Ladies' evening gloves or opera gloves are a type of formal glove that reaches beyond the elbow. Ladies' gloves for formal and semi-formal wear come in three lengths for women: wrist, elbow, and opera or full-length (over the elbow, usually reaching to the biceps but sometimes to the full length of the arm). In the late 19thC and early 20thC Gloves were expected to be worn for both daytime and evening wear with most types of outfits. The most expensive full-length gloves are custom-made of kid leather. Many other types of leather, most usually soft varieties of cowhide, are used in making full-length gloves; patent leather and suede are especially popular as alternatives to kidskin. Satin materials were extremely popular, and there are mass-produced varieties as well. Carole Pedersen-Green was a founding member of CMHS. Her family were early settlers in Moorabbin ShireA pair of lady's long cream silk machine lace gloves with open fingers and thumb piece C 1930 They are the classic OPERA length, with the mousquetaire wrist openingclothing, gloves, formal wear, craftwork, lace making, dress etiquette, satin, silk, moorabbin, bentleigh, cheltenham, fashion, evening gloves., lace

This item is a US Army 1st Infantry Division patch, often known as the "Big Red 1". This is the black version designed for wear on the Army OCP (Operational Camouflage Pattern) or MultiCam uniform. Soldiers who have served in a combat zone with the unit wear this patch on their right shoulder. The U.S. Army 1st Infantry Division served in Vietnam from 1965 to 1970, primarily conducting search-and-destroy missions. Based in Di An and Lai Khe, they fought in the Iron Triangle, secured Tan Son Nhut Air Base during the 1968 Tet Offensive, and engaged in major operations. This patch was collected by WO2 Robert Palmer Matthews ( Service # 34974) of the Royal Australian Army Ordnance Corps, who served with 161 Reconnaissance (Recce) Flight.Shield shaped khaki cloth badge with the number 1 embroidered in black. Khaki overstitch on edges.robert palmer matthews, cloth badge, badge, patch, matthews, united states army, us army, 1st infantry division, big red 1

Commemorative medal made for the 1897 Diamond Jubilee of Queen Victoria. Two portraits of Queen Victoria on the face, one as a young girl, the other an older, veiled woman. The medal originally had the words "Queen Victoria's 60th Year of Reign 1837 to 1897" around the perimeter of the face, however the medallion is so worn that the words are barely visible. The reverse has the Australian Coat of Arms, within a diamond shape. The words "Diamond Jubilee / Australia's Celebration" are around the perimeter (barely readable due to wear). A small crown is above the Coat of Arms and the date "1897" is below it, these are also barely visible due to wear. The medallion appears to have been of gilt plate, however only small areas of gilding are left on the reverse side. Found in the ground by Geelong Bottle Club Prospectors.Round bronze coin, small hole at top, with two faces of Queen Victoria on obverse, and the Australian coat of arms on reverse.On face: "Victoria - 1837-1897". Reverse: "1897-Diamond Jubilee Celebration Australia".queen victoria, diamond jubilee celebrations, medals

To identify AFB board members, a name badge was struck.. Names were printed in black on a white background, with the logo of the Association for the Blind - in black and blue - to the left of the name. The words 'Association for the Blind' sit below the symbol, whilst 'Board Member' is located beneath the wearer's name. This badge was donated by John Wicking. 1 plastic name badge with AFB logoassociation for the blind, badges

To identify AFB General Committee members, a name badge was struck.. Names were printed in black on a white background, with the logo of the Association for the Blind - in black - to the left of the name. The words 'Association for the Blind' sit below the symbol, whilst 'General Committee' is located beneath the wearer's name. This badge was donated by Winsome Baker. 1 plastic name badge with black writing on white background and AFB logoassociation for the blind, badges

To identify AFB staff, a name badge was struck.. Names were printed in black on a white background, with the logo of the Association for the Blind - in black and blue - to the left of the name. The words 'Assocation for the Blind' sit below the symbol, whilst 'H.M. Lightfoot Centre' is located beneath the wearer's name. This badge was donated by Winsome Baker. 1 plastic name badge with white background and black writingassociation for the blind, badges

