Showing 2823 items
matching victoria.| statistics- robinvale-aboriginal community | cooperatives-aboriginal-robinvale | latje latje tribe. i. monash university. dept. of geography.
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Brimbank City Council
Egg
Egg (Aboriginal art) on a plastic stand -
Federation University Historical Collection
Document, Native Throwing Weapons: Romance of their Origin, by Dr Sydney Pern
The Pern Collection was formerly part of the Ballarat School of Mines Museum, and is now housed by the Gold Museum.Printed article on Aboriginal throwing weaponssydney pern, pern, aborigines, aboriginal, throwing weapons, ballarat school of mines museum -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Ebenezer Mission, 2013, 01/06.2013
A selection of images of Ebenezer Aboriginal Mission. -
Clunes Museum
Tool - A DOUBLE SIDED GRINDING STONE, UNKNOWN
ABORIGINAL DOUBLE SIDED GRINDING STONEaboriginal, grinding stone -
Warrnambool and District Historical Society Inc.
Book, Language of the Aborigines of the colony of Victoria, 1859
This is the second edition of a book published originally in 1851. It is an early work concerned with the recording of aboriginal languages and was published in Geelong. The author, Daniel Bunce (1813-1872) was a botanist who went on journeys with aborigines in Victoria in 1839 and later in 1846 joined Ludwig Leichhardt’s second expedition in his attempt to cross Australia from east to west. This was unsuccessful. Bunce’s experiences in 1839 and in 1846 enabled him to write his book on aboriginal languages. In 1858 Bunce became the Director of the Geelong Botanic Gardens and designed and planted out the gardens. No information has been found on Noel Hallowill. This book is of antiquarian interest as an early dictionary of aboriginal languages and as a book written by the botanist, Daniel Bunce. This is a hard cover book of 60 pages. The cover is yellow with black lettering. There is an ornamental border around the printing. There are two blue stamps of the Warrnambool and District Historical Society on the front cover and on the first page. The book is bound with brown tape. The book has a Preface, an Introduction and sections on the aboriginal languages in areas of Victoria and beyond. A copy of a letter from the explorer, Ludwig Leichhardt, is included at the end of the book. Stamp of ‘Noel Hallowill’ (name unclear) daniel bunce, aboriginal languages, ludwig leichhardt -
Bendigo Historical Society Inc.
Photograph - POLICEMEN WITH ABORIGINAL PRISONERS
Sepia? Photograph of policemen? With aboriginal prisoners in front of corrugated iron building. Aboriginals fastened by rope to uniformed male. Photo mounted on grey board.Martin Murphy, Laverton and Morgan's Photographerperson, group, aboriginals -
Clunes Museum
Mixed media - DVD, A HISTORY OF AUSTRA;IAN ABORIGINALS
DVD IN PLASTIC CASE, PART 1: READING OF ABORIGINAL ART, FIRST CONTACT WITH COLONISATION, CAPTAIN COOK/FIRST FLEET COLIN JONES IS OF ABORIGINAL POLYNESIAN PLUS ENGLISH DECENT. THE ABORIGINAL SIDE OF HIS FAMILY ARE FROM KALKADOON AND NUNUCKLE TRIBAL GROUPSdvd, aboriginal, colin jones -
Eltham District Historical Society Inc
Document - Folder, Nillumbik Shire Council, Environmental Living Zone, 20th anniversary of the ELZ 1976-1996, 1996
Round the Bend Conservation Cooperative Ltd information pamphlet and information on the Environmental Living Zone of the Bend of Islands -
Federation University Historical Collection
Image - black and white, Victorian Woman
Digitised directly from 'The Native Races of the British Empire: Victoria' Black and white Image of a Victorian Aboriginal womanaborigine, aboriginal -
Phillip Island and District Historical Society Inc.
Photograph
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of the remains of Aboriginal Ovens at Cat Baylocal history, photography, aboriginal ovens, black & white photograph, aborigines, cooking & feasting, h r balfour, john jenner, bryant west -
Phillip Island and District Historical Society Inc.
