Racing green cardboard box with cardboard slide tray holding three needles. There is allocation in the slide tray for twelve (12) needles. There is a white manufacturer's label on the front of the box.Stamped onto the flat of each needle: NON / STAIN / STEELhypodermic, needle, syringe, empire

Photo album, black cover, gold border. One hundred colour photos, some with annotations. Label on front of album: Portal, machinery, underground shots 1998; drilling in Deborah St.; mines rescue vehicle; various staff; E.E.S. Displays; Board Meeting 1998. Staff photos: Rob Charlton, pump at Red, White Blue Cons.; Andrew Breen Workshop Manager; John Cahill; Patrick O'Boyle Mine Rescue Vehicle; John Cahill; Ben Clayton; Ricky Hannah; April Westcott; Ivette Maggs site clerk McMahons; Wayne Woodward; Fiona Hunt; Steve Woodall.kangaroo flat gold mine, bendigo mining nl, new bendigo gold project, goldmining, personnel, doug buerger, colin burns, tarnagulla, new moon, displays, box cut, unity mining, aerial photos, 1998

This glass epergne was first owned by John Sanderson's grandmother, who lived in Wandin (Clegg Road) until the 1940s. She first purchased it in 1920 and used it as a vase before passing it on to her daughter Norma Spicer. Epergne's were first created during the early 18th century France as a table centrepiece to display 'exotic' fruits and cakes from France's colonies. They were originally made of silver, however, the late 18th century saw a rise in epergnes made of porcelain due to the growing status of the European porcelain industry. The late 19th century saw another shift as Victorian and Art glass became the name of the day, and most epergne's became increasingly more complex glass works, no longer used for holding food. This epergne is the product of these later glasswork vases, reflecting 1920s interest in uranium glass and clouded geometric patterns. Epergnes like this filtered out of popularity after World War II as large dining sets and table centrepieces became less important to every day life. Those that remained transferred to more useful roles within the household: this one being used as a vase for most of its life. Green tinted glass epergne with white clouded vertical stripes. Glass thick and slightly opaque, possibly uranium glass. Base is a fruit bowl with scalloped/ruffle edges and middle coming up into a triangle. The very edges of the fruit bowl and clouded with white and blue. A golden metal notion attaches to the middle of the fruit bowl with a globe shaped connector. Notion looks like a flat gold flower with six petals and three small leaves, with middle of the flower having a screw on which to screw the largest flute. The flower has three small bucket-shaped containers attached to it in which the smaller flutes are placed. Four flutes attach from the very middle, all bell shaped with very ends flaring out into a scalloped/ruffle edge. One large flute is screwed into the middle of the fruit bowl and stands straight up. Three smaller flutes are placed in around the larger one leaning slightly away from the centre.vases, epergne, 1920, 1920s, 20s, twenties, glass, glassware, uranium glass, radium glass, clouded glass, art deco, decorative objects, tableware, wandin, clegg road

3600 Bill Kinsella and Carmel Kinsella at Carmel's Birthday party. -1 Carmel Kinsella cutting her birthday cake. -2 Carmel Kinsella. -3 Three photographs of cloths belonging to the Kinsella family. -4 Three photos of clothing, one of a purple silk undergarment, one of black silk dress the third of a embroidered. -5 Three photos, one of a top hat, another of long boots and the third a Bullock drivers bell. -6 Photograph of Illumination given to Thomas Kinsella from the Magdala mine workers when Thomas left to travel back to Ireland to visit his sick mother. -7 Four photographs of objects, one of a Pianola, second of a clock Carmel Kinsella bought for her birthday (80th in 1993). Third wire strainers, Forth Croquet green numbers and mallet head. -a Wording on Illumination (see description, inscriptions and markings). -8 Photograph of Martin Cahill. Born 1881 died 21.06.1947. Married to Eileen Kinsella 1920. -9 Bill Kinsella at 3LK Radio Starion Lubeck where he worked for 38 years. Bill was also called William Jennings Kinsella after his father. -10 The iron decorative gates at Kinsella's farm also called "Magdala" -11 The original Kinsella house on "Magdala" farm. The back room with a flat roof and 4 windows was moved from "Mayo Park" where the Kinsella's originally lived across Station Creek. -12 Photo of Tom Capell as a young man. The son of Jane Teresa Kinsella & William A. Capell. -13 Sarah Kinsella nee Peardon married William Jennings Kinsella. -14 Photograph of Sarah & Jennings Kinsella children Thomas Wade Kinsella, Clare Best, Carmel Kinsella, Bill Kinsella. Photo taken at Kendal's farm near Lubeck Series of colour and black and white photographs taken at the Kinsella's farm "Magdala" Lubeck July 2006.stawell

