CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 18/37 (lower left) The Wedding, 1924 (lower centre) A. Gee (lower right) Back: (no inscriptions)

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminated screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 27/37 The Wedding, 1924 A Gee Back: 17

Parade commemorated Major Mitchell's visit in 1838. Man with Beard is John Miller, Woman is Janet Witham. Band is Stawell Brass Band. Parade was held in conjunction with the Wildflower Show.Photo shows 1 male, 1 female, 1 girl in the foreground. Musicians in uniform are seated. A crowd of onlookers fill the background. Male is wearing a hat and has a beard. Female is wearing a cream coloured hat decorated with wildflowers and a blue ribbon.events, parades

See also Cat. No. 4530.4Paper recruitment poster. There is a photo of a female in uniform and helmet holding a pair of binoculars, looking skywards.wwii, awas, recruitment

Small painted wooden female Asian doll with pink floral traditional dress and green capwritten with white pen on bottom: "PMA 0256"

Madge Connor was one of Victoria's first police women. She was appointed as a police agent in 1917 and a fully sworn police officer in 1924.Photograph of Madge Connor, one of the first female police agents employed by Victoria Police in 1917. police agents, connor, madge irene 7711, police women, police woman, policewomen, policewoman

Not yet knownThompson collectionStudio B/W photograph mounted on sepia board of young female aged 9 years. No manufacture mark, but bottom of card has been cut off. Inscription on back reads: 'To Harry With best love from his sister Joan aged 9 years'thompson collection, nightingale

Gas and Fuel Fashion,Food,Fitness. Female and male in wedding dresses. Date and Location unknown.event, social, gas & fuel fashion, food, fitness

Slide. Bendigo Easter Parade. An aqua/white float with some females dressed up on a float.slide, bendigo, bendigo easter parade., bendigo easter parade.

Dame Gracie Fields, DBE (born Grace Stansfield; 9 January 1898 – 27 September 1979) was an English actress, singer and comedienne and star of both cinema and music hall. When World War II was declared and whilst recovering from surgery she threw herself into her work and signed up for the Entertainments National Service Association (ENSA). Fields travelled to France to entertain the troops in the midst of air-raids, performing on the backs of open lorries and in war-torn areas. She performed many times for Allied troops, travelling as far as New Guinea, where she received an enthusiastic response from Australian personnel. In late 1945 she toured the South Pacific Islands. In 1979, seven months before her death, she was invested a Dame by Queen Elizabeth II for services to the entertainment industry.Reproduced black and white photograph of female wearing army jacket with soldiers kneeling and standing in background. Handwritten on rear - Gracie Fields in Pacificgracie fields, ww2, new guinea, 1945, south pacific islands

Note by E.B. Littlejohn 17 December 1991, "L-R Margaret (Peg) Sweetman, ?, Dorothy Alexander, ?."Black and white photograph. 3 female an 1 male student pruning grape vines in the Orchard.orchard, margaret sweetman, dorothy alexander, students working outside, pruning, grape vines, publicity

Stawell Choral Society 1956 on Town Hall stage. Women dressed in evening gowns. Black and White Photograph of a Group of Male and Female Persons, Dressed in evening wear. Taken on a Stagestawell, choral

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Female worker loading yarn into /onto winding machine - wheeled crateswindingindustry, aunde

Coloured Slie Showin four People (2 Male & 2 Female ) in a spa at the new pool

This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Bronze sculpture on a polished granite circular base. Female subject is wearing a long flowing dressclodagh holahan, 69 smith street gallery, artist-run space, artist-run initiative, sculpture, melbourne galleries, clodagh-holahan.com

Three performers gave a concert of operatic and popular works at Her Majesty's theatre. Jacqueline Dark (Moran) has gone on to a successful career as a principal with Opera Australia, while Ivan Williams has worked overseas in Europe for many years. Suzanne Donald continued to sing for many years and was a most successful artist.Single sheet with image of three (male and 2 females) on front with black text on white background."Con Brio" Jacqueline Moran, Ivan Williams, and suzanne Donald in Concert SUNDAY 16th July 1995 at 2.00pm Her Majesty's Ballarat ADMISSION Adult $15.00, Concession $12.00 Group Concession Availablecon brio, jacqueline moran, ivan williams, suzanne donald, concert, 1995, her majesty's theatre

Painting depicting a female nude with blonde curly hair standing in a dam with lily pads and owl. Noneclifton pugh, painting, portrait, prue acton, dunmoochin, owl

Award students St Joseph De Cluney Pt Fairy 1907Black and white photograph of 2 females and 4 males formally posed with musical instruments and their certificatesschool, st joseph de cluney, awards, students