Invitation addressed to Mr and Mrs B Horn to attend a civic dinner dance hosted by the City of St Kilda (Mayor Brian Slattery) at St Kilda Town Hall on 4 July 1985. The theme of the event was 'St Kilda's 150th Anniversary' and guests were encouraged to wear 19th century dress.White card printed and edged in gold, with St Kilda crestThe names of the invitees are written in black ink: Mr. & Mrs. B. Horncity of st kilda, civic dinners, st kilda mayor brian slattery

A volunteer selling badges in the late 1980s or early 1990s. She is holding a collection tin and wears a badge tray and a volunteer badge. The text on the back '73%' usually means the photo was used in a publication such as the annual president's report. So the year may later be known. Was with photos in a scrapbook covering the 1980s to 1990s.A record of the fundraising for the Legacy Appeal in early 1990s.Colour photo a lady volunteer selling badges outside the Melbourne Town Hall.legacy appeal, fundraising, badge week

Grooved wooden washboards were used from the 18thC in England and Europe. Thick smooth, grooved glass did not rust, stain or wear down as the wooden variety and could be used for finer clothing. The washboard was place in the laundry trough or tub and using a clean brush collars, cuffs and corsets were scrubbed clean.This glass scrubbing board used by a Moorabbin Shire settler c 1900 is an example of the typical laundry equipment used in the area.A timber framed, scrubbing board with ridged clear glass.laundry equipment, washing, scrubbing board, pioneers, early settlers, moorabbin, brighton, bentleigh, washboards, clothing, craftwork

To identify AFB committee members, a name badge was struck.. Names were printed in black on a white background, with the logo of the Association for the Blind - in black and blue - to the left of the name. The words 'Association for the Blind' sit below the symbol, whilst 'Blind Members Council' is located beneath the wearer's name. This badge was donated by Norma Crook. 1 plastic name badge with AFB logoassociation for the blind, badges

Legacy President David Kelly and a Badge seller for the launch of Badge Week in September 2000. Banner slogan "Wear Australia's Pride on poster". One photo was published in the Answer in October 2000, the caption reads Legacy President David Kelly with Mr Paul Allen, one of our dedicated and successful volunteer sellers.A record of fundraising for Badge Week.Colour photo x 2 of President David Kelly and a badge seller.00524.1 Printing on the back "legacy appeal, fundraising, badge week, david kelly

The surplice is a liturgical vestment in the form of a tunic of white linen or cotton fabric, reaching to the knees, with wide or moderately wide sleeves. The lower segment is usually lace or lace trimmed. In this case it is hand crocheted. Here too the cuffs of the sleeves are lace trimmed backed with red silk to denote the rank of the wearer, in this case a bishop.

The photograph, captured around 1900, depicts a large group of minors located in Beechworth. Importantly, this photograph can provide information into the clothing and fashion of minors during this period of history. These men wear loose fitting shirts which are mostly a pale white colour, several wear vests and/or jackets and loose fitting trousers with boots. The majority of men wear wide brimmed hats to protect their skin and eyes from the sunlight. One man has a wooden pipe in his mouth and a few have ties/neckerchief's tied around their necks. The outfits of these miners has the potential to provide insight into their social status, these men are all dressed equally which provides the notion that they are of equal societal standing. The outfits of these miners dating to the 1900s is not dissimilar to photographs of those captured in the 1880s. The location of this photograph is not easy to interpret, but the photograph is recorded to have been taken in the Beechworth region. Displayed in this image is some wild shrubbery and grass where the men are standing/sitting and behind the group is a tin wall or even tin building. At the end of 1899, companies were continuing to search for gold in Beechworth and the surrounds but these attempts were not overly successful. In the early 1900's Quartz mining was occurring but this was done by individuals or smaller parties. It is unclear if these men are mining for gold or for quartz.The search for gold is ingrained into the history of Victoria and therefore, the study of images like this one which portrays some of the miners who worked behind-the-scenes for these discoveries has the potential to reveal important information regarding society, fashion etc. The date when the photograph was taken is vague but it allows us to form a timeline of mining activities in the North East. This image is of important historical significance for its ability to convey information about society at the time, regarding fashion (which can potentially reveal social status) and mining in Beechworth in 1900. Black and white rectangular photograph printed on matte photographic paper mounted on board.Reverse: BMM 8032/ Group(?) Beechworth Mines about 1900/ 80quartz, north east gold, sluicing, gold sluicing, hydraulic sluicing, mining, gold mining, north-east victoria, beechworth, burke museum, 1900, group, miners, hats, vests, ties, wild shrubs, tin, quartz mining