Photograph, H. R. Balfour
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of the remnants of Aboriginal feasting at Cat Baylocal history, photography, aboriginal feast site, black & white photograph, aborigines, cooking & feasting, h r balfour, john jenner, bryant west -
Orbost & District Historical Society
axe head
Inspected by archaeologist, Joanna Freslov on 2.6.2008. Stone tools were used for a variety of purposes, in ways similar to those of steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basalt.This is able to withstand repeated impact, and and so was suitable for use in objects such as stone axes. The stone was quarried, and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rock. The necessary tools and equipment for hunting, fishing and warfare were some of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This artefact is an exaample of the stone tools that Aboriginal people used.A dark stone handmade Aboriginal axe head.aboriginal axe-head stone-artefacts tool -
Whitehorse Historical Society Inc.
Article, Koori Sites, 5/05/1999 12:00:00 AM
Article about Aboriginal history in the City of Whitehorse.Article about Aboriginal history in the City of Whitehorse.Article about Aboriginal history in the City of Whitehorse.sacred sites, aborigines, wurundjeri - willam tribe, presland, gary, friends for whitehorse reconciliation group, millane, bernie, gittens, jaxon, boonwurning tribe -
Ballarat Heritage Services
Ceramic, Hepburn Jug
Glazed jug with Aboriginal motif and the work 'Hepburn'.studio anna, jug, aboriginal, hepburn -
Bendigo Historical Society Inc.
Painting - ARTWORK NO 8 OPUSSUM HUNTING
Card with coloured illustration of Aboriginals hunting Possums.unknownartwork, print, landscape -
Uniting Church Archives - Synod of Victoria
Photograph, Charles Harris, Undated
Head & shoulders portrait, wearing a suit."Rev. E. Charles Harris, President, Uniting Aboriginal & Islander Christian Congress"harris, charles, aboriginal and islander christian congress -
Victorian Aboriginal Corporation for Languages
Book, Irruluma Guruluwini Enemburu - A I Brown, Koori English, 1989
This paper is the first of a series on Aboriginal languages commissioned by the State Board of Education and forms part of a project conducted in conjunction with the Victorian Aboriginal Education Association Incorporated.B&w photographskoori english, education -
Victorian Aboriginal Corporation for Languages
Periodical, La Trobe University Department of Linguistics, La Trobe working papers in linguistics, 1988
Phonology in Australian Aboriginal languages; Aboriginal Languages of the Gascoyne-Ashburton region; Warlpiri; Tagalog and the Manila-Mt Isa axis; Gooniyandi narrative; general linguisticslinguistics, warlpiri -
Victorian Aboriginal Corporation for Languages
Periodical, Royal Historical Society of Victoria, Victorian historical journal, 2005
Includes articles on Simon Wonga, Aboriginal leader, Antecedent Force: The Port Phillip Aboriginal Protectorate Domestic European Constabulary 1840-1843, by Ian Clark.maps, b&w illustrations, b&w photographsbunurong, boon wurrung, woiworung, woi wurrung, taungurong, taungurung, wathaurung, wathaurong, jajowrong, dja dja wurrung, port phillip -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - Hamel Wood
Training exercise codename "Hamel Wood" was conducted at Puckapunyal to teach infantry and armoured soldiers techniques for cooperative action.Infantry on board an M113 APC of VMR Squadron 4/19 Prince of Wales Light Horse during Exercise " Hamel Wood ", Puckapunyal 24 August - 8 Sept. 1991.military -, vmr, apc, puckapunyal, exercise -
Victorian Aboriginal Corporation for Languages
Book, Ian Macfarlane, Historical records of Victoria : foundation series : volume 2B : Aborigines and protectors 1838-1839, 1983
Reproductions of various transactions and reports relating to Aboriginal people in Port Phillip in the period 1838-39. Includes studies of the establishment of an Aboriginal Protectorate, the Native Police, missions, and includes numerous reports by various protectors about events in their districts and government policy towards Aboriginal people.b&w illustrations, b&w photographs, tablesvictorian history, james dredge, william thomas, yarra, westernport, sievwright, mount macedon, goulburn river, john montagu, maria robinson, worredy, trucanini, george augustus robinson, tunermenerwail, jackia jackia, george langhorne, benbow, nerrebrunin, billibellary -
Bendigo Historical Society Inc.
