Date and Location Unknown - 4 People (1Male 3 Females) at a Table Having Lunch.Agfaperson, group, lunch

Bendigo Showroom Date and Location Unknown - A Male and a Female in the store , 2 stoves on displayAgfabusiness, retail, gas and fuel showroom

Christmas Party Date and Location Unknown - 3 Females and Several Males sitting at TablesPolaroidperson, group, christmas party

Christmas Party Date and Location Unknown - 2 Females and 1 Male sitting at a tablePolaroidperson, group, christmas party

Bendigo 1950s. Bendigo Conservatory Gardens 6/3/1957. Female statue in forground.bendigo, parks and gardens, bendigo conservatory, bendigo 1950s. bendigo conservatory gardens 6/3/1957

Handmade hostess apron, made as an engagement gift by Joan Chambers, the donor's Ranger Guide leader, on the occasion of the donor's engagement in 1970, aged 22. The donor described the item as a 'hostess apron' as it was decorative and not for real kitchen duties.Blue hostess apron. Hand-made. Scalloped edges, with appliquéd and embroidered female dancers. aprons, hostess aprons, protective wear, fashion design, fashion 1970s

Sterling silver spoon with female tennis player represented on handle. Materials: Silver/Metaltennis

Mrs. Bow Hutchings as Bride Bridal Portrait of Mrs Bow Hutchings. A Female Standing in Bridal gown holding flowersstawell portrait

Brass belt buckle depicting a nude female with two dogs contained within a circleNonematcham skipper, belt buckle, bronze, jewellery, diana and the hounds

Female white Port Fairy Bowl's Hat with navy band and silver and blue badge.Headband - Navy blue with 4 air holes and "Port Fairy" embroidered in white Badge - LBA VICTORIA with foliagejanwilley, bowls, port fairy, bowling club

Three of the Telephonists at the telephone exchange in the Post office building in Sackville Street.Black and white photograph of two males and a female gathered around the telephone exchange deskTELE EX PF 1927_0001telephones, telephonists, port fairy, telephone exchange, equipment

Note by T.H. Kneen and E.B. Littlejohn 04.03.1992, who believe it was probably taken c.1940-1941. "Student with foot on spade could be (J.M.) Pixie Scott" (1941).Black and white photograph. A group of mostly female students crowded around the entrance to the Pavilionstudents, pavilion, j.m. pixie scott, 1941, inside classes

Marnoo – Fellowship Class 1898 Marnoo October. Back row: left to Right: H. Newall, Phemie McKinnon, C. Newall, Barb McLennan, Mal Maconachie, Glencioss?, J. Aitkin, Duncan McLennan, Margaret Maconachie, Mal McLennan, May McLennan. Back row (Middle row): Lottie Newall, Ellen Aitkin, Ellen Newall, Liz Maconachie, Miss Allen, Barb McLennan, Liz McLennan, Jane Maconachie, Ag Newall. Front row: Mary McKinnon, Lily McLennan, Jess McLennan (Blaikie?), Nellie McKinnon.Black & white group photo of 24 people consisting of males & females formally dressed. Marnoo Fellowship Class 1898. Marnoo October. Back row: left to Right: H. Newall, Phemie McKinnon, C. Newall, Barb McLennan, Mal Maconachie, Glencioss?, J. Aitkin, Duncan McLennan, Margaret Maconachie, Mal McLennan, May McLennan. Back row: Lottie Newall, Ellen Aitkin, Ellen Newall, Liz Maconachie, Miss Allen, Barb McLennan, Liz McLennan, Jane Maconachie, Ag Newall. Front row: Mary McKinnon, Lily McLennan, Jess McLennan (Blaikie?), Nellie McKinnon.stawell

Chelsea State School was built on Argyle Avenue and officially opened on 27 January 1915.Sepia photo of Grades 3 and 4 with two female teachers at Chelsea State School.chelsea, education, chelsea primary school, school, chelsea state school, grade 3, grade 4

A family photo of Stathi and Kassiani Raftopoulos with daughters Leah and Rena and granddaughters. Pictured seated Kassiani and Stathi Raftopoulos. Standing left to right: Casey Koutsounis, Rena Varigos, Leah Koutsounis, Cassandra Varigos, Kathy Koutsounis, Margarita VarigosA coloured family photograph at a restaurant. The couple is seated and the younger females are standing behind them. families, daughterts, granddaughters

The Olive-Backed Oriole are very common birds for northern and eastern Australia, as well as New Guinea. Similar to the Yellow Oriole, this species is more versatile yet less distinctive in colouring. The streaked underparts and red bill and eyes are easy identification features of this bird. Both sexes look very similar, with female colouring being slightly duller than males. This species frequents open forests and woodlands, and can tolerate dry climates. Most of this species breeds from September to January during the tropical wet season in northern Australia, but some are known to migrate south to breed in the summer. This species eats mainly native fruit, berries, and insects. This specimen is a good example of this species, but the colouring is very dull compared to living birds. This specimen has one red eye, which is a good example of a distinctive feature of this species. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Olive-Backed Oriole has a faint olive-green head and back, and a faint red-tinged beak. Its body is cream coloured with brown streaks. It has one red eye. This specimen appears to be immature and/or female, as it has a pale pill and a duller-olive green back, with streaks quite high up on it's chin, which is indicative of an immature female of this species. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing-tag: 52a / Australian Oriole / See catalogue page 17. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, oriole, olive-backed oriole, yellow oriole, australian birds