Was Gordon Ball's Great Great Grand Father who fought in the Crimean War, including the the Battle of Alma in 1854. He served for 11 years and 39 days. In the picture he wears from left to right, the British Crimea Medal 1854-1856, The Turkish Crimea Medal 1854-1855 and the Distinguished Conduct MedalPhoto mounted on cardboardFront - Talma Studio, Onehunga Reverse - For Jane from Father; Grand Dad Patterson; Hilda Bilston's Mother's Father My Grandmother; Mum's Father; He fought 11 years & 39 days without getting a scratch. Crimean was The Heights of Alma etc.; Robert/Wayne Ball Great, Great Grandfather

Report details the condition of the special work with associated drawings of the rail head showing wear at many points around the system. Includes the size and type of the rail and the location of the rail sampled, includes curves, special work, junctions and type of equipment, Dated 30-4-1958. See item 9537 for a similar report on rails.Demonstrates a detailed report into the condition and wear of the Ballarat Tramways trackwork in 1958.Report - 8 typed foolscap sheets carbon copy within a manila card folder with steel clips containing about 50 drawings on light card sheet of rail sections.Outside cover in ink "To accompany reprot to Manager on "Condition of Ballarat Tramways Special Work" dated 30-4-58"ballarat, secv, trackwork, rails, special work, points, reports, tramwaysm

This informally posed photo was taken in front of the old grandstand at Mortlake's recreation (football) oval. It shows 17 troopers in uniform, holding rifles. There are 7 horses, one trooper is mounted. All wear an early version of the slouch hat. An interested group of mainly boys and a few men, including a policeman, watch from the grandstand. Shows early preparation for national defence or conflict, at a local level. Britain had withdrawn its defence forces from the colonies in 1870, so the States had to provide their own. District defence groups were common at this time, meeting regularly for training. This un-named and un-dated photo appears to be a local (Mortlake) unit of the Victorian Mounted Rifles c. 1885,[A local expert on weaponry believes they are from the 'Victorian Rangers' judging from their rifles.] They were precursors of the Light Horse regiments of the Boer and First World Wars. Mortlake has its own Boer War Memorial (1902) in Mortlake Botanic Gardens. Rectangular sepia photograph on cardboard backingDavis Brosi inscription bottom left corner, with Mortlake and District Historical Society Stamp on backhorse, victorian, australian, australia, defence, war, rifles, memorial, mounted, light, mortlake, boer

Photograph of a young, red-haired woman operating what looks to be a telephone switchboard. The woman, possibly a receptionist, and possibly vision-impaired, wears headphones with a mouth piece to allow hands-free operation of the phone. With her right hand, she operates the keyboard in front of her. In the background is a bookcase with phone books stacked upon it.1 black and white photograph of woman working in officerehabilitation, royal victorian institute for the blind

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This outfit was donated by Netta Fuller.Two piece grey silk outfit comprising a tailored bodice and a very full skirt. The bodice has puffed leg-of-mutton sleeves and is heavily encrusted with large grey artificial pearls and steel beads of the period. The skirt is cut to allow for a long train at the back. Grey pearls and steel beads are similarly used on the right side of the front of the skirt. Metallic braid may have been added at a later date. The outfit has been much altered over time. There is evidence of shattered silk in parts of the garment. Printed on a strap at the waist is the label of Peter Robinson, Oxford Street/Regent Street.Peter Robinson. Oxford Street/Regents Streetwomen's clothing, women's fashion -- 1890s, peter robinson, international fashion, fashion -- united kingdom, fashion design, fashion -- 1890s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This coat was donated by Rona Jenkins.Purple velvet three quarter length coatLabel: "Elegance Reg."coats, elegance -- melbourne, fashion and design, women's clothing

