set. This is a copy of the letter for the reccomendation for a Life Membership of the RSL to William John Turner Bendigo Sub Branch. The letter is very specific as to the roles and fund raising undertaken by Turner over many years. The fund raising amounts in Pounds is quite large.Letter heading and signed, “Memorial Hall Pall Mall Bendigo 13th May 1954” “Yours faithfully" "Sir George Lansell” Funds raised in Pounds, “£3891 - £4,100 - £2,000 - £938 - £200” The last figure was an annual amount raised.brsl, smirsl, life membership

HMNZS was a Castle Class Anti - Submarine Minesweeper. Launched in October 1943 the ship was built from kauri timber on a steel frame. It was decommissioned in 1946 and later sold to the fishing industry.Ward room plaque to His Majesty"s New Zealand Ship Waikato.

Photograph Augustus Elliott Pegler. He had 4 years pre WW1 service in local unit Mildura. Enlisted No 967 in C Coy 38th BN on 29.1.1916 age 20 years 7 months. Embark for England 20.6.1916, embark for France 22.11.1916, appointed L/Cpl 3.3.1917, WIA 1st occasion 8.6.1917 GSW to Cheek, rejoin unit 5.8.1917, WIA 2nd occasion 17.10.1917 GSW to Abdomen severe, rejoin unit 28.3.1918, the Award of Mention in Despatches in December 1917, awarded The Military Medal 31.8.1918 during the attack on Inferno Trench leading his Lewis Gun Team, appointed Sgt 3.9.1918, embark for Australia 12.6.1919, discharged from the AIF 27.7.1919. (For reference - 38th Battalion in dog trench near Guillemont Farm during attack on Hindenburg Line, near Bony, Ref - Vol IV - CEW Bean - The AIF in France 1917 (Ref) Page 605 (58). Refer also Cat No 7502 Photograph - black and white portrait photograph of soldier in uniform, on paper. Mount - dark green cardboard. Frame - timber, mid brown stain colour, with glass front and cardboard backing.photograph, portrait, ww1, framed accessories

The Grinton Collection. A Civilian with a cartload of possessions. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper, depicting a civilian with a dog, horse and a cartload of possessions. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War" "E. A civilian with a cartload of possessions". framed accessories, camera on the somme, 38th bn, agrinton, ww1, civilians

The Grinton Collection. The original grave of Albert Gilhooley No 890 38th Bn, KIA 31.8.1918. Refer Cat No 5074P for his photo. Refer Cat No. 1280 for Jack Grintons service details. Photograph framed. Photograph - black and white photograph on paper depicting a field grave with a cross in a field of grass. Frame - Timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and remembrance". "M. Field grave of a 38th Battalion soldier - Gilhooley".framed accessories, camera on the somme, 38th bn, ww1, grinton, field grave

Donated to Bendigo Military Museum by the Citizens of Junortoun. Crown piece has For God & Country painted on it. Frame heavy timber.memorials-honour boards, military history-service records, junortoun

This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. The subject of this painting is Cape Schanck, Victoria, which is on the east side of Port Phillip Bay. It includes the Cape Schanck Lighthouse and its Flagstaff. The Cape Schanck Lighthouse was built in 1859 and is the second of Victoria’s coastal lights. It is 21 metres tall and made from limestone. Unusually, its stairway is made from stone rather than wrought iron. Gilded tours are available to explain its use and significance to visitors. The lighthouse keepers at Cape Schanck kept records of the ships that sailed past them along Bass Strait; ship’s names, direction, time and date and so on. The details would also be passed on to shipping agencies, Harbour Masters and newspapers, which published Arrivals and Departures into and out of shipping ports such as Port Phillip Bay and the Port of Melbourne. INSCRIPTIONS “Mrs M Irby” (and on the Eagle Rock, Warrnambool, painting “980/Regency”) The inscription “Mrs M Irby” is on the back of both paintings but the significance of the inscription has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. NOTE: The artist’s spelling of the title “Cape Schank, Vic.” is incorrect. The location in this painting is named Cape Schanck. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of coast with cliffs, lighthouse and flagstaff, flying birds, high waves breaking onto rocks, blue sky with clouds. The title is painted on lower left corner and the Victorian artist, W. Langley-Taylor, has signed his name on lower right. The inscription on back is handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “CAPE SCHANK, VIC.” [NOTE: correct spelling is Schanck] Handwritten on back “Mrs. M. Irby” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, painting, oil painting, cape schanck painting, w. langley-taylor, wall decoration, seascape of victoria's coast, art, mrs m irby, victoria's coast, pair of paintings

