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National Wool Museum
Uniform - Shirt, Mambo, Sydney 2000 Olympic Games Australian Women's Closing Ceremony Shirt, 2000
Australian women's shirt from the closing ceremony of the Sydney 2000 Olympic Games. Designed by Mambo Graphics.Short sleeved and collared with six clear plastic buttons down the right side of the shirt. Shirt features the Mambo "Suburbia" design. The collar and sleeves are blue with yellow and red clouds the rest of the shirt is made up of a suburban street scene - houses, trees, telegraph poles, parked cars and dogs and chickens running along the street. The Mambo logo appears in the centre back of the shirt above the clouds in the design. Double stitched seams. Mambofashion, woolmark company mambo graphics, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002), sydney 2000 olympic games -
Kew Historical Society Inc
Clothing, Prue Acton, Black Woollen Cape, c.1980
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Heavy woollen cape designed by Prue Acton. The cape is tied at the front and features a wide band of woollen fabric simulating a collar.Label: "Prue Acton"prue acton, capes, outerwear, fashion design, fashion -- 1980s -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Mask, Ramsay Surgical Limited
One of a range of metal face masks designed to have a cover which helps protect the patient's face.Wire frame mask designed to cover mouth and nose. There is a metal hook on the left hand side protuding from the base of the mask and wire mesh raised from the base with a circle in the middle.facemask, anaesthesia, ramsay surgical -
Bendigo Military Museum
Memorabilia - SASH, TIMOR, C.1998 - 2002
Native woven souvenir sash from East Timor. Pink, green, brown & gold bands alternating in vertical & horizontal stripes on each side, fringed ends.“East Timor repeated on woven central design”costume accessories-female, memorabilia, handcrafts- embroidery, military history - souvenirs, timor -
Ringwood and District Historical Society
Book, David Freedman, Australia's Birds
Hard Cover Book Of 150 Australian Birds.Forward By Robin Hill Design By Gavin Fry -
Bendigo Historical Society Inc.
Document - FOSTER AND WILSON COLLECTION: CERTIFICATE AUSTRALIAN NATIVES ASSOCIATION EAGLEHAWK, 1907
Certificate from Australian Natives Association Eaglehawk Branch Competitions 1907. Coloured Certificate in green and sepia printed on thick cream coloured card. A wide border surrounds a rectangular illustrated certificate. There is intricate scrollwork with floral emblems, a figure in classical robes holding an artist's palette is standing against a pillar with a lyre and mask on the right hand side and on the left hand side a cherub is singing while playing a lyre. At the bottom in the centre is a drawing of a man standing holding a document. The words Australian natives Association Eaglehawk Branch Competitions 1907 First Prize Awarded to Miss K Foster For Piano Duet open, E Harris President and John Trevean Secretary are printed in the centre.F W Niven & Co Design No 11document, certificate, music -
Bendigo Historical Society Inc.
Document - FOSTER AND WILSON COLLECTION: CERTIFICATE AUSTRALIAN NATIVE ASSOCIATION EAGLEHAWK BRANCH, 1907
Certificate from Australian Natives Association Eaglehawk Branch Competitions 1907. Coloured Certificate in green and sepia printed on thick cream coloured card. A wide border surrounds a rectangular illustrated certificate. There is intricate scrollwork with floral emblems, a figure in classical robes holding an artist's palette is standing against a pillar with a lyre and mask on the right hand side and on the left hand side a cherub is singing while playing a lyre. At the bottom in the centre is a drawing of a man standing holding a document. The words Australian natives Association Eaglehawk Branch Competitions 1907 First Prize Awarded to Miss M Foster For Piano Duet open, E Harris President and John Trevean Secretary are printed in the centre.F W Niven & Co Design No 11document, certificate, music -
Whitehorse Historical Society Inc.
Textile - Tea Towel, 2006
Tea towel commemorates the merging of All Saints Church Nunawading with Christ Church in Mitcham to form the All Saints Church Mitcham in 2006Commemorative tea towel with white background and emerald green print and illustrationDesigned and hand printed in Australia. 1300855509 w.w.w.com.audomestic items, cleaning -
Whitehorse Historical Society Inc.