These saucers are part of a crockery set that belonged to George Rolfe and his family. George Rolfe (1836-1919) was a tea merchant in Melbourne who bought land at the mouth of the Hopkins River in Warrnambool in the 1880s. He had adjoining land and the properties of ‘Shipley’ and ‘Fairy Hill’ and developed ‘Lyndoch’, adding stables, jetty, boat house, windmill and reservoir, chaff and bone sheds and an extensive garden. In 1891 he married Annie Lake and it was his stepdaughter, Florence Lake who built the ‘Lyndoch’ house still standing today. ‘Lyndoch’ today is now the site of an Aged Care Facility. This item is part of the Rolfe Dinnerset as described on Victorian Collections at VC001420 and VC001422.These saucers, part of a crockery set, are kept because they belonged to George Rolfe, a prominent property owner and farmer in Warrnambool in the late 19th century and early 20th century. The items, dating from 1864, have social significance showing the type of crockery used by a more affluent family in the 19th century. These are six circular china saucers with a gold rim and ornamentation in a scallop design in gold and teal around the rim and the outer edges. The base of the saucers has a gold rim. One of the saucers has a chip on the edge and four show significant wearing of the inner gold circle. Some of the outside gold edging also shows wear. The maker’s marks and name are indented on the bottom of the saucers ‘Minton’ lyndoch, warrnambool, rolfe and co., george rolfe, history of warrnambool, florence lake

Items in the collection re Craig Triffett. Refer to Cat No 5997.5 for his service details.These are Australian muti cam brassards. In all three cases they are suspended from an epaulette and using Velcro, wrap around the wearers upper arm. 1. This has a sewn Crown on it. Suspension is by a nylon strap at rear. 2. This is a larger pattern example. No badges, suspension is by a sewn slot at the top. 3. This item is the larger type with a sewn on patch and green and yellow D.S. stripes.uniform, aust army, rank badges, brassards

This negative is one of a batch of ten images taken apparently around the same time at Gembrook c. early 20th century. This one is of three men of whom two are clearly workers, possibly timber workers, and the third may be their boss. Timber was an important early industry in Gembrook. These negatives provide a glimpse of the early 20th century timber industry in Gembrook.Black and white negative - portrait view - showing three men posing for the photo. The man in the middle wears a suit and is smoking a pipe and holding an axe. The men on either side of him appear to be workers with one holding a hand tool over his shoulder which may be an axe, and the other is smoking a pipe. Negative has been kept inside a packet which is not original.Handwritten on (not original) packet containing the negative: '3 men with axe - Gembrook'gembrook, timber industry

Green stone granite axehead highly sharpened and beautifully fashioned at one end with rough hewn markings over the body of the object. Axe has a "waist" mid section where handle would have been attached. Also evidence of extensive wear from use. This axehead was quarried at one of only two green stone granite sights in Australia both in Victoria. Scarring at one end of the axehead where it has been split from larger piece of granite.defence, food, preparation, green stone granite, axehead, mt camel, jaara jaara people, jaara, waisted, quarries, tree cutting, weapon making

Gladys Reed was a member of the Ormond Choral Society c 1950. and these clothing props were used in the plays and musicals when performed in the City of Moorabbin c1950 Drama, Musical and Choral Societies were founded by local residents in the City of Moorabbin c1950 to provide social, artistic and musical entertainment and development in their communities A theatrical prop for the Ormond Choral Society c1950 that simulates a 1920's flapper beaded evening wear cloche hat. White lace is over sewn with small pearl beads and 3 rows of shiny beading with large pearls and beading around edge of hat. Loops of small pearls hang from each side . Shown with beaded waistband MAV 00297 early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

Monochrome portrait photograph of a man. He has a beard and bushy eye brows and sits with his face slightly in profile. He wears and double breasted jacket with a bow tie. His portrait is placed in an oval framed mount board which is in a rectangular wooden frame. The frame is painted dark brown but has a border of flowers and foliage picked out in gold colour.official portrait photography, civic portrait, mayor, portland mayor, 1800s

