Ladies doing light exercises on chairs at Legacy House. From 1928 until the 1980s, Melbourne Legacy ran an excellent exercise program for its widows. Classes were held weekly at Legacy House and there was often a waiting list for the water classes, which had both swimming instruction and water exercises. Some of the class members were in their 90s, many just learning to swim.A record of activities provided for Legacy widows.Black and white photo of three older women sitting in chairs doing light exercises.Stamped on the back: "Jul 15 3 29 AM '88", "COPYRIGHT / This photograph may not be / reproduced with permission / in writing from the / Pictoral Dept. of "The Age" / 250 Spencer Street, Melbourne, / Victoria, 3001, Australia" Taped to the back: "NEIL NEWITT 15/7/88 E.G. / SENIOR CITIZENS (WOMEN ONLY) AT / "AEROBICS" AT LEGACY HOUSE / STORY DAVID BRUCE."widows, exercise classes, activities

Photo of ladies doing light exercises at Legacy House. From 1928 until the 1980s, Melbourne Legacy ran an excellent exercise program for its widows. Classes were held weekly at Legacy House and there was often a waiting list for the water classes, which had both swimming instruction and water exercises. Some of the class members were in their 90s, many just learning to swim.A record of activities provided for Legacy widows.Black and white photo of several older women doing light exercises using chairs.Stamped on the back: "Jul 15 4 49 AM '88", "COPYRIGHT / This photograph may not be / reproduced with permission / in writing from the / Pictoral Dept. of "The Age" / 250 Spencer Street, Melbourne, / Victoria, 3001, Australia" Taped to the back: "NEIL NEWITT 15/7/88 E.G. / SENIOR CITIZENS (WOMEN ONLY) AT / "AEROBICS" AT LEGACY HOUSE / STORY DAVID BRUCE."widows, exercise classes, activities

Wooden Plaque 15cm x 13cmWomens Auxilliary RSL

The Kew Elder Citizens Club Rooms at 'Southesk' were officially opened by the Hon EP Cameron MLC on 12 November 1956. The Club met at the Council-owned 'Southesk' until 1963 when new club rooms were opened at the corner of High and Childers Streets in 1963.One of a seminal group of photographs and documents (invitations) relating to the formation of the Kew Elder Citizens club at Southesk in the 1950s.Annotated black and white photographic positive of eleven women standing in the garden of Southesk on the corner of Cotham Road and Charles Street, Kew. Apart from the handwritten annotation on the front there is no other information on the obverse or reverse of the photograph. It is assumed, given the clothing and age of the women that this was a group of members of the Kew Elder Citizens Club. Individuals within the group have not yet been identified.Original Members at Southeskkew elder citizens, kew senior citizens, southesk

A large patchwork wall hanging made by women who attended patchwork classes at the Nunawading North Neighbourhood Centre was displayed at the Whitehorse Festival of Arts.A large patchwork wall hanging. nunawading north neighbourhood centre, patchwork, whitehorse festival of arts

Small monochrome photograph, depicting a small outdoor gathering of men and women, somewhat formally dressed and holding a variety of smaller boxes. Foundation day BrightonSmall monochrome photograph, depicting a small outdoor gathering of men and women, somewhat formally dressed and holding a variety of smaller boxesbrighton, foundation day, 26 january, lhlg, seamen, mission to seafarers, seamen's mission, mission to seamen, picnic, ladies, bowler hat

Tippett's Clothing store established in c.1923. Ross's Gifts formerly Ike Richards hairdresser and gift shop was built as Procter's Butchery in 1880.Colour photograph of Tippett's Clothing and Furniture shop, and Ross's Gifts and Plants. Large tree in front of Tippett's. Tippett's shop has two entrances, both with double doors. Small part of the Panel Beaters showing on LH side of photo. A white car and a red car parked in front of Ross's.tippett's furniture and clothing store, ross's gifts and plants, ike richards hairdresser, procter's butchery