Book - AUSTRALIA, 2010
Australia William Blandowski's illustrated encyclopaedia of aboriginal Australia edited by Harry Allen 188 pages with black and white illustrations & maps published by Aboriginal Studies PressHarry Allenaboriginal, book, history, australian history, aboriginal history, natural history -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Thomas, Krystyna M, Gift Pack/ Australian Taxation Office, 2013
A story of Bunga Haven, East Gippsland from the first occupation in 1885 to its present use as a peaceful retreat for members of Bung Haven Cooperative. Through extensive research, interviews with descendants of the original settlers, inclusion of anecdoTo Lakes Entrance Historical Society with best wishes. Krystyna Thomassettlement -
Federation University Art Collection
Sculpture - Artwork, 'The More Bones the Better' by Yhonnie Scarce, 2016
Yhonnie SCARCE (1973- ) Born Woomera, South Australia Language group: Kokatha, Southern desert region and Nukunu, Spencer region Yhonnie Scarce works predominantly in glass. She majored in glass withing a Bachelor of Visual Arts (Honours) course at the South Australian School of Art, Adelaide, and holds a Master of Fine Arts from Monash University. One of the first contemporary Australian artists to explore the political and aesthetic power of glass, Scarce describes her work as ‘politically motivated and emotionally driven’. Scarce’s work often references the on-going effects of colonisation on Aboriginal people, In particular her research focus has explored the impact of the removal and relocation of Aboriginal people from their homelands and the forcible removal of Aboriginal children from their families. (https://thisisnofantasy.com/artist/yhonnie-scarce/, accessed 10 September 2018)Artist's Statement 'The More Bones the Better', 2016 Yhonnie Scarce was born in Woomera, SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non traditional approach to glass blowing using glass as more than a mere material, acting as a lens and a mirror, Scarce reflects and exposes the tragedies of Australia’s colonisation. She applies the technical rigours of traditional glass blowing techniques in an innovative and unconventional manner. In particular Scarce uses glass to explore the lives and histories of Aboriginal Australians. Hand blown glass is shaped, engraved, painted and smashed to create indigenous fruits and vegetables such as bush bananas, bush plums and long yams symbolic of her peoples culture and traditions. With their elongated, torso-like shapes, they even evoke human bodies. Akin to a gatherer of bush food Scarce creates glass-gatherings of the persecuted. The repetition of brittle ambiguous bodies collected for experimentation and examination conjures the relentless impact of colonisation and the litany of abuses suffered by Aboriginal people. Within her research Scarce encountered a variety of ethnographic studies examining the use of scientific interventions amongst Indigenous cultures. These include Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices amongst indigenous prison inmates. This work metaphorically looks at these situations and poses questions of what might have gone on in such a laboratory. The judge of the 2017 Guirguis New Art Prize (GNAP), Simon Maidment, Senior Curator, Contemporary Art, National Gallery of Victoria said; “The winning work by Yhonnie Scarce captures the sensitivity to materials she displays throughout her artistic practice. The blown and shattered glass elements are a delicate contrast to the shocking and little discussed histories of Aboriginal exploitation and abuse in the name of science in Australia. Engaging this topic, this work is haunting, in the same way those lived and documented experiences continue to haunt the collective unconscious of this country. Yhonnie Scarce’s work, The More Bones the Better 2016, I believe makes an important contribution to the Collection of Federation University Australia and will engage and move diverse audiences with its technical accomplishment, beauty and message. Yhonnie Scarce was born in Woomera SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non-traditional approach to glass blowing using her medium as more than a mere material. Applying the technical rigours of traditional glass blowing in an innovative and unconventional manner, Scarce’s glass objects act as a lens and a mirror to reflect and expose the tragedies of Australia’s colonisation and, in particular, explore the lives and histories of Aboriginal Australians. Hand-blown glass is shaped, engraved, painted and smashed to represent indigenous fruits and vegetables such as bush bananas, bush plums and long yams, symbolic of Scarce’s people’s culture and traditions. While these elongated shapes on the one hand represent fruit and vegetables, gathered and grouped as in the gathering of bush food, Scarce’s torso-like bodies and forms are glass ‘gatherings’ representative of the gathering of people. Here, the many brittle bodies act as a metaphor for the collection, experimentation and examinations undertaken by government authorities on Aboriginal communities researched by Scarce. Exposing a variety of ethnographic studies, examining the use of scientific interventions on Indigenous cultures, Scarce also revealed Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices undertaken on indigenous prison inmates. Scarce’s gatherings also reflect the impact of colonisation and the relentless conjuring and litany of abuses suffered by Aboriginal people. The More Bones the Better metaphorically looks at these situations and poses questions of what was undertaken and investigated in these laboratories. guirguis new art prize, yhonnie scarce, glass, aboriginal -
Bendigo Historical Society Inc.