The blue pennant with the white letters "J R E" flag of the Ellerman Wilson Line Pty. Ltd. of Hull. The letters refer to the founder of the Ellerman Group, John Reeves Ellerman. Ship model of the vessel "Heather", a three masted tall ship. Model is painted black and white with a brown deck. Sails are raised. The name "HEATHER" is painted in white on it black bow. The ship is displayed as a diorama in a glass fronted, wide edged timber frame with deep sides. The back of the frame is painted pale green. The base of the frame depicts textured sea and the back has a seascape with a cliff and other sailing vessels. Ship is flying two pennants, top one is blue with 'JRE" on it, bottom one is plain white with a red disc and a swallow-tailed end; the rectangular flag is divided by a yellow cross on white, and the top left corner is blue with a yellow anchor symbol on it. "HEATHER" on bow. "JRE" on blue pennant.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ship model, sailing ship heather, tall ship diorama, diorama, sailing vessel, john reeves ellerman., jre, ellerman wilson line pty. ltd

The State Electricity Commission of Victoria 1921 to 1993 was responsible for electricity generation in Victoria and the operation of three Provincial Tramways. It had a strong safety focus for the time. These certificates show the safety focus and the reporting of safety performance to employees and visitors.Demonstrates the safety record of the SEC Ballarat depot, has a strong association with the workers and Yields information about their performance and dates.Set of three Timber framed certificates, glass front, black painted side timber with brown paper or card or Masonite backing and masking tape around the edges, titled "Award of Honour - Industrial Safety", that the Tram Depot Ballarat had established a meritorious record for safe work with no lost time. Gives the period and the date of the away. Signed by the Manager - A. W. Linaker? or F. White and the Chairman of the Safety Committee "Wm K. Trusler". Screw holes in the top and the bottom of the frame centrally. .1 - dated 12-1-1962 for 1 year and 103 days. .2 -dated 19-6-1963 for 1 year and 155 days. .3 - dated 19-6-1964 - for 1 year.trams, tramways, depot, sec, safety, personnel

Framed certificate or presentation to Ron Scholten when he retired from Malvern depot in 2011 after 32 years of service for the tramways. Titled "Ron Scholten - This is your life", outline's Ron's tramway life as a young enthusiast, work at 332 Flinders St (the Shoe shop), TMSV, MMTB, trip to Germany for Siemens. Printed onto sheets with tram photos top or bottom, has been framed with a black cardboard trimmed for the sheets of paper. Frame from a silver finished timber frame (outside edge covered in plastic), Perspex cover, timber backing with tape around rear edges metal hanging strips, with plastic covered wire and black plastic bumpers in the lower corners.trams, tramways, certificates, presentations, malvern depot

Framed black and white photograph of the interchange between cable and horse trams at Moreland Road and Sydney Road Brunswick for the Coburg horse tram line. Has two cable tram sets in the background. Horse Tram No. 4, with the now Moreland Hotel in the background. Date around 1900, prior to the introduction of bogie trailers. Frame - brown varnished timber frame, glazed with clear glass, white card backing with brown tape on rear, brass wire hanging wire with small eye hooks the side. Framed by Conroy-Moffatt Pty Ltd of 316 Kings St Melbourne. See Reg Item 2312i3 and 6353 for another similar view which provides a date of 1890.trams, tramways, cable trams, coburg, brunswick, moreland rd, horse trams, tram 4

Frame 6. Photo 1. Sergeant Jack Grinton, somewhere in France. Photo 2. Sergeant Bert Ginton DCM. From other photos in the same area it is believed to have been taken in the Codford area, England in early 1919. Photo 3. A Corporal and Military Medal winner somewhere in France. Believed to be Charles Newton No 951, C Coy 38th Batt. He won his "MM" at Clery between 26th and 31st August in 1918. he has a brother William No 950, C Coy who was KIA on 4/10/1917. There is a photo of William in Jack's collection. Photo 4. A sergeant and Military Medal winner, place unknown. Refer Cat No 5880P for exhibition details. Refer Cat No 1280 for Jack GRINTON Service records. Refer Cat No 1320P for Bert GRINTONs service details.Photographs - black and white on paper. 4 photographs - portraits of a soldier. Frame timber with black colour paint, glass front, mount black coloured cardboard. Backing cardboard with handwritten notation.Backing cardboard - handwritten blue felt tip pen -"6."framed photographs, grinton collection, ww1, 38th

The Grinton Collection. Three unknown soldiers in a hut. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper, depicting three soldiers sitting/lying on the floor of a building. Frame - timber, light varnish finish, perspex front, cardboard backing."Group 1: Living behind the lines". "H. Relaxing in hutments".framed accessories, camera on the somme, 38th bn, grinton

The Grinton Collection. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper, depicting a large group of soldiers relaxing inside a building. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 1: Living behind the lines". "Evening in France".framed accessories, camera on the somme, 38th bn, grinton

The Grinton Collection. Trams, buildings in Glasgow. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting a street scene with civilian pedestrians, trams and buildings. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 3: Trip of a Lifetime". "J. Trams - Glasgow".framed accessories, camera on the somme, ww1, 38th bn, grinton, glasgow

The Grinton Collection. Two soldiers on the deck of the Karmala. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting two men (soldiers) seated on board a ship. Frame - Timber, light varnish finish, Perspex front, cardboard backing."Group 5: Quota 45 - Journey Home". "A. Two Australian soldiers". framed accessories, camera on the somme, 38th bn, ww1, grinton, hmat karmala