Functional object - Iron
'Goffing iron' similar to a small flat iron but with a curved base. Straight cylindrical handle'2' 'Silvester Patent' Arrow and knot designdomestic items, irons -
Whitehorse Historical Society Inc.
Craft - Apron pattern
Calico sheet with stencil for making apron. Shape of apron in broken line with stencil pattern for embroidery of mexican donkey pulling flower cart. Attached is a sheet with colour references for embroidery.Semco Fashion Pattern Semco Design K912handcrafts, needlework -
Whitehorse Historical Society Inc.
Craft - Apron Pattern
Calico sheet with stencil for apron indicated by broken line. Stencil pattern for embroidery of door and two windows, shutters steps and two dogs.Semco Fashion apron Semco design K897handcrafts, needlework -
Hume City Civic Collection
President's Chair
This President's chair was used by the Shire of Bulla Presidents/Mayors to sit in at Council meetings pre 1963 in the Sunbury Memorial Hall and possibly at the old Shire of Bulla Council offices in Bulla.Large brown upholstered wood frame President's chair. Small front turned legs. Small padded arm rests. High back padded with seven (7) buttons.A design carved into sides of front arm rests.sunbury, shire of bulla, shire presidents, memorial hall, george evans collection -
Port Melbourne Historical & Preservation Society
Plan - Bus Shelter, Lorimer Street, Fishermans Bend, Engineering Department, City of Port Melbourne: A N B, 25 Mar 1914
Working drawings for the construction of bus shelter in Lorimer Street, Fishermens Bend 1942. Preliminary design only. Subtitled "Design D" and "Design E".Signed: Approved " " Drawn: A. N. B.transport - bus, built environment - civic, fishermans bend, local government - city of port melbourne -
Federation University Art Collection
Drawing - Pencil & Collage, Kratofil, Michael, 'Calendar' by Michael Kratofil, 1989
Michael KRATOFIL Between 1987 and 1989 Michael Kratofil undertook a Bachelor of Arts (Design and Visual Communications) at the Ballarat Institute of Advanced Education (later Federation University) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed University Graphic Design Project. If you can provide information on this artist or arwork please use the comment link below. art, artwork, michael kratifil, available, graphic design, graphic communication -
Mont De Lancey
Jewellery, 1920
Property of Late Miss E.M. SebireMarcasite brooch with 2 bird design, and a pair of marcasite earrings with a floral designBrooch: "Leca No.514"brooches, earrings -
Vision Australia
Leisure object - Object, Playing cards with Braille, 1920-1958
A 52 playing card set (plus two jokers) with Braille designed by the leading firm of playing card manufacturers in England during this period - Thomas de la Rue & Company. Playing cards with red, black and white design with braille embossing at top left-hand and bottom right-hand corners in (red or blue) metal hinged box. recreation equipment, games -
Kew Historical Society Inc
Footwear - Pair of Black Suede Court Shoes, Bruno Magli, 1980s
The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. Pair of black suede women’s court shoes with a cream leather lining on which is stamped in gold lettering Bruno Magli. The Italian designed shoes were retailed by retailed by M.C. Hermann.BRUNO MAGLI / Made in Italy / Exclusive for M.C. Hermann bruno magli, women's shoes, footwear, italian shoes, m. c. hermann -
St Kilda Historical Society
Photograph, Donald McDonald, Euro Reko, c.1872
Front view of two storey mansion, central tower, polychrome brick, arched windows and single storey verandah to right side of building. Two couples in garden foreground. Built 1860, photograph taken 1872. Designed by Reed and Barnes.backed, unmounted copy, black and white photo, good condition.Built 1860, designed by Reed and Barnes, Euro Reko, Burnett Street S E side, through to Gurner Street. Photograph taken 1872. Demolished.' -
National Wool Museum
Tool - Drench Gun, 1940-1950
There are several different designs of drench guns within the NWM Collection that show the change in their development over time. On the left side of this gun white paint indicates the adjustable dose lever. It is a sliding scale from 10 to 0 cubic centimetres of liquid (now typical measure in millilitres). It also has a large diameter curvature suggesting this gun was typically used for dosing ewes as opposed to lambs. The manual adjuster helped to minimise cases of overdosing which can be fatal for livestock while the additional curvature helped to ensure the liquid reached the desired location within the sheep’s mouth. This desired location is on the left rear of the sheep’s tongue (from the sheep’s point of view) as