A group photo of junior legatees at a train station on the way to or from a camp. The photo was forwarded to the archive project in October 2018 with a note from Elizabeth Evans (nee Astbury) who was one of the girls in the photo. It is believed to be at Stawell Railway station in 1957 and the girls were going to a Legacy camp at a regional property (Kilpatrick family property at Great Western perhaps).A record of Junior Legatee camps that Legacy ran to give the children opportunity of a holiday.Black and white group photo of a group of female junior legatees going by train to a camp and a letter.Handwritten on reverse 'Melbourne June Legacy Girls 1957 Camp' in blue ink and 'Stawell railway station (from Jim Astbury) / Mr Jack Grey (in hat centre back)?? 'Allenvale' camp? / Kilpatrick family property at Great Western.'girls' classes, camp

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Walking female nude with open book, letters swarming from book and Ex Libris in the swarm.Signed Ricardo 2019 lower right beneath imagebookplates, australian bookplate design awards, ed jewell, keith wingrove trust

Tilly Aston sits in this studio portrait, her outfit obscured by the oval framing of the image. Her hair has been tied back and around her crown, as per her adulthood. A collared top with long sleeves which have a band around the cuff. She looks to have rosettes on her shoulders, a pin with 'V (crown symbol) R' under her chin, and fuchsias draped around her neck. The image could have been taken around 1897, when Queen Victoria celebrated her jubilee and various ornaments were produced to symbolise the occasion.Young adult female in studio portrait wearing collared, long sleeved dress with fuchsia necklacetilly aston, association for the blind

Interestingly, the name "Hardhead" does not refer to the density of this species skull. Instead, it refers to the difficulty encountered by early taxidermies in styling the bird's head. This particular breed of Duck is smaller than average and are often found in the coastal regions of Australia. They are also known to reside in New Guinea, New Zealand and the Pacific Islands. This species was formerly known as the 'White-eyed Duck"; however, since the female Hardhead have dark eyes, this species was renamed the "Hardhead" Duck. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Hardhead specimen is a stocky medium-sized duck with chocolate brown colouring. The bird has paler white/ cream coloured plumage on the stomach and neck. The bill is a grey black colour and the eyes are made of a grey glass with a black pupil. The lighter brown colour of this specimen's head could refer to its identification as female or could be due to the taxidermy process or the impact of age on the colouring of the specimen. Female Hardheads have brown eyes, while the male have strikingly pale white/grey eyes. The bird has large webbed feet which are attached to the wooden platform it stands upon. The platform is inscribed on the left with the number 138.7a. / White-eyed Duck / See Catalogue, Page 39. / 138 on the wooden platformtaxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, heron, duck, australaisian shovelor, shovelor

Two female staff in fancy dress, with award winners below laminated upon pink cardboard. Top, [a] Female staff dressed as cow-girls no caption. [b] Newspaper cutting illustrating seven boys, three girls with 'All Won Awards' caption.bendigo, institutions, golden square primary school

Copy of black and white photograph mounted on board. Accompanied by a caption.Caption reads: The enrolment was 822 students in 1975. There is no breakdown of female and male students. In 1980 it was 515 students rising to 561 in 1981.williamstown high school, 1975, assembly

B/W Form Photograph in front of Brick uildingStawell High School Form 1c 1972 Winter uniform 4 rows female students and demale form Mistress (Teacher)education, class photo, stawell high schoool

The Great Spotted Woodpecker is found throughout Europe and Asia. They are generally solitary birds and do not migrate unless found in northern climates. They are omnivorous and can extend their tongue when feeding on insects, insect larvae, and seeds, among other things. They generally only stay with the same mating partner for one season and are extremely territorial. The Great Spotted Woodpecker generally has red eyes and a deep red lower belly. The males have a red nape, whereas the females do not. They have a white upper chest and white and black head, back, tail feathers, and wings. Juveniles are less vibrant in colour and their undertails and lower bellies are a dirty pink or brown. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Great Spotted Woodpecker specimen is a juvenile female. The undertail is a faint pink while the head and neck is black and white. The tail feathers and wings are a faded grey-brown and the underbelly is white. This specimen is standing on a wooden mount with a swing tag attached to its leg.Swing tag: 2e(?). / Great-Spotted Woodpecker / Catalogue page, 66 / Metal tag: 4304 / torn swing tag: (?)s ma(?)- / q. / Nord- Deu(?)- / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, great spotted woodpecker, woodpecker

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Male & female looking for Mutton bird eggs on Cape Woolamai - western side - looking towards the "Pinnacles".Seeking for Mutton Bird eggs Cape Woolamai Phillip Islandlocal history, photography, photographs, postcards, black & white photograph, phillip island, cape woolamai, the pinnacles

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Post Card of Main Street, Cowes showing Post Office at right. Policeman and female in front of P.O.local history, photography, photographs, postcards, cowes phillip island, post office, black & white photograph, thompson ave cowes, phillip island