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.A handmade, sturdy white cotton christening gown. The bodice is made from a number of separate pieces of fabric. At the front there is a flat, pleated panel that extends well below the waist. The longer half-length sleeves are attached to the neckline rather than from a shoulder. Each sleeve is bordered with crocheted lace. Crocheting is also used as a decorative element on the front of the tie. The skirt is simply hemmed. christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

This white sailors hat was worn on ceremonial occasions by non-Commissioned Navy Officers. Colloquially known as a 'duck hat'.A round, flat, visorless hat made of white material with a black silk ribbon at the base (called a tally band) and black chin strap.navy, vietnam, white sailors cap, duck cap, uniform, hat, sailors cap

The local 'philharmonic orchestra/band' playing at a civic/national day function in the 1950s in Vathi, Ithaca. Music plays an important role in many aspects of life, both civic and social, on the island. During the summer months locals and tourists enjoy a variety of musical and cultural events.Founded in 1904, the Ithaki Philharmonic Orchestra is the oldest musical group on the island. The band is a private, non-profit entity and its goal is to offer free musical training to the young of the region and provide them with a broader musical education. The philharmonic orchestra performs concerts and participates in a range of educational, municipal, religious and national day events. A black & white photograph of a brass band of men dressed in dark uniforms and flat hats and women wearing dark skirts and white blouses. In the second row are males in civilian suits. The conductor is standing in the front on the extreme right hand side holding a baton.

Photo, Black and White of St Lukes Church, White Hills, Bendigo, Vahland and Associates; St Augustine's Church Myers Flat and an invitation to a special mass on November 7th 1965; Data form for St Augustines'; Notification of 'D' classification for St Augustines'; Handwritten letter re history of St Johns Presbyterian Church Bendigo; Handwritten letter re National Trust citation of St Pauls Church; Single typed sheet re history of the Sacred Heart Cathedral; typed sheets re history of Congregation of churches in Bendigo; Notification of St Augustines Church, Inglewood being put on the the National Trust register.history, church, national trust bendigo collection, sacred heart cathedral bendigo, st augustine's church myers flat, st pauls church bendigo, st johns presbyterian church bendigo

Faded black and white mounted photograph of Moreland Timber Yard in the early years of the 20th century. Two men stand on either side flat bed truck with another man on the tray at the back. Timber piled up on left side of image. The sign says 'The Moreland Timber Co Pty Ltd. All Builders' Supplies. Office and Mills, Moreland Road, Phone BWk 78.'On the right hand side of the sign is 'Agents for Sherring Williams. Paints and Varnishes.' An accompanying handwritten note from Laurie Cunningham says 'These pictures are from the old Moreland Timber Yard which once stood on the Brunswick side of Moreland Rd. 4 other photos in this group are P2023-059, P2023-062 and P2023-065, P2023-074.Photographmoreland timber yard, timber yards