this is where the oesophagus is located. The main risks are that drench may be delivered into the lungs via the trachea or “windpipe”, which can also prove fatal. The opening to the trachea which leads to the lungs is in the middle of the back of the throat. Another risk is the throat can also be damaged due to rough handling.Silver metal with black finishing drench gun. Large curvature tip on gun protrudes from the body which feature a thin squeezable trigger to the front of the body. The main bulk, which the trigger is squeezed towards, has badge which reads “Manufactured and designed by N.J. Phillips Pty Ltd, Sydney”. Behind this body is silver tubing featuring attachment point for the tubing which would have carried the liquid drench into the gun. The small section of tubing still attached has a yellow/orange appearance from remanence of drench which would have been this colour.Left lettering: 10CC 5CC 0/ 7.5 2.5/ Left rotated lettering: MANUFACTURED/ & DESIGNED BY/ N.J.PHILLIPS PTY. LTD./ SYDNEY . AUSTRALIA/sheep drenching, veterinary instruments -
Robin Boyd Foundation
Book, Society of Industrial Artists, Designers in Britain, vol. 3 1851-1951, 1951
Hardcover W/ Dust Jacket"Robin Boyd" inside front cover and letter to the editor of The Age from Thomas C Lothian Publishers requesting a review "For review about 750 words please".design, walsh st library -
RMIT Design Archives
Design drawings
Drawing of styling proposal for HJ Monaro coupeSigned lower right, 'ZMOOD'automotive, design -
RMIT Design Archives
Posters, Architecture as Idea: Constructions by 26 Melbourne Architects, 1984
Architecture as Idea was curated by recent RMIT graduates Dale Jones-Evans, Randall Marsh and Roger Wood who had founded Built Moderne in 1983. The exhibition challenged the way architectural exhibitions could be. Rather than exhibiting representations of architecture (drawings, models, photographs) the curators invited their 26 exhibitors (25 men and 1 woman, Jennifer Hocking) to build an object expressive of their idea of architecture. Exhibition posterarchitecture, design -
The Mrs Aeneas Gunn Memorial Library
Book, George Routledge, The two paths : being lectures on art and its application to decoration and manufacture, delivered in 1858-9, 19
The following addresses, though spoken at different times, are intentionally connected in subject; their aim being to set one or two main principles of art in simple light before the general student, and to indicate their practical bearing on modern design. The law which it has been my effort chiefly to illustrate is the dependence of all noble design, in any kind, on the sculpture or painting of Organic Form.Ill, p.232.non-fictionThe following addresses, though spoken at different times, are intentionally connected in subject; their aim being to set one or two main principles of art in simple light before the general student, and to indicate their practical bearing on modern design. The law which it has been my effort chiefly to illustrate is the dependence of all noble design, in any kind, on the sculpture or painting of Organic Form. art, design -
Kew Historical Society Inc
Footwear - Pair of Black & Gold Leather Sandals, Paragon Footwear, 1950s
The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. Pair of open-toed women’s fashion shoes made of black leather with gold edging. The sling back shoes feature a narrow stiletto heel. The shoes were designed and manufactured by Paragon of MelbourneBelle Chasseur / PARAGON / REMI / Made in Australia Genuine Leather 8B women's shoes, footwear, sandals -
Kew Historical Society Inc
Headwear - Silk & Velvet on Net Floral Hat, Anne Harrison of Kew, 1950s
Marion “Annie” (Cooper) Harrison, a milliner by trade, designed and made women’s hats, initially in the 1940s in High Street, and later in the 1950s and 60s at 5 Princess Street. The hats were constructed upstairs in her shop in Princes Street while the ground floor was reserved for sales and display. She employed other milliners to assist but always ran the showroom herself. Hectic periods were in the weeks before the big racing carnivals when the many wealthy race-goers of Kew kept her busy. She typically walked to her business as she and her husband, Fred Harrison, lived locally. Annie died in April 2016, at the great age of 107 years. Her hats are held in local and national collections.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Cream and green silk floral hat on net designed by the Kew milliner Anne Harrison.Label: Anne Harrison of Kew, WA 9906anne harrison of kew, milliners - kew (vic), women's clothing, costume accesories - hats, fashion and textiles collection - kew historical society -
Port Melbourne Historical & Preservation Society