This is a photo of a sewing class for young girls in Ithaca. The women are proud to show off their sewing machines as the acquisition of these items would allow them to make many personal and household items more quickly and efficiently than they could be made by hand. Sewing was considered an important skill for young women and dressmaking was also a means to earn money to help support their families. A black and white scanned photograph taken outdoors of fourteen women sitting behind their treadle machines and posing with their needlework. Three women and a man are standing behind the group and two boys and a girl are sitting in the front on stools. A building with four large security windows/entrances in the background. 29 pas 7 is written on the back

Author was a Surrey Hills resident. 288p; illus. This is a story of the War Widows' Guild and the story telling of energy released through grief, of women fighting for their children and their spouses.288p; illus. This is a story of the War Widows' Guild and the story telling of energy released through grief, of women fighting for their children and their spouses.war widows' guild of australia, societies and clubs, women, widows, (ms) mavis thorpe clark

This tea towel was manufactured in 1978 in Ireland and shipped to Australia. This was in a period when the C.W.A. was the major women's organisation which had the greatest influence amongst rural women (especially in isolated areas). This was a period when broad based communications were mainly by radio,women orientated magazines and the telephone. The relay of television to "remote" rural areas was not yet established. The CWA was therefore a very important organisation that catered exclusively to women's needs. The C.W.A. motto "Honour our God, Loyalty to the throne, Service to the country, Through country women, For country women, By country women." The atmosphere was one of "sisterhood" and covered nearly all the needs of rural based women. This one organisation incorporated knowledge and learning targeting women who physically may be isolated but not mentally. On the tea towel are portrayed all the activities that would be beneficial to rural women.This tea towel with its respective motifs is very significant to the Kiewa Valley as it related especially to women who felt the limitations of social interactions within a rural area. This tea towel represents a era where communications was relatively based on radio, magazines, books and limited telephone access. Within these restrictive interactive communication levels, the isolation of a "back o' Bourke" location applied tremendous mental fatigue on women more than on men.This CWA Victoria Golden Jubilee (1928-1978) tea towel is made from Irish flax at the Blackstaff Flax Spinning and Weaving factory. It is therefore of high quality and very durable. The major colours projecting from a light blue background are red, yellow, green, orange and black. The motives portrayed the activities of the CWA in 1978. These activities are embroidery, crocheting, dress making, knitting, cooking, art, macrame, drama, music, patchwork, toy making and community relief, pennies for friendship, emergency relief and welfare, residential club flats, the thanks giving and Papua New Guinea.The main or central theme of this tea towel is presented in the central area within three rings. "1928" on the left and "1978" on the right. On the top part "GOLDEN JUBILEE" and at the bottom "COUNTRY WOMEN'S ASSOCIATION OF VICTORIA" There are various shapes representing the activities listed above.cwa promotional material, cwa golden jubilee, women only organisations, country women's association

From left to right the women are: Miss Vine (dark dress, draw cord at waist with pom-poms on end), Miss Hocking (dress with large spots), Mrs Thomson (light coloured dress with dark sash at waist) and Mrs Paddy Smith (light coloured blouse and dark skirt).The photo shows four women, standing in line from shortest to tallest, standing in front of bushes.people

Dept. of Defence Clothing brushequipment, ww2, army

Shield shaped clothing patch.The word "CANADA" in white, on a red background. A red maple leaf inset a white background.

Shield shaped clothing patch.The word "TRANZAC" in white across the top of the patch, on a navy blue background. Underneath, embroidered images of a kangaroo (in gold), a kiwi (in white), and an indistinct object in red.

Shield shaped clothing patch.The word "JUGOSLAVIJA" in dark/royal blue, above a stylised variant of the Yugoslav national flag.