This kit contains a knife, used to cut open a snake bite wound, and potassium permanganate crystals, known as Condy's Crystals, that were rubbed into the wound to absorb the infected blood. It was once believed that cutting open the wound, removing the venom by suction and then applying a tourniquet would be the most effective treatment but it has since been proven that this method has little effect, and can cause more damage and harmful infection than the snake venom. This type of treatment was popular in the early 20th century and kits like these would be common in travel bags and household first aid. It wasn’t until the 1970s that the current method of pressure/immobilisation was introduced.Small tubular wooden container with removal ends, end with flat end encloses a metal lancet, end with rounded end contains a black powder. The items name and instructions are printed in black ink on a white lable on the coverOn label: Lauder Brunton/snakebite/remedy/directions for use: First place ligature around the limp above the wound. Second make a small incision through the wound and rub with the potassium permanganate crystals. Moisten. Obtain services of doctor at once.' Previous catalogue number on a small white stickersnake bite, first aid

The bridal coat was part of a wedding ensemble worn by Peg Young in 1939. The final two images in the carousel include a wedding photograph of Peg and her husband. A letter accompanying the donation on file describes the outfit as: "Rosemary [Peg] looked very nice indeed in a simple white satin dress that made her look very tall and slim. It had trimming round the neck, down the front and on the shoulders that looked like quilting, with a little gold in it, and she wore gold slippers and a lovely lace veil, lent by Auntie Nellie. She carried a large sheaf of bright red roses." Mrs Peg Young, a Kew resident was at one stage President of the Children's Book Council of Australia. She was also a member of the Kew Historical Society. The coat was donated by her daughter, Mrs Helen Tutt.Floor-length satin bridal coat with a buttoned full length opening at the front extending the length of the garment. The front of the coat is hand-quilted in an abstract design of arabesques. The buttons are covered with the same satin fabric as the coat. Accompanying the dress there is a photo of the couple on the steps of the unnamed church in London and a letter describing the event, including the coat. MEASUREMENTS (CM): Shoulder 35 x Waist 74 x Front 146 x Back 146cmTranscript of accompanying letter: Red Cottage Mallory Road Hove 4 Sussex England July 21.39 Dear Faith I have been up to London today to Rosemary's (Peggy) wedding. Though you might like to hear about it. To my mind the one sad part was that your Uncle Bertie and your adopted sister could not be there. Daisy (Margaret) has been simply splendid in all she has done. Rosemary looks very nice indeed in a simple white satin dress that made her look very tall & slim. It had trimming round the neck down the front & on the shoulders that looked like quilting, with a little gold in it, & she wore gold slippers & a lovely lace veil lent by Auntie Nellie. She carried a large sheaf of bright red roses. Her two bridesmaids were Mary & Brenda. They wore the same bridesmaids dresses as they wore at their sister Peggy's wedding a few weeks ago. They were very pale blue satin, simply made, with long skirts & they had lovely little flat bouquets made of the heads of all sorts of flowers out in the gold holder which I am sending you & tied round the handle with gold ribbon. They had wreaths of the same flowers in their hair. Nevil gave Rosemary away."costumes, wedding dresses, wedding coats, peg young, helen tutt, fashion design, fashion -- united kingdom, fashion -- 1930s

This business was owned by father and son, Henry Archibald Wilkinson and Samuel Ronald "Ron" Wilkinson. Henry (1882-1954) was born in Shepparton and died in Bendigo. He was married to Grace Hovendon in 1908. Samuel Ronald "Ron" (1914-1995), Henry's son, was married to Florence Jean McKerlie in 1937.Contract of sale of land dated 24th March 1954 between Mr. E.T. Fennell (seller) and Mr. L. Riddell (buyer) for that land situate Jackass Flat being described in right to occupy residence area right No. 0251, together with weatherboard dwelling and all sundry. Price 525 pounds. Also attached receipt no.81247, dated 13 April, 1954 from the department of Crown Lands and Survey, also a letter to Messrs T.M. Williams , Watson, James, Solicitors, Bull Street Bendigo dated 26 March, 1954 signed by Mr.. Fennell instructing to pay from the proceeds of sale of property, Grassy Flat, the sum of 400 pounds to Messrs H.A. & S.R. Wilkinson of 182 Mitchell Street, Bendigo as deposit on purchase of Mr. A.L. Stuckenschmidt's property Raglan Street, White Hills.organization, business, h.a. & s.r wilkinson real estate