The Grinton Collection. Photo shows the bomb damage inside a Church. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting the interior of a large church with extensive bomb damage. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War". "F. Interior of a bombed church." framed accessories, camera on the somme, ww1, 38th bn, grinton, bomb damage

Colour photo of Lt Col H W Snell, C.O 38 Inf Bn 1952-1955. Frame-heavy timber.photography-photographs, frame accessories; trades - carpentry, passchendaele barracks trust

Demonstrates the safety record of the SEC Ballarat depot, has a strong association with the workers and Yields information about their performance and dates.Timber framed box, glass fronted, Masonite back, painted black on the edges and front with a slot on the underside and metal catch screwed to the timber that allowed a preprinted poster to be slid out from the base. The poster titled "Our Safe Working Days Score", provided with secured to the poster, four metal sheets pressed with three rounded edges to allow a paper strip to be slid in from the right hand side and secured. Poster has been preprinted for the SEC Electricity Supply Department". The top strip gave the name of the location "Ballarat - Tram - Depot", the second strip - no sheet present and purpose not known, date since the last event "9-4-69" and the previous best score - "982" days.trams, tramways, depot, sec, safety, personnel

The Shipwreck Board is a feature of Flagstaff Hill Maritime Museum and Village/ its subject is explained briefly in the Museum's handbook, The Flagstaff Hill Navigator, published in 2008: - "Known as the ‘Eye of the Needle’ the treacherous entrance to Bass Strait is littered with the wreckage of large international vessels and smaller sail and steam craft used in coastal trade. The vessels bringing emigrants and cargo to Australia found the western entrance to Bass Strait the most dangerous part of their voyage. They had to thread their way between the southern point of Victoria (Cape Otway) and the northern point of King Island, a stretch of water less than 90 km wide. Many smaller coastal vessels were lost at Portland, Port Fairy, Warrnambool and Apollo Bay which are not safe harbours in certain weather conditions. "The Shipwreck Board shows shipwrecks, strandings and collisions which occurred in this area up to the year 1940. Wrecks are identified by a yellow light and collisions/strandings by a green light. These lights also identify the decade the wreck occurred by lighting up when the relevant decade button is pushed. Interesting happenings of the decades are listed next to the buttons." The Shipwreck Board's demonstration of The Eye of the Needle is an interactive visual display that helps teach the perils and dangers faced by early settlers in Victoria. It tells of the vast number of lives lost. It lists the names of many infamous shipwrecks and significant events.The large stained and lacquered timber board is mounted in a timber, frame. It is painted with a small sketch of Australia, and an enlarged outline of the southern coast of Victoria, King Island and the North West coast of Tasmania. The interactive display highlights the shipwrecks, standings and collisions suffered by many vessels as they navigated the 'Eye of the Needle', a narrow stretch of Bass Strait. The locations of the Lighthouses are pinpointed. Lists of groups of ships are below the coastlines. A painted scroll shows eight major shipwrecks with the number of lives lost for each one. A table shows historical facts associated with the decades from pre-1830 to 1940. A system of coloured lights compares the decades with the vessels that suffered damage. The board was created by artist and signwriter, Alex O'Flynn Computer Signs.flagstaff hill, maritime museum, maritime village, shipwreck coast, eye of the needle, shipwreck locations, bass strait, basses strait, king island, north west tasmania, south coast of victoria, cape otway, victorian lighthouse, king island lighthouse, strandings, coastal tracers, emigrant ships, sea trade, 1930s-1940s, shipwreck board, the eye of the needle, collosions, alex o'flynn, alex o’flynn computer signs, shipwrecks of western victoria

BHS CollectionBlack and white photograph mounted on rectangular brown board. House, weather board below windowsills, rough cast above, two bow windows of 10 lights all leadlighted, twin leadlighted doors, roughcast columns support verandah, front gable, balustraded steps and curved brick wall to verandah. Corrugated iron hipped roof, rough cast chimney with cap of exposed brick. Timber framed fence with woven wire covering and woven wire to gate frame. On back of photo 'Mr. Irwin, Drought Street, sewered £700 for house and land on which it stands 80 x 66 or £875 for house all land through to Stout Street 16.9.36' 2012 photo of house attached to record.Frank H. Jeffree, Photo, Bendigobendigo, business, t c watts and son

The Grinton Collection. Standing on the ground 2nd from the left Sgt Coffey. Refer Cat No. 1280 for Jack Grintons service details. Photograph framed. Photograph - black and white photograph on paper, depicting twelve troops sitting and standing in the doorway of a railway wagon. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group I: Living behind the lines". "K. Troop train"framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. Cabaret du Ciel and Cabaret 'Enfer"- adjoining buildings in Paris, France. Refer Cat No 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper, depicting a street scene with a number of close-up building frontages. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 3: Trip of a lifetime". "C. Cabaret due Ciel and Cabaret 'Enfer". framed accessories, camera on the somme, 38th bn, ww1, grinton