The Satin Flycatcher is a small and energetic bird commonly found along the east coast of Australia from far northern Queensland to Tasmania. They are also located in south-eastern South Australia and New Guinea. These birds prefer to reside in tall forests and are fond of wetter habitats like forested gullies but not rainforests. These birds are dimorphic, meaning male and females have distinct forms. The male Satin Flycatcher is blue-black in colouring while the female are brown-grey with a distinct orange band on the chin, neck and breast. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Satin Flycatcher is stylised on a wooden platform with a paper tag attached to its leg. This specimen has small glass eyes, wings positioned to its sides and a long straight tail. The colouring on this bird is a brown-grey and cream colour. It has patch of orange feathers on the neck and chin which identify the gender of this specimen. The male has glossy blue-black colouring and lack the orange plumage.33A. / Shining Flycatcher - See Catalogue, Page 13. / 50 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, satin flycatcher, small bird, flycatcher

Black and white photograph"Written on back of photograph" Ringwood Mayoral Ball - 1954 Country dancing - Male and female dancers. Ken & Laurel Simms.

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The Regent Parrot has two separate populations separated by the Nullarbor Plain: one in the Mallee regions of eastern Australia, and the other in the Wheatbelt region of southern Western Australia. Though the populations are widely separated, the birds of each region do not appear especially different, one being a little duller than the other. There are, however, other differences between the two populations, especially in how they have fared: eastern populations are endangered, while the western population is thought to be increasing. The Regent Parrot eats seeds of grasses and plants and cereal crops, especially wheat. It also eats buds and flowers, insect larvae, psyllids and lerps. It forages in pairs or small parties, usually on the ground, but also in the canopy of trees or in spilled grain on the ground. The Regent parrot is endangered in NSW and Vulnerable in VIC This Particular specimen has been mounted correctly.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A slim parrot with a long, dusky tapering tail and back-swept wings. It is mostly yellow, with blue-black wings and tail. There is a prominent yellow shoulder patch and red patches in the wings. The bill is deep pink. It is mounted on a thin wooden branch that is attached to a wooden mount with the scientific name located Label: T.L. 430MM / W.S. 540MM / WT. 200GMS / SEX [female symbol] Mount: Polytelis / Anthopeplus / Regent Parrot taxidermy mount, regent parrot, taxidermy, animalia, burke museum, bird, parrot

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 18/37 (lower left) The Wedding, 1924 (lower centre) A. Gee (lower right) Back: (no inscriptions)

Art collection Previously located in History House. Previous Exhibition:"In a picture land over the sea ...Agnes Goodsir 1864-1939." Exhibition developed by Bendigo Art Gallery and toured from May 1998 to June 1999. Item of the Month, exhibited in Portland Foyer April 2005.Portrait of a woman dressed in black. The woman appears to be seated and is facing the viewer. She wears a black overcoat with a blue, red and white scarf. She also wears a black hat with a gold clasp. The plain background is predominately grey. The work is framed in a gilded, moulded frame and has an exposed canvas.Front: Agnes Goodsir Back: A clear plasstic pocket is attached to the backing board and contains: a fragment of an old French label and a small fragment of paper with the signature "R.D...." on it.female artists, female artist, agnes goodsir, women artist, female portrait, portrait painting, portrait, cherry

Abstract scene of a rainforest. Image of trees in greens, browns, blues and yellows. Strong brush strokes and bold shapes give the impression of dense trees. It is darker towards the bottom and lighter at the top giving the impression of light falling through treetops from the sun. Mounted on cream matt in pale green frame, with glass glazing.Front: Enid Denton (lower right) (brown paint) Back: Rain Forest $600.00 Enid Denton, Smith Avenue, Croydon 3136cema, portland artists society, female artist, female, female artists, trees, abstract

Unknown female No. 1, Unknown female No. 2, Dorothy Hall (nee Curtis)dorothy hall (nee curtis), peter stirling collection

Unknown female No. 1, Unknown female No. 2, Dorothy Hall (nee Curtis)peter stirling collection, rev. c. wright, jean wright

A female with a white cane is standing with another female at the head of stairs, possibly at RBS Enfield.1 B/W photograph of two woman in stairway, one using a white caneFile: Field Servicesroyal blind society of new south wales, white cane day, orientation and mobility

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminated screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 27/37 The Wedding, 1924 A Gee Back: 17

Parade commemorated Major Mitchell's visit in 1838. Man with Beard is John Miller, Woman is Janet Witham. Band is Stawell Brass Band. Parade was held in conjunction with the Wildflower Show.Photo shows 1 male, 1 female, 1 girl in the foreground. Musicians in uniform are seated. A crowd of onlookers fill the background. Male is wearing a hat and has a beard. Female is wearing a cream coloured hat decorated with wildflowers and a blue ribbon.events, parades

See also Cat. No. 4530.4Paper recruitment poster. There is a photo of a female in uniform and helmet holding a pair of binoculars, looking skywards.wwii, awas, recruitment

Small painted wooden female Asian doll with pink floral traditional dress and green capwritten with white pen on bottom: "PMA 0256"