The Australian Scouts' First Book was produced in the following editions:- (1) Jan 1931, (2) Sept. 1931, (3) Jan 1933, (4) June 1934, (5) Sept 1935, (6) Sept 1938, (7) Nov 1939 and (8) Jan 1941.Joan Filbey Collection: The Australian scouts' first book : complete tenderfoot and second class test instruction - Pages 5 to 76 are intact - Cover and a few pages are missing. The book is a rule and guide book for boy scouts, for example, how to tie knots, how to wear the correct uniform, tests for tenderfoots, signalling, first-aid, Morse code and tests to be undertaken.history, bendigo, scouts, the australian scouts' first book, joan filbey collection

In 1895 artist Gordon Coutts was commissioned by Elizabeth Harding (Mrs. Silas Harding), a wealthy pastoralist, to paint this portrait of Prince Albert. The portrait was completed by 1896 and is a copy of an original by German artist Franz Xaver Winterhalter (1805-1873). In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Queen Victoria’s appreciation of Winterhalter began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. There are a number of notable differences in the original Winterhalter work and this painting. The local artist Coutts has changed the colour of the Prince’s cloak from deep blue/black to red (perhaps as a result of working from a black and white photograph). Other differences include extra satin shoulder ribbons, a simplification of the furnishings, notably the floor, and an inexact representation of the medallions worn; collars of the Order of the Garter, Bath, and the Golden Fleece. The painting is framed to match the official copy portrait of Queen Victoria, with the coat of arms of Prince Albert of Saxe-Coburg and Gotha, fixed atop the frame in place of the royal crown.Framed portrait, oil on cotton, of Prince Albert. The Prince Consort wears the robes of the Order of the Garter, holds a Field-Marshal’s baton, and is posed in front of a curtain and colonnade. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. The coat of arms that sits on top of the frame is a combination of carved timber and composition elements.Signed lower right corner in red brushpoint: ‘after Winterhalter / By Gordon Coutts / 1896’.albert, prince consort of victoria, queen of great britain, 1819-1861, winterhalter, franz xaver, 1805-1873, coutts, gordon (1865-1938)

This bandolier was made in 1967 for Australian military use. It has pouches for 5 round stripper clips of 7.62mm ammunition. Bandolier as worn by Australian personnel serving in the Vietnam War.Jungle green five pocket AUST MK1 ammunition bandolier. The pockets are designed to hold 7.62 mm ammunition. There are six painted brass snap fasteners to secure the closing flap over the pockets. Stamped on the back is 'AUST/MK1 VQ V 5/67'. The bandolier is secured around the wearer via a self-fabric strap with a double brass ring fastening.AUST/MK1/CH/N/12/67bandolier, belt, vietnam, beechworth, ammunition

Four cardboard glove -shaped inserts with 'four fingers'. Two outer cardboard shapes have advertising slogan (matching). Banner emblem with word ' DENTS' World emblem on upright hand - words either side 'Hand in glove with the world 'You will enjoy wearing these gloves by DENTS the world's leading glove makers for 200 years Easy care with longer wear'See abovecommerce, advertising, costume accessories, glove accessories

In the early 19th century, infant gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over twenty-five gowns dating from the 19th and 20th centuries. This gown was worn by one or more of the Weir children.This is one of ten items of clothing, worn by infants in the Weir family of Broken Hill between 1899 and 1910. They are part of the larger Weir Family collection of clothing, documents and photographs gifted to the Kew Historical Society by their descendants. Due to their known provenence, the gowns are historically and aesthetically significant in that they can be accurately dated to an 11-year-period, allowing other comparable items of infant's and children's clothing to be dated to an earlier, silmilar or later period. They also exemplify the styles and decorative techniques used for christening gowns, infant's and children's clothing of the period.Long, white cotton infant's gown. This high-necked gown with elbow length sleeves is less ornate than the three christening gowns in the Weir Family Collection, indicating that it was used for daily wear by one of the Weir children in the first six months of their life. The looser ruching at the waist would indicate a later date in the period 1899-1910. The gown is identical to 2025.26.Nilchildren's wear