The photograph depicts one young man and two young women. They are all dressed in casual clothing.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: 5664 / t / O /entertainment, entertainment album, beechworth, 1950s, arts, recreation, theatrical group, theatre

Fox fur stoles were a fashionable item of clothing at important occasions for women in the 20th century As the prosperity of the early settler market gardeners of Moorabbin Shire improved the women were able to afford fashionable clothing.A complete, lined, lady's red-fox fur stole with clasp. Glass eyes. Missing one front paw and one ear.melbourne, clothing, brighton, moorabbin, pioneers, markets, market gardneners, furrier, fox, fox hunting, vermin

Early settler women used their dressmaking and craft skills to make clothing and homewares for their homes and familiesA pair of white cotton pillowslips with pin-tucking and broderie frillclothing, brighton, moorabbin, linen, pioneers, haberdashery, dendy henry, market gardeners, dressmakers, craft work, risstrom lorna

The women of the early settler families in Moorabbin Shirewere skilled dressmakers and craftworkers and made the clothing for their families .The family of Nance Blackburn were early settlers in Moorabbin ShireA Lady's black jap silk 'bloomers' blackburn nance, early settlers, moorabbin, cheltenham, bentleigh clothing, dressmaking,

Text tells the stories of the bravery of Australian women from Gallipoli to Kokoda.Book, soft cover with sepia illustration depicting 4 women. Title in cream lettering. Black & white photographic illustrations & black & white maps. 296 pages with cut edges.Handwritten in black on 1st page: “O'Brien”book, australian women

'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author. Porte-cochere, Tara Hall, circa 1957. The main entrance to Tara Hall (previously named Byram, Goathland and Lowan). The entrance, through a porte-cochère, was located on the side of the house facing east. During construction, commentators described the house as being in the ‘Elizabethan style’. The architectural style of the exterior, with its innovatory use of red brick and Italian tiles was more influenced by American models. Edward George Kilburn, of Ellerker & Kilburn, designed Byram for the industrialist George Ramsden in 1888. Typed inscription on reverse: "Goathland, also known as Tara Hall (Royal Women's Hospital, Melbourne)."goathland -- kew (vic), byram -- kew (vic), tara hall - kew (vic), studley park road

This nightgown belonged to Toula Mavrokefalos Black, nee Raftopoulos (1892-1976). Born in Ithaca, Toula's family migrated to Romania when she was only a baby. She learned to sew as a child while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. In 1914, Toula emigrated to Australia with her husband Constantine Mavrokefalos. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Her daughter Olga Black spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years. BHS holds a collection of garments and textiles made by the women of Olga's family, spanning four generations.Women's cream cotton sleeveless nightgown. Cutwork embroidery on bodice. Blue stain under one arm.nightgown, toula black, toula mavrokefalos, 1900s

Eight cards created by Whitehorse Manningham Libraries in collaboration with artist Edwina Marion of local trailblazing women during the late nineteenth and early twentieth centuries with explanation leaflet.Eight cards created by Whitehorse Manningham Libraries in collaboration with artist Edwina Marion. marion, edwina, schwerkolt, wilhelmina, weber, ivy, goyder, constance, serpell, jane, gaff, janet, sutherland, jane, boorat, annie, burchill, elizabeth

Photo of ladies doing light exercises on chairs at Legacy House. From 1928 until the 1980s, Melbourne Legacy ran an excellent exercise program for its widows. Classes were held weekly at Legacy House and there was often a waiting list for the water classes, which had both swimming instruction and water exercises. Some of the class members were in their 90s, many just learning to swim.A record of activities provided for Legacy widows.Black and white photo of four older women sitting in chairs doing light exercises.Stamped on the back: "Jul 15 3 29 AM '88", "COPYRIGHT / This photograph may not be / reproduced with permission / in writing from the / Pictoral Dept. of "The Age" / 250 Spencer Street, Melbourne, / Victoria, 3001, Australia" Taped to the back: " PHOTOGRAPHER: NEIL NEWITT DATE: 15/7/88 DEPT: FOR E.G. / SENIOR CITIZENS (WOMEN ONLY) AT / "AEROBICS" AT LEGACY HOUSE / STORY DAVID BRUCE."widows, exercise classes, activities

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. Pair of two tone, navy and beige women’s shoes by Bruno Magli, retailed by Hermann.BRUNO MAGLI / MADE IN ITALY / EXCLUSIVE TO HERMANN 37 1/2bruno magli, women's shoes, footwear, court shoes

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. Pair of black leather women’s shoes with black velvet bows, retailed by Rules of LauncestonExclusive to / Rules of Launcestonwomen's shoes, rules of launceston, footwear, court shoes