Document - Winning design, Leading Lights installation design, 1999
Used by donor as member of the judging panelArtist's concept for winning design regarding design of installation on the foreshore on the sightline of the Leading Lights'Confidential, Beacon Cove Leading Lights'beacons, melbourne harbor trust - port of melbourne authority, arts and entertainment - community arts, leading lights, port melbourne historical & preservation society, pmhps, friends of port melbourne foreshore, mirvac, pat grainger -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Souvenir - Tableware, Platter Hamel Day 1995
Presented on anniversary of battle of Le Hamel 1995.Large Plater with Ornate Design and inscription in centre. Leaf design and grooves around edge.Presented to 5/6 RVR Officers Mess by Lt Col. & Mrs Thomas. Hamel Day 1995officers mess, 5/6 rvr, regimental property, silver ware -
National Wool Museum
Book, Knitting, Sun-glo Knitting Book series 74
One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. Book produced by the Alexandria Mills and contains knitting patterns for children.Sun-glo / Knitting Book / 1'3 / DESIGN No. 2876 / (JUMPER) / PAGE 3 / DESIGN No. 2877 / (CARDIGAN) / PAGE 4 / Series 74handicrafts - history knitting, alexandria spinning mills pty ltd, handicrafts - history, knitting -
Flagstaff Hill Maritime Museum and Village
Ceramic - Chamber Pot, 1912
In the 19th and early 20th centuries, J. & G. Meakin were important, large-scale producers of good quality, ironstone tableware (‘White Granite’ ware) that met a ready market in the United States, South America, Australia, and other traditional British markets. By the 1890s the company was one of the world’s largest earthenware manufacturers. Although export teaware and tableware was the factory’s staple commodity, Meakin also manufactured toilet ware, kitchen ware and a wide range of fancy earthenware. The company was amongst the first British pottery firms to experiment with modernist designs associated with the art deco period. The Moderne' range was introduced in 1929 consisting of an angular shape decorated design with geometric patterns and often highlighted with silver or gold. This range remained in production through the 1930s. Post 1945 the company introduced the streamlined Studio shape (1953) and Horizon shape (1955) both heavily influenced by the Russell Wright ‘American Modern’ tableware. In 1964 a new Studio shape was released with tall streamlined coffee pots used as the background for many contemporary patterns now associated with the 1950s and 1960s. Designs by Jessie Tate and Eve Midwinter, some originally found on Midwinter shapes, also appear on 1970s Studio ware. The Studio range was one of Meakin’s most successful and continued in production until the late-1970s. The enormous range of floral, geometric, and abstract designs make Studio Ware collectible in its own right. In the 1970s and 1980s as part of the Wedgwood Group Meakin produced contemporary products under the ‘Bull in a China Shop’ and ‘Creative Tableware’ names. ‘Sol’ (c.1912-1963), ‘Studio’ (1953 on) and ‘Royal Staffordshire’ (post 1968) were important J. & G. Meakin Ltd trade names. Meakin marks are numerous, but all include the J. & G. Meakin name. The significance of this item and pottery generally is that often earthenware is portrayed as being a landmark in the evolution of humanity. This is because these items are the few things from the past that have survived in a tangible form. Pottery is an important functional part of society and it has a critical role to play as it helps archaeologists to date other artefacts of the same time period. Also, the decorations on pottery have told much about the beliefs, lifestyles and lives of the people who bought them and used them. In other words it gives us today a snapshot of society from the past and how people used these items in their daily lives, their likes as well as societal and design trends. Earthenware white glazed ironstoneJ & G Meakin Hanley England stamped to base, with white flora designwarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, pottery, earthenware, iron stone, alfred meakin, james meakin, george meakin, earthenware manufactures, chamber pot -
Glenelg Shire Council Cultural Collection
Domestic object - Frame - Ornate Gold Frame, Whitehead, Isaac, n.d
UnknownFrame in four sections. Outer edge design is an entwined leaf design. Second layer of design is a broad leaf design (like acanthus). Third layer is a simple pattern of raised points. Final interior layer is plain. Painted Gold.Front: (no inscriptions) Back: Framers label - (Isaac Whitehead, Collins St, Melbourne) Conservation Centre, Melbourne label.