Document - H.A. & S.R. WILKINSON COLLECTION: CONDITION OF SALE
Conditions of sale by private contract dated 29th April, 1925 between H. A. Wilkinson and G. A. Pethard for land being lot 188 at Robinvale part of allotment A Parish of Bumbang County of Karkarooc, together with 6-roomed dwelling. Price 505 pounds and 10 shillings.organization, business, h.a. & s.r wilkinson real estate -
Kew Historical Society Inc
Photograph - Wurundjeri People at Studley Park, before 1855
The Wurundjeri Woi Wurrung People were the original owners of the land on which the City of Boroondara is now located. They made active use of the Yarra for food and transport [an original canoe is held in the collection of the Melbourne Museum]. From 1863, members of the Wurundjeri Woi Wurrung were resettled at the Corranderrk Aboriginal reserve at Healesville. The [now] best known member of the Wurundjeri People was William Barak, who may be pictured here.If the attribution in the annotation is correct, then this may be the earliest photograph of members of the Wurundjeri People at Kew. The photo may be unique.Hand tinted photograph on mounting card of members of the Wurundjeri Woi Wurrung on the banks of the River Yarra, allegedly at Studley Park before 1855 [according to the annotation on the reverse] The photograph of the river and its near and far banks includes two boats on the river, a row boat and a canoe, and people standing on the near bank or seated on the branch of a tree. In addition to men and women of the Wurundjeri People, there appears to be two Europeans pictured, one wearing a hat and the other standing at right. Annotations on the reverse identify a [possible] location and date. [Size: Mount 140 x 215mm | Photograph 125 x 190mm]Various hands and dates: "Original lead pencil lettering Studley Yarra Yarra / Yarra Yarra Studley / Studley (Park?) / Note aboriginals in a bark canoe / Prior 1855 / Very early photo Yarra River originally known as the Yarra Yarra / [illegible part word in ink]".wurundjeri woi wurrung, yarra river, aboriginal and torres straight islander -
Federation University Historical Collection
Image, Shell Necklace, 1878
Line black and white image of an Aboriginal shell necklace.shell necklace, aboriginal, aborigine -
Federation University Historical Collection
Image - black and white, Fish Spearing on the Darling River
Digitised directly from 'Blackfellows of Australia' by Charles Barrett and A.S. Kenyon (Sun Books)Black and white depiction of an Aboriginal man in a bark canoe. aborigine, aboriginal, bark canoe -
Victorian Aboriginal Corporation for Languages
Book, P W Schmidt, Die Personalpronomina in den australischen Sprachen, 1919
Language notes, in German P.W.Schmidt, on the development of the Aboriginal Languages.german text, australian languages, pronouns -
Whitehorse Historical Society Inc.
Document, Guidelines for the conduct of archaeological surveys, 1996
Guidelines prep. by VicRoads with particular reference to Aboriginal sites.Guidelines prep. by VicRoads with particular reference to Aboriginal sites.Guidelines prep. by VicRoads with particular reference to Aboriginal sites.aboriginal artefacts, archaeological sites